| | | | Re: ATEM Television Studio QUESTIONS!
by Carlos A. Vazquez II on Jun 20, 2012 at 11:38:10 pm
in the Blackmagic Design Forum
Hy Rich
How come i only have two video inputs on my switcher?
that i can see my camera?
i mean the're eight but only in 3 and 4 i'm able to see my camera?
1 and 2 does not get highlighted or does not give's me the opcion of sd/ hd
or anyt | | | | |
| | | | Atem 2 M/E and TripleHead2Go
by Joel Smith on Jun 18, 2012 at 11:32:59 pm
in the Blackmagic Design Forum
We currently have a TripleHead2Go Digital Edition (DVI outputs) going to 3 projectors. We are planning on using our new Atem 2 M/E switcher to run each projector through an Aux output.
Does anyone have experience getting a TripleHead2Go into an At | | | | |
| | | | News: Grass Valley Showcases Breadth and Depth of Solutions at Broadcast Asia 2012
by Cow News Droid on Jun 18, 2012 at 8:41:08 pm
in the NEWS: Product News Releases Forum
GV STRATUS, K2 Summit, EDIUS, K2 Edge, and Karrera Headline the Show in Singapore
(San Francisco, California--June 18, 2012) At Broadcast Asia 2012 in Singapore, June 19-22, 2012, Grass Valley™ will showcase its latest suite of solutions to empow | | | | |
| | | | P2 clip ingest difficulties
by Grant Peacock on Jun 17, 2012 at 1:37:02 pm
in the Panasonic HVX - HPX (P2) Forum
I have a multi-cam shoot that was put through a switcher and fed via HD-SDI to my HPG-20. The HPG-20 plays the switched feed, 10 min clip recording fine (A, V both good) but I am getting a red exclamation mark and 'Error : Unknown' in the Status colu | | | | |
| | | | Re: PC required to run 4 BMD Intensity Pro
by Randy Ovaskainen on Jun 15, 2012 at 2:34:30 pm
in the Blackmagic Design Forum
Kymo,
That's pretty much it. If you're looking at hardware we have a Mac mini running the Atem software so we actually have another monitor but you could use a laptop.
We also have 2 BMD HDMI to SDI converters since the Atem TVS only has 4 HDM | | | | |
| | | | Re: A Cautionary Tale for the FCP Switcher
by craig slattery on Jun 15, 2012 at 1:05:19 pm
in the COW - Tutorials Forum
Walter, I have been a keen follower of your industry analysis for some time, on this topic I wonder if you didn't jump ship too soon? Especially since FCP 7 was doing the job you wanted it to do. Let me tell you where I'm at. I edit at least 50 hrs | | | | |
| | | | Re: A Cautionary Tale for the FCP Switcher
by Anhtu Vu on Jun 15, 2012 at 4:17:21 am
in the COW - Tutorials Forum
@Walter
Couldn't you just transcode your final sequence to your format of choice, then simply AAF that seq to Resolve ?
Have you given Symphony CC a shot ??? Most people talk about Symphony's secondary CC as the main difference to MC, but for m | | | | |
| | | | Re: A Cautionary Tale for the FCP Switcher
by Anhtu Vu on Jun 15, 2012 at 4:16:47 am
in the COW - Tutorials Forum
@Walter
Couldn't you just transcode your final sequence to your format of choice, then simply AAF that seq to Resolve ?
Have you given Symphony CC a shot ??? Most people talk about Symphony's secondary CC as the main difference to MC, but for m | | | | |
| | | | Re: PC required to run 4 BMD Intensity Pro
by Randy Ovaskainen on Jun 14, 2012 at 4:26:49 pm
in the Blackmagic Design Forum
Here's a quick update on our solution. We did proceed with the purchase of an Atem TVS to enable us to go up to 6 cameras. (I ran into problems with a bad port but that's a separate thread I posted). What we are doing for the live streaming portion i | | | | |
| | | | Blackmagic Mini Converter Black Level issues
by Dave Roberts on Jun 14, 2012 at 1:04:43 am
in the Blackmagic Design Forum
I'm setting up a small Blackmagic setup at my church with an ATEM 1 ME Switcher and 3 Component Analog JVC Cameras (via the CCU), which are getting converted to SDI with 3 BMagic Mini-Converters.
I have all the dip switches set to 7.5 IRE and al | | | | |
| | | | Re: field production switchers
by Mike Jeffs on Jun 12, 2012 at 2:37:24 pm
in the Field Production Forum
We have both a tricaster and a blackmagic atem switcher here at our university. Our students have used them both for creating they're newscasts. My opinion I prefer the tricaster. I can't quite nait it down but for me the atem is a bit more finicky. | | | | |
| | | | TV Pro Gear Builds 3D Flypack for WealthTV
by Debra Kaufman on Jun 12, 2012 at 4:15:59 am
in the Field Production Forum
When cable/satellite network WealthTV decided to offer a 3D channel, they turned to TV Gear Pro, experts in creating flypacks, to make the first-ever 3D flypack. TV Pro Gear president Andrew Maisner, who was also the project's design engineer, tells | | | | |
| | | | Re: A Cautionary Tale for the FCP Switcher
by Stephen Hullfish on Jun 11, 2012 at 6:35:56 pm
in the COW - Tutorials Forum
I respect Walter and the things he tried, but he made some fundamental mistakes (which he admits) and made some poor assumptions that don't apply to everyone. I definitely agree with some of his Avid issues, but the answer is also neither FCP7 or FCP | | | | |
| | | | Re: A Cautionary Tale for the FCP Switcher
by Sean Bates on Jun 11, 2012 at 3:32:27 pm
in the COW - Tutorials Forum
Walter, I have no doubt that your decision was well researched (in spite of your self-effacing comments above). My rant (fueled by a few too many Sunday afternoon libations) was directed at Avid.
You think Avid is fully aware of DS? My experie | | | | |
| | | | Re: A Cautionary Tale for the FCP Switcher
by Sean Bates on Jun 11, 2012 at 2:19:21 am
in the COW - Tutorials Forum
See, if Avid knew how to market their own products, they would have told you that Avid DS is a great way to conform and color correct projects offlined in Avid MC/Symphony. Of course, 95% of the people who work at Avid don't realize they own DS. Go | | | | |
| | | | Re: Premiere CS6 roundtrip?
by Michael Griggs on Jun 9, 2012 at 7:27:19 pm
in the DaVinci Resolve Forum
Check out Walt Biscardi's Article on this.....very enlightening.
http://magazine.creativecow.net/article/a-cautionary-tale-for-the-fcp-switcher
The quick version: you're gonna hafta export a master file and cut it up in Resolve. | | | | |
| | | | Re: FCP 7 and Canon VIXIA G10
by David Eaks on Jun 8, 2012 at 11:21:46 am
in the Apple Final Cut Pro Forum
I tried, didn't find any settings to change the output, just a 1080p on/off. The manual even says "correct operation can not be guaranteed on DVI monitors".
With an HDMI (f) to DVI (m) adapter on my switchers DVI input, I alternately plugged the G | | | | |
| | | | HPX-250 for Sports
by Larry Zapotocky on Jun 7, 2012 at 9:04:37 pm
in the Panasonic HVX - HPX (P2) Forum
Hello All,
I'm looking at getting some new HPX-250 cameras for our local sports coverage of local high school sports. The SDI feeds from the cameras will go back to a switcher in our truck. We currently use the HVX-200.
Does anyone have exper | | | | |
| | | | Re: Syncing Audio in Post
by Bouke Vahl on Jun 7, 2012 at 2:19:32 pm
in the Audio Professionals Forum
I don't know all the gear, but i do know about syncing :-)
From specs, your cams are capable of TC in / out.
So if you don't have a master TC generator, put one of the cams in TC out mode and make that your master clock and slave the rest to that | | | | |
| | | | Putting the B Back in NAB
by Ryan Salazar on Jun 7, 2012 at 12:54:43 pm
in the Broadcasting Forum
NAB has been more than a broadcast show for a very long time -- but the "B" still stands for "Broadcasters!" Engineer Ryan Salazar takes a look at new products for the old school. | | | | |
| | | | Re: Bad video quality from Beta SP
by Mike Squires on Jun 6, 2012 at 5:46:01 pm
in the Adobe Premiere Pro Forum
Does your switcher have the ability to output color bars? If so, output the color bars, record it BetaSP, ingest that to Premiere Pro, and then look at the scopes. That should tell you if things are off. | | | | |
| | | | Syncing Audio in Post
by Lucas Etten on Jun 6, 2012 at 12:37:08 am
in the Audio Professionals Forum
Hello,
I'm new to the forums here. I did a search and found some helpful information, but I still want to ask a question about my current setup.
I was recently sort of tossed into the role of "video guy" at my current company. We are mainly a | | | | |
| | | | Re: @A Cautionary Tale for the FCP Switcher
by Alex Udell on Jun 4, 2012 at 8:37:55 pm
in the COW - Tutorials Forum
Yah Jeremy....well written indeed. Lot's to chew on there.
I too think that containers like MXF hold a key to creating a more homogenous environment...but a large part of previous development for the laymen has been how to work around it as oppo | | | | |
| | | | Re: @A Cautionary Tale for the FCP Switcher
by Jeremy Garchow on Jun 4, 2012 at 6:49:01 pm
in the COW - Tutorials Forum
[Marco Solorio] "And to further digress... I can't wait to see how Smoke will work in this regard. If they can get it to talk seamlessly with other apps, then they'll be way ahead of the game. Autodesk really has a golden opportunity here."
Yeah, | | | | |
| | | | Re: @A Cautionary Tale for the FCP Switcher
by Marco Solorio on Jun 4, 2012 at 6:35:20 pm
in the COW - Tutorials Forum
No apologies needed, Jeremy! ;-)
There are definitely things I love in Premiere (simple things like copy clip from Premiere timeline and paste it right into AE... so cool). And I absolutely love the editing workflow, interface and features of Symp | | | | |
| | | | Re: @A Cautionary Tale for the FCP Switcher
by Jeremy Garchow on Jun 4, 2012 at 5:33:19 pm
in the COW - Tutorials Forum
[Marco Solorio] "Hey wait a minute, how did my name get thrown in here? LOL! "
*hand up*
My fault, my fault. Apologies! ;)
FWIW, we are using FCP7 for now too. It will take some more time before we jump ship. There are some very close co | | | | |
| | | | Re: A Cautionary Tale for the FCP Switcher
by walter biscardi on Jun 3, 2012 at 11:12:57 am
in the COW - Tutorials Forum
[Andrzej Tomczak] "I still use XDCAM TRANSFER to make QT XDCAM HD. Then I use PP CS6 to edit ( nice part), Then I create XML , open it with Resolve. Resolve work nice with xdcam HD QT files. "
We avoid transcoding to Quicktime wherever possible be | | | | |
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