| | | | MTV Trials 3D for Video Music Awards
by Debra Kaufman on Sep 16, 2012 at 1:11:26 pm
in the Blackmagic Design Forum
MTV took a step towards 3D broadcasts at its annual Video Music Awards, feeding a 3D signal into the Regal Theatre adjacent to the event's downtown Los Angeles venue. That 3D signal was a real-time 2D-to-3D conversion thanks to Blackmagic Design's ne | | | | |
| | | | Service: Jon Miller
by William Jon Miller on Aug 30, 2012 at 2:27:08 pm
in the COW - Services Forum
I’ve been editing in Atlanta since 1983 with over 20 years experience with AVID Media Composer and Symphony and 10 years experience with FCP.
I am proficient in Photoshop, After Effects, Compressor, DVD Studio Pro, Sorenson Squeeze, Boris Red and | | | | |
| | | | Jon Miller
by William Miller on Aug 30, 2012 at 7:27:08 am
in the Forum
Jon Miller 2488 Dakota Trail • Lilburn, GA 30047 • (404) 216-6021 • wjonm2002@yahoo.com Creative - Experienced - Versatile • Over 30 years editing experience. Skilled in AVID and Final Cut Studio Pro. • Proven capabilities with graphic support softwa | | | | |
| | | | Flame Assistant
by COW Jobs on Mar 2, 2012 at 4:08:29 pm
in the JOBS Offered - Higher Pay Forum
We are a boutique VFX Flame House that handles a high volume of work located on the same floor as a prominent editorial facility in Manhattan. We are a dedicated, small, tight knit group looking for a self motivated member to add to our team. The Fl | | | | |
| | | | Re: Recording multiple sources
by James O'Malley on Feb 13, 2012 at 2:26:31 pm
in the Blackmagic Design Forum
Hi Klaus,
What about renting 3 Sony HDCAM SR decks, all machine controllable, use each deck's dual stream HDSDI path to record 2 streams of 4:2:2 HD 60i to tape as your master archive, then for your internet elements, you can either capture the 3 du | | | | |
| | | | Re: Output audio drops
by AJA Sales Department on Jan 27, 2012 at 1:16:15 am
in the AJA Kona - Mac Forum
Please consider contacting AJA Technical Support for assistance if you have not already done so.
It is not clear from your post what format, frame rate, codec, etc. you are working with and trying to lay back to the Sony HDCAM SR VTR. Any numbe | | | | |
| | | | Flame Assistant
by COW Jobs on Jan 11, 2012 at 8:38:35 pm
in the JOBS Offered - Higher Pay Forum
Flame Assistant Requirements
Duties include:
Assisting Flame Artist with day to day operations
Keep track of hours / work done by both the Flame Artist and You
Work closely with Producer / Clients to ensure all elements are acquired for Jobs
| | | | |
| | | | Service: Jose Guzman
by jose guzman on Nov 18, 2011 at 12:20:26 am
in the COW - Services Forum
Automat Pictures: Post Production Supervisor / Online Editor & Colorist September 2009-Present
- As Post Production Supervisor:
- Design post-production workflows from pre-production to delivery on all projects
- Manage assistant editors, edito | | | | |
| | | | Jose Guzman
by jose guzman on Nov 17, 2011 at 4:20:26 pm
in the Forum
Relevant Skills: - a deep understanding of the video waveform, frame rates, frame dimensions, pixel aspect ratios, color space, codecs, and broadcast standards - Knowledge of professional VTRs including Sony HDCAM-SR and HDCAM, Digital Betacam, DVCAM | | | | |
| | | | Panasonic 3700B D5 CHEAT SHEETS??
by Matthew Press on Jun 14, 2011 at 3:08:42 pm
in the Sony SRW Decks Forum
Anybody have a Cheat Sheet list for the operations of the Panasonic 3700 D5. Their is a lot of info on the basics for the Sony HDCAM SR but zero on the D5. I need to get up to speed asap on the D5.
The manual is not a quick way to go. | | | | |
| | | | Need advise for HD TV show output 720p
by Victor Nappe on Jun 4, 2011 at 8:47:12 pm
in the Panasonic HVX - HPX (P2) Forum
So, we are back on the air, but now in HD :) We were in SD a few years ago and took a bit of vacation. Now we are having a big learning curve for "best practices".
We have 2 Pana 200's used for 90% of the time and sometimes some mixed footage (hd | | | | |
| | | | HD To SD
by Asit Vats on Dec 16, 2010 at 12:47:00 pm
in the HD High-End Forum
Hi!
We just bought Sony HDCAM SR VTR.
SRW - 5500
We have a patch panel for connecting different vtrs
and other connections.
We have Sonic SD-Series Encoder.
My problem is, what should be
the settings when I want to capture from HDSR
for | | | | |
| | | | Decklink Extreme HD-SDI and HDMI simultaneously
by Neil Sadwelkar on Nov 6, 2010 at 10:05:43 am
in the Blackmagic Design Forum
With the new Decklink HD Extreme 3D can I get video (and embedded audio) out over HD-SDI and simultaneously over HDMI as well?
Further, can I route the embedded audio (6-8 tracks) through HDMI so that I could use a professional HD-SDI monitor for | | | | |
| | | | 3D editing...any good advice for a first timer?
by Joe Procopio on Sep 27, 2010 at 6:59:39 pm
in the AVID Forum
we're getting some footage shot in 3D (a hockey game) and we need to cut a promo using this footage that will be conformed out of house. we would be supplying an EDL for the conform.
any and all advice is welcomed as this is our first foray into | | | | |
| | | | Re: HDLinkPro 3D not working
by Mike Connell on Sep 8, 2010 at 1:45:42 pm
in the Blackmagic Design Forum
Our video sources are various HDSDI signals coming from Sony HDCam SR decks with the dual link options and other various broadcast quality HD video servers. We have tried both 720, 1080 at various frame rates. The Sony HDCAM VTR will output 2 tota | | | | |
| | | | Re: Kona 3 Buy now or wait
by Bob Zelin on Feb 11, 2010 at 1:48:15 am
in the AJA Kona - Mac Forum
This post is in the running for the stupidest post on the AJA Kona forum in a long time.
You are going to rent a Sony HDCam SR VTR for what - $1200 A DAY, correct ? I assume that this is not a job for a charity to benefit Haiti, am I correct ? | | | | |
| | | | Re: DVD source okay for broadcast?
by Bob Zelin on Dec 27, 2009 at 7:12:39 pm
in the Broadcasting Forum
that is not up to the people on this list. Every station has different delivery requirements. Of course, you can just playout the DVD video into your show (rip the video, or digitize it in with an AJA or Blackmagic card at ProRes422HQ), and don't t | | | | |
| | | | Re: problem getting stable video out of VideoHub
by Bob Zelin on Dec 19, 2009 at 10:58:01 pm
in the Blackmagic Design Forum
Eric -
what you are observing, is that you can't live life in a complex facility without a scope. And don't you DARE tell me that you can't afford one, with a client that owns a SRW5500.
As Maurice just told you, ANY SD-SDI or HD-SDI router ha | | | | |
| | | | Re: Future of betacam?
by Bob Zelin on Dec 19, 2009 at 4:30:12 pm
in the Broadcasting Forum
Hi Binny,
not only is Beta a dying format, every tape format is a dying format. You are new to business, but our business is a cruel business. Every few years, you spend a lot of money, and then the format dies, and you have wasted your money. | | | | |
| | | | Heavy Iron
by Zed Saeed on Aug 18, 2009 at 3:16:21 pm
in the Business & Marketing Forum
How can a creative business survive, much less prosper, these days? DigitalFilm Tree's Zed Saeed offers a possible solution that combines embracing new, disruptive, low-cost technologies, and investing wisely to add value. | | | | |
| | | | Hyperactive Broadcast
by James Gander on Mar 22, 2009 at 10:52:48 am
in the Forum
Major Television Projects include supplying equipment for the Beijing Olympics and most other major national & international sporting events, over 150 feature films including Harry Potter, Golden Compass, etc. and numerous Televison programmes from D | | | | |
| | | | Re: SONY HDCAM SR to D5 clones
by Mads Nybo Jørgensen on Mar 19, 2009 at 12:04:20 am
in the HD High-End Forum
Hey Richard.
[Richard Dolesh] "Would digitizing a HDCamSR tape with the new Blackmagic Decklink HD Extreme to a sufficient raid and playing back out to the same deck be a true clone?"
No, No, No, No, NOOOOOO - it won't.
As soon as the HD-CAM SR m | | | | |
| | | | Re: SONY HDCAM SR to D5 clones
by Richard Dolesh on Mar 18, 2009 at 11:51:56 pm
in the HD High-End Forum
Hmm, this thread really is interesting...
Would digitizing a HDCamSR tape with the new Blackmagic Decklink HD Extreme to a sufficient raid and playing back out to the same deck be a true clone? (Assuming your using 2 channels of audio or less)
Ric | | | | |
| | | | Re: SONY HDCAM SR to D5 clones
by Tim Kolb on Nov 17, 2008 at 2:00:22 pm
in the HD High-End Forum
I'm a little late to the thread, but I think the key phrase here is "clone"...you cannot make a D5 clone of HDcamSR footage...it will be a decode to (and I think this term is perhaps a bit stretched from analog times...) 'baseband' and re-compress... | | | | |
| | | | Re: SONY HDCAM SR to D5 clones
by Peter Wollsey on Nov 12, 2008 at 12:36:42 am
in the HD High-End Forum
Hi guys.....
Thanks for the suggestions.....I hadn't thought of hiring a second HDcam deck....I think that's the way we will go.....also it appears that a D5 tape is around $250 while a HDCAMSR tape is around $100....so the difference more than pays | | | | |
| | | | Re: SONY HDCAM SR to D5 clones
by gary adcock on Nov 11, 2008 at 11:40:20 pm
in the HD High-End Forum
[Mads Nybo Jørgensen] "Peter - why don't you HIRE a second HD-CAM SR VTR?!!
and knock the dubs out in a weekend. "
faster than that with the SDTI connection you have the ability to dub at better than 2x realtime. gary adcock
Studio37
| | | | |
| | | | Re: SONY HDCAM SR to D5 clones
by Bob Zelin on Nov 11, 2008 at 11:32:40 pm
in the HD High-End Forum
Sony will hang up your post in their office, as it is pretty funny to say that you want to do an SRW dual link 4:4:4 clone using a different VTR.
Now, I think the whole SRW thing is a bunch of baloney, but what the hell do I know. The D5 is a grea | | | | |
| | | | Re: SONY HDCAM SR to D5 clones
by Mads Nybo Jørgensen on Nov 11, 2008 at 10:33:25 pm
in the HD High-End Forum
Hey Peter.
Well done!
You actually managed to combine the words SONY, HDCAM, SR, PANASONIC, D5 and CHEAP into one sentence.
My advice would be to DUB all your masters back again from D5 to HD-CAM SR so you only have to use one D5 tape and all your | | | | |
| | | | SONY HDCAM SR to D5 clones
by Peter Wollsey on Nov 11, 2008 at 10:12:46 pm
in the HD High-End Forum
I have a batch to SONY HDCAM SR camera master tapes and need to make backup clones. Obviously the thing we should be doing is going to a dub house and making SONY HDCAM SR clones of these. However we happen to have very cheap access to one SONY HDCAM | | | | |
| | | | Re: Advice sought on HD camera rental
by Dale Doebert on Aug 28, 2008 at 4:20:36 pm
in the HD High-End Forum
The document I had was last updated 2006. I'm sure it is close to the spec's now though.
I agree with Adam. You should have the producer supply you with specific formats needed.
BROADCAST MASTERS
Sony HD Cam 1080i / 59.94, Stereo audio on cha | | | | |
| | | | Ask Bob and then stand back
by Bob Zelin on Aug 3, 2008 at 2:17:48 pm
in the Broadcasting Forum
If you don't want to know, don't ask. Bob Zelin is one of the industry's straightest shooters, and he'll tell you how he's seen things work during his 30+ years in the broadcast trenches. | | | | |
| | | | Re: What tape format does your Broadcaster require?
by Bob Zelin on Jul 20, 2008 at 9:37:26 pm
in the AVID Forum
Every broadcaster has different delivery specs. Some require Betacam (but I shot my show in HD, how can I deliver a beta tape? ), some require DVCPro. Some require Digi Beta, some require HDCam, some require Panasonic DVCProHD, some require Sony HD | | | | |
| | | | Edit to tape problems
by Scott Ellison on May 12, 2008 at 9:39:20 pm
in the Apple Final Cut Pro Forum
Recently, I've been having two edit to tape problems:
(1) In a 720p59.94 10 Bit Uncomp sequence, the program drops frames on output - sometimes in different places, sometimes consistently in the same place - in either case, I never get to output the | | | | |
| | | | Xena vs. Multibridge
by Rafal Pyszka on Apr 16, 2008 at 7:33:57 am
in the AJA Kona - PC Forum
Which capture solution is better? Aja xena or Decklink Multibridge Eclipse? We want to buy Sony HDCAM SR and create blu-ray disc and dont knows which capture solution choose. | | | | |
| | | | Re: dvcproHD to HDCAM (FCP)
by Jose M. Garcia on Mar 21, 2008 at 10:46:45 pm
in the AJA Kona - Mac Forum
Quick Update - 03.21.08
I was able to take dvcproHD 720p60 footage @ 23.98 and bring it into a FCP dvcproHD 720p23.98 sequence and have it upconvert to 1080psf23.98 using a Kona3 and lay that back on to the Sony HDCAM-SR 5500 deck. Problem is, the | | | | |
| | | | MLW Productions
by Brandon Lima on Mar 3, 2008 at 1:08:09 pm
in the Forum
Pre-Production through post we have experience with all types of productions from corporate training videos to concerts. MLW Productions has been in business since 2004 and has specialized in multi camera coverage of live events, as well as product a | | | | |
| | | | RS-422 problems, random error messages
by Matt Devino on Feb 27, 2008 at 9:32:39 pm
in the Blackmagic Design Forum
Hi Everyone and thanks in advance...
I have an 8-core MacPro that I use a Blackmagic Decklink HD Pro capture card with. It's been running fairly stable for a while and I've had capture and edit to tape frame accuracy with all of our decks (HDCAM, D5 | | | | |
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