| | | | A DIT Tells All
by Von Thomas on Mar 21, 2012 at 9:37:10 am
in the ARRI Forum
You've heard of on-set file-based workflow? That's Von Thomas. Here's an inside look at his gear, and management secrets that can work for you too. | | | | |
| | | | News: Canon U.S.A. Introduces the REALiS WUX5000 and WUX5000 D, Its Brightest Installation LCOS Proj
by Cow News Droid on Feb 8, 2012 at 7:50:14 pm
in the NEWS: Product News Releases Forum
Convenient Design, 5000-Lumen Brightness, Unique Canon LCOS Display Engine, and a Choice of Canon Projection Lenses Combine For Seamless, Higher-Than-HD Resolution Image Quality
(Lake Success, New Jersey--February 8, 2012) Canon U.S.A., Inc., a le | | | | |
| | | | 3D Rigs Get Faster, Smaller, Lighter with HELIOS
by Debra Kaufman on Oct 24, 2011 at 7:29:29 pm
in the Stereoscopic 3D Forum
HELIOS is the new wireless, self-contained 3D stereo rig from 3D stereo camera pioneers Paradise FX. EPIC, Alexa and F3 shooters take note: because HELIOS is untethered, lightweight and self-contained, a Steadicam operator can move as freely as on a | | | | |
| | | | Footage Entertainment
by jeffrey hagerman on Jul 10, 2011 at 7:21:35 pm
in the Forum
OBJECTIVE: Apply my knowledge and experience from working in the film and television industry on new projects that best utilizes my skills, to deliver quality content that reflects a clear vision. WORK EXPERIENCE: Digital Video Production Head at The | | | | |
| | | | Re: Prerender dynamic linking?
by Tim Kolb on Dec 1, 2010 at 8:38:11 am
in the Adobe Premiere Pro Forum
It sort of depends where you're most comfortable doing each thing...
Going backwards...I happen to think that PPro's audio capabilities are more advanced, though they are also more complex, than FCP for work on the video editing timeline. Just th | | | | |
| | | | SHORT hand held camera support demo: FP3 HD cinema prototype positioner
by Thomas Harris on Sep 21, 2010 at 5:34:39 pm
in the Forum
This footage was shot with the 'FP3' cinema prototype operator supported remote camera positioner by BrownstoneBeam.com, with 2 to 20 pound (1 to 9 KG) payload capacity. This allows for use with HD cameras such as Silicon Imaging's SI-2K cinema came | | | | |
| | | | News: MARVIN Coming Home to IBC
by Cow News Droid on Jul 21, 2010 at 5:06:40 pm
in the NEWS: Product News Releases Forum
Automated Digital Cinematography Workflow System Now Available
(Amsterdam, The Netherlands--July 21, 2010) MARVIN Technologies will unveil its production-ready MARVIN system during the IBC Exhibition, Sept. 10-14 in Amsterdam. MARVIN provides a si | | | | |
| | | | Magic Journey to Africa
by Bernat Aragones on May 6, 2010 at 9:35:48 pm
in the Stereoscopic 3D Forum
Barcelona's Apuntolapospo draws on 18 years of experience to create live-action 3D. There have obviously been stereoscopic films for many years, since the 50s, and even earlier. In this new age of digital filmmaking, though, "Magic Journey to Af | | | | |
| | | | 2010 is NAB turned as S3D NAB
by Nedunghattil Dhanil on Apr 13, 2010 at 6:16:23 pm
in the Stereoscopic 3D Forum
Hi guys,
These are very interesting things that now happening on NAB.
1) Silicon imaging introduced worlds first integrated stereoscopic camera that records on 2K, and they also introduced a portable recording station for SI3D with inbuilt time co | | | | |
| | | | News: MARVIN Lands in Las Vegas for NAB
by Cow News Droid on Apr 9, 2010 at 11:02:34 pm
in the NEWS: Product News Releases Forum
New Technology Automates Digital Cinematography Workflow and Protects Data
(NAB 2010 Las Vegas--April 9, 2010) Dutch start-up company MARVIN Technologies will present MARVIN during the National Association of Broadcasters convention, April 12-15 i | | | | |
| | | | Re: Visual comparison between the 7D, 5D, RED ONE
by Neil Abeynayake on Mar 11, 2010 at 2:48:30 am
in the DSLR Video Forum
Ryan,
The primary role of a codec is to take large data sets presented to it in a logical array, deduce and compile that data to be used by an end user more economically. The RED One uses codec by the name "RED code".
(I quote);
Redcode R | | | | |
| | | | Service: Dartt
by Fernando Fonseca on Mar 11, 2010 at 12:26:36 am
in the COW - Services Forum
Post Production Production Editing Digital Intermediates Full Service Video Productionsan jose Costa RicaDarttDart is full production and postproduction facility located in San Jose Costa Rica, at 30 minutes from the airport juan santa | | | | |
| | | | Dartt
by Fernando Fonseca on Mar 10, 2010 at 4:26:36 pm
in the Forum
Dart is full production and postproduction facility located in San Jose Costa Rica, at 30 minutes from the airport juan santamaria, and 90 min from beaches ;), the company has a concept of all-in-one place, so you can get here just with the script an | | | | |
| | | | Re: Experience Designers wanted in Portland
by Eric Goldstein on Jan 29, 2010 at 10:06:56 pm
in the JOBS Offered - Higher Pay Forum
To Whom it May Concern,
I am an experienced, award-winning compositor, motion graphics artist, editor and VFX
supervisor. I am also an experienced Director and D.P. I've worked on everything from features
to TV spots, webisodes to documentar | | | | |
| | | | Re: Editor/Motion Graphics Designer
by Eric Goldstein on Jan 29, 2010 at 10:02:29 pm
in the JOBS Offered - Higher Pay Forum
To Whom it May Concern,
I am an experienced, award-winning compositor, motion graphics artist, editor and VFX
supervisor. I am also an experienced Director and D.P. I've worked on everything from features
to TV spots, webisodes to documentar | | | | |
| | | | mixed formats
by Matt Kerstein on Dec 30, 2009 at 7:05:48 pm
in the HD High-End Forum
We have content gathered with 3 different systems 1. Silicon Imaging 2k shot at 1080p 2. Canon 5D shot at 1080P and Sony HDR-FX1000 shot at 1080i. All three were shot at 29.97 time base. What would be the best work flow to edit this content?
Aloha & | | | | |
| | | | Another 3D Workflow
by Jon Shelson on Dec 8, 2009 at 3:36:37 am
in the Stereoscopic 3D Forum
Hi,
Sorry for another post about a 3D workflow. We're shooting 1 song of a concert in 3D (numerous times) as part of a university thesis project. We're going to be shooting on Silicon Imaging 2K rigs.(Rented from http://www.3dcameracompany.com) As | | | | |
| | | | Re: Questions about 2k and 4k
by gary adcock on Oct 3, 2009 at 5:14:54 pm
in the Apple Final Cut Pro Forum
[Francis Robertson] "I know that the RED ONE Camera can capture 2k and 4k, are there any other cameras capable of doing so? "
2k and 4K reference the recording frame size, whether it be 2048 or 4096 pixels across.
yes there are any number of cam | | | | |
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