| | | | The End of the Word as We Know It...
by Leo Ticheli on Mar 26, 2008 at 10:03:54 pm
in the RED Camera Forum
the Cool Aid. Take this as friendly advice or a warning. Nothing in our business is ever going to be the same again. You can join the revolution or watch it pass you by. Our Red camera arrived this morning ... | | | | |
| | | | 4 Channel TC Red Camera Snake W/Disconnect
by Lori Wilcox on Jun 25, 2008 at 6:07:13 pm
in the RED Camera Forum
Hello Everyone, Just wanted to let you know that Wilcox Sound & Communications, in Burbank CA. (818)557-3377 has just Beta Tested there new 4 Channel TC Red Camera Snake With Disconnect. It was tested by Cinemanic Rentals Los Angeles, CA. ... | | | | |
| | | | wrokflow; red to color to film
by Bill Garmen on Sep 30, 2008 at 3:55:55 am
in the RED Camera Forum
I am starting to work on a indie moevie. We are going to shoot with two red camera and post in with Final Cut Pro and color in Apple's Color and then go out to film. I have been reading ... | | | | |
| | | | d Workflow Specifics
by Ben Holmes on Sep 27, 2008 at 10:22:22 pm
in the RED Camera Forum
can. You'll need fast storage, and plenty of space... Ben Edit Out Ltd ---------------------------- FCP Editor/Trainer/System Consultant EVS/VT Supervisor for live broadcast RED camera transfer/post Independent Director/Producer | | | | |
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RED Camera
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Exposing the RED: Perfect Exposure, Every Time
Director DP, REDtrepreneur, early adopter and obsessed student of the RED camera system David Battistella takes a closer look at how to hit the sweet spot on the RED sensor. David shows how understanding REDs inner workings will help you expose your scene just right, every time.
Feature
Author: David Battistella |
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| | | | ED using NON-Intel based G5
by Ben Holmes on Sep 20, 2008 at 2:06:44 pm
in the RED Camera Forum
Short answer: No. Sorry. Ben Edit Out Ltd ---------------------------- FCP Editor/Trainer/System Consultant EVS/VT Supervisor for live broadcast RED camera transfer/post Independent Director/Producer | | | | |
| | | | Shade for Red Camera
by Michael Canham on Oct 2, 2008 at 2:41:35 pm
in the RED Camera Forum
Hello all, I am new here, because I just returned from PhotoKina 2008 in Koln, Germany with a new product that my company is going to import and sell specifically for the Red Camera. It is a shade for the ... | | | | |
| | | | d Room for Color
by Ben Holmes on Sep 20, 2008 at 2:05:43 pm
in the RED Camera Forum
Heard a few grumbles around IBC that Apple were delaying a new release of Color until RED support was sorted - which is holding up some peripheral makers releasing control surface hardware. Nothing official, obviously... Edit Out Ltd ---------------------------- FCP ... | | | | |
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AVID Editing
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Under the Gun with RED One
Dylan Reeve and a small team of New Zealand filmmakers had 48 hours to get their assignment, write a script, direct, shoot and post their film, then hand in the finished show...oh yeah, and refine their RED shooting and editing skills under the gun while trying to beat out 230 other teams! Sound wild? You have no idea....
Feature
Author: Dylan Reeve |
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| | | | News: Avid Announces RED Support
by Cow News Droid on Sep 30, 2008 at 7:24:53 pm
in the News & Press Releases Forum
(Nasdaq: AVID) today announced that it has signed a R3D Software Developer’s Kit (SDK) License agreement – as part of the company’s continued commitment to enhancing its RED camera workflows. “We are excited to begin a more formal relationship with ... | | | | |
| | | | BNCR Mount for Prime Lenses tested on Red Camera
by Mark Shepherd on Apr 13, 2008 at 3:11:41 pm
in the RED Camera Forum
I recently had a BNCR lens front mount made for the RED camera, because of the shortage of good used Zeiss lenses on the market. It works great. If you would like to see pictures of the RED camera with ... | | | | |
| | | | d 4k workflow
by Ben Holmes on Jul 15, 2008 at 12:08:05 am
in the RED Camera Forum
You can absolutely output to dpx and pan and scan in after effects - you just better have a lot of storage, and fast drives. Ben Edit Out Ltd ---------------------------- FCP Editor/Trainer/System Consultant EVS/VT Supervisor for live broadcast RED camera ... | | | | |
| | | | System requirements for Red Post
by danielle wang on Jun 16, 2008 at 8:29:40 pm
in the RED Camera Forum
Hi, I started a short that was shot with a Red camera on a MacPro. We only finished syncing all the dailies, and now the editor wants to edit on her laptop. She has a G4, 1 gig ram, processor ... | | | | |
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Cinematography
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Shooting with RED: Testing, testing...
CreativeCOW leader Gary Adcock's experience shooting both film and HD gives him a unique perspective as he takes you along for thorough testing with the new RED camera. In part 1 of this series, he focuses on the camera's benefits and shortcomings of the camera itself, as well as some of the challenges shooting with it.
Feature
Author: Gary Adcock |
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| | | | any way to reduce noise in build 16
by Ramona Howard on Jul 18, 2008 at 9:09:31 pm
in the RED Camera Forum
Thanks David, I would be careful in saying that all other cameras do sharpening. I do believe this may be inaccurate. So is it safe to assume that the Red camera does no color passes or filtering of any kind ... | | | | |
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HD High-End
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Dress for Success with RED
Not all production with the RED camera is Hollywood-scale. Craig Meadows is in a smaller market, doing mostly local and regional spots. Even though he's only had his RED for a short time, he tells you here about how it works, its workflow, and how it's already making a big difference for his clients.
Feature
Author: Craig Meadows |
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Adobe After Effects
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On Set Keying
In this article Creative Cow Leader Andrew Shanks plans to go through some of the software options for checking greenscreens on set (Lensfeed, Veescope and Conduit Live).
Review, Feature
Author: Andrew Shanks |
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Apple Final Cut Pro
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Seeing RED in Montreal: A Creative COW Real Time Report
None of the RED cameras have yet made their way into an owner's hands in Montreal, so Mathieu Marano helped arrange an introduction for the Final Cut Montreal user group. In this Creative COW Real Time Report, he shares the details of that meeting, as well as his first experiences with RED post-production workflow. Since this is a real time report, stay tuned for updates as Mathieu and the producers of Montreal learn more.
Review
Author: Mathieu Marano |
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Adobe After Effects
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The Sonnet D800 RAID: Speed and Safety
Jeremy Garchow's business is growing. So was his storage, and the potential for disaster. SATA array are less expensive, but were they safe, even with redundancy? With the Sonnet D800 he's got a terabyte of uncompressed HD, with full protection, for a great price. Read on to see the details of his set-up, and see if SATA and the Sonnet D800 will work as well for you as it has for Jeremy.
Review, Feature
Author: Jeremy Garchow |
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AJA io
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Shane Ross Reports: IBC 2007
Creative Cow leader Shane Ross saved you a trip to Amsterdam -- further for some Cows than others, but pretty far for most. As always, you can count on Shane to tell you exactly what he thinks about what he saw: AJA, Sony XDCAM EX, Edit Share, and That Other Camera.
Feature
Author: Shane Ross |
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Apple Final Cut Pro
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Five Free Plug-ins for Final Cut Pro
If you love plug-ins for Final Cut Pro, youll love free plug-ins even more. CreativeCow.net Contributing Editor Stephen Smith highlights his five favorite free plug-ins for FCP, everything from eye candy to the ones that save your bacon.
Feature
Author: Stephen Smith |
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Podcasts | | | | creative cow podcast
Episode #043 - October 01, 2008
Episode 043 - Engaging the Audience with Norman Hollyn, head of the editing track at USC Film School; Avid goes RED; Cakewalk Sonar 8; Windows Cloud OS; iPhone; YouTube updates; and more creative tech news, interviews and reports - www.creativecow.net | | | | |
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