| | | | Re: Raamw3rk
by oskar Jon on Apr 1, 2013 at 5:15:46 pm
in the COW - Services Forum
Hello
I am representing OskarJon-Film Designer.
We are coming to an end to a grind house style feature trilogy .
We like to hire your services for a few touch up.
Our 1st of 7x (60 seconds test trailer)
http://www.youtube.com/watch?v=0 | | | | |
| | | | Barend Onneweer VFX // Raamw3rk - VFX Breakdown Reel 2011
by Barend Onneweer on Feb 19, 2013 at 12:10:40 pm
in the Forum
This visual effects demo reel contains VFX breakdowns from 2006 to 2011. The first series of clips are from my work on the feature film "Shock Head Soul" www.shockheadsoul.com. Although I also supervised additional vfx on the film, all the work on th | | | | |
| | | | Re: LogC LUTs
by Barend Onneweer on Sep 9, 2010 at 6:46:26 pm
in the ARRI Forum
Just to confirm: I can't load any of the Arri LUTS in Scratch, because the supplied LUTs don't have headers.
I've actually been in touch with LightIllusion about them and LightIllusion doesn't load the LUTs either. Seems like Arri placed a mostly | | | | |
| | | | Re: Up the Green channel
by Barend Onneweer on May 15, 2010 at 5:33:05 pm
in the Adobe After Effects Forum
If the overall color balance looks okay, I'd look at increasing the saturation - this will bring out the color a bit more.
Barend
Raamw3rk - digital storytelling and visual effects | | | | |
| | | | Ultrascope PCIe dimensions
by Barend Onneweer on Sep 11, 2009 at 8:41:01 am
in the Blackmagic Design Forum
Hi,
I'm sure people are getting mighty annoyed with question about Ultrascope hardware compatibility - but I'm investigating the possibility to put an Ultrascope board into a 1U rackmount machine.
I'm looking at something like this:
http://ww | | | | |
| | | | Re: Shooting a TV for composite
by Barend Onneweer on Aug 20, 2009 at 7:20:27 pm
in the Adobe After Effects Forum
Like Scott says: if you shoot the TV without picture on it you get the reflection. Then composite your picture in using "Screen" blend mode and tweak to taste.
If your camera is moving you may want to make sure you've got something to track. 4 sma | | | | |
| | | | Re: Workflow to achieve any effects
by Barend Onneweer on Aug 19, 2009 at 8:16:18 pm
in the Adobe After Effects Forum
It's a really wide subject, but an interesting question.
Personally: Often I'll have an idea of the look I want to achieve and the way to get there. I'll start with a couple of steps that I think may work. Sometimes this leads me directly where I | | | | |
| | | | Re: Chroma key scale lock
by Barend Onneweer on Aug 17, 2009 at 9:18:23 pm
in the Adobe After Effects Forum
In that case you'll need to reproduce the camera movement in 3D space and you'll need a 3D floor layer in AE.
It may seem like a small difference, but 3D tracking and matchmoving isn't all that straightforward to get right.
If you're planning a | | | | |
| | | | Re: Chroma key scale lock
by Barend Onneweer on Aug 17, 2009 at 6:27:59 pm
in the Adobe After Effects Forum
Hi,
For tracking scale you need two markers. In AE's tracker controls you can select a combination of scale, position and rotation tracking. This should be fairly easy as long as your two markers are never obscured by the models.
This is assum | | | | |
| | | | Re: Tracking problems im going to cry :(
by Barend Onneweer on Aug 15, 2009 at 5:16:24 pm
in the Adobe After Effects Forum
I couldn't watch the quicktimes because I'm in iPhone with slow connection.
First, I'd try Mocha AE for tracking - gives better results and is bundled with CS4.
If that's not an option: try smoothing keyframes using either an expression or the | | | | |
| | | | Re: incompatable compostion, open gl, final render
by Barend Onneweer on Aug 15, 2009 at 3:09:10 pm
in the Adobe After Effects Forum
Without knowing the details about your comps, it's hard to tell how your comps could be optimized. But optimizing and rendering proxies etc. also takes time so for this time you might be best off just hitting the render button.
It does sound like | | | | |
| | | | Storyboard app for iPhone
by Barend Onneweer on Aug 15, 2009 at 1:12:59 pm
in the Apple iPhone Forum
It looks like this might be a great tool for on-the-road storyboarding.
http://vimeo.com/channels/hitchcock
Barend
Raamw3rk - digital storytelling and visual effects | | | | |
| | | | Re: importing video files
by Barend Onneweer on Aug 15, 2009 at 8:11:35 am
in the Adobe After Effects Forum
Is your AE 4 on the same machine? It sounds like a missing codec. QuickTime is a wrapper (.mov) that can use a wide variety of codecs, not all of them standard, or even crossplatform. Sounds like your camera records to some codec that needs to be ins | | | | |
| | | | Re: 3D Match move dilemma
by Barend Onneweer on Aug 15, 2009 at 8:00:29 am
in the Adobe After Effects Forum
You can basically convert your foreground layer to a 3D layer, and parent it to AE's 3D camera. You'll have to manually position and orient the layer relative to the camera, since your cam will not be in default position anymore.
Raamw3rk - d | | | | |
| | | | Re: AE claims it is missing files but it is not.
by Barend Onneweer on Aug 15, 2009 at 7:52:21 am
in the Adobe After Effects Forum
My first thought would be faulty RAM or a codec error, probably the last.
If you check the frames where it usually hangs and delete one layer at a time to see if it will render then - you might find the problem layer. You might be able to convert | | | | |
| | | | Re: Not Realtime Help !
by Barend Onneweer on May 4, 2009 at 5:07:07 pm
in the Adobe After Effects Forum
Actually, the screenshot shows that the composition is rendered to a RAM preview but the RAM preview still isn't playing back at full fps.
The main cause for this would be the odd zoom setting (94%) which forces a re-scale of the image which isn' | | | | |
| | | | Re: Blue Screen of Death... Can't Track it....
by Barend Onneweer on Feb 21, 2009 at 12:32:58 pm
in the Adobe After Effects Forum
Not sure about Mocha AE, but in Mocha (the full version) you can draw and animate a garbage matte around areas that the tracker needs to ignore. In your case the person walking in front of the screen. That would help Mocha get a better track.
But n | | | | |
| | | | Re: Chromakey Lighting and/or Keylight Question
by Barend Onneweer on Aug 25, 2008 at 8:26:11 pm
in the Adobe After Effects Forum
The shrink/grow parameters won't do any good. You can get super-tight edges using it, (usually right where you don't want the edges to be tight), but it also cuts corners and removes any detail - right under the armpits for instance.
I'm guessing th | | | | |
| | | | Re: green screen motion tracking w/ RED camera
by Barend Onneweer on Aug 24, 2008 at 10:06:57 pm
in the Adobe After Effects Forum
It's not so much the issue of the relative brightness. You can key out dark areas just as well as bright areas.
What I meant to say is: if you don't light the subject with enough light, the green cast caused by the greenscreen is going to spill all | | | | |
| | | | Re: Who Needs a Website?
by Barend Onneweer on Mar 13, 2008 at 10:28:57 am
in the Adobe After Effects Forum
I sure hope it's a spoof though...
I kind of looked at it as a variation to the Demoreel from Hell that featured on Siggraph years ago.
Bar3nd
Raamw3rk - digital storytelling and visual effects | | | | |
| | | | Re: greenscreen silhouettes
by Barend Onneweer on Feb 8, 2008 at 1:17:37 pm
in the Adobe After Effects Forum
Something like this?
http://www.raamw3rk.net/projects/uitburo/index.php
As Mark said, Generate > Fill will render the layer a single color.
You can play with shades of colors to suggest depth.
Depending on the look you're creating with water fill | | | | |
| | | | Re: de focus effect
by Barend Onneweer on Jan 30, 2008 at 8:24:31 pm
in the Adobe After Effects Forum
Personally I use Frischluft Lenscare - it looks absolutely fabulous.
http://frischluft.com/lenscare/lenscare.php
Bar3nd
Raamw3rk - digital storytelling and visual effects | | | | |
| | | | Re: Why 4k?
by Barend Onneweer on Jan 5, 2008 at 7:52:07 pm
in the RED Camera Forum
[Steve Wargo] "
I was told by a very technically savvy engineer that the recorded image is 2.7k."
Actually Graeme has mentioned on a couple of occasions that the theoretical max resolution from the 4k bayer sensor would be around 70% of that. So 2.7 | | | | |
| | | | Re: Marquee Tool ???
by Barend Onneweer on Jan 3, 2008 at 2:39:42 pm
in the Adobe After Effects Forum
Some effects actually have a checkbox to limit their effect to a mask area. But most of them don't.
The workaround is to duplicate the layer, mask the area you want to apply the effect on (on the top layer) and go ahead.
You could also use an adju | | | | |
| | | | Re: Claudio Miranda tests Red vs F23
by Barend Onneweer on Dec 23, 2007 at 2:00:14 pm
in the RED Camera Forum
The general outcome of Claudio's tests was that for a 17,5 k camera body RED performed very well.
From memory the biggest flaws Claudio described were:
1) red flare artefacts (ugly ones) caused by the IR/LP filter in front of the sensor.
2) comp | | | | |
| | | | Re: The righteous path, or, maybe I'm not a Red head
by Barend Onneweer on Sep 29, 2007 at 6:37:07 pm
in the RED Camera Forum
[Blub06] "1) Red has chosen a neutral path for color and contrast"
Well, what you're describing in your post is the typical RAW workflow. It's not specific or exclusive to RED. If you shoot RAW with your DSLR you're expected to make adjustments to c | | | | |
| | | | Service: Raamw3rk
by Barend Onneweer on Sep 18, 2007 at 7:55:33 am
in the COW - Services Forum
VFX Animation 3D Visual Effects Motion Graphics 3D AnimationGouda ZH The NetherlandsRaamw3rkRaamw3rk is a small design and postproduction studio for moving images - founded by Barend Onneweer. Raamw3rk offer a wide range of services fro | | | | |
| | | | Raamw3rk
by Barend Onneweer on Sep 18, 2007 at 12:55:33 am
in the Forum
Raamw3rk is a small design and postproduction studio for moving images - founded by Barend Onneweer. Raamw3rk offer a wide range of services from concept development and design to visual effects, 2D and 3D animation, compositing, motiongraphics, colo | | | | |
| | | | Need some expressions help
by Barend Onneweer on Aug 31, 2007 at 1:36:52 pm
in the Adobe After Effects Forum
Hi all,
I need a bit of rather basic math in an expression, but much to my embarassment my math skills are rusty, and my scripting skills are mediocre.
Basically I've got two points in 2D space - and I need the angle between those.
I've got the | | | | |
| | | | Re: What does RED cost?
by Barend Onneweer on Apr 29, 2007 at 10:02:28 am
in the HD High-End Forum
[jan von krogh] "ok, b4 2/3 sd glass will work for a hdcam..."
Huh? The Cooke I mentioned covers 35mm.
[jan von krogh] "but do you really think a used cooke 20' will resolve you 4k without CA?"
[Barend Onneweer] "I don't have the illusion that th | | | | |
| | | | Re: Further thoughts on the RED Camera...
by Barend Onneweer on Apr 19, 2007 at 6:25:18 pm
in the HD High-End Forum
No offense Alex, but you seem rather uninformed, so I'd personally avoid forming an opinion on Red based on that...
[AlexHuber69] "Hopefully very very soon, but then again I think I was told that last year too."
Actually, around NAB 2006 Jim Jannar | | | | |
| | | | Re: Further thoughts on the RED Camera...
by Barend Onneweer on Apr 19, 2007 at 11:25:28 am
in the HD High-End Forum
Personally, I don't think Red One qualifies as vaporware anymore. A short film has been shot on alpha prototypes, and the first in line will probably take delivery of their camera in the next weeks.
I do agree that RED will need its own forum here | | | | |
| | | | Re: Red, Red, Red...
by Barend Onneweer on Apr 17, 2007 at 7:03:00 pm
in the HD High-End Forum
Hi Leo,
I'm guessing it's 'cool' to discuss the camera now? Even though none of us have actually shot with it. But then again, I haven't put my hands on the F23 either.
Congratulations on your purchase, although it's probably going to be close to | | | | |
| | | | Re: Alternative DOF?
by Barend Onneweer on Mar 2, 2007 at 11:42:19 pm
in the Adobe After Effects Forum
[Wim Roegels] "
Did I get you right: with 'Buena Depth Cue' I get the grayscale depth of field information to feed into lenscare?"
I'm not near my workstation right now, but roughly it goes like this: you open the 3D composition you want to add DoF | | | | |
| | | | Re: AE 7 license
by Barend Onneweer on Mar 1, 2007 at 12:25:09 pm
in the Adobe After Effects Forum
Adobe's licensing scheme actually allows you to install AE on two machines: one at work and one at home. You're not supposed to run both copies at the same time although there's no technical mechanism to prevent this.
Bar3nd
Raamw3rk - digital sto | | | | |
| | | | Re: Tiff to possibly a 3D logo?
by Barend Onneweer on Dec 3, 2006 at 10:35:11 am
in the Adobe After Effects Forum
Actually, although very limited, you could use the tiff as a custom Shatter Map. A very crude way of adding depth to a 2D image, but if you're not looking for anything fancy it might just do the trick. Anything beyond that, Zaxwerks Invigorator.
B. | | | | |
| | | | Re: Basic help with masking/rotoscope
by Barend Onneweer on Jan 21, 2006 at 4:51:47 pm
in the Adobe After Effects Forum
Ah... yes... the FAQ. I'm still hoping that one day something like this would be integrated within the COW. Which is why I started collecting some of it, as sort of a proof-of-concept.
Anyway,
http://www.raamw3rk.net/aefaq/aefaq/rotoscoping.htm
B | | | | |
| | | | Re: Your Opinion
by Barend Onneweer on Jan 20, 2006 at 12:21:08 pm
in the Adobe After Effects Forum
Well,
I just spent 20 minutes recreating this title using Card Dance.
Here's what I got:
http://www.raamw3rk.net/externalrefs/title_carddance.mov
The actual movement of the cards isn't too complicated. But since Card Dance doesn't cast shadows I | | | | |
|
|
