| | | | Re: Exporting individual clips
by John Brookhouse on Sep 24, 2009 at 4:57:27 pm
in the Adobe Premiere Pro Forum
Thanks for the info! That's actually the way that I've been doing it, but it's a lot of extra steps. I was just hoping for some check mark I could make to tell Encoder and/or Premiere Pro to treat each clip as it's own file.
Thanks again! | | | | |
| | | | Initialization error Adobe Premiere Pro CS3
by Saimon Romero on Sep 24, 2009 at 3:37:21 pm
in the Adobe Premiere Pro Forum
I am sending this message to try to solve a problem..
I'm not getting my boot Adobre Premiere
I saw some people commenting on error source..
But did not understand what it means..
How can I fix it?
Await response and I thank you.. | | | | |
| | | | Encore DVD 2.0 and HD timeline from Premiere CS3
by Dan Strine on Sep 24, 2009 at 1:29:06 am
in the Adobe Encore DVD Forum
I have premiere pro cs3. I have a timeline that is 1440x1080 HD and i want to make a DVD in Encore DVD 2.0 is this possible? I am getting a message that says "Video files for this project must have a resolution of 720x480 . . ." If anyone knows o | | | | |
| | | | Avoid quality loss from scaling video in Premiere?
by Ryan Jackson on Sep 23, 2009 at 10:54:56 pm
in the Adobe Premiere Pro Forum
I recorded some video in DV format, 720x480, and would like to use it to create a small internet video with a resolution around 320x240. I created the project in Premiere Pro CS4 as a 320x240 project, then proceeded to import the DV files. I was figu | | | | |
| | | | Exporting individual clips
by John Brookhouse on Sep 23, 2009 at 7:59:42 pm
in the Adobe Premiere Pro Forum
I have a 10 minute video that I need to pull a bunch of 10 second files out of. Is there some way to tell Premiere Pro/Encoder to create a separate file out of each clip on a timeline in lieu of one long file that includes all of them?
Thanks in a | | | | |
| | | | Premiere Pro has encountered an error as open it
by sara petrai on Sep 23, 2009 at 2:43:02 pm
in the Adobe Premiere Pro Forum
Hi,
Can't cope anymore with Premiere and Mac... everytime I open it the window says 'Premiere pro has encountered an error"
[/randall/MediaCore/MediaLayer/VideoFilterHost/Make/Mac/../../Src/AEPLuginVideoFilterModule.cpp-107]
I've update evryt | | | | |
| | | | Cameras other then MINI DV
by Chris Burgess on Sep 23, 2009 at 2:02:13 pm
in the Adobe Premiere Pro Forum
Hi Guys,
I work for a college in Buckinghamshire that provides a Television/Film course, we are thinking of upgrading are Canon MD205 cameras to solid state i.e SD cards.
We edit on Adobe premiere Pro here at the college and some of the staff h | | | | |
| | | | Re: How do you get smooth movement in Premiere?
by Mark Hollis on Sep 23, 2009 at 1:14:49 pm
in the Adobe Premiere Pro Forum
"None of us remember the 'cans and can'ts' of the app."
Premiere Pro 1.0 was the tiny step above the home version and 1.5 was, supposedly, an upgrade and tweak. So I'm really squarely in the "wedding video" realm.
I have nothing against wedding | | | | |
| | | | Re: New features for CF?
by kujtim ereqi on Sep 23, 2009 at 12:48:08 pm
in the Synthetic Aperture Forum
1- MASKS.
These would be very appreciated, especially for Premiere Pro, since in After Effects you can use the program masks. Even without tracking option we can a do a good job in Premiere with masks, because we have a lot of stable shots. Or if | | | | |
| | | | Re: Best setting to export HDV
by Tim Kolb on Sep 22, 2009 at 9:59:46 pm
in the Adobe Premiere Pro Forum
What sort of output do you need from Encore?
for most workflows, just importing the Premiere Pro sequence to Encore gets you to authoring and doesn't encode until the authoring is complete. I've done this with HD timelines for an SD project in En | | | | |
| | | | Re: How do you get smooth movement in Premiere?
by Jon Barrie on Sep 22, 2009 at 9:56:56 pm
in the Adobe Premiere Pro Forum
Hi Mark,
The issue you describe sounds like an interlacing issue. Premiere Pro 1.5 is not just old it's not the best version either.
I understand you want to move to Apple, but your comments about windows crashing when trying to print and not findi | | | | |
| | | | Problems getting HD-SDI Signal from HD Connect LE to Xena LH
by Jeron Coolman on Sep 22, 2009 at 7:24:22 pm
in the AJA Xena Forum
I can't seem to set up Machina properly to receive the 1920x1080i 29.96 signal from my HD Connect LE through the HD-SDI. This all used to work fine until I reformatted my machine and upgrade to Vista Ultimate 64 from XP Pro 32 bit.
Part of the pro | | | | |
| | | | Re: Network Rendering?
by Jake Sedge on Sep 22, 2009 at 7:09:15 pm
in the Adobe After Effects Forum
Suppose your right! The problem I have is after the export where the video stops and starts and the sound is distorted. This is not a playback problem. In Premiere Pro, I used to get perfect playback, so it must be a problem I have with AE rendering. | | | | |
| | | | Re: Imported video will not play
by pat deneen on Sep 22, 2009 at 3:58:42 pm
in the Adobe Premiere Pro Forum
Yes I have used the WD. It does work well until the video freezes and then I have to uninstall Premiere Pro and reinstall it again and then it works again for a random amount of time. Right now I am not using the WD and and it has not locked up for | | | | |
| | | | no sound
by chuck paulus on Sep 22, 2009 at 2:01:28 pm
in the Adobe Premiere Pro Forum
I downloaded some avi files and intend to convert to flv for my website. (I have permission). Upon importing in "Adobe Premiere Pro", CS3, the conforming file bar comes up and finishes. The video plays but with no sound. I can load the avi file in "U | | | | |
| | | | Creating an Animated 3D Motion Graphics Logo
by Carl Larsen on Sep 22, 2009 at 8:44:39 am
in the Forum
In this tutorial, Telescope Media Group's Carl Larsen shows you how to create a motion graphics logo using an array of 3D particles, built with Trapcode Form. He'll show you how you can do in After Effects what, under most circumstances, must be done | | | | |
| | | | Can video levels cause problems with DVD playback?
by Paul Gale on Sep 21, 2009 at 2:59:26 pm
in the Adobe Encore DVD Forum
I'm in the process of producing a 10 minute video for DVD (PAL 16:9). All of my material was shot on Sony EX3 cameras at 1080P and editted in Premiere Pro CS4. Some shots use magic bullet looks.
I've been using Encore to produce the (REALLY) simpl | | | | |
| | | | How do you get smooth movement in Premiere?
by Mark Hollis on Sep 21, 2009 at 1:11:30 pm
in the Adobe Premiere Pro Forum
I asked a question a little while ago about moving documents in a standard video frame with Premiere Pro v 1.5. I couldn't really describe the issue well and I could not export a picture because the issue happens when I go to an interlace source from | | | | |
| | | | Re: Pleasentville effect in Premiere Pro?
by mike velte on Sep 21, 2009 at 10:51:34 am
in the Adobe Premiere Pro Forum
If your object is a simple shape that does not change in shape (size and position ok), Premiere Track Matte effect can do what you need.
More intricately shaped or morphing object will need AE's animated mask feature. | | | | |
| | | | Pleasentville effect in Premiere Pro?
by mikkell khan on Sep 21, 2009 at 1:01:19 am
in the Adobe Premiere Pro Forum
Can this be achieved in Premiere Pro, where only one thing on the screen has colour whereas everything else is in black and white?
Or will this be an After Effects thing to do?
Mikkell Khan
Director
Diamond Films Ltd. (Trinidad and Tobago) | | | | |
| | | | Blackmagic Installer
by Brett Howe on Sep 21, 2009 at 12:07:52 am
in the Blackmagic Design Forum
Hi BM guys
A quick request for you!
I was one of the early adopters of CS4. I had a full install of Both CS3 Master Collection & CS4 Master collection. Why....well...you know...the whole third party support thing.
Anyway..The Cs4 install h | | | | |
| | | | Imported video will not play
by pat deneen on Sep 20, 2009 at 10:05:56 pm
in the Adobe Premiere Pro Forum
I have been trying to use adobe premiere pro cs4 for the last two months. I thought that I had worked through most of my issues but it appears that I have not and I know think I need help.
I have reloaded the program a number of times to deal wit | | | | |
| | | | Re: m2v and wav not the same length
by Robert Westendorp on Sep 19, 2009 at 7:20:59 pm
in the Adobe Premiere Pro Forum
The duration is the same in Premiere pro.
The footage is HDV (1280x720)
The audio always exports at 38mins which is what the video footage should be as well.
The sizes I was seeing was via VLC and Windows Media Player.
I'll double check the len | | | | |
| | | | Media Encoder CS4 Freezing, Crashing
by Dan Finnen on Sep 19, 2009 at 5:25:47 pm
in the Adobe Premiere Pro Forum
Every time I attempt to export a sequence from Premiere Pro using Media Encoder the status bar will progress for a few seconds, then the computer will freeze or completely crash. I've tried this with exporting a 5 second clip of text to simple .AVI t | | | | |
| | | | Re: EX3 Footage - SMI and XML missing
by Craig Seeman on Sep 19, 2009 at 5:08:18 pm
in the Sony EX Series XDCAM Forum
[Kaspar Fopp] "The cameraguys deleted the whole TAKR folder containing other .smi and .xml files as well as the cueup.xml and mediapro.xml files. "
Fire the camera guy. They have no right to destroy the metadata of the camera master. He's not tech | | | | |
| | | | EX3 Footage - SMI and XML missing
by Kaspar Fopp on Sep 19, 2009 at 1:40:53 pm
in the Sony EX Series XDCAM Forum
Hi everyone
I received footage shot with a XDCAM EX3 to edit and postproduce. I work on a PC workstation with CS3 on it.
Unfortunately I only received the CLPR folders with the .mp4, .smi, .ppn, .xml and .bim files in it. The cameraguys deleted | | | | |
| | | | Any way to 'mono colour' footage?
by Matthew Polack on Sep 19, 2009 at 1:16:09 pm
in the Adobe Premiere basics Forum
Hi,
I want to change the colour of some video footage to just a mono colour....ie. just blue or green etc.
At the moment I can only make it black and white via the black and white effect or via dropping the saturation to nothing...
but is ther | | | | |
| | | | Re: XH A1 upgrade?
by Anthony Spencer on Sep 19, 2009 at 5:32:34 am
in the HDV Format Forum
I have an XH A1 now and have been trying to find another one. They just discontinued the original XH A1 and have replaced it with the XH A1S. The camera, in my opinion, is awesome. Great build quality and features. Love having the XLR inputs. I | | | | |
| | | | Windows Hardware & Software | HP Skyroom: Power & Simplicity for Remote Workgroup Tasks
In this article, Ron Lindeboom looks at the powerful HP Skyroom technology, which allows team members to interact in high definition video with one another, as they work on projects and approvals remotely. Highly powerful, yet priced within reach of many small to medium-sized companies -- nevertheless, the system is powerful enough for even major players like Dreamworks Animation, who used the system during the making of the blockbuster 'Monsters vs Aliens.' Powerful, elegant, simple to use.
Review, Feature
Author: Ron Lindeboom |
| | | | |
| | | | DaVinci - NEW ! | Blackmagic Design Buys DaVinci: Part 1
In this article, Tim Wilson begins his series on the big news already beginning to leak from IBC 2009. Blackmagic Design has acquired da Vinci Systems and yes, you read that right. BMD owns and will be developing and marketing da Vinci's award-winning colorgrading technology. What's in store? Here's Part One of Tim's look at the fast-breaking news...
Editorial, Feature, People / Interview
Author: Tim Wilson |
| | | | |
| | | | DaVinci - NEW ! | A Letter From Grant Petty
The fastest breaking news that is sure to rifle through IBC the quickest? Well, for starters, try this announcement from Blackmagic Design, who have acquired DaVinci Systems, the pioneering color system that for many years has been one of the dream systems in the marketplace. In the letter to employees below, Grant Petty discusses the acquisition with his team members.
Editorial, Feature, People / Interview
Author: Ron Lindeboom |
| | | | |
| | | | DaVinci - NEW ! | Cinefilm's Ron Anderson: da Vinci User Since 1986
In this article, Tim Wilson talks with da Vinci user Ron Anderson in his Part Three look at Blackmagic Design's acquisition of da Vinci Systems. Ron Anderson’s relationship with da Vinci has also taken places over several decades, starting as a customer, and evolving into demo artistry even while he continues working with da Vinci systems at Atlanta’s Cinefilm.
Editorial, Feature, People / Interview
Author: Tim Wilson |
| | | | |
| | | | DaVinci - NEW ! | Blackmagic Design Buys the Power of daVinci: Part 2
In this article, Tim Wilson continues his series with his Part Two look at the big news leaking from IBC 2009. Blackmagic Design has acquired da Vinci Systems and with that acquisition comes what Tim refers to as The Power of da Vinci. And for the many that have used da Vinci over the years, they know full well the power of which Tim writes. And for those who might need an introduction to this power, Tim offers these words...
Editorial, Feature, People / Interview
Author: Tim Wilson |
| | | | |
| | | | Red Giant plug-ins | Creating an Animated 3D Motion Graphics Logo
In this tutorial, Telescope Media Group's Carl Larsen shows you how to create a motion graphics logo using an array of 3D particles, built with Trapcode Form. He'll show you how you can do in After Effects what, under most circumstances, must be done in a 3D application. Get ready to learn the true power of 3D particle systems in AE.
Tutorial, Video Tutorial
Author: Carl Larsen |
| | | | |
| | | | Adobe Premiere Pro | Using Clip Notes in Premiere Pro 2.0
The newly added clip notes function in Premiere Pro 2.0 is certainly an excellent feature, for a variety of reasons. Perhaps the biggest reason is compatibility. Clip notes generated from Premiere Pro 2.0 can be opened up in the free and commonly used Adobe Acrobat Reader. Secondly, clip note comments can easily imported and exported via email. There is no need for complicated web servers or any other forms of media. In order to use clip-notes successfully, you have to follow a specific procedure and the following tutorial from Aanarav Sareen briefly describes how to use this newly added feature.
Tutorial
Author: Aanarav Sareen |
| | | | |
| | | | Adobe Premiere Pro | Editing Multicam Footage in Premiere Pro 2.0
Adobe has released a major release in their Adobe Production Studio. In this article, Creativecow leader, Aanarav Sareen, an Adobe Certified Expert in Premiere, gives us an overview of the new Multi-Cam feature in Premiere Pro 2.0. In order to edit multi-camera footage within Premiere Pro 2.0, there are certain steps you have to follow. This tutorial briefly describes the process of getting to the multi-camera interface.
Tutorial
Author: Aanarav Sareen |
| | | | |
| | | | Adobe Premiere basics | Adobe Premiere Pro 2.0 Review
Adobe has released a major release in their Adobe Production Studio. In this article, Creativecow leader, Aanarav Sareen, an Adobe Certified Expert in Premiere, gives us an overview of the new Premiere Pro 2.0. In this review, Aanarav gives Creative Cow members a look at not only the many new features that make Premiere Pro 2 a formidable upgrade but also gives special emphasis to the new interface and integration capabilities- areas which take the new Production Studio tools to a level of seamless integration that no suite of tools in this industry has enjoyed before. Aanarav also explores the new multi-cam editing that use nested sequences and many other new features.
Review
Author: Aanarav Sareen |
| | | | |
| | | | Adobe Premiere Pro | Adobe Premiere Pro 1.5 Studio Techniques
CreativeCOW.net leader and contributing editor Tim Kurkoski gives rave reviews to Adobe Premiere Pro 1.5 Studio Techniques by Jacob Rosenberg and published by Adobe Press, 504 pages, June 28, 2004, ISBN: 0321220528. Tim says, 'If you use Premiere Pro, and your name isn't Jacob Rosenberg (or possibly Tim Kolb), you should look at this book. In fact, you should probably buy it. Jacob, well known for his in-depth Total Training videos, has written the most comprehensive book about Premiere Pro available. From top to bottom, almost everything about Premiere Pro 1.5 is covered in this book and the accompanying DVD, from setting up a computer for editing to exporting for DVD.'
Review
Author: Timothy Kurkoski |
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| | | | Adobe Premiere Pro | Creative Cow Adobe Premiere Pro HD Report
Rick Gerard explored the latest offerings while at NAB 2004 and came away with one of his show favorites, the new HD capabilities found in Premiere Pro 1.5 as seen in systems like 1 Beyond's HD Pro which Rick reports "...uses the latest PC technology in the internal structure to speed up data throughput. It uses the wide 64 bit fast PCI-X bus and unlike consumer computers that have one PCI bus, it has three separate PCI buses. This avoids the limitations of even the fastest PCI-X buses from becoming the data path bottle neck." Focusing on a totally rewritten Premiere Pro which has been optimized to harness all the powers of WindowsXP, has Premiere finally shed its compromised past of trying to be "all things to every OS" in its move to professional editing in HD? Rick thinks so. Here is his report...
Review
Author: Rick Gerard |
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Podcasts | | | | adobe premiere pro tutorials podcast
Premiere Pro CS3 Preview
In this overview, Aanarav Sareen takes a look at the recently announced Premiere Pro CS3. | | | | |
| | | | adobe premiere pro tutorials podcast
DVD Authoring in Premiere Pro 2.0
In this video podcast, Creative Cow Leader Aanarav Sareen demonstrates how to use Premiere Pro 2.0's DVD Authoring capabilities. | | | | |
| | | | adobe premiere pro tutorials podcast
Multi-Camera Editing in Adobe Premiere Pro 2.x
In this video podcast, Creative Cow Leader Aanarav Sareen shows you the new multi-cam editing functionality which has been added to Premiere Pro 2.0. He also gives you tips on how to maximize your use of this new feature. | | | | |
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