| | | | Re: Adobe at Nasdaq
by Jim Wiseman on May 10, 2013 at 6:34:21 pm
in the Adobe Creative Cloud: The Debate Forum
They could lower it to free, and I wouldn't. The subscription model is fundamentally flawed from the user POV. As Steve Jobs said about the concept regarding iTunes
“I think you could make available the Second Coming in a subscription model and i | | | | |
| | | | Re: Creative Cloud Q&A [Adobe guy]
by Jim Wiseman on May 10, 2013 at 5:53:05 pm
in the Adobe Creative Cloud: The Debate Forum
I suppose I will be categorized as one of those users who will never be satisfied by anything other than a perpetual license, but that is because it is essentially true. I want to own my work and my software. There is no denying that the subscription | | | | |
| | | | President
by Steve Martin on Apr 26, 2013 at 7:29:03 pm
in the JOBS Offered - Higher Pay Forum
Looking for a good camera op in Dallas from May 8-10 to shoot a corporate event. Relatively simple: Shoot seminars from audience POV (single camera) as well as B-Roll and Man-On-The-Street Interviews. I'll bring the camera (Panasonic HPX-300) but | | | | |
| | | | I need a camera op in Dallas
by Steve Martin on Apr 26, 2013 at 6:29:15 pm
in the Business & Marketing Forum
Hi all,
I'm producing a corp event shoot in Dallas in a few weeks and need to hire a local camera operator. Nothing too complex: Shooting some seminars (audience POV) and simple man-on-the-street interviews. I'll be bring the camera (Panasonic | | | | |
| | | | Re: Creative Cloud
by Chris Harlan on Apr 21, 2013 at 5:57:16 pm
in the Adobe Premiere Pro Forum
[Brian Cooney] "So if I understand correctly there is no change in the way the licensing performs over the previous option of owning the software outright."
Actually, the ability to install your membership across platform (OS X and Win) is complet | | | | |
| | | | Re: Null Object 2.0
by Cassius Marques on Apr 17, 2013 at 9:12:23 pm
in the Adobe After Effects Forum
If the effects were applied like a pre-comp IT WOULD BE A PRECOMP...come on =P! All the rest you described are pre-comp alike functionality...
Effects/masks would be instances applied down the hierarchy...all the rest is the same. That's it.
Ho | | | | |
| | | | Re: Cloud drawbacks as I see them.
by David Lawrence on Apr 13, 2013 at 1:58:36 am
in the Adobe Premiere Pro Forum
[walter biscardi] "So then your plan is to keep CS6 running forever and just never upgrade your computer beyond what you have now? "
No, but I should have the option of freezing an old machine and have it still work with the software I've already | | | | |
| | | | Re: Cloud enthusiasts - something to think about.
by Tom Daigon on Apr 11, 2013 at 5:30:04 pm
in the Adobe Premiere Pro Forum
Greg. I get your POV. As long as you trust that once your hooked (need to be activated all the time) they dont raise the rates.
Maybe they wont be greedy like cable companies or gas stations or phone companies...or maybe they will. At that point y | | | | |
| | | | Re: Save This Script Episode 4
by Sareesh Sudhakaran on Apr 7, 2013 at 6:23:23 am
in the COW - Tutorials Forum
One thing I must mention is that I'm not based in the US, and might misunderstand quite of bit of 'how things work'.
I'm latching on to the fact that they want the Information Kit in "everyone's" hands. This means the spot must demonstrate immedia | | | | |
| | | | Re: Unusual video noise
by Mark Suszko on Apr 5, 2013 at 7:02:42 pm
in the Apple Final Cut Pro Forum
Jonny, you probably know this already but I like to mention it in case future readers come across the thread:
There are a couple of ways to deal with shooting the single-camera Powerpoint hell scenario.
My number one rule is that the powerpoint | | | | |
| | | | Bullet/lipstick camera advice
by James Woodman on Mar 26, 2013 at 10:46:54 am
in the Cinematography Forum
Hello, everyone. I've never worked with bullet/lipstick cameras before, and would appreciate some advice from anyone who's willing to share.
I need to record a sequence from the point of view of someone walking into a building and interacting with | | | | |
| | | | My results trying to use interlaced for 3D
by peter wicks on Mar 14, 2013 at 2:57:35 am
in the Stereoscopic 3D Forum
After getting little advice from any forum, (see post July 2012), for making cheap home made 3D video with my existing setup, I have tried to use interlaced pal 25 fps to make 3D Videos. Using two Standard Definition camcorders, (Sony DCR TRV 355E), | | | | |
| | | | Re: Camera set up advice?
by Mark Suszko on Mar 7, 2013 at 5:04:34 pm
in the Cinematography Forum
If you can live without the greenscreen thing, I would suggest a "modest" setup would be one of those pop-up light tents that ebay sellers use for shooting small items like jewelry. Lights shine on the cube from the outside. You get a soft, even lig | | | | |
| | | | The ABCs of Death
by Scott Roberts on Mar 7, 2013 at 3:36:51 pm
in the Film History & Appreciation Forum
While I was sure there would be lots of stinkers amidst the interesting concept of The ABCs of Death, I had to give it a look because I'll give any ambitious horror project the benefit of the doubt. To sum up what the project is in a nutshell, I | | | | |
| | | | Re: Lightworks coming to the Mac
by David Lawrence on Mar 3, 2013 at 11:10:35 pm
in the Apple FCPX or Not: The Debate Forum
[Oliver Peters] "And for another POV from a designer:"
Flat and minimal is the new UI black. It makes me happy. Here's a good article:
http://abduzeedo.com/design-trends-2013-flat-and-minimal
Die skeumorphism, die. | | | | |
| | | | Re: DaySpring Media Demo
by David Braswell on Feb 25, 2013 at 9:11:59 pm
in the COW - Videos Forum
Hi John,
Thanks for the feedback. I acknowledge your disdain for lack of nat audio, but doubt using it would have positively impacted either the "feel" or lack of context that seems to be your greater issue with the sequence.
Like other product | | | | |
| | | | Using a gopro hero3 black's wifi for live video
by Roberto Etcheverry on Feb 22, 2013 at 4:09:36 pm
in the Live & Stage Events Forum
Where I work we just got a gopro hero 3 black (well, waiting for delivery), and we're thinking of different ways to do it.
One thing we'd like to see if it's possible is to use the wifi as a way to stream video live (or at least with a smallish de | | | | |
| | | | Re: Apple looking to fix UI in FCPX?
by Charlie Austin on Feb 19, 2013 at 4:41:14 pm
in the Apple FCPX or Not: The Debate Forum
[Jim Giberti] "Let me clarify my POV at least. When I talk about tracks in FCPX, I'm talking specifically about audio mixing within the current incarnation. As much as I like parents and kids relationships vs bussing, working with the details of a co | | | | |
| | | | Re: Apple looking to fix UI in FCPX?
by Jim Giberti on Feb 19, 2013 at 9:21:16 am
in the Apple FCPX or Not: The Debate Forum
[Carsten Orlt] "I would be more than surprised if they put tracks back in and all the hassle of patch panels etc. It would totally defeat what they tried to achieve.
"
Let me clarify my POV at least. When I talk about tracks in FCPX, I'm talking | | | | |
| | | | Re: How to shoot a FLY's POV?
by Richard Herd on Feb 10, 2013 at 8:21:59 am
in the Cinematography Forum
Well, the story is everything!
If there's space in the story, it would be funny to have a cutaway of the fly with a GoPro mounted to its little tiny helmet. | | | | |
| | | | Re: For kicks: Apple in the medium term.
by Jamie Franklin on Feb 9, 2013 at 12:05:46 am
in the Apple FCPX or Not: The Debate Forum
You can cut a lot of formats on fcx. No one has ever said or claimed you can't. But when you have tv series switch from fcp7 to a more expensive avid share, or a network, even features, it says more than the stand alone editor choosing or requested t | | | | |
| | | | sewer pipe emulation?
by Dave Fleming on Feb 8, 2013 at 11:06:24 pm
in the Adobe After Effects Forum
Yep, that's right. I need some advice for best emulating a camera's POV navigating through a sewer pipe in AE. Should I create a 3D model of the pipe? I've got a good rusty pipe texture. Thanks in advance for any suggestions in getting through this m | | | | |
| | | | Behind the Lens: Michael Slovis, ASC & Breaking Bad
by Michael Slovis, ASC on Feb 6, 2013 at 10:10:00 pm
in the Cinematography Forum
Michael Slovis, ASC is behind the lens at the enormously popular and critically acclaimed AMC show Breaking Bad where he's shot four seasons and earned three Emmy nominations. Although his early work was in independent film in New York, Slovis has ha | | | | |
| | | | Behind the Lens: Michael Slovis, ASC & Breaking Bad
by Michael Slovis, ASC on Feb 6, 2013 at 10:10:00 pm
in the Cinematography Forum
Michael Slovis, ASC is behind the lens at the enormously popular and critically acclaimed AMC show Breaking Bad where he's shot four seasons and earned three Emmy nominations. Although his early work was in independent film in New York, Slovis has ha | | | | |
| | | | Re: How to shoot a FLY's POV?
by Rick Amundson on Jan 31, 2013 at 10:38:37 pm
in the Cinematography Forum
I own both an Alexa and a GoPro. Each tool has its place and this screams small camera. Think of the interesting place the "fly" could go if it were small. With well place speed ramps and cuts it could be pretty cool. Just try to make the camera look | | | | |
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