| | | | Re: Primatte Keyer for FCP, Motion, or AE by Erik Lindahl on Aug 17, 2009 at 8:18:34 am in the Apple Final Cut Pro Forum I thought Red Giant software had the "feature" of "buy one, use for all" as in buy one plug-in and use it for all host-apps. I might be wrong in this however…
I'm also looking for other alternatives to the Keylight plugin in After Effects. It ofte | | | | |
| | | | Importing mpeg4 to FCP help need it by Jose blanco on Aug 17, 2009 at 8:01:14 am in the Sony EX Series XDCAM Forum Hi everyone, here is my dilemma, I captured my footage with a SDHC card reader, did not dragged the BPVA folder to my hard drive but the subfolders inside of it, than I erased the card so I could use again, now I only have the folders with the clips | | | | |
| | | | Re: Net Render and Plug-ins by Don Holland on Aug 16, 2009 at 3:48:14 pm in the Cinema 4D Forum I have all the Plug-ins installed correctly on all machines. It looks like its the fault of one spcific plug-in. PoserFusion for Cinema 4D does not work with Net Render. I haven't received official confirmation from Poser (I've left several emails), | | | | |
| | | | Re: Net Render and Plug-ins by Tim Shetz on Aug 15, 2009 at 6:01:31 pm in the Cinema 4D Forum Have you run the plug-in or module installation on every machine you want to use as a client? Doe your structure look like the one I previously posted? | | | | |
| | | | Re: Primatte Keyer for FCP, Motion, or AE by Jason Diebler on Aug 14, 2009 at 6:21:23 pm in the Apple Final Cut Pro Forum Roger is talking about the Red Giant plugin, not the Primatte keyer that's built into Motion... they are different. Primatte Keyer Pro is definitely worth investing in if you have the $$.
I've used the native filters in FCP/Motion & Keylight in A | | | | |
| | | | Re: Countdown Timer/Clock displayed over video by bailey damast on Aug 14, 2009 at 12:23:47 am in the Apple Final Cut Pro Forum i'm trying to use the countdown timer plug-in from TMTS. the TMTS site states:
The plugins are supposed to be text files. Don't worry. It's just so can read the source code more easily and possibly learn FXScript, who knows. They still work as is, | | | | |
| | | | Re: Policy on free FxFactory plugins by Niclas Bahn on Aug 13, 2009 at 5:36:40 pm in the Noise Industries Forum Hi Alex,
There is no defined policy in place at this time.
We will of course want to make sure that the plug-in is stable, non-offensive etc.
Any FxFactory Pro user can create plug-in FxPacks themselves, without our involvement, that can | | | | |
| | | | Re: new iMacs - Kernal Panics by Rob Grauert on Aug 13, 2009 at 4:31:00 pm in the Apple Final Cut Pro Forum Actually, there's one a few editors on Mac Pros I think. There's so many editors, I haven't kept track. But I don't think it's a problem with the iMacs.
I did have to do a software update when I got in this morning, as Dave suggested, and that sto | | | | |
| | | | Re: P2 drivers by Ashley McPike on Aug 13, 2009 at 1:10:39 pm in the Apple Final Cut Pro Forum I am so confused. Why didn't I have to log and transfer the P2 footage on my laptop, but I have to on my desktop? Does my laptop have some special plug-in to avoid logging and transferring the P2 footage? | | | | |
| | | | Re: I7 920 frustration.... by David Shirey on Aug 13, 2009 at 5:19:39 am in the Sony Vegas Forum [Alan Britton] "There is a media player out there called Splash that takes advantage of this. It plays MTS files perfectly. There is also a plug-in for Vegas available, but I can't remember the name and I think it is around $99."
I think what you' | | | | |
| | | | Re: 24p footage and DVCProHD 720 60p by Louis Germano on Aug 12, 2009 at 11:32:59 pm in the Apple Final Cut Pro Forum We are in a large server environment. 12 FCP machines feed off the large server. Outside contracted camerapeople are supplying the 24p material on occasion, and we've been telling them not to supply material in 24p because our house is DVCProHD 60p a | | | | |
| | | | 24p footage and DVCProHD 720 60p by Louis Germano on Aug 12, 2009 at 9:47:54 pm in the Apple Final Cut Pro Forum At our facility, we have a lot of trouble ingesting 24p material. Time code is regenerated while digitizing into a DVCProHD 720 60p format and a 2 camera production becomes a mess, with time codes not matching, etc. Our techs have suggested that we | | | | |
| | | | Re: P2 drivers by Shane Ross on Aug 12, 2009 at 9:23:05 pm in the Apple Final Cut Pro Forum [Ashley McPike] " know how to do the log and transfer process I just want to know what plug-in I need for my FCP to read the .MXF files and to avoid doing the log and transfer process."
Raylight... http://www.DVFILM.com/Raylight
MXF4QT.com
C | | | | |
| | | | Re: P2 drivers by Ashley McPike on Aug 12, 2009 at 8:31:36 pm in the Apple Final Cut Pro Forum I already have the P2 card footage ingested on my laptop computers, but I don't want to have to log and transfer the footage for every other computer. What plug-in will solve this problem? I have a Mac G5 desktop what would be the best plug-in/driv | | | | |
| | | | Re: P2 drivers by Ashley McPike on Aug 12, 2009 at 8:14:07 pm in the Apple Final Cut Pro Forum I know how to do the log and transfer process I just want to know what plug-in I need for my FCP to read the .MXF files and to avoid doing the log and transfer process. | | | | |
| | | | Re: I7 920 frustration.... by Alan Britton on Aug 12, 2009 at 7:35:00 pm in the Sony Vegas Forum GPU is the Graphics Processer Unit. Applications are starting to utilize the power of the graphics card's processer along with the CPU to help speed up certain types of processes on the computer. In this case, the decoding of AVC footage so it can | | | | |
| | | | Re: color vs. 3 way color correct filter by Patrick Inhofer on Aug 12, 2009 at 6:06:28 pm in the Apple Color Forum [Harry Kafka] " But is it worth doing over and spending money because the Color processes is technically superior to the 3 way in any significant way."
The 3WCC is 10bit aware and renders at 10bit (if the sequence is set to it).
Color can go up | | | | |
| | | | Streaming .wmv and Firefox by Pete Conklin on Aug 12, 2009 at 1:21:13 pm in the Web Streaming - Audio|Video Forum A bit of a noobie here.....I'm trying to send clients a streaming file linked to my webpage, which will play on WMP. The Stream works in Internet Explorer but not Firefox. I've installed the plug-in for Windows Media Player in Firefox but that appe | | | | |
| | | | Re: Mushroom clouds by scott novasic on Aug 12, 2009 at 7:08:50 am in the Adobe After Effects Forum I would take actual footage of a mushroom cloud explosion, and use a mixture of emitters and overlay them to simulate it best. You almost should roto the look as well. Not aware of a mushroom cloud plug in...
SuperNova
Animation & Vis | | | | |
| | | | Re: Upping low exposure by Nick Meyers on Aug 12, 2009 at 5:00:45 am in the Apple Final Cut Pro Forum "a good way to make this image... look more like this image"
short answer: no. :(
you may be able to get SOMETHING out of the underexposed stuff,
but it wont look great, and it really wont look like the A-Camera.
i've been lifting some outr | | | | |
| | | | Re: Final Cut Server with Sony XDCAM EX by Eric Ameres on Aug 11, 2009 at 11:38:30 pm in the Apple Final Cut Server Forum I found the way to use the "import" button to export mov files (without re-compression) from within Sony's XDCAM Transfer Application/plug-in. That ought to do the trick.
Eric Ameres
Sr Research Engineer
RPI - Experimental Media and Performing Ar | | | | |
| | | | Re: AE CS4 missing standard plugins by Todd Kopriva on Aug 10, 2009 at 2:28:46 pm in the Adobe After Effects Forum Are the plug-in files not in the Plug-ins folder, or are they just not being loaded into the application?
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Todd Kopriva, Adobe Systems Incorpo | | | | |
| | | | Re: Looking for Plug in similar to FC Matrix Trans by peter mcauley on Aug 10, 2009 at 1:04:19 pm in the Boris FX Forum Hi Darwin,
If I understand correctly what you are trying to do, you should be able to achieve that with Boris RED or Boris FX. And for that matter, you should be able to do it with BCC also, using the BCC Composite filter.
I hope this helps.
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| | | | Re: Shake Discontinued? by Randy Little on Aug 10, 2009 at 3:42:39 am in the UG: Arizona FCP Forum I think if you had the conduit node comper plug in for motion you might be super suprised what you can do in motion.
You can very easily average tracks in motion. Its just does it. I just did a bunch of pretty interesting tracking using the an | | | | |
| | | | Looking for Plug in similar to FC Matrix Trans by Darwin Phillips on Aug 9, 2009 at 4:47:37 pm in the Boris FX Forum I'm looking for a transition similar to the FCP "Matrix Trans" which takes your video frame and multiplies it, zooms out and back in on another frame. Don't think it's a boris FX but I could be wrong? | | | | |
| | | | Re: First Impressions on the RED Rocket by Russell Lasson on Aug 9, 2009 at 2:52:32 am in the RED Camera Forum [Justin Barham] "Isn't it Red's responsibility to support Red Rocket in FCP via plugin, and not the other way around? "
Nope. Implementing RED Rocket support will likely be much more than just a plug-in. Even then, RED hasn't been writing support | | | | |
| | | | Re: I figured it out! by Anthony Popolo on Aug 9, 2009 at 1:59:16 am in the JVC cameras/decks Forum Turns out I had to update FCP to version 6 (I had 4.5). In version 6 (and possibly version 5), there is the codec that is able to read the footage from the JVC camera. The codec that JVC camera uses to create the footage is "XDCAM EX".
(You can | | | | |
| | | | Inexpensive setup for voiceover work... by Shane O'Brien on Aug 8, 2009 at 5:41:49 pm in the Audio Professionals Forum I have an FCP edit suite which I use for editing corporate stuff and also short films. I want to buy a mic to use for occassional voiceover or podcasting. Most often, I would do full v/o sessions in a studio. I live in a modern condo building in the | | | | |
| | | | Can some one find a tutorial for RE:Flex by James Lee on Aug 8, 2009 at 3:36:45 am in the Adobe After Effects Forum So, I've been looking on the internet for nearly two weeks for finding a tutorial regarding the After Effects plug-in, RE:Flex.
Can someone kinda enough link me to a site which offers a decent tutorial on this program. Or will you even go as far as | | | | |
| | | | Re: Region Of Interest by Todd Kopriva on Aug 8, 2009 at 2:09:46 am in the Adobe After Effects Forum I'm just speculating, since I don't know exactly what you're seeing, but...
Consider that using the region of interest when you're previewing restricts the rendering of the composition to only a subset of the frame. It's not a simple cropping oper | | | | |
| | | | Re: Take me to school - SWF Compression by Chris Blair on Aug 8, 2009 at 1:11:23 am in the Compression techniques Forum If they just need to be able to play it. Direct them to download VLC player (it's free). It will play flash video files.
http://www.videolan.org/vlc/
If they're planning on putting it on a website, they'll have to figure out how to use Flash Pl | | | | |
| | | | Re: Luminance vs Lightness by Todd Kopriva on Aug 7, 2009 at 9:21:25 pm in the Adobe After Effects Forum One wrinkle is that the weightings aren't identical across plug-ins, because some plug-in developers have been... um... not careful in researching their numbers.
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| | | | Re: Can't capture SD footage from XLH1 by Nathan Weatherford on Aug 7, 2009 at 5:47:06 pm in the Adobe Premiere Pro Forum Hey and thanks for responding, guys.
I was up all last night trying different methods between the XLH1 camera and Premiere CS4 to make both SD and HDV footage capture possible from the XLH1. I was finally able to get it to work both ways.
Firs | | | | |
| | | | Re: New user, coupla questions re: Vegas / Architect by John Rofrano on Aug 7, 2009 at 5:31:28 pm in the Sony Vegas Forum Paul, Yes that is unfortunate and hopefully Sony will fix that in the next release. In the mean time, you might want to check out Ulead DVD Movie Factory 6 Plus with the Blu-ray plug-in. It's not that expensive and has a nice collection of menu templ | | | | |
| | | | Re: burner by John Rofrano on Aug 7, 2009 at 5:25:58 pm in the Sony Vegas Forum > I am using dvda 4.5 that came bundled with movie studio 9 plat. Not sure if the 4.5 handles any thing with regard to blue ray?
That's a different story. Just to be clear, you are not using DVD Architect 4.5 as you stated earlier. You are using D | | | | |
| | | | 60fps to 25fps for SD DVD PAL by Timothy Parsons on Aug 7, 2009 at 11:51:05 am in the Compression techniques Forum Hello Guys,
I have a project that was shot at 720p at 60fps on a panasonic varicam and I am now at output, the client has asked for a ntsc and pal dvd's, now the ntsc dvd's play fine but the pal conversion from 60fps to 25fps is very juddery and s | | | | |
| | | | 60fps to 25fps for SD DVD PAL by Timothy Parsons on Aug 7, 2009 at 11:49:59 am in the Apple Final Cut Pro Forum Hello Guys,
I have a project that was shot at 720p at 60fps on a panasonic varicam and I am now at output, the client has asked for a ntsc and pal dvd's, now the ntsc dvd's play fine but the pal conversion from 60fps to 25fps is very juddery and s | | | | |
| | | | Re: delay the audio output? by Ray Chung on Aug 6, 2009 at 10:18:36 pm in the Blackmagic Design Forum Not quite sure....I'm experiencing the same as you, except that I have a Multibridge Pro feeding a JVC DT-V120LU via the Multibridge's HDMI out into the JVC's DVI-D in....and there's a frame or so of lag behind the audio which I'm monitoring from the | | | | |
| | | | Re: CF 2.1.7 Not Appearing in Premiere CS3 by Bob Currier on Aug 6, 2009 at 10:09:48 pm in the Synthetic Aperture Forum I'm not sure why you're not seeing Color Finesse within the Effects folder since the QuickTime message would indicate that the plug-in is being loaded and run.
Be sure you're using the "PI" installer for Color Finesse, as the "LE" version is After | | | | |
| | | | Re: RAM preview NOT REALTIME by Brian Tario on Aug 6, 2009 at 8:10:19 pm in the Adobe After Effects Forum You couldn't be as happy as I am! We did discuss video preview prefs and I/O but nothing I tried made any difference. The really odd thing is the AJA plug-ins I installed were not on the system before a week ago. I installed them last week at the req | | | | |
| | | | Cinema 4D | Using the SplinMotion Plug-in to build an Animation Rig in Cinema 4D XL6
This article will demonstrate how to set up the SplinMotion Plug-in to build an animation rig allowing you to animate a fire hose by moving only one null. The article will not focus on the modeling or texturing aspects of the project as they're really not important, but rather the rig used to animate the spline from which the firehose is formed. This principle can be used to animate any spline based model. Tutorial Author: Mark Simpson |
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| | | | Red Giant plug-ins | Creating a Transporter Effect
In this episode, Chief Engineer Eran Stern works furiously to get his Starship's transporters back on-line to rescue a fellow crew member trapped on a hostile planet. But time is running out. Will Eran be able to build the transporter in After Effects in time? Tutorial, Video Tutorial Author: Eran Stern |
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| | | | Sony Vegas | Excalibur 4.5 Vegas Plug-In
In this article, CreativeCOW.net contributing editor Jim Harvey reviews Excalibur 4.5 Scripting plug-in for Sony Vegas and writes...''Ed Troxel is well known to anyone who has even a passing knowledge of Vegas. His program Excalibur is a marvelous plug-in that takes well-written scripts and allows the user to automate many different effects with the press of a key. Ed has done the work of writing, debugging, and finalizing the scripts so that you don't have to.''
Review Author: Jim Harvey |
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| | | | Genarts Sapphire | Peter Wiggins looks at Sapphire Plug-ins from GenArts
Peter Wiggins takes a thorough look at the new Sapphire plug-ins from GenArts. One thing is for sure, you will have seen many examples in film and television already as Sapphire is used on a daily basis by large film effects and post production houses. Many compositors and editors swear by them, myself included! I've been using Sapphire with Shake for over a year now, and every job has used at least one plug-in. Now, they're available for Final Cut Pro, Combustion and After Effects. Review, Tutorial Author: Peter Wiggins |
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| | | | Adobe After Effects | Tube Camera Effect using After Effects 6.5 Without Third Party Plug-ins
Call it his love for everything old, or nostalgia or whatever, but G. Allen Stewart loved how the old color tube cameras handled light and color. He loved how the images seemed to be 'scan-lined', the blacks were crushed and noisy, so G. Allen Stewart went on a quest for the perfect plug-in to create that effect. He was never satisfied with the result, so here's his recipe for his ''make like 1970's TV effect.'' Tutorial Author: G. Allen Stewart |
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| | | | Red Giant plug-ins | Better Compositing with Particles
In this episode of Red Giant TV, Aharon Rabinowitz will show you a technique for placing layers inside the middle of a particle system in After Effects - crucial to truly integrating your CGI effects with your live action footage or motion graphics. Tutorial, Video Tutorial Author: Aharon Rabinowitz |
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| | | | Red Giant plug-ins | Creating Traffic Patterns
In this Red Giant tutorial, Aharon Rabinowitz shows you how to create a realistic traffic pattern backdrop - great for a scene in which the camera overlooks a low lying, but developed area - perhaps looking down from a high hill onto a residential neighborhood. Tutorial, Video Tutorial Author: Aharon Rabinowitz |
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| | | | Adobe After Effects | RG Warp Shadow
In this video tutorial, Eran Stern demonstrate the creation of 3D shadows with After Effects built-in filters and compares it to the functions of RG shadow plug-in. Tutorial, Video Tutorial Author: Eran Stern |
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| | | | Adobe After Effects | RG Warp Reflection
In this video tutorial, Creative Cow Contributing Editor Eran Stern will demonstrate building a reflection using After Effects built-in filters. He will also explore the RG Reflection plug-in. Tutorial, Video Tutorial Author: Eran Stern |
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| | | | Adobe After Effects | Digits Man Revisited
In this video tutorial, Creative Cow Contributing Editor Eran Stern will show you a different technique to create the Running Numbers Effect using Trapcode Form plug-in. Tutorial, Video Tutorial Author: Eran Stern |
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| | | | Red Giant plug-ins | Better Compositing Techniques
In this Episode, learn about compositing techniques that fall outside of keying. Using tools available for After Effects, Premiere, Final Cut Pro, Motion, Vegas and Avid, you will discover ways to improve the quality of your composite with less work. Tutorial, Video Tutorial Author: Aharon Rabinowitz |
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| | | | Red Giant plug-ins | Looping a Particle System
In this Episode, you will learn how to set up a seamless looping particle system. We will be using Trapcode Particular and Starglow to create a stylized holiday snowstorm, but the concepts can be adapted for anything from backgrounds to lower 3rds. Tutorial, Video Tutorial Author: Aharon Rabinowitz |
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Podcasts | | | | creative cow podcast Episode #045 - October 14, 2008 Episode 045 - OFX Plug-In Standards with Gary Oberbrunner from GenArts, Brightcove 3, Windows 7, Silverlight 2, 1080dots, RE:Vision Effects update, Video Pier HD and more creative tech news, interviews and reports - www.creativecow.net
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| | | | boris fx tutorials podcast Boris Continuum 3D Objects - Materials Learn how to map an After Effects video layer to the surface of Boris Continuum Complete 6 AE Extruded Text using the 3D Objects effects plug-in. | | | | |
| | | | boris fx tutorials podcast Boris Continuum 3D Objects - Deformers Learn how to employ the power of vertex shaders to warp, deform and even explode 3D extruded text using Adobe After Effects and the new 3D Objects from Boris Continuum Complete 6 AE plug-in. | | | | |
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