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Phantom

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COW Tags : Phantom
Resolve lite 9.1.3 crash
by Julien Dietrich on May 21, 2013 at 9:30:41 am
in the DaVinci Basics & Configuration Forum
Hi to everyone, I just download and install Davinci Resolve Lite and I having problem with it. The software just crash after login panel. This happen after addind a new media location in the preferences panel. Here is myconfig: Windows 7
Re: How was this filmed?
by Todd Terry on May 17, 2013 at 7:20:35 pm
in the Cinematography Forum
Yeah John is right as he almost invariably is, so it always behooves me to listen to him. I'd agree and say with 99% certainty that's a Phantom camera shoot. The last time I checked though they were about $7K a day, with operator/tech. John has
Re: How was this filmed?
by john sharaf on May 17, 2013 at 6:25:50 pm
in the Cinematography Forum
HI Derek, First go to the bank and make a $25000 loan. Then rent Phantom Camera ($2500) + Lenses & Accessories as the shot looks like 700-100FPS. Did I say Phantom Tech too with proper DIT Station for Download, Transcode and Archive? Also w
Re: Extremely Short AA Battery Life for Tascam DR100
by Jon Kline on May 15, 2013 at 9:23:10 pm
in the Audio Professionals Forum
I have the same issue. It's the DR100mkII and on Lithium it's fine, but both alkaline (Duracell)and NiMh (Eneloop) batteries won't last longer than a few minutes, if phantom power is on. This is a huge issue, it makes the recorder basically unusab
News: SCRATCH and SCRATCH Lab Are Key to Rolling Out Red Carpet for Cannes Film Festival 2013
by Cow News Droid on May 14, 2013 at 8:32:56 pm
in the NEWS: Product News Releases Forum
ASSIMILATE Congratulates SCRATCH Artists on Festival de Cannes 2013 Entries (Santa Clara, California--May 14, 2013) At the 66th Festival de Cannes, May 15 - 26, several films on the competition roster have been created by filmmakers whose post-pr
Re: Media Encoder-Computer Restarting
by Kris Merkel on May 13, 2013 at 6:27:48 pm
in the Adobe Premiere Pro Forum
What you are describing is a computer issue and has nothing to do with AME except maybe additional power draw while encoding. I would guess your power supply is going bad. Is your OS generating a kernal panic when it restarts? I have a phantom pro
Re: Need some advice on good shotgun mic and preamp for T2i
by Mark Shepherd on May 12, 2013 at 6:15:54 pm
in the Canon EOS DSLR Forum
I have a Canon 5D Mark111 and own a various number of mics including the Sennheiser 416 which requires 48V phantom power. I have found that the Rode Pro Mic works great when I mount it to boom pole and use it as a "shotgun" mic. I have even adapted
Need some advice on good shotgun mic and preamp for T2i
by Stephen Pickering on May 11, 2013 at 5:45:17 am
in the Canon EOS DSLR Forum
Hi there, I’ve finally decided to purchase the Juicedlink RM333 but now I need to decide on a microphone. I will not be using a separate recorder but rather feeding from the mic to the preamp and then from the preamp to a t2i (with magiclantern).
Tascam 60D - can't turn off mics
by Jim Cunningham on May 10, 2013 at 12:30:10 pm
in the Audio Professionals Forum
I've recently purchased (B&H) the Tascam 60D to use w/ a DSLR. Many nice features, however I've plugged in several microphones (both phantom & non phantom), and can not turn the volume off using the front pots. With the pots completely off, I'm sti
News: Bavaria Film GmbH Purchases ASSIMILATE SCRATCH Site License
by Cow News Droid on May 9, 2013 at 6:13:16 pm
in the NEWS: Product News Releases Forum
SCRATCH Site License Significantly Enhances Efficiency, Productivity and Creativity (Munich, Germany--May 9, 2013) ASSIMILATE®, a leading global provider of dailies and post-production tools for digital cinema and broadcast workflows, today announ
Re: Best Audio Record & Mix Workflow For FCPX?
by John Rogers on May 7, 2013 at 11:18:16 pm
in the Apple FCPX Techniques Forum
Hi. OP here with some answers to my own questions. figured i'd post what I found for others in same situation, or for correction by the community: bars and tone. go ahead and record a few seconds of each on your card. may come in handy for diagnos
News: Sound Devices Pix 240 Keeps Pace With Sprinting Cheetahs Fornational Geographic Magazine
by Cow News Droid on May 7, 2013 at 8:16:17 pm
in the NEWS: Product News Releases Forum
Production Video Recorder Offers Powerful Monitoring Capabilities in a Compact File-Based Unit for “Cheetahs on the Edge” (Los Angeles, California--May 7, 2013) When National Geographic magazine challenged Director of PhotographyGreg Wilson to cre
Audio Capture problem in Final Cut
by Trevor Hands on May 3, 2013 at 7:02:54 pm
in the Apple Final Cut Pro Forum
Guys & Gals - I am stumped. Recently I've encountered a problem capturing audio. I take my camera with my shotgun mic to a client, record v.o., bring it back and capture the audio. It is playing out of the camera and through my speakers ju
Re: Lingering "phantom" audio
by Joseph McDonald on May 2, 2013 at 8:04:16 pm
in the Apple FCPX Techniques Forum
I had this issue as well. I found that the phantom audio was attached to a specific video clip by deactivating each clip in my storyline one at a time with "v". When I found the right clip, deactivating it removed the phantom audio. When I "expanded
Re: What do you think about selling templates on videoblocks.com?
by Nikki Jones on May 2, 2013 at 12:51:08 am
in the Adobe After Effects Forum
Danilo, I'm with Video Blocks, and hopefully I can provide a relatively unbiased response to your concerns! The reason that you don't see any information on VideoBlocks.com about how we pay contributors is because we do not accept third party
iMac with GTX 680MX for 4k Dailies
by Eric Liner on Apr 29, 2013 at 8:32:10 pm
in the DaVinci Resolve Forum
We're waiting to upgrade our Mac Pro towers and are looking for an interim machine for creating 1080 dailies from various 4k and 2k source (XAVC, Sony RAW, Phantom Cine, etc). Does anyone know if the current 27" iMac with GTX 680MX GPU would be a rea
Archive Codec
by Eric Hansen on Apr 29, 2013 at 3:49:50 pm
in the Compression techniques Forum
Hey All I'm looking for the ideal archive codec, no matter the file size. Years ago, at an old employer, I was capturing Beta SP tapes to Uncompressed 10 bit SD for storage on SDLT, since the analog Beta tapes were showing signs of wear and dro
Re: Sony ECM-77b low output?
by Bob Mark on Apr 28, 2013 at 2:06:36 am
in the Audio Professionals Forum
Thanks for your reply. It does the same with phantom, battery (new) or both.
Re: Sony ECM-77b low output?
by Bill Davis on Apr 28, 2013 at 1:55:21 am
in the Audio Professionals Forum
You check the AA battery in the silver housing? Evem if you're using the unit with phantom, this needs to pass current. So a bad battery can mess things up.
Re: Hissing and Pop sound while using G3 wireless and Zoom H4n
by Peter Groom on Apr 27, 2013 at 8:42:35 am
in the Audio Professionals Forum
Certainally, turn off the phantom if the devices dont require it. At the very least you will make your batteries in the zoom last a whole lot longer. I have had this exact thing, apparently without explanation. Only steers ive been able to get is
Hissing and Pop sound while using G3 wireless and Zoom H4n
by Johnny Hizz on Apr 27, 2013 at 6:09:08 am
in the Audio Professionals Forum
Hello, This is my first time on this forum. I was out on a shoot today. I was conducting interviews for a doc that I'm working on. I was using a Senheiser G3 wireless lav kit with a Omin directional mic attached. I had the sensitivity set to -18db
News: Actua Films Relies On Studio Technologies Live-Link Remote Camera Interface Units For Sng And
by Cow News Droid on Apr 24, 2013 at 6:03:38 pm
in the NEWS: Product News Releases Forum
Live-Link Provides Streamlined Setup and Reliable Service for Breaking-News Applications (Geneva, Switzerland--April 24, 2013) Actua Films, a facility service provider for local and international TV stations, corporations and TV networks with offi
Re: Importing Phantom Cine Files into Resolve Lite 9
by andrew smith on Apr 23, 2013 at 6:18:41 pm
in the DaVinci Resolve Forum
ps. do you guys ever use LUT's on .cine phantom material or how best to approach grading for ProRes transcodes? Thanks
Re: Importing Phantom Cine Files into Resolve Lite 9
by andrew smith on Apr 23, 2013 at 2:50:54 pm
in the DaVinci Resolve Forum
Hey guys, I am about to start a Phantom .cine job myself but not sure if it will work in 9.1.3 - when files get here I guess I will find out! Just wondering what/if any a workflow advice you might have as I have never graded from .cine. I am me
Phantom .cine Transcode
by andrew smith on Apr 22, 2013 at 11:43:40 pm
in the DaVinci Resolve Forum
Quick question as I have never received .cine files and need to do a grade & transcode of some files straight from a Phantom camera (about 30mins) for an editor. Its not clear if they will need to come back for a final pass of color at this point.
Re: Slow Motion Fast Movement
by Todd Terry on Apr 22, 2013 at 7:12:10 pm
in the Cinematography Forum
That's a really great piece, beautifully done... But as for.... [Jerad Hill] " I am assuming this could be done with a DSLR shooting at 60fps." ...well, no. I'm not saying you couldn't do something cool with your DSLR, but it's not going to
NAB 2013: Anton/Bauer
by Debra Kaufman on Apr 21, 2013 at 10:22:16 pm
in the Cinematography Forum
Anton/Bauer came to NAB 2013 to celebrate its Scientific and Engineering Award from AMPAS earlier in the year...and to introduce three new products: the Anton/Bauer Gold Spectrum Wireless Series, the result of a collaboration with sister Vitec compan
Service: EZS Productions
by Ethan Sigman on Apr 16, 2013 at 1:58:45 pm
in the COW - Services Forum
DP: The Golf Network: Phantom Camera (x-mo) DIT: CBS Super Bowl 2013 DIT: CBS NCAA Final Four DIT: CBS NCAA 75th Anniversary Camera Operator: HBO 24/7 Talent Manager: Donald Trump- Apprentice- 10 seasons Stage Manager: Jay Z Black Album Tour
EZS Productions
by Ethan Sigman on Apr 16, 2013 at 6:58:45 am
in the Forum
DP: The Golf Network: Phantom Camera (x-mo) DIT: CBS Super Bowl 2013 DIT: CBS NCAA Final Four DIT: CBS NCAA 75th Anniversary Camera Operator: HBO 24/7 Talent Manager: Donald Trump- Apprentice- 10 seasons Stage Manager: Jay Z Black Album Tour
Great time at NAB 2013
by Ralph Hajik on Apr 13, 2013 at 7:04:24 pm
in the NAB Expo Forum
Nab Expo Readers, I had another great time at NAB, walking around and seeing what's hot this year. There was just to much to take in when you have only two days. It seems that 3D wasn't being pushed at all like it was last year. GoPro always draw
Re: Loud Pop on Sennheiser Wireless Mic
by Ty Ford on Apr 13, 2013 at 12:58:54 am
in the Audio Professionals Forum
Guys, Are the receivers directly attached to a camera in all cases? Which camera? Phantom power is off, right? Thanks, Ty Ford Cow Audio Forum Leader
News: Scripps Standardizes Multimedia Journalist Operations With JVC GY-HM650 Mobile News Cameras
by Cow News Droid on Apr 9, 2013 at 10:25:14 pm
in the NEWS: Product News Releases Forum
(Wayne, New Jersey--April 9, 2013) JVC Professional Products Company, a division of JVC Americas Corp., today announced that Scripps Media, part of the E.W. Scripps Company, has deployed more than 40 JVC GY-HM650 ProHD mobile news cameras across its
News: Glue Tools, LLC announces new lower pricing and NAB specials.
by Cow News Droid on Apr 9, 2013 at 10:01:53 pm
in the NEWS: Product News Releases Forum
(Santa Barbara, California--April 9, 2013) Glue Tools, LLC announces new lower pricing for Cineon/DPX Toolkit and NAB show specials for ARRIRAW Toolkit and Séance™ - Phantom® Camera Control for Mac. Cineon/DPX Toolkit v4.0 is now only $279 (was $3
News: Sound Devices Introduces PIX 240i Kit At The 2013 NAB SHOW
by Cow News Droid on Apr 9, 2013 at 6:01:33 pm
in the NEWS: Product News Releases Forum
Convenient Kit Includes All Necessary Equipment for Professional Video Production (Las Vegas, NAB2013--April 9, 2013) Sound Devices, experts in portable audio and video products for field production, unveils its PIX 240i KIT, an all-inclusive kit
Re: Jurassic Park 3D: A New Dimension For A Modern Classic
by Mike Cohen on Apr 9, 2013 at 12:06:19 am
in the COW - Tutorials Forum
We have a thread going on the Film History forum, so I will just add here that converting a film like JP into 3D is the very model of what studios should be doing with their legacy blockbuster titles. But not all of them. Classics like JAWS and Ro
News: Vision Research Unveils the Next-Generation of Digital High-Speed Imaging at 2013 NAB–the Phan
by Cow News Droid on Apr 8, 2013 at 11:19:47 pm
in the NAB Expo Forum
News: Vision Research Unveils the Next-Generation of Digital High-Speed Imaging at 2013 NAB–the Phan
by Cow News Droid on Apr 8, 2013 at 11:19:47 pm
in the NEWS: Product News Releases Forum
Flex4K Will Offer Levels of Flexibility Never Before Available on a High-Speed Camera (Las Vegas, NAB2013--April 8, 2013) (BUSINESS WIRE)--Vision Research, a leading manufacturer of digital high-speed imaging systems, is previewing the next member
News: Studio Technologies Demonstrates MODEL 5190 Remote Control unit at The 2013 NAB show
by Cow News Droid on Apr 8, 2013 at 9:29:56 pm
in the NEWS: Product News Releases Forum
Users Can Access 5100-Series Modules from iPad, iPhone or Other Internet-Capable Devices (Las Vegas, Nevada--April 8, 2013) Studio Technologies Inc., the manufacturer of tailored, high-performance video, audio and fiber-optic products for the prof
News: Globalstor’s ExtremeStor-EX10 PCIe expansion systems with integrated 10 drive RAID will power
by Cow News Droid on Apr 8, 2013 at 8:23:19 pm
in the NEWS: Product News Releases Forum
(Las Vegas, Nevada--April 8, 2013) Globalstor® Data Corporation, a premier OEM integrator of high-performance RAID, SAN and storage/video servers, is pleased to announce that its ExtremeStor-EX10 PCIe expansion systems with integrated 10 drive RAID
Re: Ramping high Frame rates back to real time using phantom footage
by Darby Edelen on Apr 8, 2013 at 8:21:09 pm
in the Adobe After Effects basics Forum
[Wim Steytler] "So for arguments sake - we shoot a shot at 1000fps and I want to ramp it back to 25fps(realtime) in post. From what I hear it looks terrible as I have to loose frames and add motionblur." I'd recommend shooting some tests. You sh
Re: Now on the BM website
by Shawn Miller on Apr 8, 2013 at 6:58:32 pm
in the Apple FCPX or Not: The Debate Forum
[Tim Wilson] "If anybody tried to make the case that the most common use for the Vision Research Phantom HD camera is NOT super slo-mo cat video, I'd laugh in their faces. Needless to say, nobody is trying to make that case." LOL, sad but true...
Re: Now on the BM website
by Tim Wilson on Apr 8, 2013 at 5:41:54 pm
in the Apple FCPX or Not: The Debate Forum
[Shawn Miller] "you're going to see a lot of nicely graded cat videos on YouTube. ;)" Too true! " If anybody tried to make the case that the most common use for the Vision Research Phantom HD camera is NOT super slo-mo cat video, I'd laugh in t
Ramping high Frame rates back to real time using phantom footage
by Wim Steytler on Apr 8, 2013 at 2:18:49 pm
in the Adobe After Effects basics Forum
Hi guys. I am shooting a job where there will be alot of ramping required. So for arguments sake - we shoot a shot at 1000fps and I want to ramp it back to 25fps(realtime) in post. From what I hear it looks terrible as I have to loose frames and
News: Versatile Distribution Services Delivers Turnkey Systems Optimized for 4K and 2K ASSIMILATE SC
by Cow News Droid on Apr 8, 2013 at 6:08:06 am
in the NEWS: Product News Releases Forum
New Turnkeys to be Offered in North America Exclusively by CineSys-Oceana (Las Vegas NAB Show, Nevada--April 8, 2013) Versatile Distribution Services (VDS), a distributor specializing in integrated solutions for the media and entertainment industr
Re: mixer vs multitrack field recorder
by Tim Dowse on Apr 7, 2013 at 1:58:32 pm
in the Audio Professionals Forum
For what it's worth, I of course agree with Ty that it's never a good idea to leave levels unattended. One of my much earlier posts seemed to suggest that I leave levels unattended, which I don't. Even when I'm shooting alone. Jakob, as I stat
News: Studio Technologies Debuts Live-Link Remote Camera Interface System For 4K Production At The 2
by Cow News Droid on Apr 5, 2013 at 6:10:11 pm
in the NEWS: Product News Releases Forum
(NAB 2013, Las Vegas--April 5, 2013) Studio Technologies Inc., the manufacturer of tailored high-performance audio, video and fiber-optic products for the professional audio, installation and broadcast markets, will debut the Live-Link 07X-series of
News: Canon U.S.A. Introduces Two Ultra-Compact Professional Camcorders Enabling Wireless Digital Co
by Cow News Droid on Apr 3, 2013 at 6:19:48 pm
in the NEWS: Product News Releases Forum
New Canon XA25 and XA20 Camcorders Include a 20x HD Zoom Lens, Simultaneous MP4 and AVCHD Recording, a 3.5-Inch Organic LED Touch Panel Display, and Wireless Connectivity for Digital Content Uploading or Remote Operation Via Tablet or Smartphone (
ME80 to Zoom H1 (problem starts when XLR turns into 1/4")
by Christopher Eden on Apr 2, 2013 at 5:19:22 pm
in the Field Production Forum
So I've had a Zoom H1 for a bit when I got my hands on my own first shotgun: a sennheiser ME80. I got the specialty battery for it, and tried hooking up an XLR->1/4" with a 1/4->1/8" adapter in order to test it out. Of course, it didn't work because
Re: Problems with h4n phantom power
by Peter Groom on Mar 29, 2013 at 9:20:37 pm
in the Audio Professionals Forum
You never sad what your 1/2 input gains are set to . It'll need to be up n the 70s fr a mic level Peter
Re: Requesting Camera and Gear suggestions for a future Indie Documentary film
by Mark Suszko on Mar 29, 2013 at 8:44:58 pm
in the Indie Film & Documentary Forum
The mics you mention are called Lavaliere or 'Lav" mics for short. They generally come as omni-directional, directional ones are rather rare. The less expensive ones are wired instead of wireless and if your camera has 3-pin XLR inputs this is th
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