| | | | AF100: SD Card Ejected While Recording
by Remington Smith on Feb 28, 2013 at 12:54:57 am
in the Panasonic AF100, DVX100, HMC150 Forum
As the subject outlines, I was recording to an SD card on the Panasonic AG-AF100 when the card was ejected while it was recording.
I was able to pull the data from the camera and put it onto a hard drive, but the camera cannot see the files and | | | | |
| | | | hyperdeck uncompressed
by Ofer Geva on Feb 22, 2013 at 6:38:17 am
in the Blackmagic Design Forum
I have a Panasonic AG-AF100. It outputs 8-bit out of it's sdi output. I wanted to know if anyone knows how much bit rate will I get from connecting it to a hyperdeck shuttle 2 and record uncompressed QuickTime? | | | | |
| | | | Re: Panasonic AG-AF100 First Timer
by Bill Bruner on Jan 5, 2013 at 2:08:39 pm
in the Panasonic AF100, DVX100, HMC150 Forum
Hi Ervin - if you have time before the shoot, I recommend you get hold of Barry Green's AF100 Book and DVD. If you don't have time for the book, just watch the DVD and you'll be good to go.
Good luck and Best of the New Year!
Bill
Hybrid Came | | | | |
| | | | Panasonic AG-AF100 First Timer
by Ervin Tia on Jan 2, 2013 at 3:26:40 am
in the Panasonic AF100, DVX100, HMC150 Forum
Hello,
I'm going to help a friend shoot a music video using the AF100. Can you help me with your recommendations on the production and post?
- Your preferred camera setting
- Editing workflow (Avid MediaComposer)
- any other concerns?
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| | | | How to archive footage ingested natively?
by Jesse Koepke on Dec 6, 2012 at 10:00:59 pm
in the Adobe Premiere Pro Forum
Hello all,
I manage a small team of editors and we are currently making the move to Adobe Premiere Pro (on Mac). Things are going fairly smoothly, but one thing I'm trying to figure out is how to archive the footage we ingest natively through Prel | | | | |
| | | | ea50?
by Ofer Geva on Nov 9, 2012 at 7:50:34 am
in the Sony NXCAM Forum
Hello,
I work a lot outside on documenting. Sometimes going from full eye-burning sunlight to complete shadows within a minute.
I used a Panasonic AG-AF100 for the last year until an evil robber stole it from my house (lucky robber...) Now I've see | | | | |
| | | | IBC 2012: AJA
by Debra Kaufman on Sep 7, 2012 at 4:00:14 am
in the AJA Ki Pro Forum
AJA is unveiling several new products at IBC 2012, chief among them the Corvid Ultra, which supports 2K and 4K high-frame rate DI workflows. Corvid Ultra also features the new TruScale arbitrary scaling engine, which allows up and down scaling from w | | | | |
| | | | New Ki Pro v3.1 Firmware Now Available
by AJA Sales Department on Jul 25, 2012 at 5:43:40 pm
in the AJA Ki Pro Forum
AJA Ki Pro v3.1 is now available for download, for the original Ki Pro! Ki Pro 3.1 adds additional Camera Data parameter additions for more cameras including ARRI Alexa, Panasonic AG-AF100 series and Sony PMW-F3. Support for start/stop via ancillar | | | | |
| | | | Re: Panasonic AG-AF100 and M100
by Marcus Warren on Jul 17, 2012 at 3:29:17 am
in the Media 100 Forum
Right. Now I remember. Hopefully, Media 100 will soon work with AVCHD (and other formats) natively. It would be nice if that happened this year with a point upgrade, since I am still waiting to cash in my paid software update. Time is running out... | | | | |
| | | | Re: Panasonic AG-AF100 and M100
by Bob Slenker on Jul 17, 2012 at 1:58:54 am
in the Media 100 Forum
Media 100 Suite imports AVCHD footage via a third party app called "Clip Wrap."
When you go to import and see all the file options ( P2, SxS, etc.), you select AVCHD and it automatically opens Clip Wrap. Clip Wrap converts the clips to a file forma | | | | |
| | | | Re: Panasonic AG-AF100 and M100
by Marcus Warren on Jul 16, 2012 at 5:44:11 pm
in the Media 100 Forum
I think this thread went off on a tangent (as threads sometimes do)so I just want to be sure; are all you all saying that the AVCHD footage from the Panasonic AG-AF100 (or from any other camera, for that matter) cannot be directly imported into M100? | | | | |
| | | | Re: Panasonic AG-AF100 and M100
by Peter DeArmond on Jul 9, 2012 at 1:15:09 am
in the Media 100 Forum
Olof,
I have had the same experience. I too love Media 100 and it will always have a special place in my heart, but I'm also in the process of making the switch to FCPX, for many of the same reasons you listed.
I'll never knock Media 100 -- | | | | |
| | | | Re: Panasonic AG-AF100 and M100
by olof ekbergh on Jul 5, 2012 at 4:32:25 pm
in the Media 100 Forum
Michael, yes I am sorry as well M100 has been my main NLE for 15 years now. It is like an old friend. I still really like it.
But for years now I have used FCP more and more to pre-process media be fore finishing in M100.
Here is why.
I oft | | | | |
| | | | Re: Panasonic AG-AF100 and M100
by Michael Slowe on Jul 5, 2012 at 4:09:00 pm
in the Media 100 Forum
Olof, sorry to hear this. Is it just a speed improvement or other things as well? I take in XDCAM media quite easily through Sony Transfer at the same time as selecting exactly what I require from each clip. It is true that there is a slight dela | | | | |
| | | | Re: Panasonic AG-AF100 and M100
by olof ekbergh on Jul 5, 2012 at 2:03:45 pm
in the Media 100 Forum
I actually use FCPX to view and categorize AF100, AVCHD and XDcam footage. I use FCPX timelines to do rough edits and then import those into M100 as Prores if I want to edit in M100 or if I am adding footage to a legacy project.
I have to admit th | | | | |
| | | | Re: Panasonic AG-AF100 and M100
by Michael Slowe on Jul 3, 2012 at 11:29:01 am
in the Media 100 Forum
Why don't you take the footage (as ProRes HQ) direct into Media 100. I select the sections of clips in Sony Transfer that I want, set my Media 100 Project as ProRes and there's no problem. | | | | |
| | | | Re: Panasonic AG-AF100 and M100
by Fermin Branger on Jul 2, 2012 at 10:04:17 pm
in the Media 100 Forum
We transfer all media into Final Cut (ProRes), and then we perform a rapid import from our bins in M100.
After edit, we send our PGMs to AE, for color correction (Colorista2). Coming back to M100, we do a final color adjust with RGB curves (if need | | | | |
| | | | Panasonic AG-AF100 and M100
by Marcus Warren on Jul 1, 2012 at 3:16:25 am
in the Media 100 Forum
Anyone using the Panasonic AG-AF100 with Media 100 Suite? Thoughts, impressions, difficulties concerning importing the video? | | | | |
| | | | Re: Canon 5D Mark III v. Panasonic Ag-AF100
by keith mann on Jun 13, 2012 at 11:43:33 pm
in the DSLR Video Forum
Since you work for a corp, this may not mean anything to you, but the Canon will retain huge resale value, and the AF100 will be yesterdays story in just one year. Right now, 4 year old Mark 2's are selling for 80% of their original price - because | | | | |
| | | | Re: Canon 5D Mark III v. Panasonic Ag-AF100
by Bill Bruner on Jun 13, 2012 at 5:33:25 pm
in the DSLR Video Forum
Laura - if the boss is concerned with the bottom line, the AF100 body now costs $3424 new while the 5DMkIII body is $3499 (plus the external recorder and post-production time).
Hope this is helpful,
Bill | | | | |
| | | | Re: Canon 5D Mark III v. Panasonic Ag-AF100
by Keith Lester on Jun 6, 2012 at 10:22:40 pm
in the DSLR Video Forum
Hello, I purchased a Canon 5DMark II in 2008 and used it for several years on professional projects as well as using many Panasonic P2 cameras over the past five years and now own an AF100.
These cameras are all different, but have benefits that mak | | | | |
| | | | Re: Canon 5D Mark III v. Panasonic Ag-AF100
by Brent Dunn on Jun 6, 2012 at 3:54:18 pm
in the DSLR Video Forum
A camera that shoots 4:2:2 color space is ideal for keying. DSLR's are not the best for this.
I was a fan of the Panasonic AF100 until Sony announced their new camera, due to ship in July, the FS700U. It's a bit more expensive, but an awesome ca | | | | |
| | | | Re: Canon 5D Mark III v. Panasonic Ag-AF100
by Laura Gruszczynski on Jun 6, 2012 at 2:08:00 pm
in the DSLR Video Forum
Thank you for your posts.
I have another question.
The 5D and 7D cameras shoot h264 at 4.2.0 and the footage needs to be converted to Apple Pro Res in order for me to edit in FCP7. I do a lot of green screen work and have read that DSLRs are not id | | | | |
| | | | Re: Canon 5D Mark III v. Panasonic Ag-AF100
by Jason Jenkins on Jun 4, 2012 at 9:09:49 pm
in the DSLR Video Forum
[Laura Gruszczynski] "He really likes the cinematic look of DSLR footage and the fact that we can use photography lenses."
You can get all that, plus easy in-camera audio with the AF100. You can get good audio with the DSLRs, but as you know it r | | | | |
| | | | Re: Canon 5D Mark III v. Panasonic Ag-AF100
by Steve Crow on Jun 4, 2012 at 8:09:46 pm
in the DSLR Video Forum
Ummm, I am a one person production company exclusively using Canon T2i with wireless audio (Zoom H4N and Senheisser G2 Wireless lavalier mic) - so I am not sure what the issue is. I'd never use another video camera for audio - the Zoom captures very | | | | |
| | | | Canon 5D Mark III v. Panasonic Ag-AF100
by Laura Gruszczynski on Jun 4, 2012 at 7:39:13 pm
in the DSLR Video Forum
Hi,
I work in a small 3 person media group within a large corporation and we currently shoot many of our corporate videos using the Panasonic HVX-200.
Late in 2010, my supervisor bought 2 DSLRs (a 7D and a 5D) and all the rigging that goes with the | | | | |
| | | | Article: NAB 2012: Anton/Bauer
by Debra Kaufman on May 4, 2012 at 4:34:52 pm
in the COW - Tutorials Forum
Cinematography NAB 2012: Anton/Bauer At NAB 2012, Anton/Bauer, a part of Vitec Videocom, a Vitec Group company, debuted its QRC-CA940 Gold Mount solution for the new Canon EOS C300 digital cinema camera and also showcased the MATRIX Cheese Plate, a | | | | |
| | | | NAB 2012: Anton/Bauer
by Debra Kaufman on May 4, 2012 at 9:34:52 am
in the Cinematography Forum
At NAB 2012, Anton/Bauer, a part of Vitec Videocom, a Vitec Group company, debuted its QRC-CA940 Gold Mount solution for the new Canon EOS C300 digital cinema camera and also showcased the MATRIX Cheese Plate, a new mounting plate that can be used wi | | | | |
| | | | AG-AF100 Camera with lenses, tripod, RedRock Micro mattebox and cards for sale
by Tim Vaughan on Apr 28, 2012 at 9:32:23 pm
in the Panasonic AF100, DVX100, HMC150 Forum
I'm selling my Panasonic AG-AF100, complete with 4 lenses --including the voigtlander Nokton 25mm f/.095--, Tripod, extra battery, SDXC cards and RedRock Micro mattebox with cagebuilder kit. Everything for $7,300 (I paid around $11k for everything). | | | | |
| | | | News: Anton/Bauer To Feature Innovative Power Solutions For Sony, Canon, Panasonic And RED At The 20
by Cow News Droid on Apr 17, 2012 at 9:21:51 pm
in the NEWS: Product News Releases Forum
(Las Vegas: NAB 2012--April 17, 2012) Anton/Bauer®, part of Vitec Videocom, a Vitec Group company, and a premier global provider of batteries, chargers, lighting and other mobile power systems for the professional broadcast, video and film industrie | | | | |
| | | | Service: CineX Cinema Productions
by Emin Ibrahimov on Mar 24, 2012 at 2:36:05 pm
in the COW - Services Forum
Documentary:
Centenarians of Azerbaijan (Working Title) Creative idea
Concept
Script writing
Location scouting
Storyboard
Shooting board
Set design
Set decoration
Casting
Ultra High Definition cinema and video production
We specialize | | | | |
| | | | CineX Cinema Productions
by Emin Ibrahimov on Mar 24, 2012 at 7:36:05 am
in the Forum
Creative idea Concept Script writing Location scouting Storyboard Shooting board Set design Set decoration Casting Ultra High Definition cinema and video production | | | | |
| | | | Service: Strathen Visuals
by michael strathen on Mar 13, 2012 at 4:20:46 am
in the COW - Services Forum
AIP Production Studio
Teaching Assistant Director of Photography
AIP Writers’ Center
Writing Consultant
Sinclair Broadcasting Group, Fox53
Master Control Intern Engineering
Clear Channel Communications, Inc.
Video Intern Web devel | | | | |
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