| | | | Re: Send (back) to FCP (wrong sequence)
by Noah Kadner on Nov 7, 2009 at 6:43:02 pm
in the Apple Color Forum
[David Cape] "Can I retrace my steps and present the original FCP sequence to Color after grading? Then Color would send it's color corrected sequence back to FCP (from color)."
Nope- it doesn't work like that. Try reinstalling Final Cut Studio- t | | | | |
| | | | Re: editing p2 footage with a macbook pro
by Noah Kadner on Nov 7, 2009 at 6:42:05 pm
in the Panasonic HVX - HPX (P2) Forum
Where's the non-Intel part? Both machines you mention sound like Intels to me...
Noah
Check out my book: RED: The Ultimate Guide to Using the Revolutionary Camera! Unlock the secrets of 24p, HD and Final Cut Studio.
Call Box Training now featuri | | | | |
| | | | Re: Panasonic GH1 vs Nikon d90
by Austin Steele on Nov 7, 2009 at 3:39:51 pm
in the Digital Photography Forum
Thanks that looks great. So was that mic attached to the camera or is is part of a separate sound system?
I take it that most people think the gh1 is better than the d90. Any particular feature that makes this camera more preferable? Thanks! | | | | |
| | | | Re: Panasonic GH1 vs Nikon d90
by Chris Gen on Nov 7, 2009 at 7:37:34 am
in the Digital Photography Forum
Hi,
I just shot a Mt.Fuji video with the Gh1 using Rode Stereo mic.
It might be useful to check it out and see some of the effects you can achieve with the camera.
Sorry, I don't have the d90 yet. I'm pretty happy with my Panasonic.
Good | | | | |
| | | | Re: Frame Blending Jitter in 2K RED
by Noah Kadner on Nov 7, 2009 at 3:53:05 am
in the RED Camera Forum
It's really hard to tell without actually seeing an example- flicker is one of those terms that means different things to different people. Can you post a short H.264 example?
Noah
Check out my book: RED: The Ultimate Guide to Using the Revolutio | | | | |
| | | | Re: Change DPX header/frame rate
by Noah Kadner on Nov 7, 2009 at 12:11:10 am
in the Apple Color Forum
Glue Tools- though I'd imagine there's also some sort of command line or hack you could find if you searched hard enough. But you can also simply change your frame rate in Color and DPX will fit to fill.
Noah
Check out my book: RED: The Ultimate | | | | |
| | | | Re: Panasonic GH1 vs Nikon d90
by Peter DeCrescenzo on Nov 6, 2009 at 11:47:03 pm
in the Canon Cameras Forum
Hi Austin: Links to sources for relatively inexpensive lens mount adapter rings for the GH1 are in the GH1 FAQ on DVXuser.com and in my l-o-n-g thread on Cinematography.com, which I linked to in my post above.
DVXuser.com has several DSLR video-re | | | | |
| | | | Re: How to capture video best for keying
by Kevin Camp on Nov 6, 2009 at 10:32:14 pm
in the Adobe After Effects Forum
you could probably better specifics for capturing in premiere in the premiere forum, but in general, for keying in ae, hdv is about as bad as it gets codec-wise.
hdv has heavy compression of it's color components, which is really bad for keying. | | | | |
| | | | MXF format HELP!
by Christian Fauteux on Nov 6, 2009 at 9:28:08 pm
in the Adobe Premiere Pro Forum
Hi Everyone! I recently recorded an interview with P2 cards on Panasonic cams. We were then given the files on an external drive and they are in MXF format.
Here lies the problem, I understand how MXF containers work, but how do I convert them to | | | | |
| | | | Re: Will monitor work to focus
by Noah Kadner on Nov 6, 2009 at 8:04:29 pm
in the Panasonic DVX100 - HMC150 Forum
anything's better than the on-board flip out display or viewfinder alone...
Noah
Check out my book: RED: The Ultimate Guide to Using the Revolutionary Camera! Unlock the secrets of 24p, HD and Final Cut Studio.
Call Box Training now featuring th | | | | |
| | | | Re: button activation delay
by Noah Kadner on Nov 6, 2009 at 8:03:51 pm
in the Apple DVD Studio Pro Forum
Check your manual regarding loop points...
Noah
Check out my book: RED: The Ultimate Guide to Using the Revolutionary Camera! Unlock the secrets of 24p, HD and Final Cut Studio.
Call Box Training now featuring the Sony EX1 Guidebook, Panasonic H | | | | |
| | | | Re: Workflow issues DVCProHD 23.98 over 59.94
by Shane Ross on Nov 6, 2009 at 7:44:14 pm
in the Apple Final Cut Pro Forum
[Simon Egleton] "Panasonic deck is down-converting to SD 29.97. Bringing video and audio over SD (SDI) into the Blackmagic card. "
Why? Now that timecode won't reflect the original source. 24 over 60 is captured at 23.98...so the 29.97 timecode | | | | |
| | | | Re: Panasonic GH1 vs Nikon d90
by Austin Steele on Nov 6, 2009 at 7:41:22 pm
in the Canon Cameras Forum
Great thanks so much a lot of good info here. Are there any forums that are specifically related to video DSLRS?
So for these cameras do you need specific lens or will any old 35mm lens mount on them (without an adapter)? Thanks again!
My frie | | | | |
| | | | Re: Panasonic GH1 vs Nikon d90
by Peter DeCrescenzo on Nov 6, 2009 at 6:50:22 pm
in the Canon Cameras Forum
A good place to start for info about the GH1:
http://www.dvxuser.com/V6/showthread.php?t=174020
http://www.bhphotovideo.com/bnh/controller/home?O=NavBar&A=getItemDetail&Q=&sku=608940&is=REG&si=rev#anchorToReadReviews
Refer also to:
http://www.d | | | | |
| | | | Importing Video Files
by Bob Paul on Nov 6, 2009 at 6:29:20 pm
in the Apple Final Cut Pro Forum
I am going to be shooting with a Panasonic DVX 100. It will be at least 4 straight hours. I would like to take Firewire out of the camera while shooting to a La Cie 500 GB drive to capture the video file and after the shoot, connect the drive to my M | | | | |
| | | | Panasonic GH1 vs Nikon d90
by Austin Steele on Nov 6, 2009 at 6:14:26 pm
in the Digital Photography Forum
**I know this is the Canon camera section but I couldn't find a better place for this post.
I am looking at these two cameras, Panasonic GH1 and Nikon d90. I'm a bit of a noob with these SLR video cameras and just wondering which camera do you thi | | | | |
| | | | Panasonic GH1 vs Nikon d90
by Austin Steele on Nov 6, 2009 at 6:11:11 pm
in the Canon Cameras Forum
**I know this is the Canon camera section but I couldn't find a better place for this post.
I am looking at these two cameras, Panasonic GH1 and Nikon d90. I'm a bit of a noob with these SLR video cameras and just wondering which camera do you thi | | | | |
| | | | Re: need help setting RGB on my CRT
by Roli Rivelino on Nov 6, 2009 at 5:13:32 pm
in the Apple Color Forum
I'm sorry but I didn't really understand your answer. How do I set those values you were talking about and what about my RGB?
aka Newbie Wan Kenewbie. "I will get over my manualaphobia, one day at a time."
System
Mac Pro 2.8Gb quad core
8Gb RA | | | | |
| | | | Re: Editing RED footage - on a MacBook Pro?
by Noah Kadner on Nov 6, 2009 at 4:12:32 pm
in the RED Camera Forum
I'd grab my book (naturally) I go over several scenarios specifically in FCP. Here's a sample from that chapter:
http://ptgmedia.pearsoncmg.com/imprint_downloads/peachpit/peachpit/downloads/finalcut/RED_FCPworkflow.pdf
You will be facing major | | | | |
| | | | need help setting RGB on my CRT
by Roli Rivelino on Nov 6, 2009 at 3:29:51 pm
in the Apple Color Forum
I've recently got an old CRT monitor it's not that great but better than what I had, I have some control over the RGB settings.
I just need to know how best to set it up for colour correction?
At the moment the temperature is at 9300 and R is s | | | | |
| | | | Panasonic DVX100b
by Neal Barenblat on Nov 6, 2009 at 3:15:28 pm
in the Classifieds, For Sale Forum
Selling my DVX100b. Good condition - lens needs professional cleaning, may cost $50 or so. Comes with battery & charger. Asking $1200. | | | | |
| | | | Re: traveling with pro gear
by Matthew Sonnenfeld on Nov 6, 2009 at 8:01:16 am
in the Panasonic HVX - HPX (P2) Forum
http://www.filmtools.com/pelican-1510-loc-overnight-case-black-1510loc.html
http://www.filmtools.com/cinebags-revolution-backpack-cb-25.html
http://www.bhphotovideo.com/c/product/340292-REG/Petrol_PCBP_1_PCBP_1_Papoose_Mini_DV.html
or if you | | | | |
| | | | Re: Thoughts on iTunes Extras/LP
by Noah Kadner on Nov 6, 2009 at 1:29:25 am
in the DVD Authoring Forum
email sent! :)
Noah
Check out my book: RED: The Ultimate Guide to Using the Revolutionary Camera! Unlock the secrets of 24p, HD and Final Cut Studio.
Call Box Training now featuring the Sony EX1 Guidebook, Panasonic HVX200, Canon EOS 5D Mark II | | | | |
| | | | Re: Thoughts on iTunes Extras/LP
by Noah Kadner on Nov 6, 2009 at 1:06:03 am
in the DVD Authoring Forum
I have zero problem with Apple getting a percentage of the sale but how exactly do I start selling my content on the iTunes Store? Have yet to see a simple method that doesn't involve a 3rd party.
Noah
Check out my book: RED: The Ultimate Guide t | | | | |
| | | | Re: panasonic hvx 200
by jaenet guggenheim on Nov 5, 2009 at 11:15:59 pm
in the Apple Final Cut Pro Forum
shane,
thank you so very very much!
i did make sure, however, to not shoot 24pN as i knew i was not importing at progressive, although i had thought 24p meant 24p... i discovered on this camera it does not.
it does import with a pull down, i | | | | |
| | | | Re: Ingesting DVCPRO HD as Pro Res 422 In FCP
by Noah Kadner on Nov 5, 2009 at 10:45:34 pm
in the Panasonic HVX - HPX (P2) Forum
Just bring in the DVCPROHD as DVCPROHD. Cut the additional footage in the same timeline. When you're done export everything as ProRes. Unless you capture say to an AJA IO HD to ProRes live as you're shooting from the component output of your camera, | | | | |
| | | | Re: Thoughts on iTunes Extras/LP
by Noah Kadner on Nov 5, 2009 at 10:43:21 pm
in the DVD Authoring Forum
Question I have is will Apple ever let me sell my movie directly on iTunes the way say an iPhone developer can sell their app? Right now it seems to be only big Hollywood studios only or these indie companies who somehow can get some movies into the | | | | |
| | | | Re: Video Bitrate too high
by Noah Kadner on Nov 5, 2009 at 10:35:53 pm
in the Apple DVD Studio Pro Forum
Might want to search the forums a bit- there are at least 100 posts that are titled, video bitrate too high in this forum.
-Noah
Check out my book: RED: The Ultimate Guide to Using the Revolutionary Camera! Unlock the secrets of 24p, HD and Final | | | | |
| | | | Down conversion gone wrong?
by Jim Carswell on Nov 5, 2009 at 9:07:09 pm
in the AJA Kona Forum
Hello all,
I'm curious if I have done something wrong in my down conversion process. Editing with FCS 6.06 on an intel Mac Pro with Kona 3 card.
I edited a 1280x720 DVCPRO HD commercial. To down convert it for local broadcast I sent it through | | | | |
| | | | Panasonic HMC150 New with Warranty $2650.00
by Andy Gavot on Nov 5, 2009 at 7:33:16 pm
in the Classifieds, For Sale Forum
I am selling my Panasonic AG-HMC150 Camcorder. It is basically brand new (used once for 10 minutes at my daughter's piano recital) - under warranty with original receipt and all standard accessories /manuals. $2,650.00
I purchased it in June 2009 | | | | |
| | | | Re: Broadcast Monitor for under $3000?
by Shane Ross on Nov 5, 2009 at 7:18:06 pm
in the Apple Final Cut Pro Forum
Yes, pardon...typo. 1760, or 1770. They won't work with the Intensity directly as they don't have HDMI inputs....as you can see on the site:
http://www.flandersscientific.com/index/Broadcast_Monitors
[Kent Beeson] "And can I monitor 1920x1080 | | | | |
| | | | Panasonic VariCam | Leo Ticheli discusses the HD VariCam from Panasonic
Panasonic's VariCam HD camera is one of the most popular HD units in use today, being used in major and independent films, commercials, corporate and music videos and many other projects. In this article, Creative Cow's Leo Ticheli discusses how the VariCam is used at his company, Leo Ticheli Productions (LTP). LTP bought VariCam back in 2001 and today uses the VariCam in projects that are developed at the two company offices located in Birmingham, Alabama and Atlanta, Georgia.Leo Ticheli, (host of Creative Cow's VariCam forum), discusses his purchase reasons, the image quality, the posting process and some of the projects that the VariCam has been used on. He gives his assessment of the camera, as well as the VariCam's aptness for a broad range of assignments.
Review, People / Interview
Author: Leo Ticheli |
| | | | |
| | | | Panasonic VariCam | HD Expo's Panasonic VariCam 'VariCamp'
James Kelty has always considered himself more of a writer-director than an editor or cinematographer. But in today's ever-changing production world, like many independent producers working on project videos and/or documentaries, Jim is quickly becoming a skilled editor -- using a CinéWave system armed with Final Cut Pro. Recently, after a long career shooting film, he has begun using video in some of his projects. As part of this move, he attended HD Expo's "VariCamp" in Hollywood in January, 2004, where Jim began his exploration of High Definition using Panasonic's VariCam. Jim concludes that it offers new options to producer-directors and he found HD to have 'the types of innovations that kept making me think hi-def is selling itself short through the constant comparisons to film, and that the technology is essentially creating new visual language and production capability all its own.' Here is his report...
Review
Author: James Kelty |
| | | | |
| | | | Art of the Edit | Molecule Fueled Imagination
Film? Television? Production? Post? Visual effects? Animation? Stereoscopic 3D? Interactive design? By answering Yes, all of the above, The Molecule keeps its eyes beyond the horizon.
Feature, People / Interview
Author: Chris Healer |
| | | | |
| | | | Business & Marketing | Heavy Iron
How can a creative business survive, much less prosper, these days? DigitalFilm Tree's Zed Saeed offers a possible solution that combines embracing new, disruptive, low-cost technologies, and investing wisely to add value.
Editorial, Business
Author: Zed Saeed |
| | | | |
| | | | HD High-End | HDCAM, XDCAM & DVCPRO HD: Some Questions Answered
Responding to questions in the Creative Cow "HD High End" forum, Cow leader and contributing editor Tim Kolb lays out key differences between Sony's XDCAM and HDCAM, as well as cameras using Panasonic’s DVCPRO HD. This look at some of the industry's hottest forums will help anyone looking to explore the world of HD production.
Feature
Author: Tim Kolb |
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| | | | Sony Vegas | Vegas 8 Pro, Raylight and Windows Vista
Creative Cow Leader Michael Hurwicz looks at DVFilm's Raylight plug-in, which provides transparent support for Panasonic MXF files in Sony Vegas. Testing Vegas Pro 8 running under Microsoft Vista, Michael finds Raylight to be an elegant and reliable solution.
Review
Author: Michael Hurwicz |
| | | | |
| | | | Indie Film & Documentary | INDY FILMMAKER, Noah Kadner SHOOTS FORMOSA, VINTAGE 1950
Director Noah Kadner recently shot his debut feature, Formosa, a period comedy about a hapless group of social guidance filmmakers, with Panasonic's AJ-SDX900 DVCPRO Cinema camcorder. An independent project from High Road Productions (Los Angeles, CA), with Anita M. Cal producer, Formosa will go out to potential distributors and have a limited festival run beginning later this year.
People / Interview
Author: Noah Kadner |
| | | | |
| | | | Panasonic HVX - HPX (P2) | P2: The format. The trailer.
What do filmmakers do in their free time? They make films. The horror movie P2 has just been released on DVD, but when Doug Spice and team at Psychic Bunny saw the original trailer for the theatrical release, all they could think about was their cuddly little Panasonic HVX200. Heres a playful look at what happened when the two came together, with a few shooting and workflow tips for good measure.
Feature
Author: Doug Spice |
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| | | | AJA Kona | Up-Converting SD for HD Projects and HD Cross-Conversion Using AJA Kona 3
Need SD upconversion for HD projects, and HD cross-conversion? Broadcast editor and Final Cut Pro community leader Shane Ross recently had a DVCPRO HD project shot with the Panasonic Varicam and HVX-200 at 23.98 that had to be converted to 1080psf 23.98 for delivery on HDCAM. After long research and experience with many FCP-compatible cards, he concluded that the AJA Kona 3 was the way to go. It even handles SD upconversion too, all in real time. Read why he chose this specific card, and how he got the job done.
Tutorial, Feature
Author: Shane Ross |
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| | | | Art of the Edit | Fix it in Pre : Workflow Starts Before the Shooting Does
Looking for smooth shoots even on extreme locations? Want a pain-free post? 24P, film look, Depth of Field converter, advanced compositing and sound design -- its all here. In this Creative Cow Magazine extra from the Workflow 3.0 issue, Carl Larsen shows you how to avoid problems through planning, along with invaluable tips for cinematic storytelling on a tight schedule.
Feature
Author: Carl Larsen |
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Podcasts | | | | creative cow podcast
Episode #063 - February 17, 2009
AVCCAM with Panasonic's Robert Harris, JVC GY-HM700 ProHD camcorder, Blackmagic Decklink HD Extreme, CS4 web seminar, Panasonic color viewfinder and P2 AG-HPX300, Skype on smartphones and more creative news and interviews - creativecow.net | | | | |
| | | | creative cow podcast
Episode #085 - July 20, 2009
Producing Documentaries with Walter Biscardi, Panasonic AG-HPX300 update, LinkOptimizer for Adobe InDesign, Amazon ironically deletes 1984 from Kindle, Astroscope DSLR night vision, Microsoft Silverlight 3, Expression 3 and more creative news. | | | | |
| | | | creative cow podcast
Episode #047 - October 28, 2008
Inside George Lucas' Lucasarts with Michael Rubin, end of VHS, Avid buys Softimage, Microsoft Azure, RED rumors, Panasonic VariCam 2700 and more creative news and interviews - creativecow.net | | | | |
| | | | creative cow podcast
Episode #041 - September 17, 2008
Episode 041 - Particle Animation with Alan Lorence, Boris FX, Sonnet SATA, wireless mics, SonicFire Pro 5, Panasonic P2, Canon 5D Mark II and more creative tech news, interviews and reports - www.creativecow.net | | | | |
| | | | creative cow podcast
Episode #079 - June 08, 2009
Motion Graphics with Scott Frizzle, Adobe BrowserLab, Boris 3D, Avid and Final Cut share, stereographic 3D comes to iPhone, nVeil SVG, Sony Blu-Code 3.0, GPU Flash acceleration, Twitter income with SuperChirp, Panasonic HDC series debut and more. | | | | |
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