| | | | Re: jvc 700
by Charlie Cogar on Jun 26, 2009 at 9:14:08 pm
in the JVC cameras/decks Forum
Ryan,
My understanding is exactly as yours, and I too have read the same in the trades. We did not get the SxS recorder, and the SDHC cards are working fine (Panasonic 16gb Class), and just today dared to use two RiData 16gb Class 6 cards - - they | | | | |
| | | | Re: XDCAM and Chroma key
by walter biscardi on Jun 26, 2009 at 1:44:11 pm
in the Apple Final Cut Pro Forum
[Everett Bowes] "1) If you had to choose between the EX3 or Panasonic HVX-200, which would you choose? "
200 any day. More information in the signal.
[Everett Bowes] "2) you suggest having a Mac on set when doing a green screen shoot with | | | | |
| | | | Re: XDCAM and Chroma key
by Everett Bowes on Jun 26, 2009 at 1:40:26 pm
in the Apple Final Cut Pro Forum
Two questions... if you don't mind:
1) If you had to choose between the EX3 or Panasonic HVX-200, which would you choose?
2) you suggest having a Mac on set when doing a green screen shoot with the EX3. What are some of the ways to get the vide | | | | |
| | | | Re: Compression-FLV workflow
by Michelle Ngo on Jun 26, 2009 at 12:29:31 am
in the Compression techniques Forum
Sorry Craig, I'll be more specific.
We are doing a mix of live and on-demand web video cast for two weeks. There are going to be 5 different cameras that are hooked via firewire to a mini-Mac which will feed out to our webcast provider via ethern | | | | |
| | | | Decklink Studio help
by Marcus Carlton on Jun 25, 2009 at 8:55:43 pm
in the Blackmagic Design Forum
I have a decklink studio v6.8.8 on my macpro tower. I've got a panasonic aj-d250 deck connected via the composite in on the breakout cable. Setup has been the same since I purchased the BMD card a few months back and suddenly today, when I go to lo | | | | |
| | | | Re: back focus on HVX-200
by John McKeown on Jun 25, 2009 at 8:20:55 pm
in the Panasonic HVX - HPX (P2) Forum
I sent mine back to Panasonic under warranty not long after I got my HVX200 because I could swear the back focus was out. It came back saying it was fine and looked just the same and it was then that I realised that I was too used to using higher end | | | | |
| | | | AVCHD no multi-cam in Pro Res
by Jerry Vogt on Jun 25, 2009 at 8:18:51 pm
in the Apple Final Cut Pro Forum
Just a heads up for FCP users who are thinking of using AVCHD footage from like a Panasonic HMC-150 along with other formats such as DV-CAM footage, you will not be able to do Multi-Cam editing. You have to down-convert your AVCHD footage which is br | | | | |
| | | | Color renders look darker back in FCP, and grainy footage
by chris Cummings on Jun 25, 2009 at 7:48:26 pm
in the Apple Color Forum
Hi All,
Did some research on this and can't seem to find anything. I sent a timeline of various clips (HD 720p and some NTSCDV client clips rendered out in the Animation codec from AE). I did the corrections in Color, rendered and sent the sequenc | | | | |
| | | | Re: Importing Panasonic P2 AVC Intra into Vegas9?
by Chris Young on Jun 25, 2009 at 4:34:17 pm
in the Sony Vegas Forum
DVFilm are working on getting their Raylight Ultra P2 plugin working with AVC Intra asap. At the moment I know of no way to handle P2 AVC Intra in Vegas. Ultra will currently handle all other flavours of P2.
Keep an eye on:
http://dvfilm.com/rayl | | | | |
| | | | Combining HD 24f footage with 24p?
by Kent Lamm on Jun 24, 2009 at 10:11:01 pm
in the Adobe Premiere Pro Forum
I have filmed most of a project with a Panasonic HVX200 at 720p and 24fps. I have it edited in Premiere CS3, but I have one more scene I need to film and I'll be using a Canon XH-A1.
I won't have the camera until tomorrow when I'll be filming, bu | | | | |
| | | | Re: Professional Color Correction Monitoring
by Vince Becquiot on Jun 24, 2009 at 7:10:55 pm
in the Adobe Premiere Pro Forum
Yep standards... Well, the truth is that most LCDs ship with what some manufacturers deem to be higher contrast and vivid colors so that it looks brighter in the store, and that means a very blueish image in many cases, same for computer screens. And | | | | |
| | | | Need to import DVCPRO HD from tape
by Paul Del Vecchio on Jun 24, 2009 at 4:27:26 pm
in the Adobe Premiere Pro Forum
I'm used to working with file-based workflows but I booked a job where I need to import from DVCPRO HD tapes. The format is 720p 24fps from the Panasonic HDX900. Can anyone make a suggestion as to what hardware I'd need? I'd like it to capture 23.976 | | | | |
| | | | AVCHD and Final Cut on an old Mac?
by Rich Wells on Jun 24, 2009 at 6:06:26 am
in the Apple Final Cut Pro Forum
I am thinking of buying the new Panasonic GH-1 camera, which shoots great looking movies, but it is AVCHD.
What do I need to do to import AVCHD footage into my Mac via Pro Res?
I have an old G5, which I guess is too slow. So do I need a faster co | | | | |
| | | | Re: Can anyone identify this deck?
by Steve Wargo on Jun 24, 2009 at 4:17:11 am
in the HD High-End Forum
Jacob
D-5 is a "Panasonic only" format
Steve Wargo
Tempe, Arizona
It's a dry heat!
Sony HDCAM F-900 & HDW-2000/1 deck
5 Final Cut (not quite PRO) systems
Sony HVR-M25 HDV deck
2-Sony EX-1 HD . | | | | |
| | | | Budget HD LCD HDMI Monitoring and Kona LHi
by Michael Lyas on Jun 24, 2009 at 3:28:33 am
in the AJA Kona Forum
Hi
I have been doing a lot of web surfing / reading about which video capture card to purchase.
The usual suspects AJA, BM & Matrox
I have always been impressed by AJA's onboard processing ability for Up/Cross/Down conversion and RT assisten | | | | |
| | | | Re: problem importing avc-i100 from P2
by Dave Roberts on Jun 23, 2009 at 10:01:54 pm
in the MOTU V4HD - NEW ! Forum
I think you are going to need to update to FCP 6.02
Check out this link:
http://www.apple.com/support/releasenotes/en/Final_Cut_Pro_6.0_rn/index.html#apple_ref%3Adoc%3Auid%3ATempBookID-ReplacedWhenAssociatingWithMessierRevision-CH1-SW18
--
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| | | | Re: shooting from a helicopter
by Mark D'Agostino on Jun 23, 2009 at 6:51:48 pm
in the Cinematography Forum
We've shot a lot of footage over the years both SD and HD with the Tyler mount. We have found that HD seems to be more prone to "jitters" and that different lenses can increase the effect.The physically shorter in length the lens is the better. It's | | | | |
| | | | Re: SDHC and EX Firmware Versions/Serial Numbers
by Michael Palmer on Jun 23, 2009 at 6:18:04 pm
in the Sony EX Series XDCAM Forum
EX1, SN # 0100999, V1.12_0534, MxR/TRANSCEND 16 GIG No Issues ( V1.12 warranty) MPalmer
EX3, SN # 0100693, V1.02_0078, MxR/TRANSCEND 16 GIG No Issues, (Original Firmware) MPalmer
EX1, SN # 0103861, V1.11_0531, MxR/Sandisk Ultra II Class 2 32 GIG | | | | |
| | | | Re: storage for 5-6 camera mix in post
by Bob Zelin on Jun 23, 2009 at 3:55:52 pm
in the Broadcast Video Forum
I am confused. If you are using the new Panasonic AG-HS400A, it will display all camera inputs on a single multiviewer output - meaning you can get one cheap DVI monitor, and see program, preview, and all 8 inputs on one monitor.
The future answe | | | | |
| | | | shooting from a helicopter
by Don Walker on Jun 23, 2009 at 2:56:59 pm
in the Cinematography Forum
About 3 weeks ago, i went on shoot in a Helicopter to shoot some scenics for a indie film we are shooting. The pilot insisted on using a borrowed Sony Z-7u which was mounted in his pan tilt unit on the front of the JetRancger. (I wanted to use my Pan | | | | |
| | | | Re: I need advice on a new camera purchase . . .
by Trey Gregory on Jun 23, 2009 at 2:52:14 pm
in the Canon Cameras Forum
Chris-
I have also been burned by shooting to DV tapes. Check into P2 cameras. The Panasonic HVX200 is by far the most requested of the flash based cameras. We shoot with it often and are very pleased with the results.
Trey Gregory
ECG Prod | | | | |
| | | | Re: SDHC and EX Firmware Versions/Serial Numbers
by Michael Palmer on Jun 23, 2009 at 2:48:12 pm
in the Sony EX Series XDCAM Forum
Rafael,
Here is some of your info, could you fill in the planks.
EX1, SN # 0100999, V1.12_0534, MxR/TRANSCEND 16 GIG No Issues ( V1.12 warranty) MPalmer
EX3, SN # 0100693, V1.02_0078, MxR/TRANSCEND 16 GIG No Issues, (Original Firmware) MPalmer | | | | |
| | | | Re: SDHC and EX Firmware Versions/Serial Numbers
by Rafael Amador on Jun 23, 2009 at 1:54:21 pm
in the Sony EX Series XDCAM Forum
Dear friends,
Sorry for the delay.
My EX-1 firmware is : V1.11_0531
My only experience have been with the SanDisk Class 4.
I've related already the problems.
I tried as well the PANASONIC 8GB Class 6. Doesn't works.
I look forward to buy some T | | | | |
| | | | Log/Capture DVCPRO50 Tapes in DVCPROHD Deck
by Ari Grunzeweig on Jun 23, 2009 at 1:06:20 pm
in the Apple Final Cut Pro Forum
Hi there,
I'm having trouble logging/digitizing DVCpro50 tapes shot on an sdx900 caemra in my dvcproHD deck.. The deck works perfectly with dvcproHD tapes, as well as DVCAM184 tapes...
Is there a way to do this?
Panasonic says that the deck is | | | | |
| | | | Editing DVCPRO HD 1080 25P in FCP6
by Andrew Smith on Jun 23, 2009 at 11:25:30 am
in the Apple Final Cut Pro Forum
Hi All,
We have recently shot a music video with a Panasonic HDX900e using DVCPRO HD camera set to full 1080 25p.
We are now at the stage of digitizing into FCP 6, we have found no easy pre-set for DVCPRO HD 1080 25p only for 720 25p.
After | | | | |
| | | | Full Time/Freelance HD - P2 Techs needed
by Gary Snyder on Jun 23, 2009 at 1:52:35 am
in the JOBS Offered - Higher Pay Forum
Dear Creative Cow... please excuse the posting of this job listing on the HPX Forum... we just realized that this forum would be the best to get the great people we are looking for... Tnx... Gary Snyder
Clark Media, a corporate and broadcast vid | | | | |
| | | | Full Time/Freelance HD - P2 Techs needed
by Gary Snyder on Jun 23, 2009 at 1:49:18 am
in the JOBS Offered - Higher Pay Forum
Clark Media, a corporate and broadcast video rental/production house, located in Bethlehem, PA, seeks P2 experienced location personnel to build and grow our P2 production department. Position requires general base knowledge of Panasonic’s file base | | | | |
| | | | What are the best filters for 3D projection?
by Jeff Cools on Jun 22, 2009 at 8:17:57 pm
in the Stereoscopic 3D - NEW ! Forum
Hello Fellow Sereoscopic fans,
We have just finished a project in 3D for a Las Vegas show and are setting up the dual projector system. Our question is; what are the best filters to use in a dual projection system? Linear? Circular? Plus 45 and m | | | | |
| | | | Re: Uncompressed Capture with Vegas 9.0?
by Norman Willis on Jun 22, 2009 at 7:56:10 pm
in the Sony Vegas Forum
Hi John.
I appreciate you letting me know that. Though I have written to Sony several times, I never did get any response. In fact, you are the first person who has bothered to articulate the problem for me.
However, as I see it, it is far | | | | |
| | | | Re: HVX300 vs. HVX500 white paper
by Michael Shugrue on Jun 22, 2009 at 6:40:20 pm
in the Panasonic HVX - HPX (P2) Forum
We have done a side by side by side. 300, 500, and a 3000.
The 300 is a great 2nd camera for the 500. However we were using the 18x4.2 lens not the 17x that comes with it. We also have the ACM-17 to switch between lens if we ever need to. Can you | | | | |
| | | | Re: Uncompressed Capture with Vegas 9.0?
by Chris Young on Jun 22, 2009 at 5:33:28 pm
in the Sony Vegas Forum
John / Norman ~
Panasonic P2 MXF files are not an issue any longer in Vegas. DVFilm's Raylight ULTRA
http://dvfilm.com/raylight/ultra/index.htm
fully supports P2 MXF SD and HD files in Vegas. Just drag 'em on the timeline and edit away.
| | | | |
| | | | Re: A good card for HD monitoring?
by Don Riemer on Jun 22, 2009 at 5:27:02 pm
in the HD High-End Forum
Regarding the Black Magic Decklink SDI, does anyone have any thoughts on audio sync issues?
This card also seems perfect for my needs, but here's my concern. I will run SDI HD directly into a Panasonic HD monitor. I have no way to take advantage | | | | |
| | | | Re: Can't Move FCP 24pA footage to AE
by Shane Ross on Jun 22, 2009 at 4:59:00 pm
in the Apple Final Cut Pro Forum
#51 - Cannot view DVCPRO HD or HDV or ProRes on my computer.
Shane's Stock Answer #51 - Cannot view DVCPRO HD, HDV or ProRes QT files on your computer.
The DVCPRO HD, HDV and ProRes codecs only comes with FCP. If your computer does not have FC | | | | |
| | | | Re: HVX300 vs. HVX500 white paper
by Jan Crittenden Livingston on Jun 22, 2009 at 11:54:30 am
in the Panasonic HVX - HPX (P2) Forum
Hi John,
Don't think that there is such a paper anywhere. They are very different cameras with a huge difference in price. If you are looking for a camera that will give you the same or better lowlight performance as your D600 then I would say y | | | | |
| | | | Re: Uncompressed Capture with Vegas 9.0?
by John Rofrano on Jun 22, 2009 at 10:51:27 am
in the Sony Vegas Forum
> I wanted to get an AG-HPX170 (P2 card), but Sony won't support it. The camera I want after that (AG-HPX300) is also a P2 card machine. Does Sony they think they are going to force me either to go P2, or go XD-cam? They are wrong on both counts.
| | | | |
| | | | export to DVD
by James Wright on Jun 22, 2009 at 8:37:49 am
in the Apple Final Cut Pro Forum
Hi,
ive made a documentary, its 28 mins long, and was done with the DVCpro50 setting , using DV footage and some from panasonic P2.
i want to burn to DVD, i know how to use studio pro, and i know it will compress file size when it goes in.
H | | | | |
| | | | storage for 5-6 camera mix in post
by Attila Alpman on Jun 22, 2009 at 6:27:06 am
in the Broadcast Video Forum
hi all,
we - Azerbaijan Diplomatic Academy - are setting up a studio in our main auditorium, producing a talk show and recording lectures and debates. We are not 'live' and want to use 5 remote / robotic cameras with a Panasonic mixer, but would lik | | | | |
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