P2

	Panasonic HVX - HPX (P2) Native P2 Editing in Final Cut Pro with MXF4mac In this video tutorial, Creative Cow leader Jeremy Garchow will walk you through a potential P2 workflow complete with metadata and native DVCPro HD editing on a Mac using MXF4macs MXF4QT Import and P2 Flow Contextual Menu (CM). Editing DVCPro HD P2 with no log and transfer. Tutorial, Video Tutorial Author: Jeremy Garchow

	Apple Final Cut Pro P2 Import in Final Cut Pro 6 P2 workflows are among the very hottest topics at the Cow, and with extensive experience with P2 in broadcast editing, leader Shane Ross is one of the industry experts in the new features to support P2 in Final Cut Pro 6. In this video tutorial, Shane covers new techniques for bringing in captured footage, and as always, tips for project organization and media management for the best results with the least effort. Tutorial, Video Tutorial Author: Shane Ross

	Panasonic HVX - HPX (P2) P2: The format. The trailer. What do filmmakers do in their free time? They make films. The horror movie P2 has just been released on DVD, but when Doug Spice and team at Psychic Bunny saw the original trailer for the theatrical release, all they could think about was their cuddly little Panasonic HVX200. Heres a playful look at what happened when the two came together, with a few shooting and workflow tips for good measure. Feature Author: Doug Spice

	Apple Final Cut Pro Importing P2 into FCP In this video tutorial, Creative Cow Leader Shane Ross gives users a quick tutorial on how to import footage from a Panasonic P2 card into Apple Final Cut Pro. Tutorial, Video Tutorial Author: Shane Ross

	Panasonic HVX - HPX (P2) Making History with Panasonic P2 and the HVX200 In this reprint from Creative COW Magazine, Creative Cow leader and broadcast editor Shane Ross uses his work for The History Channel to illustrate end-to-end workflow using P2 media and the Panasonic HVX200: from a multi-camera shoot in the middle of blazing gunfire, all the way to your living room. Feature Author: Shane Ross

	Panasonic HVX - HPX (P2) P2 Tapeless Workflow Helps Rewrite History In this real world camcorder review from The Creative COW Magazine, editor Shane Ross uses his work for The History Channel to illustrate end-to-end workflow using P2 media and the Panasonic HVX-200. Review, Feature Author: Shane Ross

	Panasonic HVX - HPX (P2) P2 Digital Workflows with the Panasonic HPX500 Don't be afraid of digital workflows, says Mark. And don't be afraid to spend money on the right camera. In this Creative COW Magazine article, Mark Wagoner discusses workflow when working with the Panasonic HPX500 in comparison to the HVX200 and other cameras. Review Author: Mark Wagoner

	Stereoscopic 3D - NEW ! The 3DVX Stereoscopic, uncompressed 10-bit HD RAW - from a pair of modded DVX100s! Feature, People / Interview Author: Jason Goodman

	Panasonic HVX - HPX (P2) Real World Adventures with the Panasonic AG-HVX200 In this prosumer hd dv camcorder review from The Creative COW Magazine, Gary Adcock reveals what it's like to work in the world of Panasonic's new P2 technology? The Panasonic AG-HVX200 is multi-format, capable of SD and HD in 720 and 1080. Review Author: Gary Adcock

	Corporate Video Media 100 Producer: Media 100's software-only editor Creative Cow's Nick Griffin, a longtime Media 100 user, switched to Final Cut Pro a few years ago. Here, he explores Media 100 Producer, a new software-only editor from Media 100. Media 100 Producer offers a mobile and scalable editing environment as well as FireWire I/O and Panasonic P2 acquisition capabilities. Ideal for in-the-field or mobile editing, editors using Media 100 Producer can shoot using their Panasonic P2 camera and immediately begin editing. In addition, Media 100 Producer can use media captured by Apple Final Cut Pro and Media 100 and output via FireWire or export to DVD or web. Nick explores this latest offering from Media 100 and gives it 4-1/2 Cows out of five. Why? read on... Review Author: Nick Griffin

	Apple Final Cut Pro The Ultimate Real-world FCP FAQ, Part 3 Creative Cow Leader Shane Ross is one of a very small handful of the worlds most respected FCP experts. Over the course of years answering questions, hes compiled a real-world list of the questions that are truly the most frequently asked. He calls them Shanes Stock Answers. We call them the information you really need for working with FCP. Here in Part 3, he covers QuickTime issues, timecode management, P2 tips and much more, including one of the most frequently questions of all: how to open new projects in older versions of FCP. Tutorial, Feature Author: Shane Ross

	Panasonic HVX - HPX (P2) AVC-Intra and the Panasonic AJ-HPX2000 In this Creative COW Magazine article, Jeremy Garchow discusses his experience using the AVC-Intra codec and the Panasonic AJ-HPX2000 camera on an overseas production project. Review, Feature Author: Jeremy Garchow

	Art of the Edit Fix it in Pre : Workflow Starts Before the Shooting Does Looking for smooth shoots even on extreme locations? Want a pain-free post? 24P, film look, Depth of Field converter, advanced compositing and sound design -- its all here. In this Creative Cow Magazine extra from the Workflow 3.0 issue, Carl Larsen shows you how to avoid problems through planning, along with invaluable tips for cinematic storytelling on a tight schedule. Feature Author: Carl Larsen

	Media 100 | Media 100 HD Making the Transitions to HD with Media 100 Everyone was talking HD to Creative COW's Nick Griffin. Everyone that is except his clients... until the latter part of last year. Making the transition from a Standard to a High Definition shop was far simpler than he'd ever imagined. In this article, Nick describes the transition. Feature Author: Nick Griffin

	Apple Final Cut Pro DVCPRO Frame Rate Converter In this Final Cut Pro video tutorial, Creative Cow Leader Shane Ross discusses taking 60p footage shot with DVCPRO HD and slowing it down to 23.98 so that its slow motion. Please note that this only works if you are working in a 23.98 or 29.97 timeline. Tutorial, Video Tutorial Author: Shane Ross

	AJA io The long-awaited AJA Io HD! Creative COW Community leader Gary Adcock has also worked closely with a number of industry manufacturers over the years, including AJA. Gary offers a guided tour through the features of the much-anticipated Io HD, and its promise of portable, hardware-supported ProRes editing in virtually every frame size and frame rate. Review Author: Gary Adcock

	Sony Vegas Vegas 8 Pro, Raylight and Windows Vista Creative Cow Leader Michael Hurwicz looks at DVFilm's Raylight plug-in, which provides transparent support for Panasonic MXF files in Sony Vegas. Testing Vegas Pro 8 running under Microsoft Vista, Michael finds Raylight to be an elegant and reliable solution. Review Author: Michael Hurwicz

	CalDigit CalDigit HDPro: RAID 5 and Beyond! Creative Cow Leader Shane Ross shares the great news: both performance and protection with CalDigits new HDPro RAID! Supporting RAID 0, 1, 5, and 6, the HDPro even works with your laptop. Its the answer to Shanes prayers. He thinks it might be the answer to yours too. Review Author: Shane Ross

	HD High-End HDCAM, XDCAM & DVCPRO HD: Some Questions Answered Responding to questions in the Creative Cow "HD High End" forum, Cow leader and contributing editor Tim Kolb lays out key differences between Sony's XDCAM and HDCAM, as well as cameras using Panasonic’s DVCPRO HD. This look at some of the industry's hottest forums will help anyone looking to explore the world of HD production. Feature Author: Tim Kolb

	Adobe After Effects Adobe Gives Sneak Peek at CS4 during IBC 2008 The Cows Eran Stern, one of the worlds most respected After Effects artists, was able to take a sneak peek at the Adobe Creative Suite, CS 4. He saw a lot to like: deeper integration across the Adobe family, new animation tools and effects, speech recognition and metadata features, and much more. Feature Author: Eran Stern

	Apple Final Cut Pro A Digibeta Quality Edit Suite in a bag - Could it be done using the MXO2? When CreativeCOW's Peter Wiggins first started editing in facility houses in the eighties, an edit suite was a room full of large control panels next to a room with racks and racks of mainframes. Recently he decided to issue a challenge: Build a broadcast DigiBeta quality edit suite that will fit in a computer bag and will go through airport security. Read on to find out how he did it. Review, Feature Author: Peter Wiggins

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