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Nikon

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Re: [MC5] Creating a project film with Nikon d7000
by Lior avital on Apr 13, 2012 at 1:37:45 pm
in the AVID Forum
One last question. If I wanna Autosync a video file with two audio files(since the audio recording was stopped in for a few seconds) how can I do that?
What's the Best Nikon DSLR HD video
by Karin haze on Apr 13, 2012 at 8:16:03 am
in the DSLR Video Forum
Hi there , I have a Nikon D300 which I want to replace for a Nikon DSLR video. I have never used a DSLR to shoot video. I am most concerned about the sound and HD image quality. Are there any Nikon out there, which shoot in Full HD and have headphon
Sony Vegas dropped frames/ghost frames
by Harrison Ward on Apr 12, 2012 at 8:06:06 pm
in the Sony Vegas Forum
I'm having a major issue. I think I've seen similar problems and answers on this forum but none of them have solved mine. I have filmed with a Nikon D5100 in 1080p 25fps pal format. I am trying to edit the clips in Vegas. I have a song on one of the
Re: Premiere Pro CS 6 - Changes revealed!
by Jim Wiseman on Apr 12, 2012 at 6:55:32 pm
in the Adobe Premiere Pro Forum
Just read the Nikon support is fixed! My D7000 and soon D800 will work! That was actually my biggest no go.
Re: Premiere Pro CS 6 - Changes revealed!
by Jim Wiseman on Apr 12, 2012 at 4:44:32 pm
in the Adobe Premiere Pro Forum
Looks like they are improving things a lot on the Mac side. Open CL support for Mercury. AMD Radeon support. Lots of other things on Macworld site. Just hope they fixed Nikon support. See Macworld article: http://www.macworld.com/article/1166299
Re: ATEM 1 camera set up -
by Andreas Wojtaschek on Apr 12, 2012 at 2:29:00 pm
in the Blackmagic Design Forum
The Canon DSLR do indeed output 1080i but with menu overlay only. You cannot switch this off. So the HDMI output of the Canon DSLRs are not usable for any recording or live purposes. Only the Nikon D800 offers a clean 1080i output. Regards Andr
Re: Nikon D7000 Video Quality
by Stephen Folker on Apr 11, 2012 at 12:28:43 pm
in the DSLR Video Forum
Thanks Rob. Very helpful information. As long as the final edited files will still look sharp on a BIG screen (movie screen) then I'm set on getting one. Thanks again!
Re: [MC5] Creating a project film with Nikon d7000
by Michael Phillips on Apr 10, 2012 at 4:53:00 pm
in the AVID Forum
Yes, you need to create a new project that matches the frame rate of the footage. Michael
Re: [MC5] Creating a project film with Nikon d7000
by Lior avital on Apr 10, 2012 at 3:22:52 pm
in the AVID Forum
That was the problem, thanks. I have to open a new project, right?
Re: [MC5] Creating a project film with Nikon d7000
by Michael Phillips on Apr 10, 2012 at 3:14:05 pm
in the AVID Forum
This means that the frame rate of the clips coming from the Nikon are not at the same rate as the project/timeline. What format/frame rate did you shoot? Make sure you're not in a 24.000 project, versus 23.976. Michael
Re: Moire
by Bob Paul on Apr 10, 2012 at 2:36:45 pm
in the Apple Final Cut Pro basics Forum
Thank you Jeff, I was looking into buying the Nikon D800, but I have read that it has major problems with moire. The Canon 5DMk III supposedly does not have suffer badly from moire. If this plugin would handle the type of moire that the D800 exhibit
Re: [MC5] Creating a project film with Nikon d7000
by Lior avital on Apr 10, 2012 at 11:54:41 am
in the AVID Forum
Thanks again. One more question. I'm trying to transcode the video clips. I chose to transcode to DNxHD 36 MXF(is it right?) and when I transcode I get this message: "Some clips do not match the edit rate of the current project. Transcode create
Re: Nikon D7000 Video Quality
by Rob Manning on Apr 9, 2012 at 9:11:13 pm
in the DSLR Video Forum
Hi Stephen, Both cameras will have a capture of around 2mp density in h.264 plus or minus, but not enough to consider one over the other (IMO). What will matter is the exposure, noise and f/stop on the glass. For available light or staged li
Nikon D7000 Video Quality
by Stephen Folker on Apr 9, 2012 at 7:23:39 pm
in the DSLR Video Forum
I'm looking into buying a d7000 for my next movie project. Is the quality good enough if it's blown up movie screen size? I know the D7000 is 1080 an the 60D is 1080 but from what I understand the Canon has more bitrate which means a better quali
Blog: NAB Show Starts in one Week.
by gary adcock on Apr 9, 2012 at 2:48:44 pm
in the COW - Blogs Forum
So Have you made your Plans to attend? I firmly believe that this will be one of those NAB's where there are so many announcements that it will be hard to keep up, especially since we have already seen a huge number of preshow announcements li
NAB Show Starts in one Week.
by gary adcock on Apr 9, 2012 at 7:48:44 am
in the Forum
So Have you made your Plans to attend? I firmly believe that this will be one of those NAB's where there are so many announcements that it will be hard to keep up, especially since we have already seen a huge number of preshow announcements...
Why is my audio 32 bit floating point
by Nathan Chesney on Apr 8, 2012 at 8:00:58 pm
in the Apple Final Cut Pro Forum
I'm editing a live concert with a multicamera setup. Here is my camera, settings and such: 1) Two Canon T3i that converted into prores with MPEG streamclip (audio is 16 bit integer) 2) Nikon D7000 converted into prores with MPEG streamclip (aud
Canon T2i lens questions- snowboard
by Dylan Pipe on Apr 5, 2012 at 10:31:49 pm
in the Canon EOS DSLR Forum
So Im looking for another lens,Im using this to film snowboarding and skateboarding. in addition to my Fisheye and my kit lens which I dont like to much for video. I want another lens for tripod shots, were it will be jumps filming powder and some mo
Complete Sony PMW F3 Shooters Package, with Lenses, & S-log for sale
by Barbara Holler on Apr 5, 2012 at 5:27:21 pm
in the Classifieds, Retailers Forum
Complete Sony PMW F3 Shooters Package with Lenses & S-log Used for 1 project, still under warranty! Comes with the following: Sony kit lenses: 35mm, 50mm, 85mm S-Log upgrade (2) BPU-60 batteries and (1) charger (1)32 gig wise media car
News: New training DVD teaches news-magazine style interview lighting techniques for LED lights
by Cow News Droid on Apr 4, 2012 at 5:53:01 pm
in the NEWS: Product News Releases Forum
(East Greenwich, Rhode Island--April 4, 2012) Vortex Media, a trusted source of in-depth training for video professionals, has announced the release of a new interview lighting instructional DVD entitled: "How to Set up and Shoot Awesome Interviews w
Re: [MC5] Creating a project film with Nikon d7000
by Michael Phillips on Apr 2, 2012 at 3:06:51 pm
in the AVID Forum
A more detailed version would be in the online help within the application under "AutoSync". But for a quick description... it won't be that "auto" in your scenario as there is no common timecode between the sources. After you mark IN on source, sele
Re: [MC5] Creating a project film with Nikon d7000
by Lior avital on Apr 2, 2012 at 3:00:05 pm
in the AVID Forum
Thanks for the fast reply. How do I "autosync"?
Re: [MC5] Creating a project film with Nikon d7000
by Michael Phillips on Apr 2, 2012 at 2:49:08 pm
in the AVID Forum
I suspect the frame rate was really 23.976, so create a 1080p/23.976 project type. You can AMA to the sources and choose to edit that way or transcode to a native DNxHD format. The 30fps timecode is not that big an issue as I suspect it was not j
[MC5] Creating a project film with Nikon d7000
by Lior avital on Apr 2, 2012 at 12:49:48 pm
in the AVID Forum
Hi, I finished filming a project for school last week with the nikon D7000. The settings were 1080/24p and the sound was recorded with an external recorder(which was set to 30fps in the timecode settings). How should I open the project? which set
Re: 24p/25p issue recap for poor PALs
by Michael Gissing on Apr 1, 2012 at 11:42:27 pm
in the Apple Final Cut Pro Forum
Canon DSLRs shoot 1920 x 1080 and can be changed to frame rates like 24, 25 and 30. You want a camera that can have all those rates at full HD. I thought Nikon was releasing or had recently released a model that could do the same if you prefer to use
Prestaging, mixing D7K's and 5DMK2...setting?
by Rob Manning on Apr 1, 2012 at 10:56:14 pm
in the Canon EOS DSLR Forum
Hello Canon folk, We have a concert venue coming up, indoors, theater staging and available theatrical light. Two D7000's, one 5DMKII and possibly a D800. On the Nikon D7K's, we set the capture to Device Control-on for HDMI capture to maintain
"video attributes unknown", audio OK!
by Rodney Ballard on Apr 1, 2012 at 5:20:44 pm
in the Sony Vegas Forum
Howdy! When shooting video with my Nikon D90, only the video is imported into Vegas (Vegas Studio 6). But this did not happen the first time I took video yesterday, just each time after the first clip. Video (from SD card) plays fine in player
Re: Set-up - basics and work habits
by john sharaf on Mar 31, 2012 at 11:54:39 pm
in the Lighting Design Pros Forum
Todd, I'd rather chime in on your reply! I'd recommend the Sony F3, especially now that they're essentially including the S-Log and 444RGB features for free (thanks in large part to the competition of the C300). I've been using F3's for almost
24p/25p issue recap for poor PALs
by Alberto Brancolini on Mar 30, 2012 at 10:11:33 am
in the Apple Final Cut Pro Forum
Hello, I post this one in the FCP forum because it's where the bulk of the related debate goes on. Needing a photo camera, I'd have really wanted to buy Nikon D7000, until the uttermost upset got unveiled: the piece shoots no FullHD footage but i
Service: McNeaney Productions
by Daegan McNeaney on Mar 28, 2012 at 5:56:30 pm
in the COW - Services Forum
Editor Spek - 2009, 7 mins, Documentary, HD Unoriginal Commercial (Cheetah Power Surge) - 2010, 30 sec, Commercial, HD This Couldn't End Well (Cheetah Power Surge) - 2010, 30 sec, Commercial, HD Possession - 2010, 15 mins, Drama/Horror/Romance,
Re: Replacing footage already edited in FCP with different codec footage, i.e. H264 with ProRes
by Rafael Amador on Mar 28, 2012 at 4:03:48 pm
in the Apple Final Cut Pro Forum
[Sai Kelly] "On a side note, has anyone used the Atomos Samurai or Ninja? I get the impression that this would allow people to avoid all the transcoding hassle in the first place." that works OK with any camera with a clean HDMI/SDI out put. If you
Trying to make a 960 x 720 project in Premiere from HD footage shot on an SLR and and HD CAM
by Stephanie Liskey on Mar 28, 2012 at 12:34:03 pm
in the Adobe Premiere Pro Forum
We have a project which requires the final file size be 960 x 720, but our footage we must work with is HD. I am able to make things work in After Effects, but would like to know if there is any way to edit HD from Nikon D7000 and Sony HD video c
McNeaney Productions
by Daegan McNeaney on Mar 28, 2012 at 10:56:30 am
in the Forum
Editor Spek - 2009, 7 mins, Documentary, HD Unoriginal Commercial (Cheetah Power Surge) - 2010, 30 sec, Commercial, HD This Couldn't End Well (Cheetah Power Surge) - 2010, 30 sec, Commercial, HD Possession - 2010, 15 mins, Drama/Horror/Romance, HD Th
Re: Canon 5d Mark III "Unsupported Image Format" Camera Raw Files in Aperture 3.2.2
by Bill Paris on Mar 27, 2012 at 3:27:50 pm
in the Canon EOS DSLR Forum
James, Thanks for the info and the links.... guess that is the problem with being an early adopter. I hadn't read anything about the RAW files being different, so I was confused. I see they have the update for the Nikon D-800, maybe the Mark 3 up
Blog: I Get My Hands on a Nikon D800
by Richard Harrington on Mar 25, 2012 at 2:30:00 am
in the COW - Blogs Forum
Just a few quick initial thoughts… more to come soon! I Get My Hands on a Nikon D800 Republished by Richard Harrington
I Get My Hands on a Nikon D800
by Richard Harrington on Mar 24, 2012 at 7:30:00 pm
in the Forum
Just a few quick initial thoughts… more to come soon! I Get My Hands on a Nikon D800 Republished by Richard Harrington
Service: CineX Cinema Productions
by Emin Ibrahimov on Mar 24, 2012 at 2:36:05 pm
in the COW - Services Forum
Documentary: Centenarians of Azerbaijan (Working Title) Creative idea Concept Script writing Location scouting Storyboard Shooting board Set design Set decoration Casting Ultra High Definition cinema and video production We specialize
CineX Cinema Productions
by Emin Ibrahimov on Mar 24, 2012 at 7:36:05 am
in the Forum
Creative idea Concept Script writing Location scouting Storyboard Shooting board Set design Set decoration Casting Ultra High Definition cinema and video production
Service: Marcelo Gonzalez
by marcelo gonzalez lopez on Mar 23, 2012 at 1:49:33 am
in the COW - Services Forum
Cameraman and video editor for more than 8 years. Experience in outdoors, travels, sports and automotive tv shows. Duoc UC, graduated with post production mention (4 years career) HD Cameraman, Video Editor, Post production Affinity with sports,
Marcelo Gonzalez
by marcelo gonzalez lopez on Mar 22, 2012 at 6:49:33 pm
in the Forum
Available to travel inside the country, good level as a photographer, and able to record and edit almost any kind of videos.
XDCam EX and FCP5
by jim masi on Mar 21, 2012 at 2:38:24 pm
in the Sony XDCAM - EX & Related Forum
I've just started shooting for a new client using my EX3 and he is editing on FCP 5. I'm not an editor and am having trouble advising him on the best way to bring our footage into his editing software. The Clip Browser and Log and Transfer software
D800 HDMI Reports so far
by Nigel Thompson on Mar 20, 2012 at 12:28:52 pm
in the DSLR Video Forum
Hey Guys : been waiting for the D800 and D4 to get into the wild for the crazy folks to beat them over the head and see what comes out ... The D4 seems to be quite a beast and from what im seeing is even outperforming peoples expectations. Now
Re: Canon 1Dx/5D Mark III vs. Nikon D4/D800
by David Leach on Mar 16, 2012 at 4:04:22 pm
in the DSLR Video Forum
I've been searching the web for the same question, except I don't really care about the photography aspect. When it comes to video (only) is the 1dx's price justified over the 5d markiii ? I wish there was a comparitive "Pros vs Cons"
Re: Color Corrector 3-way render issue.
by Neil Patience on Mar 14, 2012 at 11:13:46 pm
in the Apple Final Cut Pro basics Forum
ProRes is the way to go - you can probably use ProRes LT for the Nikon footage or maybe use 422 you dont really need HQ and 4444 is certainly overkill. FCP does not edit H264 well as you are finding out. Why not do a simple test - just transcode a
Camera suggestions
by Sabrina Pichette on Mar 14, 2012 at 9:01:36 pm
in the Digital Photography Forum
Hello, I have always loved photography and took it all through school and am taking workshops to advance my knowledge of photography. I am hoping to start doing it more seriously. I was wondering if anyone could give me suggestions on a DSLR camer
Color Corrector 3-way render issue.
by Amier Naji on Mar 14, 2012 at 8:38:34 pm
in the Apple Final Cut Pro basics Forum
Hey guys, I'm editing a project and am currently color correcting because of of the shots were a little over-exposed. Right now I'm editing in h.264 from a dslr nikon camera. The footage looks great, but I don't think Final Cut likes it and as I've r
Re: Nikon D800/E and 4K
by Andrew Somers on Mar 13, 2012 at 9:52:33 pm
in the DSLR Video Forum
Even 8-bit RGB is *NOT ENOUGH* for wide gamut feature film work. 8 bit gives you only a tiny latitude that you have to fit the image into. According to tests, the HDMI out of the D4 is 1080i, not 1080p. (Also, the output drops to 720P if you are
Softbox advise needed asap
by Suley Suleman on Mar 13, 2012 at 7:46:34 pm
in the DSLR Video Forum
Hi Guys, hope your all well! Basically i need your help picking a lighting option for this Friday. Basically i need to order something by tomorrow morning since were supposed to be going to a Film Festival on Friday and will be interviewing Talents.
Re: Nikon D800/E and 4K
by Rafael Amador on Mar 13, 2012 at 2:10:15 pm
in the DSLR Video Forum
[Rob Manning] " they also offer this stream as uncompressed video at 180Mbps" If is 180Mbps is impossible that is Uncompressed. 1080/10b Uncompressed is near 1,2 Gbps, while 8b Unc is close to 900Mbps. [Nigel Thompson] "What frame rates actual
Re: Nikon D800/E and 4K
by Andrew Somers on Mar 12, 2012 at 11:04:46 am
in the DSLR Video Forum
Half the price of the Scarlett, yes - BUT even with the uncompressed HDMI out, it is STILL 422 and STILL ONLY 8 bit. 8 bits is not enough. The Red give you RAW - and the difference is astoundingly important. As for resolution - vertical

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Richard and Robbie tackle a common question dealing with sensors, full frame vs crop sensors. They will discuss the impact of using different type of sensors and lenses with different cameras such as the Canon 5D MK2 or the Nikon D3S.
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