| | | | Re: OT: End of Prosumer Camcorders??? by Terry Jun on Nov 1, 2009 at 4:01:15 pm in the Apple Final Cut Pro Forum I am a newbie to the video world, but I am a pro in the photo world. Let me first start by saying that:
1. The lines are blurring between the 2 camps.
2. Nothing will replace the person behind the lens.
3. Content will always beat out slick output | | | | |
| | | | help lens redrock by david hueso on Oct 31, 2009 at 8:27:41 pm in the Panasonic HVX - HPX (P2) Forum Hi there - I´m posting this video here to show what kind of look we were able to achieve using the HVX200 in 720p with the redrock M2 DOP adaptor and a Nikon 24 2.8 lens. I´ve been looking at a lot of material from other users who have the same set | | | | |
| | | | RED's October 30th Announcements by Noah Kadner on Oct 30, 2009 at 11:01:07 pm in the RED Camera Forum For easier loading:
http://www.scarletuser.com/showthread.php?t=3714
"The camera is arguably one of the most important of all inventions… it is the single tool that has the ability to stop time, record history, generate art, tell stories, and c | | | | |
| | | | Re: Something BIG is Coming from Sony 10.20.09 by Dave Burckhard on Oct 29, 2009 at 3:01:50 pm in the Sony EX Series XDCAM Forum There is huge potential for Sony to get a full frame (35mm) sensor in a real video camera at a price under $10. I don't think it's the sensor thing that is keeping Sony and others from doing so. The $10,000 barrier will be hard to move under because | | | | |
| | | | Re: M2/Microx Encore Lens Recommendations by brian valente on Oct 22, 2009 at 7:49:19 pm in the Sony EX Series XDCAM Forum Hi Brian
She should have helped you, not just referred you to the website. I hope you will still consider Redrock since it is equal to (and in many ways better than) the Ultimate, and less than half the price (going back to REdrock's mission of af | | | | |
| | | | Re: M2/Microx Encore Lens Recommendations by Brian Carter on Oct 22, 2009 at 6:07:28 pm in the Sony EX Series XDCAM Forum I have not. I've seen the redrock stuff at NAB and was very impressed. However, when I tried to call their salespeople they stated that they are an internet based company, and that I should just go to the site, pick what I wanted, and order it. Wh | | | | |
| | | | Re: M2/Microx Encore Lens Recommendations by Michael Palmer on Oct 22, 2009 at 5:34:20 pm in the Sony EX Series XDCAM Forum Brian
Have you seen my posts and videos using the EX3/Nano/Red Rock Encore?
If you are using the EX cameras then the new Encore with the new achromat (designed specifically for the Fujinon stock lens) from Red Rock Micro is a extremely solid s | | | | |
| | | | Re: M2/Microx Encore Lens Recommendations by Brian Carter on Oct 22, 2009 at 4:52:05 pm in the Sony EX Series XDCAM Forum So I am ready to purchase. I am going with the letus adapter with nikon lenses to start. Went to BH Photo and realized I don't know the answer to a stupid question. Can I get autofocus lenses and use them manually? My assumption is yes but I want | | | | |
| | | | Re: About to make the HPX300 leap... HELP! by Dan Brockett on Oct 22, 2009 at 1:02:40 pm in the Panasonic HVX - HPX (P2) Forum Uh, yeah, you need to read the fine print. This adapter will give you a crop factor of 7x, meaning that your 50mm Nikon 1.4 will become a 350mm on the HPX300. You will definitely have shallow depth of field but you will need to be about 100 feet away | | | | |
| | | | I think I found it... by Chris Smith on Oct 22, 2009 at 2:38:27 am in the Panasonic HVX - HPX (P2) Forum This looks like the mount he was referring to. The price is quite a bit different from the $75 I mentioned, but this is the usage described...
http://cgi.ebay.com/1-3inch-to-Nikon-Lens-Adapter-For-HPX300-Z7U-HM700_W0QQitemZ300359125861QQcmdZViewIt | | | | |
| | | | Re: About to make the HPX300 leap... HELP! by Chris Smith on Oct 22, 2009 at 2:13:50 am in the Panasonic HVX - HPX (P2) Forum Hey Mike,
Thanks for the response. As I understand your post, you have an adapter to put the 500 lenses on the 300.
As I understood what my associate related to me (as explained in the response to Dan above) the inexpensive adapter allows someone | | | | |
| | | | Re: About to make the HPX300 leap... HELP! by Dan Brockett on Oct 22, 2009 at 1:09:55 am in the Panasonic HVX - HPX (P2) Forum Do you have a link to these supposed adapters? I have never seen a 1/3" B4 mount to Nikon F mount adapter. There are Letus B4 adapters that work with the HPX300 but they cost a few thousand dollars.
Assuming that the adapter you are describing do | | | | |
| | | | About to make the HPX300 leap... HELP! by Chris Smith on Oct 21, 2009 at 9:42:04 pm in the Panasonic HVX - HPX (P2) Forum Hey all,
I own a small video production business in northern California, and for years I've been getting buy on my DVX100Bs. I'm making the plunge into HD with the HPX300.
I have a few questions for those with more expertise than I can muster. For | | | | |
| | | | Re: HD light metering -- need advice by Michael Palmer on Oct 20, 2009 at 9:47:01 pm in the Lighting Design Pros Forum Your 1.4 50mm prime is way faster than any zoom that you put on the adapter. The 50mm has sell glass elements allowing more light to past. Try sticking with just the primes. I recently picked up 6 Nikon primes for my Red Rock Encore and all are a f2 | | | | |
| | | | Re: Faux HD by Mike Kujbida on Oct 18, 2009 at 3:25:35 pm in the Sony Vegas Forum [Jay Gilhart] "...may want to use SD material in a 720p project, that resampling it at a higher rate might keep it from falling apart..."
Since you were originally talking about images, let's stick with them and not get into uprezzing a video clip | | | | |
| | | | DP wanted for Feature Comedy by Dan Pavlik on Oct 15, 2009 at 9:43:25 pm in the JOBS Offered - Low/No Pay Forum Hi,
I'm looking for a DP that can make my hpx170 sing. I have a letus 35 lens adapter to go with the camera, and 5 Nikon lenses.
We are shooting November & December in and around the SF Bay Area. I have a little money to pay as we go, and could | | | | |
| | | | Re: FCP won't Show/Unhide; Must Force Quit by Mitch Lewis on Oct 13, 2009 at 9:15:51 pm in the Apple Final Cut Pro Forum I'm having the same problem. If I press the Space Bar FCP will play what ever is on the timeline as normal and I can view it as normal on our external monitor (using AJA Io HD). But I can't get the user interface to unhide. I tried pressing the Ex | | | | |
| | | | Better EX3 settings for Greenscreen ? by Joe Tyler on Oct 12, 2009 at 11:53:46 pm in the Sony EX Series XDCAM Forum I've been shooting greenscreen for years, more recently with the EX3. Just last week I had a client have some problems keying with the EX3. We appeared to have a bunch of noise in the green.
First, I'm not talking lighting, I think everyone know | | | | |
| | | | Re: An AJ-HPX2700 for $19,500.00!?! by Jeff Regan on Oct 9, 2009 at 5:24:31 am in the Panasonic HVX - HPX (P2) Forum I've had an HPX2700 for a few weeks now and it's an amazing camera. The latitude and high contrast handling are amazing. It's 10 stops in AVC Intra, more with Film-Rec at 600%. ASA rating is 640.
It has the same frame rate flexibility as the | | | | |
| | | | Re: Negative Scanning by David Angell on Oct 7, 2009 at 2:34:08 pm in the Art of the Edit Forum Thanks Chris. That was really helpul. I was thinking of scanning them huge, like 4000dpi with a Nikon Coolscan but I guess that's not worth it.
Who knew "rule of thumb" had to do with wife beating? Must have sucked for the lady of the guy with | | | | |
| | | | Re: Fitting Canon Mount Lenses to Sony Z7 by Max Baker on Oct 5, 2009 at 5:03:26 pm in the Cinematography Forum Steve, there are two 35mm lens adapters for this camera that I know of, one that Sony sells which will directly connect Sony 35mm lenses to the camera, and then there's a guy in the UK that sells an adapter for Nikon 35mm lenses. I have a Z7U, altho | | | | |
| | | | Does Sony have a camera with great stills AND video? by Brian Lindstrom on Oct 3, 2009 at 4:34:18 am in the Sony DV Forum Hi All:
I love my Sony HVR-A1U. It has served me well for 3+years making long form cinema-verite documentaries. One of the many things I love about the camera is how low-impact it is. I'm often able to hold the camera far enough from my face so tha | | | | |
| | | | Re: Frustrated with AVCHD to standard DVD!! by Dave Haynie on Sep 29, 2009 at 8:30:22 am in the Sony Vegas Forum HD is entering the mainstream, definitely. Not the toy HD in the "Flip".. those are only for kiddies concerned with YouTube uploads.. the video quality is horrible, unless you're targeting a 2Mb/s-or-less medium like YouTube.
The DSLR market is s | | | | |
| | | | Letus, V2 Rods, Handgrips and Shoulder Mount by Jared Smith on Sep 29, 2009 at 1:30:34 am in the Classifieds, For Sale Forum Hey guys,
I am selling my Letus and setup, pics at http://www.photobucket.com/thingsforsale
1. Letus Extreme DOF 35mm Adapter (new on letusdirect.com is $1199) with 72mm mount and Nikon SLR mount. If you need a different thread size or SLR mount | | | | |
| | | | Re: Marketing the EX3 by Joe Tyler on Sep 28, 2009 at 4:49:13 pm in the Sony EX Series XDCAM Forum Oh, BTW
EX3, Nikon Prime lenses, Full Zacuto Shoulder rig, follow focus & Whip, 2/3" Fujinon Adapter. 10 - 16GB cards.
www.killianthered.com
DP in the Washington DC Area
EX3 Owner | | | | |
| | | | Re: 35mm primes -- Which one don't I need? by Todd Terry on Sep 28, 2009 at 3:54:24 am in the Cinematography Forum [Matt Dufilho] "I feel much better about spending the extra money on the Arri MFF set now."
If you are getting an Arri FF unit, no worries. It's a great follow focus and rock solid, it will make working with SLR lenses a little easier. SLR lense | | | | |
| | | | Re: 35mm primes -- Which one don't I need? by Matt Dufilho on Sep 28, 2009 at 12:35:23 am in the Cinematography Forum Hmmmm.
Well, you guys are making me think that maybe I would be better served by pulling $500 from another area. Maybe I can pull my set of 4x4 frames/silk/scrim/flags since I am planning to get sets of those in both 18x24 and 24x36 sizes.
Tod | | | | |
| | | | 35mm primes -- Which one don't I need? by Matt Dufilho on Sep 27, 2009 at 4:30:48 pm in the Cinematography Forum Hello all,
I'm about to make a large purchase of equipment, including a Letus Ultimate and 5 Nikon Zeiss primes. Of course I have come up against my budget, and am looking where I can cut a few hundred dollars. I'm looking at my primes, and wond | | | | |
| | | | Re: Lens with Letus adapter by Nigel Thompson on Sep 26, 2009 at 1:08:58 pm in the Panasonic HVX - HPX (P2) Forum Yup :
My 70-210 lens is at f4, it works great with my extreme but the first time i took it to the beach i got some GG in the images, think i set it up badly, never had a problem after that. That was strange cuz i've shot outdoors with it b4 in dayli | | | | |
| | | | Lens with Letus adapter by Nigel Thompson on Sep 25, 2009 at 6:22:25 pm in the Panasonic HVX - HPX (P2) Forum Hey guys:
Im shooting some surfing and want to do some really nice stuff. Using a Letus Extreme and Nikon lenses on my HVX200.
I already have a 70-200mm but wanna get closer. Will this lens work on the adapter?
http://www.bhphotovideo.com/bn | | | | |
| | | | Re: Nikon D3 FCP 7 workflow by Seb Ratcliffe on Sep 23, 2009 at 8:57:57 pm in the Apple Final Cut Pro Forum Shooting at 15 fps is for the tilt & shift minaturisation effect.
Attaching large format lenses to regular sensor cameras gives this effect. Can't be achieved effectively on regular camera set-up without heavy post. At 15 fps people, cars etc move l | | | | |
| | | | Re: Nikon D3 FCP 7 workflow by Arnie Schlissel on Sep 22, 2009 at 1:01:44 pm in the Apple Final Cut Pro Forum [Seb Ratcliffe] "Any envisaged problems or other suggestions with the above workflow?"
My only suggestion is that you shoot with a different camera. 15fps? Really? And you need 25fps? Doesn't make sense to me, when there are so many good quali | | | | |
| | | | Nikon D3 FCP 7 workflow by Seb Ratcliffe on Sep 22, 2009 at 11:41:43 am in the Apple Final Cut Pro Forum Cutting a live action animation type film.
All shot on a Nikon D3 at 15fps with a 2128 x 1416 frame size.
In the field so, using fcp7 on laptop and drives.
Workflow running is:
> Wrap image sequence in qt wrapper
> Convert each clip to 25fps p | | | | |
| | | | Re: EX-1 focal length ?? by David Fortin on Sep 21, 2009 at 3:22:44 pm in the Sony EX Series XDCAM Forum Thanks everyone for your responses.
Did Century Optics do the fixing? Or was it Sony, through the firmware update?
I purchased my camera in February of 2008 and I never had my firmware upgraded. Will this Century wide angle still work?
Als | | | | |
| | | | Re: EX-1 focal length ?? by Joe Micalizzi on Sep 20, 2009 at 10:16:33 am in the Sony EX Series XDCAM Forum Remember to multiply your Nikon D100 lens by 1.6 for the true focal length.
The Sony Wide Angle adapter by the way works just fine, just make sure when you use... change the menu setting to Wide Angle Adapter "ON" ! | | | | |
| | | | Re: EX-1 focal length ?? by Joe Micalizzi on Sep 20, 2009 at 4:12:05 am in the Sony EX Series XDCAM Forum Don't forget to multiply by 1.6 to get the right focal length for the sensor on the Nikon D100. That being said your Nikon will definately have a wider angle with the lens you mention.
In spite of whatever you've heard...the Sony Wide Angle adapt | | | | |
| | | | EX-1 focal length ?? by David Fortin on Sep 18, 2009 at 6:33:57 pm in the Sony EX Series XDCAM Forum I am doing a lot of interior rooms with the EX-1. I'd like to get a wide angle adapter but have seen posts saying they are not working on the EX-1.
Does anyone know what the focal length of the EX-1 lens is as compared to a 35mm lens?
I'm thin | | | | |
| | | | A2 Poster from Nikon D3 by toby Heslop on Sep 18, 2009 at 4:05:40 am in the Adobe Photoshop Forum I have a photo taken with a Nikon D3 and I need to create this as an A2 poster.
The Photo is a lot smaller than A2 size!
how do I get the photo bigger? | | | | |
| | | | Re: RED just got some competition by Nigel Thompson on Sep 16, 2009 at 4:33:24 pm in the RED Camera Forum TOTALLY agree with the canon argument !
The thing is both Nikon and Canon can record RAW right now but maybe not at 23.98 or 29.97 but i am sure they are working in the tech for it.
When that happens ...........
boy oh boy
HVX200, RED ONE, | | | | |
| | | | FS: Letus Extreme w/ V2 Rod Support by Jared Smith on Sep 16, 2009 at 3:54:18 pm in the Classifieds, For Sale Forum Hey guys,
As is the case it seems with many, I am selling my Letus to dive headfirst into the DSLR route. I have battled with this decision and I honestly can't decide if it is the best thing to do or not, but if I can sell the Letus to get a DSLR I | | | | |
| | | | >> editing AVI format in FCP by Javad Ahmadi on Sep 15, 2009 at 2:04:42 pm in the Apple Final Cut Pro Forum Hello guys, we used a Nikon D300 to shoot out project. Great quality. Should I use the native Nikon AVI (Apple OpenDML JPEG, 1280 x 720, Millions) to edit my sequence or should I change the format to a different codec like ProRess and then start my e | | | | |
| | | | Cinematography | The Redrock Micro DSLR Cinema Bundle for the Canon 5D MKII
If you are using the Canon 5D MKII or Nikon D90 for their gorgeous HD video, or even thinking about it, you need to read this. Creative COW Contributing Editor Jim Harvey shows how the Redrock Micro DSLR Bundle makes these cameras even more useful for video shooters, then shows how he and other pros are using it, in the field and in the studio. Jim is enthusiastic about the possiblities it opens up, and thinks you will be too. Review Author: Jim Harvey |
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| | | | Art of the Edit | Fix it in Pre : Workflow Starts Before the Shooting Does
Looking for smooth shoots even on extreme locations? Want a pain-free post? 24P, film look, Depth of Field converter, advanced compositing and sound design -- its all here. In this Creative Cow Magazine extra from the Workflow 3.0 issue, Carl Larsen shows you how to avoid problems through planning, along with invaluable tips for cinematic storytelling on a tight schedule. Feature Author: Carl Larsen |
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Podcasts | | | | creative cow podcast Episode #084 - July 13, 2009 Creative Project Management with Mike Cohen, Radio Gaga and Snowtape, Nikon D-Movie Screening Room, Stretch Mesh 1.5 for Maya, Voice-O-Matic for 3ds Max, Radtech anti-glare for MacBooks and more creative news and interviews - creativecow.net | | | | |
| | | | creative cow podcast Episode #039 - September 03, 2008 Episode 039 - SANs with Bob Zelin, Google Chrome, Adobe CS4, Apple iPod event, Nikon D90 and more creative tech news, interviews and reports - www.creativecow.net | | | | |
| | | | creative cow podcast Episode #007 - November 03, 2005 Episode 007 - HDV Music Video Production using After Effects, Lightwave and 3ds Max, Interview with Director and Visual Effects Artist Eki, Sony HVR-Z1, Portable Media Expo and Podcast Conference Preview with Ron Lindeboom, Web 2.0 Explained, Microsoft Windows Live, PSP Media Manager, Nikon D200, Extensis Portfolio 8, CBS Show Downloads and much more creative tech news, interviews and reports - www.creativecow.net | | | | |
| | | | creative cow podcast Episode #053 - December 09, 2008 Indie Movie Promotion with Anthony Brownrigg, Nikon D3X, MacBook RAM issue, 2009 color, FontShuffle, Sapphire 3.0 for Avid, Zbrush training and more creative news and interviews - creativecow.net | | | | |
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