| | | | conforming HD in FCP
by walter biscardi on Jul 9, 2008 at 3:33:28 am
in the Apple Final Cut Pro Forum
FCP. Import the AAF (or OMF) into FCP and the Duck will create a brand new project all ready for you to digitize from. I've conformed over 80 Avid projects to High Def for network broadcast this way and it ... | | | | |
| | | | News: AJA Used on Wheel of Fortune and Jeopardy!
by Cow News Droid on Sep 23, 2005 at 3:35:32 pm
in the News & Press Releases Forum
seamless, live, last minute changes,” said Phil Squyres, Senior Vice President, Technical Operations for Sony Pictures Television. “I knew that a major U.S. television network broadcast the Super Bowl last year using a G5 and KONA 2 for live editing, ... | | | | |
| | | | Delivery to TV station workflow
by walter biscardi on May 25, 2008 at 10:47:57 am
in the Apple Final Cut Pro Forum
(HVX200) I'm assuming that a conversion to ProrezHQ is in order for editing. But where from there?" As others have suggested, DVCPro HD. We have been cutting DVCPro HD for network broadcast going on four years now. [Scott Wright] "What ... | | | | |
| | | | Salary Scale for Editor/Motion graphics designer?
by Bob Bonniol on Oct 14, 2006 at 10:56:38 pm
in the Art of the Edit Forum
limited to the upper 10% (perhaps generous) of the whole industry. I work with a whole gaggle of tremendous, well respected editors, working on major projects (music video, network broadcast stuff, etc) who don't make anywhere near that. A know ... | | | | |
| | | | OverTime, I mean Off Topic (OT): AJ-HD1400
by walter biscardi on Apr 28, 2006 at 3:33:33 am
in the Apple Final Cut Pro Forum
from NAB. This is big. Finally we can do real insert and assemble edits in DVCPRO HD without spending 60 grand on the studio deck. Huge!" well, it's big and not so big. for network broadcast it still needs to ... | | | | |
| | | | Sony PMX EX3 for wildlife documentary
by Michael Palmer on Jun 1, 2008 at 4:17:40 pm
in the Sony CineAlta - XDCAM Forum
The EX series cameras are definitely capable of recording for any network broadcast. As far as HDV for broadcast goes there is a don't ask don't tell common philosophy, it's all about the content. With any video format good photography ... | | | | |
| | | | Post Production Producer/Manager
by earblast on Nov 9, 2006 at 4:39:10 pm
in the JOBS Offered - Higher Pay Forum
Production Producer/Manager. This position requires knowledge and familiarity with FLAME, After Effects, 3d, and audio systems. The position requires being able to manage network Broadcast Design projects from the initial client meetings to the delivery of completed masters. The ideal ... | | | | |
| | | | New Color suite-Any feedback appreciated
by walter biscardi on Nov 2, 2007 at 12:38:01 am
in the Apple Color Forum
running 5 days a week, all year long. At the same time, we have three HD suites so busy we're turning away work and business is up incredibly over 2006. We're delivering HD Network Broadcast programming, SD Network Broadcast programming ... | | | | |
| | | | AJA HD Codec
by walter biscardi on Jul 19, 2006 at 11:59:55 am
in the AJA Kona Forum
That is fine for stuff comming from the EVS, but a little harsh for our other (graphic) elements." Actually, we work in the DVCPro HD codec all day, every day for HD Network broadcast and it's comopletely pristine for creating ... | | | | |
| | | | Is the HDX900 history?
by john sharaf on May 17, 2008 at 3:47:11 pm
in the Panasonic VariCam Forum
Ernie, It has never been, nor never will be, the manufacturer's "policy" to listen to individual end users. In the past design criteria from network broadcasters often influenced product development and really that can be attributed to the development of ... | | | | |
| | | | Kona2 and ability to do Uncompressed HD
by walter biscardi on Jul 8, 2006 at 1:12:29 am
in the AJA Kona Forum
Bob, interesting thought for Uncompressed HD storage. Would you recommend this for any mission critical type of HD set-up as in 10 hours a day, everyday for network broadcast production? I'm looking at options right now to either add on ... | | | | |
| | | | 8 bit uncompressed looks soft on Direct TV
by walter biscardi on Jan 26, 2008 at 9:14:54 pm
in the Apple Final Cut Pro Forum
through a single pass on Compressor at 200kbps. If you deliver your show on BetaSP or DVCAM and I deliver my show on HDCAM, guess which show is going to look better on the network broadcast? If you shoot your ... | | | | |
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