| | | | Re: QuickTime IMX50 & MXF
by Marc Lucas on Apr 3, 2012 at 10:39:09 am
in the Apple Final Cut Pro Forum
Did the above with regards to easy setup and MPEG IMX 625/50 (50Mb/s) I also chose the size as PAL 720x576 16:9 but when I export that file and check its dimensions in Media Inspector it comes in at a 4:3 file | | | | |
| | | | Re: Rendering unusual sized video for broadcast specs
by Angelo Mike on Mar 27, 2012 at 1:05:11 pm
in the Sony Vegas Forum
Thanks, John.
[John Rofrano] "Try this: Start a new project, go into Project Properties (Alt+Enter) and set your project for your output resolution (I assume NTSC IMX (720x486, 29.970 fps) since you spoke about rendering to 720x486). Then make sur | | | | |
| | | | Re: Rendering unusual sized video for broadcast specs
by John Rofrano on Mar 27, 2012 at 10:47:21 am
in the Sony Vegas Forum
Try this: Start a new project, go into Project Properties (Alt+Enter) and set your project for your output resolution (I assume NTSC IMX (720x486, 29.970 fps) since you spoke about rendering to 720x486). Then make sure that Adjust source media to bet | | | | |
| | | | Re: Wrong aspect ratio
by Carl Eltervaag on Nov 2, 2011 at 8:10:30 pm
in the Apple Final Cut Pro Forum
Hope you can help :)
FCP sequence settings are:
Pixel aspect ratio: PAL - CCIR 601 (720x576) anamorphic
Field dominance: Upper (odd)
Compressor: mpeg imx 625/50
Compressor settings:
Description: DV/DVCam PAL Anamorphic with 48kHz ste | | | | |
| | | | Re: Getting the ProRes Codec
by Edouard Joly on Sep 18, 2011 at 9:46:20 pm
in the Apple Final Cut Pro Forum
I can't try it right now but it seams that you can download a package of codecs for Pro Apps directly on apple's website.
About ProApps QuickTime Codecs
This update adds the following video codecs for use by QuickTime-based applications:
Apple | | | | |
| | | | Re: Storing content Interlaced or Progressive?
by Graham Stewart on Jul 18, 2011 at 10:41:01 pm
in the Apple Final Cut Pro Forum
Rafael, actually I do recompress to DV, but only because the company I work for stores the content in Avid MPEG-IMX format. I think I'm correct in saying that acquiring such a codec for QuickTime would cost a lot of money and probably means purchasi | | | | |
| | | | Re: A couple of questions...
by Peter Steinberg on Jul 2, 2011 at 1:18:07 am
in the Apple FCPX Techniques Forum
Here's what I've come up with:
1) You can click on the tc in the center of the screen (is it called the 'dashboard' in the new parlance?), or hit Control-P, and then type either an absolute tc (such as "20000" for two minutes from the head), or a | | | | |
| | | | Re: Just Codecs
by Rafael Amador on Jun 27, 2011 at 1:30:47 pm
in the Apple Final Cut Pro Forum
[Paul Dickin] "Hi
Presumably it gives you ProRes etc (which came with FCP 7) if you have no installation of FCS 3?
http://support.apple.com/kb/DL1396
This update adds the following video codecs for use by QuickTime-based applications:
Apple Int | | | | |
| | | | Re: Just Codecs
by Paul Dickin on Jun 27, 2011 at 1:05:20 pm
in the Apple Final Cut Pro Forum
Hi
Presumably it gives you ProRes etc if you have no installation of FCS 3?
http://support.apple.com/kb/DL1396
This update adds the following video codecs for use by QuickTime-based applications:
Apple Intermediate Codec
Apple ProRes
AVC-Intra
| | | | |
| | | | How to transfer an XDcam EX project.
by Joshua Goodwin on Jun 22, 2011 at 1:27:39 pm
in the Apple Final Cut Pro Forum
I am currently attempting to open up a XDcam EX project after copying all the files to another HDD. I've gotten as far as importing the files into XD cam EX clip browser ver 2.6, however the the only options for export are as follows; MXF for nle's, | | | | |
| | | | Re: Work Flow
by Andrew Rendell on Jun 1, 2011 at 9:55:04 am
in the Field Production Forum
Actually there are a number of possible answers to those questions and sometimes the best choice at each step only becomes clear in the context of the entire job.
Files have a wrapper (e.g. Quicktime, AVI, etc) and a codec (e.g., ProRes, H.264, et | | | | |
| | | | Re: Playing out to XDCAM...
by Adam Heayberd on Mar 30, 2011 at 4:56:06 pm
in the Apple Final Cut Pro basics Forum
What I/O card (or box) are you using to play this into the 1500 ... and how is it connected to the deck? - BLACKMAGIC / SDI
What is the source format / sequence format in FCP ... and what is your Video Playback setting?
- Seq is 720 x 576 CCIR601 | | | | |
| | | | Re: Playing out to XDCAM...
by Andy Mees on Mar 30, 2011 at 4:27:41 pm
in the Apple Final Cut Pro basics Forum
What I/O card (or box) are you using to play this into the 1500 ... and how is it connected?
What is the source format / sequence format in FCP ... and what is your Video Playback setting?
And do you have the optional PDBK-S1500 hardware key that's | | | | |
| | | | Re: Playing out to XDCAM...
by Andy Mees on Mar 30, 2011 at 3:34:27 pm
in the Apple Final Cut Pro basics Forum
Hey Adam
If you want to record SD you should be choosing MPEG IMX 50, not one of those HD presets that you listed. What is your sequence format, is it HD or SD?
Regarding audio on the reimported clip, lets get the export in the right format first! | | | | |
| | | | XDcam HD & Avid MC 5/AMA
by Nick Ravich on Mar 9, 2011 at 1:34:19 am
in the AVID Forum
Hey- Guessing this one's been covered before so I'll try and be quick.
Running MC 5 on "Nehalem" Dual Quad Core Mac Pros, OS 10.6.
Got my first XDcam HD shoot coming up and trying to figure out best bit rate/res camera record format vs NLE eas | | | | |
| | | | Sony HDW-D1800
by David Hwang on Feb 5, 2011 at 1:14:24 am
in the Classifieds, Retailers Forum
The Sony HDW-1800 is a perfect tool as a studio editing recorder with a wide variety of advanced professional-grade high definition quality, making seamless transition than ever before! The HDCAM has been widely acknowledged by top professionals as t | | | | |
| | | | Rendering Specs in Vegas
by Steve Rogers on Feb 1, 2011 at 7:02:02 pm
in the Sony Vegas Forum
the place im trying to send it to gave me these specs but im not sure what settings in Vegas to use
STANDARD DEFINITION:
• AVI, MOV or MXF Container
• 720x486 or 720x480 for NTSC and 720x576 for PAL
• 29.97 or 23.976 (23.98) frame rate for NTSC | | | | |
| | | | Re: field problem when exporting to MPEG IMX
by Andrew Rendell on Dec 7, 2010 at 11:54:28 am
in the Apple Final Cut Pro Forum
Just coming back to the thread to say thanks, that fixed it.
Plus I flipped the resize and deinterlace filter to the quickest settings (as I'm not resizing or deinterlacing) and the processing speed went down to something more reasonable. | | | | |
| | | | Re: Avid MPEG-IMX Codec download?
by Ned Zvijer on Dec 7, 2010 at 2:55:41 am
in the AVID Forum
"You can find the Avid Codecs PE installer under Installers\AvidCodecsPE"
I did exactly as instructed but the problem is when I tried to install it from AvidCodecsPE folder it installs it to C:\Program Files (x86)\Avid\Avid Codecs PE | | | | |
| | | | Re: field problem when exporting to MPEG IMX
by Rafael Amador on Dec 3, 2010 at 10:40:18 pm
in the Apple Final Cut Pro Forum
[Andrew Rendell] "Thanks for the advice. I'm trying that now. Incidentally, in the frame control section in Compressor "Upper" isn't an option, but "Top First" is, so I assume that's the same thing. "
Right.
[Andrew Rendell] "I'm slightly disconc | | | | |
| | | | Re: field problem when exporting to MPEG IMX
by Andrew Rendell on Dec 3, 2010 at 10:03:24 am
in the Apple Final Cut Pro Forum
Thanks for the advice. I'm trying that now. Incidentally, in the frame control section in Compressor "Upper" isn't an option, but "Top First" is, so I assume that's the same thing.
I'm slightly disconcerted that it says that it's going to take 3 | | | | |
| | | | Re: field problem when exporting to MPEG IMX
by Rafael Amador on Dec 2, 2010 at 9:51:38 pm
in the Apple Final Cut Pro Forum
[Andrew Rendell] "The odd thing is that it plays back perfectly on a grade 1 monitor via the blackmagic box as it is."
This shouldn't be like that, but I can not point any reason of this behave.
[Andrew Rendell] "Thanks, the IMX specs there are | | | | |
| | | | Re: field problem when exporting to MPEG IMX
by Andrew Rendell on Dec 2, 2010 at 5:44:28 pm
in the Apple Final Cut Pro Forum
Thanks, the IMX specs there are for Upper(Odd) and I've got footage in DVCPRO50-PAL which shows up as Lower(Even). How do I change it?
The odd thing is that it plays back perfectly on a grade 1 monitor via the blackmagic box as it is. | | | | |
| | | | Re: field problem when exporting to MPEG IMX
by Rafael Amador on Dec 2, 2010 at 5:20:23 pm
in the Apple Final Cut Pro Forum
Hi Andrew,
Go to the Audio/Video Preferences and, in the "Sequence Preset", have a look to the IMX specs and see the standard field order for that format .
If your original footage has the opposite field-order, you must invert this.
rafael
www.na | | | | |
| | | | field problem when exporting to MPEG IMX
by Andrew Rendell on Dec 2, 2010 at 11:14:48 am
in the Apple Final Cut Pro Forum
I'm making versions of some shorts which I'm sending to Singapore via ftp. The codec they have asked for is MPEG IMX 625/50 30Mb/s. So what I've done is export an uncompressed 8 bit quicktime onto my hard drive and transcode to the MPEG IMX format us | | | | |
| | | | Re: follow-up to Vegasvs FCP (wondering about QUALITY)
by Erik Lindahl on Nov 4, 2010 at 11:33:55 am
in the Sony Vegas Forum
I'm not sure what experience you've had but I've never encountered a scenario where I couldn't edit the source material a client gave me. Be it DV, DVCPRO, DVCRPOHD, HDV, AVCINTRA, IMX, XDCAM, DigiBeta, HDCAM or HDCAM SR.
So the answer is, "you ca | | | | |
| | | | Re: problem with export from final cut to beta
by eugen cela on Oct 22, 2010 at 5:58:30 pm
in the Apple Final Cut Pro Forum
Hello Jerry
thank you for the answer.
My sequenze settings are
video:
frame size - 720x576
aspect ratio - CCIR 601/dv pal (5:4)
pixel aspect ratio - pal - ccir (720x576) anamorf on
field dominance - upper odd
editing timebase - 25
quick | | | | |
| | | | Re: Beta SP
by Walter Soyka on Oct 16, 2010 at 1:18:30 am
in the Broadcasting Forum
[scott tupper] "Is MPEG IMX still a value as we usually have a request to lay to tape for playback at a conference, event or even PR firms?"
I have never delivered on IMX for a conference or event -- or even seen an IMX deck on-site. In my experie | | | | |
| | | | Beta SP
by scott tupper on Oct 15, 2010 at 8:38:43 pm
in the Broadcasting Forum
So our refurbed 2800 is showing signs of fatigue.
Aside from yet another costly repair, would a hybrid deck capable of playing SP be an option? We have way too much archived to this format to just chuck it and the only other deck we have for laying | | | | |
| | | | Re: Sony Announces EX PMW-500 2/3" 4:2:2
by Craig Seeman on Sep 10, 2010 at 4:06:05 pm
in the Sony XDCAM - EX & Related Forum
Interesting tidbits additionally noted in brochure,
It seems 64GB SxS is only SxS-1
Continuous Record mode in MXF. Start and stop can remain one continuous clip.
Metadata import to camera (planning metadata) via WiFi adaptor
New XDCAM Browser V | | | | |
| | | | Re: Can I deliver in this format?
by John Rofrano on Sep 9, 2010 at 11:02:19 pm
in the Sony Vegas Forum
The NTSC MPEG IMX 50 Widescreen setting in Vegas follows the NTSC 525 Standard of 525 scan lines of which 486 are visible. You'll note that this preset is, in fact, 720x486 which means their requirement for 720x512 contradicts their requirement for N | | | | |
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