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Monitors

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COW Tags : Monitors
ATEM 1 M/E Program Out Signal Drop
by Dean Anderson on May 4, 2012 at 2:37:54 pm
in the Blackmagic Design Forum
I am using the ATEM 1 M/E for our church services to switch two SDI Cameras, run IMAG and send the video to our computer for livestream. We use an iMac with ProPresenter (Powerpoint on steroids) to send our worship lyrics and to run the pastors pres
Low End GFX Card Will Work With DaVinci?
by Aditya Basu on May 4, 2012 at 6:56:17 am
in the DaVinci Basics & Configuration Forum
Hi, Presently I am doing colouring in Vegas Pro but interested in shifting to Resolve Lite... thing is in my present system I use two low end ATI Radeon cards and DaVinci Resolve said it wont install. So I am thinking of buying two low end NVi
Re: Color correction and external monitoring.
by Bret Williams on May 4, 2012 at 4:45:58 am
in the Apple FCPX Techniques Forum
It's not the iMac or display. QT X and QT 7 have completely different gammas or something. QT 7 has a more natural saturation that more closely matches production monitors or home TVs. I run FCP 7 and FCP X on the same machine. Same clips loo
Card to replace ATI Radeon HD 2600 for FCPX?
by Bobby Cullipher on May 4, 2012 at 2:24:20 am
in the Apple Final Cut Pro Forum
I wanted to give FCPX a try before finding another editing solution; I can't afford the juiced-up Apple Computers anymore. I tried to dl the trial tonight but was told that my videocard is not supported. I have a ATI Radeon HD 2600... dual monitors.
Re: Will "Intensity Pro Shuttle USB 3.0" answer my need?
by Paolo Castellano on May 3, 2012 at 9:37:58 pm
in the Blackmagic Design Forum
Hello Adam, since you are talking about a "broadcast" video monitor, and you have 2 free PCI-E slots, you could consider to buy a Decklink SDI too, since broadcast monitors support HD-SDI and (sometimes) HDMI. The advantage of the USB 3.0 devices
Re: Mixed aspect displays is Win7
by Todd Perchert on May 3, 2012 at 6:56:53 pm
in the Windows Hardware & Software Forum
Curtis talking about XP and Win7 reminded me... One thing Win7 can't do that XP was able to is span across monitors and have them act as 1 large monitor. You can span, but when you maximize a program, it will only maximize on one window. You have to
Re: Thunderbolt TV
by Rick Lang on May 3, 2012 at 6:12:04 pm
in the Apple FCPX or Not: The Debate Forum
Nice work It may be an option in a couple of years although more likely that the Thunderbolt TV will not be the way this is implemented as Apple's TV may receive it's data wirelessly from a very high speed wireless (WiFi?) network. Certainly a cur
News: Pomfort launches LiveGrade - the professional software for interactive look management at the
by Cow News Droid on May 3, 2012 at 5:25:51 pm
in the NEWS: Product News Releases Forum
LiveGrade in conjunction with a Blackmagic HDLink device allows to create and manipulate HD-SDI images of professional camera workflows on the monitor at the filmset. (Munich, Germany--May 3, 2012) Pomfort, a provider of professional software for
Re: After Effects output to monitor
by stig olsen on May 3, 2012 at 2:12:11 pm
in the Adobe After Effects Forum
Hi Walter, I am in MC6 and I guess you understand that replacing Mojo DX with any of those boxes is not a proper solution in any way. Mac only has 4 slots if you dont expand with Cubix, with a cost of a new Z800. There is not a solution for
Will "Intensity Pro Shuttle USB 3.0" answer my need?
by Adam Lewen on May 3, 2012 at 8:52:22 am
in the Blackmagic Design Forum
Hi there! I am doing some research online. Not completely sure, but also not getting an answer from Blackmagic Design... Im working mainly with AE, and need to output video (preview video) to a monitor which will be the 3rd one together with my dua
News: YO-YO MA's Silk Road Ensemble Tour Relies on DPA Microphones
by Cow News Droid on May 2, 2012 at 11:51:07 pm
in the NEWS: Product News Releases Forum
Grammy Award-Winning Classical Cellist Uses the DPA 4061 and DPA 4088 Microphones for All Performances on the Silk Road Ensemble Tour (New York, NY--May 2, 2012) Yo-Yo Ma’s Audio Engineer Jody Elff relies on DPA Microphones’ 4088 cardioid headset
Normally or Unscalled
by Javier Sanchez on May 2, 2012 at 8:37:43 pm
in the DaVinci Resolve Forum
Hi all Getting some confusion here too many resolve suite on my facility with different monitors... I have one main suite with we use to configure to unscaled monitor to work, but today i have receive a file from our telecine suite with i don't see
Re: Panasonic BT300
by Dylan Hopkin on May 2, 2012 at 4:46:36 pm
in the DaVinci Resolve Forum
Hi Stig, We have ordered two BT300s. I checked them out at NRK here in Oslo, they looked great. Although I did see abit of "rainbow-effect" from time to time. But I´m sensitive to that type of thing. (Consumer DLP projectors drive me crazy)
Re: FCP 7 suddenly video in Viewer & Canvas incredibly dark/severe gamma.
by Andrew Johnstone on May 2, 2012 at 1:11:50 pm
in the Apple Final Cut Pro Forum
I have a similar issue at the moment, running FCP 7 on Snow Leopard. I have just shot a load of material on my new HPX250 and the imported images in FCP seem appreciably darker than on the camera's preview screen and the chroma levels do not appe
RAID speed comparison for Digital Cinema DIT work
by Simon Percival on May 2, 2012 at 12:09:31 pm
in the - ARRAYS & RAID Set-Up - Forum
Hi guys, New to this forum as a member, but have been browsing topics for many years! I wonder if anyone can offer some advice...? I am working in house for a company producing videos - up until now on tape based cameras and DSLRs, but now m
Re: Shoot 3D corporate video
by Matt Faw on May 2, 2012 at 12:45:09 am
in the Stereoscopic 3D Forum
Hi Rajan, The simplest and cheapest workflow that I've found is as follows: Shoot your footage with a Sony TD20 (about $1200). Edit the footage natively in Sony's Vegas 11 Pro (you can get a 30 day trial version). It won't play back the 3D ve
Re: AVCHD Premiere Pro CS5.5
by Jason Finnigan on May 1, 2012 at 10:33:33 pm
in the Adobe Premiere Pro Forum
My monitors is a 1080p monitor connected via DVI I believe it's a 2ms repsonse time @ 60hz. If your referring to the Nvidia quadro 4000s I think they have less cuda cores than the gtx 470 (about half as much)
Re: AE output as circular polarized stereoscopic 3D
by Russell Tripp on May 1, 2012 at 6:47:14 pm
in the Adobe After Effects Techniques Forum
Oh - and to answer your question about the output format, most of the time you'll want to use side-by-side Left/Right as an output format, but most S3D monitors/TVs also allow you to select what 3D format is in use, so the answer is.... probably side
Mixed aspect displays is Win7
by Daniel Edelman on May 1, 2012 at 4:18:42 pm
in the Windows Hardware & Software Forum
I have a 16x9 lcd as my primary display and I'm looking to add a second. I have an old 4x3 lcd display and I'd like to use that if possible. So my question is, can you mix the two aspect ratios? I do this on my mac pro and it works great because yo
Re: AVCHD Premiere Pro CS5.5
by Al Bergstein on May 1, 2012 at 2:07:53 pm
in the Adobe Premiere Pro Forum
My bet is that it's the video card. I have that one, I think, and I find that scrubbing is a bit like you describe. Seems to need to load into RAM. Once in RAM (after the initial few seconds) it seems to scrub fine. I'm exploring stepping up to the 4
Panasonic BT300
by stig olsen on May 1, 2012 at 10:28:22 am
in the DaVinci Resolve Forum
Hi, We are about to order new client monitors and are considering the Panasonc BT300 series. Any experience with those? Stig
HDLink Pro DisplayPort 3D with 24" Apple LED Cinema display
by Neil Sadwelkar on May 1, 2012 at 1:10:23 am
in the DaVinci Basics & Configuration Forum
I wish there was a document somewhere which listed qualified monitors for use with the BM HDLink Pro DisplayPort and the DVI version. I'm having no luck with a HDLink Pro DisplayPort 3D with 24" Apple LED Cinema display This has been posted on
Re: Edit System Suggestions
by Shane Ross on Apr 30, 2012 at 10:07:08 pm
in the Apple Final Cut Pro Forum
Get Adobe CS6 Production Bundle when it comes out. It's a great step from FCP. Avid is more for broadcast work...but I think Premiere Pro CS6 with After Effects and Encoder will do you well. Good options for color correcting when NOT going to
Re: Triple Monitors + MacBookPro + Matrox ?
by Richard Diver on Apr 30, 2012 at 7:19:47 pm
in the Matrox Video Systems Forum
Hello J-S; This is a year-old thread, I know...but..Help! My TH2Go DP worked fine in the Mac side, but now is a challenge in Bootcamp! I'm using a late 2009 iMac, Win 7 64bit, have removed the software from Mac side and reinstalled everything
Article: NAB 2012: JVC
by Debra Kaufman on Apr 30, 2012 at 5:36:47 pm
in the COW - Tutorials Forum
JVC cameras/decks NAB 2012: JVC JVC had a dynamic year for cameras and monitors. The company released the new GY-HM650 handheld mobile news camera, the result of its intention to support the Advanced Media Workflow Association "AS-10: MXF for
Re: Seeking Earbuds for Jungle Shoot
by Mark Spano on Apr 30, 2012 at 1:53:12 pm
in the Audio Professionals Forum
One additional note, given the context. The Westone in-ear monitors I recommended have an added benefit in that when worn they're hard to detect. Westone comes from hearing aid devices and their in ear monitors fit so well most people I meet on the s
Re: T-Tap question (audio)
by walter biscardi on Apr 30, 2012 at 12:52:12 pm
in the AJA Kona - Mac Forum
This is where a device like the Flanders Scientific monitor series comes in so sweet. We'll be monitoring the audio output directly from those monitors to ensure we're in perfect sync.
NAB 2012: JVC
by Debra Kaufman on Apr 30, 2012 at 10:36:47 am
in the JVC cameras/decks Forum
JVC had a dynamic year for cameras and monitors. The company released the new GY-HM650 handheld mobile news camera, the result of its intention to support the Advanced Media Workflow Association "AS-10: MXF for Production" project. The comp
Re: Is the Mac Pro Dead?
by Michael Gissing on Apr 30, 2012 at 3:46:48 am
in the Apple FCPX or Not: The Debate Forum
Maybe I am unusual but I have reused my rack mount cases for the past decade. Every so often I upgrade power supplies, usually overspecing and getting at least two mobos per power supply changes. I then buy mobos, processors and RAM and build and
monitors
by Lisa Fine on Apr 28, 2012 at 2:43:02 am
in the Audio Professionals Forum
Hi, I'm preparing a few animated shorts for the internet and also to submit to a few film festivals. So far, I edited all the voiceovers using Sony Professional cans and have listened just through the tiny mini speakers that are part of my comput
DSLR EVF - Swivl 5.6" LCD vs Zacuto EVF or SmallHD DP4?
by Aj Koch on Apr 27, 2012 at 11:01:13 pm
in the DSLR Video Forum
I need to buy an external monitor with peak focusing for my Canon 5D Mark II. I've used the Zacuto EVF and I liked it, but it was a little small. The DP4 looks very similar to the Zacuto and you get a lot more accessories for the money. Swivl has
Re: THANKS! Intensity Shuttle doesn't ....
by Adam Lewen on Apr 27, 2012 at 9:34:43 pm
in the Blackmagic Design Forum
Hi guys. I know that these posts are from a while ago. But reading this made me feel like asking; Is Shuttle a direction I should consider? My main need is a to hook up a monitor (a third one, other than my dual screens) that would act as a video
Re: New forum/name as requested: DaVinci Resolve Basics & Configuration
by Gabriele Turchi on Apr 27, 2012 at 8:21:10 pm
in the DaVinci Resolve Forum
Nice .. Only one more little advice : Maybe you guys should add the word ""hardware"" configuration .. So for new users is clear that every hardware (including monitors ) should be posted there ... g
Re: Lightworks
by James Williams on Apr 27, 2012 at 12:34:28 pm
in the Letters to the COW Team Forum
I just downloaded Lightworks and I have searched the net for PDF tutorials. As yet I haven't found any, but I was told by a Lightworks user in their forum section, that on May 28th. there should be a few PDF tutorials becoming available. I guess ther
Quadro 4000 display problem
by Bill DePalma on Apr 26, 2012 at 11:32:41 pm
in the Adobe Premiere Pro Forum
I have a newish Mac pro that I just upgraded the graphics card to the Quadro 4000. Problem is that my second display, an Apple 27" monitor feeding off pthe mini port via their mini port apple display adapter, is not showing up. the main display, a 30
Re: Cable organization
by Nick Griffin on Apr 26, 2012 at 8:07:51 pm
in the Business & Marketing Forum
We have a "go bag" of stingers and most of the audio stuff lives in another "go bag" so they're both ready for field shoots, which is 98% of what we do, at least in video. As our systems have grown I began by "decorating" the stand that holds the
Re: A Question for Working Professional Editors Using FCPX.
by Craig Seeman on Apr 26, 2012 at 3:14:51 pm
in the Apple FCPX or Not: The Debate Forum
[Oliver Peters] "Obviously adding dual viewers (to be defined) was likely in response to concerns and requests." But I think multicam laid the foundation for that. Sometimes I think what seems to be non linear progress for the end user, has to do
Re: MC6 Graphics Card
by John Pale on Apr 26, 2012 at 12:59:03 pm
in the AVID Forum
Avid doesn't really care what you use on the Mac. Whatever card that is supported by Apple for your machine is acceptable. There isnt any significant acceleration using the graphics card in Avid. Even on the PC, you have nothing that approaches t
NAB 2012: AJA Video Systems
by Debra Kaufman on Apr 26, 2012 at 3:00:00 am
in the NAB Expo Forum
AJA Video Systems brought out the big guns at NAB 2012, including T-TAP, a powerhouse in a small, inexpensive package for delivering 10-bit 2K, HD and SD (with embedded audio) from any compatible Mac. Elsewhere, the company released firmware to suppo
Article: NAB 2012: Panasonic
by Debra Kaufman on Apr 25, 2012 at 11:20:07 pm
in the COW - Tutorials Forum
NAB Expo NAB 2012: Panasonic Panasonic had an extraordinarily rich year of introductions and upgrades at NAB 2012, with further developments in P2 technology and a host of new memory cards, the AG-HPX600 P2 HD - which supports AVC Ultra, two new AV
Re: Suggestions for DSLR Rig on Rails for ENG Work with Pre-Amp and Zoom?
by Steve Crow on Apr 25, 2012 at 6:01:23 pm
in the DSLR Video Forum
I did briefly try out the Magic Lantern software but didn't stick with it. I didn't like how it cluttered up my screen and found that I much prefer to work with firmware produced directly by the camera company. Unfortunately, I have to admit that C
NAB 2012: Panasonic
by Debra Kaufman on Apr 25, 2012 at 4:20:07 pm
in the NAB Expo Forum
Panasonic had an extraordinarily rich year of introductions and upgrades at NAB 2012, with further developments in P2 technology and a host of new memory cards, the AG-HPX600 P2 HD - which supports AVC Ultra, two new AVCCAM HD camcorders, software up
Re: Desktop Monitor for Web Color Grading
by Jerry Hofmann on Apr 24, 2012 at 7:03:02 pm
in the Apple Final Cut Pro Forum
Those Dell monitors have been a favorite around here for a long time. You HAVE to run Resolve? how bout somethin' else? Not sure what though.. I suppose Adobie's new grading software might be interesting. If you're going to buy a card that works with
Re: OT: TBolt eSATA adaptor is pretty darn slick at first glance.
by Jason Jenkins on Apr 24, 2012 at 5:15:54 pm
in the Apple FCPX or Not: The Debate Forum
[Alan Okey] "Towers are so last century. All anyone needs now is Thunderbolt. Just ask anyone on this forum, they'll tell you. The same old codgers who like towers like FCP 7, tracks, videotape, CRT monitors, and floppy drives. They're just bitter ol
Two Windows XDCAM Browser Issues
by Dave Edwards on Apr 24, 2012 at 4:59:10 pm
in the Sony XDCAM - EX & Related Forum
I have changed the configuration of my monitors and when I try to export a clip to MXF for NLE the resulting dialogue box is lost in an invisible screen area. Is there any way reset the centre screen location stored by the program? On a similar n
Re: OT: TBolt eSATA adaptor is pretty darn slick at first glance.
by Alan Okey on Apr 24, 2012 at 3:58:56 pm
in the Apple FCPX or Not: The Debate Forum
[Michael Hadley] "Now we just need a new MacPro tower and everything is good, right?" Towers are so last century. All anyone needs now is Thunderbolt. Just ask anyone on this forum, they'll tell you. The same old codgers who like towers like F
Re: Reference Monitor for grading
by Juan Salvo on Apr 24, 2012 at 3:52:37 pm
in the DaVinci Resolve Forum
The 170w is FANTASTIC! And in terms of gamut actually surpasses it's big brother. That said its small size is probably the biggest issue. But if you are using it with a plasma, you should be good, Jose, both of those are great choices. I also pers
Re: DaVinci, Premiere Pro and the Nvidia GT 120 and the quadro 4000
by Jose Arce on Apr 24, 2012 at 2:09:19 pm
in the DaVinci Resolve Forum
What kind of Y cable you recommend for the 470. I still have my old ATI HD 4870, I think I need only for my monitors, and the other card for the CUDA process in Premiere and DaVinci. Or if better buy the 470. I read from other post the Y cable ma
new multimedia workstation
by Josh Gherghel on Apr 24, 2012 at 5:39:48 am
in the Broadcasting Forum
Hi all, It seems like creative cow has some very devout fsi followers but I am looking for a cheaper alternative. will this monitor work (Panasonic BT-L2150PJ) for color grading purposes? I will only be editing canon 60d dslr footage. So this mon
Re: Desktop Monitor for Web Color Grading
by Juan Salvo on Apr 24, 2012 at 3:22:46 am
in the DaVinci Resolve Forum
1st question: I like dell too. 2nd: IMHO, you still need proper external monitoring even for the web. Thing is computer monitors are notoriously inconsistent. And without a proper working space or profile you can't really judge the image. Us

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Colorgrading Monitors: What Works, What Doesn't
In this Creative COW extras podcast, Walter Biscardi and Ron Anderson discuss one of the most discussed topics in the Apple Color forum, color grading and monitors. Ron Anderson is a colorist with CineFilm Atlanta.
adobe after effects podcast
Waveform Monitors in After Effects
In this AE podcast Andrew Devis introduces us to the Luma Waveform Monitor and how it can be used to correct a shot and stay within safe limits.
dslr video podcast
DSLR: Monitoring Solutions with HDMI
DSLR video training with Robbie Carman and Rich Harrington: This episode visits HDMI and monitoring in general.
dslr video podcast
External Monitoring
In this DSLR podcast Richard and Robbie discuss how to get better focus and color accuracy by using an external monitor for your DSLR Camera. Some topics include Pro HD field monitors, waveform exposure monitors, vectorscope and color testing.
dslr video podcast
Using a Viewfinder or Loupe
In this DSLR podcast Robbie and Richard discuss loupes or viewfinders and how they may be helpful for you when using your DSLR Camera to get better sharpness. Some topics covered are dioptre adjustments, using a profinder, external monitors and more.
Related Tags

BT-LH2600W
Flanders Scientific
FSI
JVC Monitors
LCD Display
Monitors
Panasonic LCD Video Monitors
PVM
Sony PVM, BVM
TV Logic


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