| | | | Re: yes and no
by Nick Griffin on Sep 15, 2009 at 10:14:27 pm
in the Business & Marketing Forum
[Ron Lindeboom] "Oh, and its slow-motion is STILL the very best that I have ever seen on any desktop system, nothing else over the years has even come close."
I find it sad that Media 100 even knows that their motion function has been broken for a | | | | |
| | | | Re: yes and no
by Tim Wilson on Sep 14, 2009 at 3:37:41 pm
in the Business & Marketing Forum
[Ron Lindeboom] "only 680x480"
I can't believe I forgot 640x480!
I did a job with my UVW BetaSP and Media 100 for a couple of regional American Express spots. This guy was a notorious stickler, and he said to me, "This isn't going to be any of | | | | |
| | | | Re: yes and no
by Ron Lindeboom on Sep 14, 2009 at 3:11:47 pm
in the Business & Marketing Forum
I have to chuckle remembering that all the way in 1994 when I bought my first Media 100 and a box of CoSA After Effects, that I was soon on digvid-l and vidpro-l arguing with some of the guys there that sure, they weren't up to par with the million-d | | | | |
| | | | Re: How long did it take you.....
by walter biscardi on Sep 14, 2009 at 1:11:06 pm
in the Apple Final Cut Pro Forum
[peter pop] "How long did it take you folks when you first switched over to fcp? Am I too long in the tooth to be taught new tricks? Are there any ex-edit*ors (I am seeing a good few names in here that I know from the edit* days) that have 'that' dyn | | | | |
| | | | VoiceOver Recording in Media 100 Suite
by Floh Peters on Sep 12, 2009 at 1:57:41 pm
in the Media 100 | Media 100 HD Forum
In this video tutorial, Floh Peters takes a look at Media 100 Suite's new VoiceOver Tool. The VoiceOver Tool allows direct-to-timeline audio recording while playing back timeline audio and video. Primarily designed for recording narration, the VoiceO | | | | |
| | | | Re: Multiple Video
by Dave LaRonde on Sep 11, 2009 at 4:39:00 pm
in the Motion Graphics Forum
What application do you plan to use? What applications do you have available to you? It might help a little bit to know that.
Or shall we simply assume that you have everything? I could go into detail how to pull off the look on a Media 100.. | | | | |
| | | | Re: Media media files to FCP media files
by Floh Peters on Sep 11, 2009 at 1:33:19 pm
in the Media 100 | Media 100 HD Forum
Not sure if I understand your question correctly. You want to move media files from Media 100 to FCP? Which codecs are the Media 100 files in? Media 100 i? If yes, the FCP system needs the Media 100 codecs installed. You can download them from Media | | | | |
| | | | Re: FCP 7 - Improved render management?
by david bogie on Sep 10, 2009 at 10:59:15 pm
in the Apple Final Cut Pro Forum
Interesting thread but why isn't there a simple way to tell what will and what will not require rerendering?
I still don't understand why FCP isn't smart enough to be able to know when something needs to be rerendered or just relinked. Even Media | | | | |
| | | | Media media files to FCP media files
by ralph conradt on Sep 10, 2009 at 10:20:54 pm
in the Media 100 | Media 100 HD Forum
Why can't my FCP editor not take the fcp media files that I have converted via extension change and bring them into the CP project he is working on for me. I have no problem doing it on my system.
Him FCP6 / Me Media 100 Producer. I have already d | | | | |
| | | | Re: workflow for authoring DVDs?
by Michael Slowe on Sep 9, 2009 at 10:27:02 am
in the Media 100 | Media 100 HD Forum
Exactly what I do and I'm now getting far better quality DVD's with the newest BitVice version (named SD, does that mean that HD is on the way?). The new BitVice downscale is tops. One word of warning however. Media 100 uses a different RGB system t | | | | |
| | | | workflow for authoring DVDs?
by Robert Slenker on Sep 7, 2009 at 2:16:54 pm
in the Media 100 | Media 100 HD Forum
Hi guys!
I've searched some old threads about this but they all seem to be about 2 years old and I'm sure things have changed.
Would someone be kind enough to detail their work flow (and export settings) for authoring DVDs out of Media 100 Suit | | | | |
| | | | Foreign language titles
by David Issko on Sep 7, 2009 at 11:37:29 am
in the Media 100 | Media 100 HD Forum
I need to type some French and Spanish titles, which need accents and hats in Media 100 Suite 1.0.1. What is the easiest way to get those letters with accents and hats please? I'm sure there must be an easy way but I never type anything other than En | | | | |
| | | | Re: Codec for HD, Settings for Episode
by Michael Slowe on Sep 6, 2009 at 9:12:18 pm
in the Media 100 | Media 100 HD Forum
You raise an awful lot of points here!
Preparing stuff for the web and making good DVD's are two separate jobs needing different workflows. The compression required for each is different. The web needs more compression and this varies according to | | | | |
| | | | Codec for HD, Settings for Episode
by Natasha Macheiner on Sep 6, 2009 at 12:02:03 pm
in the Media 100 | Media 100 HD Forum
Hi everybody,
We are working with media 100 ESD version 12.6, our source material was shoot with a p2 camera. (1080i50). The footage was shoot in hd, edited in hd, then transformed to sd letterbox 4:3 and broadcasted sd 4:3. For making quicktime m | | | | |
| | | | Re: Tapeless workflow
by Michael Slowe on Sep 5, 2009 at 3:01:52 pm
in the Media 100 | Media 100 HD Forum
Doug, I made the transition last year and it's no problem. What Olaf did not mention were the two Sony software programmes that are needed to access the S x S files. These are Clip Browser and the Sony Tramsfer application. Personally I use the Tr | | | | |
| | | | Re: P2 footage 720p30pn importing issue
by Jim Wilcox on Sep 3, 2009 at 10:17:55 pm
in the Media 100 | Media 100 HD Forum
Todd,
The 'n' stands for native. As in recording only the native frames to 30p (or 24p) instead of recording all frames into a 60i stream and flagging the frames to be ignored or removed by the NLE. For now Media 100 cannot deal with 720p30n. Rea | | | | |
| | | | Re: FCP P2 import
by Jim Wilcox on Sep 3, 2009 at 10:02:28 pm
in the Panasonic HVX - HPX (P2) Forum
Shane,
Sorry. Its a Kona LHe card. We are primarily running it for a Media100 HD suite (hence my modified nomenclature) We can ingest P2 to Media 100, but you must ingest the entire clip and cannot monitor audioWe have FCP on the same system, whic | | | | |
| | | | P2 footage 720p30pn importing issue
by Todd Bunnell on Sep 3, 2009 at 6:53:10 pm
in the Media 100 | Media 100 HD Forum
Hello Media 100 forum,
Recently we inadvertently shot footage on our Panasonic HPX 500 camera in the 720p/30pn mode. Unfortunately, we are unable to import that footage into our Media 100 (v 13.0.4) editing system.
Is there a way to import the | | | | |
| | | | Compressor v.2.0.1 problem
by Robert Slenker on Sep 2, 2009 at 9:10:56 pm
in the Apple DVD Studio Pro Forum
Hey guys,
I know, my version of Compressor is old but it's worked like a champ for so long. Plus, I don't edit w/ FCP (I edit w/ Media 100 Suite) so how could I upgrade? I got Compressor Academic v.2.0 w/ DVD Studio Pro 4 a few years ago.
Anywa | | | | |
| | | | problem w/ Compressor v.2.0.1
by Robert Slenker on Sep 2, 2009 at 9:09:37 pm
in the Compression techniques Forum
Hey guys,
I know, my version of Compressor is old but it's worked like a champ for so long. Plus, I don't edit w/ FCP (I edit w/ Media 100 Suite) so how could I upgrade? I got Compressor Academic v.2.0 w/ DVD Studio Pro 4 a few years ago.
Anywa | | | | |
| | | | Re: Snow Leopard Trauma and Media 100
by Andy Stinton on Sep 2, 2009 at 1:09:15 am
in the Media 100 | Media 100 HD Forum
Not wanting to put to fine an edge on things, and in danger of sounding like a broken record Time Machine as a lone backup is not such a hot idea. TM is good at doing the daily backups so that one can recover files. However one should have a separat | | | | |
| | | | purple and green video from HDMI out of AJA Kona LHi card?
by Robert Slenker on Sep 1, 2009 at 1:56:01 pm
in the AJA Kona Forum
Hey guys,
Thought I'd throw something at you and see what advice I get. Figured I'd try this forum first.
Specs first:
Mac Pro Dual Core Intel Xeon
OSX 10.5.8
6GB RAM
AJA Kona LHi (v6.5 drivers installed)
Media 100 Suite v.1.0.1 editing app | | | | |
| | | | batch capture
by ralph conradt on Sep 1, 2009 at 12:23:38 am
in the Apple Final Cut Pro Forum
I have checked here but can not find the answer to a very basic question. Why can't I batch capture a bunch of clips in one bin. After I highlite the clips the dialogue box shows all the clips but only one is highlighted as "READY" Since I have hu | | | | |
| | | | Re: Snow Leopard Trauma and Media 100
by Averill Townsend on Aug 31, 2009 at 9:20:04 pm
in the Media 100 | Media 100 HD Forum
Jason:
Don't feel too retro about not upgrading. I'm still running one of my Media100 systems with good ol' 8.2.3! And, I have no intention of changing it.
Yes, I have FCP and hate it too! I also have Media 100 Producer and I'M about to upgrade | | | | |
| | | | Re: Time FX Clips Disappearing
by Robert Stone on Aug 31, 2009 at 7:51:53 pm
in the Media 100 | Media 100 HD Forum
Aloha Matthew,
Thanks as always. Media 100 Suite 1.01 now - just recaptured media high res and the one clip in V1 that was off speed recaptured with the wrong video info. FYI.
Thanks and Blessings,
Bob
Robert Stone
http://www.TaylorCam | | | | |
| | | | Re: Snow Leopard Trauma and Media 100
by Jason Moore on Aug 31, 2009 at 7:45:25 pm
in the Media 100 | Media 100 HD Forum
Thanks for your response. It's gives me hope for moving that direction should I decide to. Thankfully right now I'm not in the heat of any projects. I have time to decide.
Jason Moore
Midnight Oil Productions
www.midnightoilproductions.com | | | | |
| | | | Re: Snow Leopard Trauma and Media 100
by Mike Allen on Aug 31, 2009 at 7:25:39 pm
in the Media 100 | Media 100 HD Forum
I have been running one Media 100 system and one FCP system for at least 6 years. I sold the M 100 system over a month ago. I must say that I hated the cost to upgrade Media 100 over the years but I did like the interphase. That being said, Final | | | | |
| | | | Re: Time FX Clips Disappearing
by Eric Pelletier on Aug 31, 2009 at 5:20:43 pm
in the Media 100 | Media 100 HD Forum
Thanks for responding.
Unfortunately, this is not the case. Media 100 app runs off the internal startup disk where I have M100 progs and bins located in the Document Folder. Media files are acquired and transitions rendered on 2 internals Western | | | | |
| | | | Re: Time FX Clips Disappearing
by Matthew Mullen on Aug 31, 2009 at 2:22:56 pm
in the Media 100 | Media 100 HD Forum
Eric,
Out of curiosity. Are you running media off of FireWire drives?
We(Media 100) are currently looking into this issue.
If you are running FW drives removing the drives or working with media on the internal drives and rendering to the | | | | |
| | | | Re: Snow Leopard Trauma and Media 100
by Jason Moore on Aug 31, 2009 at 1:52:09 pm
in the Media 100 | Media 100 HD Forum
I appreciate your feedback. I tried Final Cut back when it first came out and hated it. I have a lot of friends that use it and love it, but it seems very cumbersome to me. Media 100 is sleek, easy to use, and powerful. Don't get me wrong, I'm not do | | | | |
| | | | Re: Snow Leopard Trauma and Media 100
by Nick Griffin on Aug 31, 2009 at 11:58:41 am
in the Media 100 | Media 100 HD Forum
Jason-
The fact of the matter is we all do stupid things from time to time. Thanks you for reminding us to learn from this mistake. Now go use your Time Machine back-up to restore the version of Leopard you had been running. (You do have a Time M | | | | |
| | | | Re: Snow Leopard Trauma and Media 100
by John Twigt on Aug 31, 2009 at 9:28:28 am
in the Media 100 | Media 100 HD Forum
Without wanting to provoke a FCP vs M100 discussing (there are already too many of them, brrr) I'd advise you to spend the small amount of money on upgrading to the suite, as a user of both NLE's (M100 since V2.6 and FCP since v4) i must say that the | | | | |
| | | | Re: Snow Leopard Trauma and Media 100
by Jason Moore on Aug 31, 2009 at 12:46:52 am
in the Media 100 | Media 100 HD Forum
I've been doing a lot more AE work than I have video work this year, so I just wasn't thinking. Believe me, I realize what a bad idea it was.
Part of me definitely wishes I could go back, but the reality is that I also want to keep fairly up to d | | | | |
| | | | Video Editing & Photography Services CHEAP
by Jim Wigler on Aug 30, 2009 at 11:00:40 pm
in the JOBS Wanted Forum
I am a San Francisco based video editor (FCP & Media 100), photographer (Faces of AIDS), and After Effects artist.
I put two recent Haas, Jr. Fund PBS funding credits up at http://www.jimwigler.com so you could see an example.
I have my own s | | | | |
| | | | Re: Snow Leopard Trauma and Media 100
by olof ekbergh on Aug 30, 2009 at 9:55:15 pm
in the Media 100 | Media 100 HD Forum
You have got to be kidding, you have been doing video since 97 nonlinear and you major updated w/o checking boards.
OK so I am being hard on you. But the boards are here to share info and not make mistakes,
I will always try a new OS or sw rel | | | | |
| | | | Snow Leopard Trauma and Media 100
by Jason Moore on Aug 30, 2009 at 8:33:38 pm
in the Media 100 | Media 100 HD Forum
I was really excited to hear that Snow Leopard would give me back hard drive space, so without thinking thoroughly enough through all of the programs I had, I went ahead and loaded it.
Before I loaded the update I had about 8 GB open and after I h | | | | |
| | | | Unemployed Senior Citizen - Video Editor & Photographer
by Jim Wigler on Aug 29, 2009 at 8:05:03 pm
in the JOBS Wanted Forum
I am a San Francisco based video editor (FCP & Media 100), photographer (Faces of AIDS), and After Effects artist.
I put two recent Haas, Jr. Fund PBS funding credits up at http://www.jimwigler.com so you could see an example.
I have my own stu | | | | |
| | | | Re: Time FX Clips Disappearing
by Eric Pelletier on Aug 29, 2009 at 5:17:26 pm
in the Media 100 | Media 100 HD Forum
I've been experiencing similar issues with Time/Motion Fx since installing v12.x. This was my first step in upgrading from 8.2.
From day one, Time Fx have been a pain: most of the times,when rendering, picture is wrong, like rendering from differ | | | | |
| | | | FCP Editing System & the internet
by Mike Allen on Aug 28, 2009 at 2:28:37 pm
in the Apple Final Cut Pro Forum
For many years (just to be safe) I kept my Mac based editing systems off the internet. I did all my internet business with my PC because if I had problems I could still get my paying jobs done with my Mac while I figured out what kind of virus infec | | | | |
| | | | Re: FCP scratch not see drive
by David Roth Weiss on Aug 27, 2009 at 11:06:25 pm
in the Apple Final Cut Pro basics Forum
Ralph,
The four drives in a Sonnet Jive surely must run off of a controller card, as there clearly are not enough SATA connectors on the mainboard of a Mac to run four SATA drives. So, a cursory analysis would indicate that your SATA controller c | | | | |
| | | | FCP scratch not see drive
by ralph conradt on Aug 27, 2009 at 10:20:13 pm
in the Apple Final Cut Pro basics Forum
Upon launch scratch disk dialogue box does not show Sonnet Jive internal drives. Sees external drives and main drive with all apps. I assume naving to drive and checking boxes. Call me a frustrated AVid, Premiere and Media 100 pilot.
other drive | | | | |
| | | | Re: Snow Leopard & Media 100 V13.0.4
by Wickham Strub on Aug 27, 2009 at 6:15:40 pm
in the Media 100 | Media 100 HD Forum
Correct.
Either Media 100 Suite will work on Snow Leopard or there will be a point release in the near future that will. ;-)
But seriously folks... We're currently evaluating the current version on Snow Leopard and, if things go well, we'll gr | | | | |
| | | | Re: commendation: Uncompressed HD workflow
by Bill Brown on Aug 27, 2009 at 5:34:48 pm
in the Apple Final Cut Pro Forum
Personally, I would love for them to use ProRes, or DVC Pro HD,
not trying to bash any of our clients too much, but some of them get a perception of what is quality, and they can't get away from that.
For instance, a company I used to work for | | | | |
| | | | CineForm questions
by Michael Hanish on Aug 27, 2009 at 10:43:50 am
in the Media 100 | Media 100 HD Forum
Is anyone using any of the Cineform products in their Media 100 HD workflow? I could use, and would be very grateful for, some feedback on how it performs, fits into various workflows, etc.
I am about to make the jump from SD "offline" to HD in a | | | | |
| | | | Media 100 | Media 100 HD | VoiceOver Recording in Media 100 Suite
In this video tutorial, Floh Peters takes a look at Media 100 Suite's new VoiceOver Tool. The VoiceOver Tool allows direct-to-timeline audio recording while playing back timeline audio and video. Primarily designed for recording narration, the VoiceOver Tool leverages Media 100 Suite's new MultiClip architecture to allow for multiple takes nested inside a single audio clip in the timeline.
Tutorial, Video Tutorial
Author: Floh Peters |
| | | | |
| | | | Media 100 | Media 100 HD | MultiClip Editing in Media 100 Suite
In this new video tutorial, Floh Peters of Magic Eye takes a look at Media 100 Suite's new MultiClip Editing feature. Ideal for music videos, studio and on-location television, concerts, and live events, MultiClip Editing facilitates real-time editing of multiple video and audio sources in a familiar, easy-to-use interface. A camera can be added to an existing MultiClip as its source media becomes available, allowing you to begin cutting a multicam shoot faster than ever before. Cameras can be synced via timecode, sync marks, or in-points. When syncing via timecode, additional footage can even be assigned to an existing camera - extremely helpful in situations where a camera has been stopped to change tapes or batteries.
Tutorial, Video Tutorial
Author: Floh Peters |
| | | | |
| | | | Media 100 | Media 100 HD | New Audio Mixing Features in Media 100 Version 13
In this Media 100 video tutorial, Floh Peters of Magic Eye (Germany) takes a look at Media 100 Version 13's new multi-channel audio output capabilities. With Version 13, you can assign multiple audio tracks to virtual buses and process each bus separately in the timeline. Each bus can separately master to one or more output hardware channels.
Tutorial, Video Tutorial
Author: Floh Peters |
| | | | |
| | | | Media 100 | Media 100 HD | Media 100's 'Lossless' Compression: What Does It Mean?
With Media 100's recent announcement and unveiling of its 'lossless' compression protocol, many users have expressed a lot of dismay and frustration at the news. Some have expressed support. What are the facts and why is this a good thing for some and a frustrating bit of news for others? Who is right and what lies at the heart of this latest bit of news from Marlboro, Massachusetts? In this article, Ron Lindeboom digs through the aftermath of the NAB news and with help from Philip Hodgetts and other noted industry leaders, gives this summery for those interested...
Editorial, Feature
Author: Ron Lindeboom |
| | | | |
| | | | Media 100 844/X | Media 100 lowers price and expands 844X line-up
On November 5, 2002, Media 100 announced that their 844/X product had become a product line... The original 844/X now becomes 844/Xe and a new, lower-priced model is identified as 844/Xi. Along with the new model, Media 100 have unbundled the 844/X from the host computer and storage, offered Media 100's dual stream customers a loyalty bonus (a.k.a. discount) and repositioned the 844/X family as editing software with exceptional compositing skills.
Editorial
Author: Philip Hodgetts |
| | | | |
| | | | Media 100 844/X | Media 100's Blood Secrets by John Molinari
In 'Blood Secrets' the founder of Media 100 Inc., John Molinari, laid out the vision and the driving force that fuels Media 100. Even today in 2001, seven years after it was first published, it gives a clear and open window into the company that has changed the video industry so markedly.
Feature
Author: John Molinari |
| | | | |
| | | | Corporate Video | Media 100 Producer: Media 100's software-only editor
Creative Cow's Nick Griffin, a longtime Media 100 user, switched to Final Cut Pro a few years ago. Here, he explores Media 100 Producer, a new software-only editor from Media 100. Media 100 Producer offers a mobile and scalable editing environment as well as FireWire I/O and Panasonic P2 acquisition capabilities. Ideal for in-the-field or mobile editing, editors using Media 100 Producer can shoot using their Panasonic P2 camera and immediately begin editing. In addition, Media 100 Producer can use media captured by Apple Final Cut Pro and Media 100 and output via FireWire or export to DVD or web. Nick explores this latest offering from Media 100 and gives it 4-1/2 Cows out of five. Why? read on...
Review
Author: Nick Griffin |
| | | | |
| | | | Media 100 | Media 100 HD | Media 100: Walking the Razor's Edge
Reg Harris, longtime contributor and co-founder of the WWUG, explores the future of Media 100 and compares it to the stories told by other businesses -- both successes and failures. He looks at some of the principles involved in the struggle Media 100 faces and explores some of the delimmas faced by all businesses who work to redefine themselves in the face of changing markets. If you are wondering whether or not you want to but that next upgrade, he has some things for you to consider as you make your own decision...
Editorial
Author: Reg Harris |
| | | | |
| | | | Media 100 844/X | Media 100 & Pegasus
In 1994 Media 100 revolutionized the video post production industry by bringing broadcast quality finishing to the computer desktop for the first time as the initial step in democratizing video. Can they do it again? How does the new Mission and Vision fit with the original vision that drove Media 100? Or was the sale of Cleaner and other software products to focus on the "Pegasus" project a mistake?
Editorial
Author: Philip Hodgetts |
| | | | |
| | | | Media 100 | Media 100 HD | Back-To-Back Graphics in Media 100
In this article, broadcast editor Dave LaRonde looks at ways to use back to back graphics in Media 100 and explores ways to save valuable project disk space while using them. He quotes the oft quoted Law of Digital Media, which says: You can never have too much storage. It should also have a corollary: If you don't have lots of storage, anything you can do to save it is a good thing.
Tutorial
Author: Dave LaRonde |
| | | | |
| | | | Broadcast Video | Broadcast Quality at Bargain Prices
Brand new to the market and loaded with high-end features, Flanders Scientific has introduced four high definition LCD panels specifically developed for the pro market. With the help of the COW's Walter Biscardi, Jr. and senior telecine colorist Ron Anderson, Nick Griffin offers a first look at these high definition broadcast monitors from FSI.
Review, Feature
Author: Nick Griffin |
| | | | |
| | | | AVID Editing | EDL, a tutorial from Dennis Kutchera
There are more modern ways of exchanging edit information such as OMF and AAF, but not everyone is going to have this. Media 100 now has OMF export as an extra option in version 8 and Final Cut Pro is supported through an OMF export plug in from Automatic Duck. But the old EDL text file is still with us. If you must use an EDL, you are going to be in for some frustration if you do not follow these procedures that Dennis Kutchera shares with us.
Tutorial
Author: Dennis Kutchera |
| | | | |
| | | | Compression techniques | Jim Harvey reviews "Creating Web Video"
A DVD about compression gets an enthusiastic 5 Cow rating? Really? Really! CreativeCOW.net Contributing Editor Jim Harvey takes you inside the new Creative Cow Master Series DVD by Aharon Rabinowitz, "Creating Web Video: Internet Killed the Video Star." See why Jim thinks this is one of the most essential --- and enjoyable -- training DVDs you can buy.
Review
Author: Jim Harvey |
| | | | |
| | | | CalDigit | CalDigit HDPro: RAID 5 and Beyond!
Creative Cow Leader Shane Ross shares the great news: both performance and protection with CalDigits new HDPro RAID! Supporting RAID 0, 1, 5, and 6, the HDPro even works with your laptop. Its the answer to Shanes prayers. He thinks it might be the answer to yours too.
Review
Author: Shane Ross |
| | | | |
| | | | Art of the Edit | The Sonnet D800 RAID: Speed and Safety
Jeremy Garchow's business is growing. So was his storage, and the potential for disaster. SATA array are less expensive, but were they safe, even with redundancy? With the Sonnet D800 he's got a terabyte of uncompressed HD, with full protection, for a great price. Read on to see the details of his set-up, and see if SATA and the Sonnet D800 will work as well for you as it has for Jeremy.
Review, Feature
Author: Jeremy Garchow |
| | | | |
| | | | Art of the Edit | Surgical Video: The Cutting Edge
Creative Cow leader Mike Cohen has been working on the cutting edge of surgical video for years. In this expanded version of his article in the Cow Magazines Non-Broadcast Production Issue, Mike answers some of the most frequently asked questions about these techniques from the Cow forums. Its fascinating stuff, but seriously, maybe have some breakfast before you take a look.
Feature
Author: Mike Cohen |
| | | | |
Podcasts | | | | creative cow podcast
Episode #040 - September 10, 2008
Episode 040 - Social Media Marketing with Dave Peck, Media 100 update, new iPods, iTunes 8, NFL streams live, XM Sirius merger, DVR lovers and more creative tech news, interviews and reports - www.creativecow.net | | | | |
| | | | creative cow podcast
Episode #050 - November 18, 2008
CGI The Early Years with Steve Wright, Robert Abel and Associates, Kodak Cinesite, Learning Nuke, Media 100 13 ships, Adobe CS4 downloads, Flash Converter, Browsershots and more creative news and interviews - creativecow.net | | | | |
| | | | creative cow podcast
Episode #004 - October 14, 2005
Episode 004 - Video iPod/Podcasts, 3ds Max 8 with Dan Prohazka from Autodesk, Media 100/Boris FX with Steve Bayes, Real Networks and Microsoft, creative technology news and much more - www.creativecow.net | | | | |
| | | | creative cow podcast
Episode #032 - April 27, 2006
Episode 032 - NAB Wrap-up, Better Design with Philip Konya, Panasonic and JVC HD cameras, Red One, AJA, Telestream Flip4Mac, 17-inch MacBook Pro, New Tek SpeedEDIT, Media 100, Apple Aperture 1.1 and more creative tech news, interviews and reports - www.creativecow.net | | | | |
| | | | creative cow podcast
Episode #003 - October 07, 2005
Episode 003 - Flash Professional 8 with Lee Brimelow, Boris FX buys Media 100 and Autodesk buys Alias/Maya with Ron Lindeboom, creating enhanced podcasts, Podcast AV for Apple reviewed, Yahoo mail beta, Microsoft Max, Paint.NET and much more - www.creativecow.net | | | | |
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