| | | | Re: issue with masking in event pan/crop by Paul Belter on Apr 14, 2012 at 5:19:18 pm in the Sony Vegas Forum jeff, thanks a lot for good tip. i tried it out a bit and i see it is a good direction. i don't have time now to test more but i will :)
as about same fxs on both events - look: i can't have trhe same fx on both. this is why i am masking to apply st | | | | |
| | | | Re: issue with masking in event pan/crop by Jeff Schroeder on Apr 14, 2012 at 2:47:55 pm in the Sony Vegas Forum My guess is that you have other effects applied to both events and it matters if they fall before or after the pan/crop. Look to the top line of your event chain and move fx to the other side of pan/crop. I can explain it in pictures if you need to | | | | |
| | | | Re: AE CS6 has been announced!!! by Roland R. Kahlenberg on Apr 14, 2012 at 7:06:31 am in the Adobe After Effects Forum AE CS6 is the biggest/bestest AE upgrade since AE introduced 3D Layers.
The Global Performance Cache alone, for me, is worth the upgrade. I've done up a short promo video showcasing the 3D Camera Tracker in CS6. The 3D Camera Tracker is fast and m | | | | |
| | | | issue with masking in event pan/crop by Paul Belter on Apr 13, 2012 at 9:59:17 pm in the Sony Vegas Forum hi guys!
please help. is this the way vegas works or i am doing sth wrong:
i wanna aply an fx to a part of a frame.
i duplicate a track with my event to be edited.
so initially i have two identical tracks with two identical events stacked one a | | | | |
| | | | Re: AE CS6 has been announced!!! by Roland R. Kahlenberg on Apr 12, 2012 at 2:54:06 pm in the Adobe After Effects Forum I agree Walter. Global Performance Cache is a huge productivity boost.
Folks should take note that 3D extrusions work within AE's own 3D space. So you'll get 3D interactions between Extruded Layers and even with non-extruded 3D Layers.
The 3D | | | | |
| | | | Let text move on inside or outside of a ring by Irene Driessen on Apr 11, 2012 at 8:11:32 am in the Apple Motion Forum Dear Cow Community,
Tried to find an answer for this one but I might just not use the right search terms, because I haven't found anything yet.
How can I make a ring of text move around a globe in Motion? Or, at least give the impression that i | | | | |
| | | | Re: How to create this pixelation look by chandra hope on Apr 8, 2012 at 1:38:42 am in the Adobe After Effects Forum Thanks for the response! I appreciate it!
Ya, I have been playing with moving video and Moasic and cell pattern. Still can't get those cool quick transitions though. Like the very first few frames.
I think by getting some animated video an | | | | |
| | | | How to create this pixelation look by chandra hope on Apr 8, 2012 at 1:18:15 am in the Adobe After Effects Forum Hi there,
So I was wondering if there is quick trick I am unaware of to create this beautiful pixelation look.
I know to use a mosaic plugin (I have BCC moasic and all the standards) But I can't figure out how to do the transitions, wipes an | | | | |
| | | | Come Fly WIth Me - Intro by Martin Eriksen on Apr 7, 2012 at 5:39:07 pm in the Adobe After Effects Forum Hi guys and gals!
I just saw the intro/vignette for the TV Show "Come fly with me", and I was wondering how to go forward to create this effect in After Effects!
Here's the intro: http://www.youtube.com/watch?v=ZIlsLAI2Cl4
Here's my though on it | | | | |
| | | | Any way to get masking on Vegas HD Movie Studio? by Harlow Greguire on Apr 5, 2012 at 1:30:18 pm in the Sony Vegas Forum Vegas HD Movie Studio is sort of a limited version of Vegas Pro, but I'm sure most of you guys know that. The only options for masking are pre-defined cookie-cutter shapes, they don't work very well for what I'm trying to accomplish.
Anyone know | | | | |
| | | | Re: HD workflow??? by Tibor Bernscherer on Apr 4, 2012 at 5:23:35 pm in the Adobe After Effects Forum Hey,
The main problem is this; I have the footage in 3 different versions (the uncompressed one is abroad, my editor has worked on it). prores422 export, and 2 different resolution H264 exports. Following this link
http://www.frameforest.com/post/ | | | | |
| | | | How to create a flashing lightbulb by Kyle Smolic on Apr 4, 2012 at 2:48:59 am in the Adobe After Effects Forum Hi, I'm producing a video for a client. It's an electrician company. I want to have their logo/company name in the middle of the frame with a lightbulb hanging above. I want the the bulb to flicker for a few seconds and then stay on.
I have a lig | | | | |
| | | | Service: andytdesigns.com by andrew toutant on Mar 29, 2012 at 11:31:48 pm in the COW - Services Forum Mothership Creative
I create motion graphics, design, video editing for commercials, corporate presentations, and e-learning.
PBS
(TV-12-WHYY), Motion Graphic/ Designer, I create station IDS, bugs, lower thirds, TV spots, web banners, graphic de | | | | |
| | | | andytdesigns.com by andrew toutant on Mar 29, 2012 at 4:31:48 pm in the Forum Mothership Creative I create motion graphics, design, video editing for commercials, corporate presentations, and e-learning. PBS (TV-12-WHYY), Motion Graphic/ Designer, I create station IDS, bugs, lower thirds, TV spots, web banners, graphic design, | | | | |
| | | | Re: Green Screen question by Dave LaRonde on Mar 28, 2012 at 10:00:41 pm in the Corporate Video Forum Oooh, the stinky color resolution of HDV or long-gop codecs rear their ugly heads!
You may want to consider masking this shot off into pieces like Head, Shoulders & Torso, etc. and pulling the key on each separately. That way you can choke the sh | | | | |
| | | | Re: white background h264 problem by Alex Elkins on Mar 27, 2012 at 3:25:12 pm in the Apple Final Cut Pro Forum Did you use Final Cut Pro to pull the key? Your problem is caused by the key not being clean enough. It could be a simple fix or it could be very fiddly depending on how well-lit the background is and how dissimilar it is to the subjects.
I've don | | | | |
| | | | Reveal with hard edge? by Josh Pigford on Mar 20, 2012 at 1:18:41 am in the Adobe After Effects Forum I've got various paths that I'd like to reveal with a hard edge.
I'm familiar with the stroke masking method of setting start/end keyframes, but those have a rounded edge.
I would just do a simple rectangular mask reveal, but there are a number | | | | |
| | | | Greetings Light Wizards. by Johann Roon Saltman on Mar 18, 2012 at 8:00:05 am in the Adobe After Effects basics Forum HI there....
I am a musician who is getting interested in video. I have composed about 150 hours for discovery. First post - long time reader... but i am indeed quite stuck
It is a tutorial exercise. i have three rotating sectors of diminish | | | | |
| | | | Re: Quickest technique for masking simple shapes? by Roger Maus on Mar 16, 2012 at 11:01:09 am in the Adobe After Effects Forum [Eric Santiago] [...] can you auto-trace in Illustrator then copy and paste vectors?Wow, creative strategy. Would really give me crisp, scalable (!) results. However I think that I am actually way quicker with the magic wand in PS - not coloring the | | | | |
| | | | Re: How to draw a new mask for every frame? by Dave LaRonde on Mar 13, 2012 at 2:38:28 pm in the Adobe After Effects basics Forum I would animate a garbage mask around the cloth; it's a lot easier than rotoscoping, because you don't have to be anywhere near as precise in your masking. Then I would use either the Change Color or Change To Color effects to change the cloth color | | | | |
| | | | Alpha channel not working by Mark Krueger on Mar 12, 2012 at 11:52:13 am in the Sony Vegas Forum I downloaded some lower thirds from Video Blocks. I have used them in Vegas before with no problem. Now I can't seem to get the alpha channel to work. I cannot get a transparent background. When I drop it into the time line I have a black backgro | | | | |
| | | | Re: How to draw a new mask for every frame? by Simon Ruschmeyer on Mar 11, 2012 at 12:49:39 pm in the Adobe After Effects basics Forum Dear All,
thank you for your help, it's so much appreciated.
Imm masking a piece of cloth which a woman folds out and arranges it on the floor, for most of the frames the form of the cloth changes so fast and in so many directios that interpolating | | | | |
| | | | Re: More external monitor questions by Neil Patience on Mar 11, 2012 at 10:46:34 am in the Apple Final Cut Pro basics Forum Tou cant go direct from Thunderbolt to a broadcast monitor.
It does not sound like you have an existing capture card but if you do there are adapters which allow you to use PCIe crds with Thunderbolt so you could use say a Kona i/o card and adapt | | | | |
Podcasts | | | | adobe photoshop for video podcast Masks Panel In this episode of the Photoshop for Video podcast, Richard Harrington discusses his favorite addition to Photoshop CS4, the masks panel which gives you precise control over the masks on a layer. | | | | |
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