Logic

	Apple Final Cut Pro Final Cut Studio 3 is here, and all is good! Our man in Nepal, Jiggy Gaton, likes to live for danger. He installed a major software upgrade mid-project, with virtually no preparation, just to see what would break. Lo and behold, it all worked! And the more Jiggy works with it, the better he's liking it. Join him in this Creative COW, Real-world, Real-time Report on Final Cut Studio 3. Review Author: Jiggy Gaton

	Broadcast Video Broadcast Quality at Bargain Prices Brand new to the market and loaded with high-end features, Flanders Scientific has introduced four high definition LCD panels specifically developed for the pro market. With the help of the COW's Walter Biscardi, Jr. and senior telecine colorist Ron Anderson, Nick Griffin offers a first look at these high definition broadcast monitors from FSI. Review, Feature Author: Nick Griffin

	Adobe After Effects R:Evolutionary Motion Typography in After Effects 6.0 Every art form has its technological touchstone. Whether it's a million purpura mollusk shells ground up to make the color "purple' or the Korg DX-7 defining a generation of music, technology has had a profound influence on art and design. With the release of After Effects 6.0, designers, animators and compositors have been given a radical new tool to push pixels around: call it Textacy. Alan Shisko talked with Steve Kilisky, Project Manager for Adobe After Effects about Textacy and how it all came about.. Review, Tutorial Author: Alan Shisko

	Motion Graphics - How Do I? Building a Professional Machine Room You bought a new Final Cut Pro system to go with your Avid Media Composer or your other Final Cut Pro systems. You have an After Effects system with an AJA, Blackmagic or other card in it, so you can capture video and audio on this station as well. Your neighbor in the next office has a ProTools or a Logic system, and he wants to tie into some of your machines. You're on your way to becoming exactly what you didn't want to be – a facility. Oh no! Tutorial Author: Bob Zelin

	Apple Final Cut Pro A Digibeta Quality Edit Suite in a bag - Could it be done using the MXO2? When CreativeCOW's Peter Wiggins first started editing in facility houses in the eighties, an edit suite was a room full of large control panels next to a room with racks and racks of mainframes. Recently he decided to issue a challenge: Build a broadcast DigiBeta quality edit suite that will fit in a computer bag and will go through airport security. Read on to find out how he did it. Review, Feature Author: Peter Wiggins

	Web Design Reality ColdFusion MX: Flash MX Integration Author/Web developer Michael Hurwicz examines Reality ColdFusion MX: Flash MX Integration by Ben Forta, Randy Drisgill, Dennis Baldwin, Matt Tatam, and Derek Lu. This book is published by Macromedia press. The book discusses goals, logic and development process behind four projects, for which full source code is available on-line. A great way to get a jump start on ColdFusion/Flash integration. Recommended for intermediate Flash and ColdFusion users -- not for beginners. Review Author: Michael Hurwicz

	Business & Marketing The Growing Opportunity in the Market of Non-Broadcast Production In this business advice article from The Creative COW Magazine article, Ron Lindeboom discusses how to take advantage of the growing market of non-broadcast production and how you can jump into new niche video production markets. Feature, Business Author: Ron Lindeboom

	Art of the Edit Metadata & The Future of Filmmaking In this expanded version of an interview first published in Creative Cow Magazine, Dave describes a possible future for filmmaking -- faster, less expensive, and more creative -- as cameras and metadata come together. Feature Author: Dave Stump

	RED Camera Exposing the RED: Perfect Exposure, Every Time Director DP, REDtrepreneur, early adopter and obsessed student of the RED camera system David Battistella takes a closer look at how to hit the sweet spot on the RED sensor. David shows how understanding REDs inner workings will help you expose your scene just right, every time. Feature Author: David Battistella

	Apple Final Cut Pro Avid versus Final Cut Pro: One Editor's Perspective Longtime professional editor, Patrick Inhofer -- whose work has included many stints on systems like Smoke, Avid and newer tools like Final Cut -- explores the differences between Avid Composer and Final Cut Pro. With his experience, Patrick explores workflow and feature comparisons of areas where they are both similar and dissimilar. Whether you agree or disagree with Patrick, we guarantee that you will find his perspective to be well thought out and full of information gained from years in the editing booth. Feature Author: Patrick Inhofer

	Apple Final Cut Pro Avid versus Final Cut Pro: One Editor's Perspective: 2006 Longtime professional editor, Patrick Inhofer -- whose work has included many stints on systems like Smoke, Avid and newer tools like Final Cut -- explores the differences between Avid Composer and Final Cut Pro. With his experience, Patrick explores workflow and feature comparisons of areas where they are both similar and dissimilar. Whether you agree or disagree with Patrick, we guarantee that you will find his perspective to be well thought out and full of information gained from years in the editing booth. This article has been entirely rewritten to reflect where we stand today, the start of 2006. Feature Author: Patrick Inhofer

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