Live To Air
COW Tag
| | | | Interlacing issues 1080 50i to DV PAL
by Brtett Ramsey on Apr 25, 2012 at 12:08:58 am
in the Apple Final Cut Pro Forum
We have just bought a new Canon HF AG10 camera for our public access news show. The camera is shooting 50i 1440 x 1080 Top field dominance.
Our output for ingest into the station's AVID Thunder system is DV PAL 16:9 Anamorphic lower field dominance | | | | |
| | | | Re: Baselight for FCP
by Michael Gissing on Mar 22, 2012 at 1:48:57 am
in the Apple FCPX or Not: The Debate Forum
"Were you a "node/tree" based editor before Color Michael?
It's probably because I just never warmed to the interface."
No which is why I my head hurts a bit with da Vinci but I am pushing on regardless. I started grading with Rank Mk2 telecines | | | | |
| | | | Re: FCPx in local TV
by Thomas Frank on Jan 17, 2012 at 7:53:37 pm
in the Apple FCPX or Not: The Debate Forum
[Victor Perez] "It could be fast yes. But there is a lot more to creating a news piece than just cutting. Accumulating footage, shared storage, cooperating with others, what will be used for playback? File. Tape, Live to air from timeline? Doable, bu | | | | |
| | | | Re: FCPx in local TV
by Victor Perez on Jan 16, 2012 at 6:33:23 pm
in the Apple FCPX or Not: The Debate Forum
It could be fast yes. But there is a lot more to creating a news piece than just cutting. Accumulating footage, shared storage, cooperating with others, what will be used for playback? File. Tape, Live to air from timeline? Doable, but not sure FCPX | | | | |
| | | | Blog: Nice Day for a Drive
by Mike Cohen on Jan 10, 2012 at 12:52:32 am
in the COW - Blogs Forum
Today I took a site visit to the tv studio where we will be shooting a series of web-delivered shows this year. Sadly there was nothing in my home state of Connecticut available and NYC-based studios are simply too costly. So along comes the PBS | | | | |
| | | | Nice Day for a Drive
by Mike Cohen on Jan 9, 2012 at 4:52:32 pm
in the Forum
Today I took a site visit to the tv studio where we will be shooting a series of web-delivered shows this year. Sadly there was nothing in my home state of Connecticut available and NYC-based studios are simply too costly. So along comes the PBS... | | | | |
| | | | Service: Freeways Communications International
by Brian Kuraitis on Oct 19, 2011 at 3:41:53 am
in the COW - Services Forum
Reel TBA
Many years of Broadcasting production and live to air operations. Camera, lighting, audio and video editing. Photography, Desktop Publishing services as well. Final Cut Pro, Premier, After Effects Etc. NAIT - Television Production
Vancouve | | | | |
| | | | Freeways Communications International
by Brian Kuraitis on Oct 18, 2011 at 8:41:53 pm
in the Forum
Reel TBA Many years of Broadcasting production and live to air operations. Camera, lighting, audio and video editing. Photography, Desktop Publishing services as well. Final Cut Pro, Premier, After Effects Etc. | | | | |
| | | | Re: Mixed formats for Live to Air Broadcast
by walter biscardi on Oct 8, 2011 at 10:42:41 am
in the Apple Final Cut Pro Forum
[Brtett Ramsey] "Right now I export as PAL DV 16:9 but when we play out we are getting major interlacing issues.
The material I'm getting is a wide mixture of codecs, and formats.
1080 25p, 1080 50i, 720 x 576 p & i NTSC 720p 29.9fps, plus various | | | | |
| | | | Mixed formats for Live to Air Broadcast
by Brtett Ramsey on Oct 8, 2011 at 4:04:29 am
in the Apple Final Cut Pro Forum
OK so here's my problem.
We produce a live to air News show broadcasting in both Analogue PAL 720 x 576i and SD Digital 720 x 576p Anamorphic.
We play our pre-recorded stories straight out of an FCP 6 timeline live to air.
Our trouble is now we ge | | | | |
| | | | Re: More Questions Raised by the Final Cut Pro X FAQ
by Mark Suszko on Jun 30, 2011 at 5:06:05 pm
in the COW - Blogs Forum
Richard, thanks for asking for more input.
Our shop is a government media studio, it handles live input/output from live-switched breaking news events, as well as tape-based input/output in DV25, DVCPro25 DVCpro50 and DVCProHD. Our clients are st | | | | |
| | | | Re: Drifting audio with FCP and AJA Kona LHi
by Cass Barbour on Apr 9, 2011 at 11:18:18 pm
in the Apple Final Cut Pro Forum
Sorry for the delay; yes, I do have a common reference. I'm actually running all cameras through an HD-SDI video mixer for doing live to-air and to-"tape" recording. I have the board referenced via Tri-sync, and also the Kona LHi from the same tri- | | | | |
| | | | Re: Ki Pro Playback From Transfered Video
by Brendan Quaife on Mar 10, 2011 at 6:31:06 pm
in the AJA Ki Pro Forum
HI Jason
I had the same thing when we were preparing for a live to air broadcast last week. We were using one of the Ki-Pros as playback deck.
It seems they are ultra fussy when it comes to audio.
I found this answer somewhere else in this f | | | | |
| | | | Rocksure Soundz
by Tony Koretz on Mar 10, 2011 at 3:12:06 pm
in the Forum
Rocksure Soundz is a company that specialises in the production and recording of music and sound effects. Our main studio is situated on the beautiful Kapiti Coast in the North Island of New Zealand. Our website puts royalty free sound effects and pr | | | | |
| | | | Re: Live from New York....
by Mark Stuart on Nov 10, 2010 at 4:53:45 pm
in the COW - Blogs Forum
Hi Mike,
Wow, that's a huge project. And those hours... you're making me appreciate my job here at the ranch!
btw, thank you for your kind comments on my last post with my art and videos.
We used to do live to tape and even live to air stu | | | | |
| | | | Real Time Graphics
by Kelly Lewis on Aug 28, 2010 at 6:45:47 pm
in the Forum
- 25 years experience in broadcast graphics automation for networks such as NBC, FOX, FSN, ESPN, ABC, CBS, GSN, MTV, CBC, CTV, MUCH, CHUM, OMNI, GLOBAL, and many, many more - combined 6 Emmy Award wins - combined 18 Emmy Award nominations - our custo | | | | |
| | | | Blog: VENUE D-Show @3RRR Community Radio
by Adam Kranitz on Apr 30, 2010 at 3:56:40 am
in the COW - Blogs Forum
As part of a program to make our technology more widely available, a VENUE D-show and Mix Rack have been installed in to the performance space at 3RRR Community Radio station in Melbourne, Australia.
This space is used for Live to Air performances an | | | | |
| | | | VENUE D-Show @3RRR Community Radio
by Adam Kranitz on Apr 29, 2010 at 8:56:40 pm
in the Forum
As part of a program to make our technology more widely available, a VENUE D-show and Mix Rack have been installed in to the performance space at 3RRR Community Radio station in Melbourne, Australia. This space is used for Live... | | | | |
| | | | Re: SD Video In HD project Input
by Michael Gissing on Mar 8, 2010 at 1:29:22 am
in the Apple Final Cut Pro Forum
One technique is to move the SD footage to layer 2 and leave it as unstretched 4:3. Copy those clips to layer one and zoom then out 30-40% and then apply a blur to all. That way you have similar edges that are soft and can with certain material look | | | | |
| | | | Re: 70s Film Look
by Michael Gissing on Oct 28, 2009 at 6:31:33 am
in the Apple Final Cut Pro Forum
As a telecine operator who graded live to air fab shows like Lost in Space and Daniel Boone in the mid to late 70's, I can tell you that the clip you showed would have been tech rejected in those days.
A common problem with film in those days were | | | | |
| | | | Using FCP for live broadcast video playout?
by Brett Ramsey on Aug 25, 2009 at 2:52:50 pm
in the Live & Stage Events Forum
We are currently using FCP to play pre-recorded segments on a live to air TV show. The thing works well in theory but often when we hit the spacebar to play from the timeline the thing just hangs for a few seconds leaving us with embarrassing black a | | | | |
| | | | Re: ProApp Sale Rumors
by Paul Dickin on Feb 10, 2008 at 4:21:54 pm
in the Apple Final Cut Pro Forum
[Tim Wilson] "IT-based ingest, ...scalable collaboration tools, ...live-to-air playout servers."
Hi
As a small-as-it-gets one-man-band facility producing low-budget cable/satellite programming your list forms EXACTLY whay I see as the future needs | | | | |
| | | | Re: ProApp Sale Rumors
by Tim Wilson on Feb 10, 2008 at 1:11:33 pm
in the Apple Final Cut Pro Forum
[Mark Raudonis] "
[Scott Thomas] "To me, this sounds like a rumor circulated by Avid to make themselves appear to be a more sound choice.
" Bingo!"
Before I came to the Cow, I worked at Avid, and I strongly disagree.
You'd think from reading the | | | | |
| | | | Re: System crash when rendering "Core Glow" effect
by Colin McQ on Nov 15, 2007 at 9:00:28 pm
in the Noise Industries Forum
Hello Gabe!
I am using ver. 1.07
All footage that I am applying effects to is captured DV-NTSC 29.97 via Firewire from DSR-40.
Sequence as-well is DV-NTSC easy set up, rendering in 8-bit YUV.
There is as-well an animated bumper on the head and tail | | | | |
| | | | Re: Upside-down lavs
by gizmo1160 on Nov 8, 2007 at 2:16:26 am
in the Audio Professionals Forum
Hi ... all the responses are sort of correct.
I have done news/current affairs programs for 20+ years using mainly sony mics ECM 50,55,77 (the letter B stands for black..S for silver).
Yes it does mellow the sound of the top end only slightly and it | | | | |
| | | | Re: Vectorscope 100% PAL
by Michael G on Oct 16, 2007 at 4:37:04 am
in the Apple Final Cut Pro Forum
[rafalaos] "Had you ever experienced what happens when you broadcast a signal with ilegal levels?"
Yes. I started as a telecine op, grading live to air in 1976. My point is that bars & tone on a digital tape are archaic as there is no playback cali | | | | |
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