Creative COW SIGN IN :: SPONSORS :: ADVERTISING :: ABOUT US :: CONTACT US
Creative COW's LinkedIn GroupCreative COW's Facebook PageCreative COW on TwitterCreative COW's Google+ PageCreative COW on YouTube
FORUMS:listlist (w/ descriptions)archivetagssearchhall of famerecent posts

Jaggies

COW Tag
COW Tags : Compositing
Re: Blu-Ray on normal DVDs
by brian paterson on Apr 30, 2012 at 12:25:43 am
in the Apple Final Cut Pro Forum
Thank you for Juan your reply. Do you know if the quality is as good as that of a blu-ray disc made with a dedicated burner. I normally only make DVDs using iDVD. I output a disc image which I use in conjunction with toast to burn the disc. Can I do
Re: Blu-Ray on normal DVDs
by brian paterson on Apr 29, 2012 at 5:31:46 pm
in the Adobe Premiere Pro Forum
Thanks Ron, according to articles I have read you can get up to an hour but can retain best quality up tp 40 minutes. Is this not correct.? Do I have to output from FCP as a blu-ray file or will toast convert it from my normal file. ( Normally I ou
Re: SHOULD I attempt HD Editing and MORE...
by John Rofrano on Apr 28, 2012 at 6:15:10 pm
in the Sony Vegas Forum
[Matt Schwartz] "No dropouts, no glitches, no jigglies, no jaggies, even when scrubbing, just incredibly smooth, REAL NICE! "Wow that's great to know. I didn't think a Core i3 would be up to the task.
boris red 4.3 - how to force progressive render
by alius sato on Apr 28, 2012 at 5:51:58 pm
in the Boris FX Forum
25i project with film source media, on avid mc5. the footage is in reality progressive. but all the boris red renders, even from a surely progressive still image source file, have interlace jaggies on the edges. and if i field step through the fie
Re: SHOULD I attempt HD Editing and MORE...
by Matt Schwartz on Apr 28, 2012 at 4:03:23 am
in the Sony Vegas Forum
FYI to all, with my little budget setup I imported AVC clips coming from an AF-100, some several minutes long put one formatted 1920x1080x12 progressive scan on the timeline and my setup handled it with NO PROBLEM. No dropouts, no glitches, no jiggl
Re: Weird Jaggies on Rendered Transitions
by Willie Frazier on Apr 23, 2012 at 4:31:37 pm
in the Apple Final Cut Pro Forum
You can also select the effected clips in the sequence and do command-9 to bring up a dialogue that will let you change many settings, including field order interpolation.
After Effects Rendering
by Ally Nicoll on Apr 9, 2012 at 1:06:37 am
in the Adobe After Effects Forum
Hello all, I have checked the FAQ/Stickies but don't see such a stupid question as I'm about to ask... are you ready for this? Hang onto your keyframes... I'm making a 5 minute short movie. Shooting at 1080p and 60fps - which allows me to do a
Re: Still aliasing at 16x16???
by Brian Jones on Mar 28, 2012 at 10:31:48 pm
in the Cinema 4D Forum
the closer linear elements get to vertical the harder antialiasing gets since it has so few pixels over which to smooth the jaggies particularly with horizontal lines as the background. But there are a lot the settings can do, check out the help - t
Degraded picture mess
by jay williams on Mar 14, 2012 at 6:40:50 am
in the Apple Final Cut Pro Forum
Hi, I'm in need of a quick fix here. I have a project where the Gamma has gone dark (both in the canvas and on export), and there's been a noticeable quality loss to the image that wasn't previously there. When exporting as a self contained QT
Re: DeckLink up-sampling vs. monitor up-sampling?
by Chris Blair on Mar 6, 2012 at 11:17:45 pm
in the Blackmagic Design Forum
Hey Kelly! We've run into the exact same problem and the only real solution we've found is to have an SD monitor in the suite along with the HD monitor. We have a broadcast Sony HD monitor in our HD suite and it automatically switches if we feed i
Re: Workflow for Deinterlacing for Vimeo
by jon smitherton on Mar 6, 2012 at 4:00:54 am
in the Apple Final Cut Pro Forum
Thanks Michael. I suppose I could put the Text on V4 say (would I have to do this for graphics as well?), then nest video in a interlaced video sequence, de-interlace and change the original sequence to a de-interlaced one. Only thing is that I
Re: Wiggly lines?....
by Mark Morache on Feb 15, 2012 at 4:03:10 am
in the Apple FCPX Techniques Forum
Hmmmm... Standard def. Gotta love it. I'm wondering. Do you see the jaggies when you're editing? What about the output? And when you're editing, what is the size of the viewer window? Are you viewing clips at 100%? Is your project the same fo
Bedeviled by Deinterlace
by Tom Donnelly on Feb 14, 2012 at 2:23:32 pm
in the Adobe After Effects Forum
I've not come across this scenario before, rendered many tests and cannot get a satisfactory result... Footage originated from FCP, XDCam 1080i. Was slo-moed a bit in FCP, then outputted self contained from FCP to AE. Interpreted upper field fir
Re: Weird Jaggies on Rendered Transitions
by J.D. Vaillancourt on Feb 4, 2012 at 1:38:50 am
in the Apple Final Cut Pro Forum
Everything is working and all good on my end, so I'm happy. Does your 7D footage say UPPER under field dominance? Probably not, now that I've solved the issue I've realized it only happens with certain codecs rendered from After Effects that FCP
Re: Weird Jaggies on Rendered Transitions
by Bret Williams on Feb 3, 2012 at 10:04:45 pm
in the Apple Final Cut Pro Forum
So what are your sequence settings? I'm currently editing in a 720p project with lots of 1080p DSLR (7D) footage transcoded to ProRes. FCP defaults to interpreting this footage as 1080i and it makes no difference. All my transitions look just fine
Re: Weird Jaggies on Rendered Transitions
by Justin Vaillancourt on Feb 3, 2012 at 8:04:06 pm
in the Apple Final Cut Pro Forum
Update, thanks to Matt, he made me realize I can change the field order of a clip in-sequence... and by turning the visibility on and off, FCP refreshes and sees the proper field order, fixing the aliasing.
Re: Aliasing when using animation codec from AE to FCP ProRes sequence
by Matt Lyon on Feb 3, 2012 at 7:51:47 pm
in the Apple Final Cut Pro Forum
Justin, I've seen this problem you describe happen a lot. Basically, FCP can occasionally think that clips SHOULD have field dominance, even when they don't. Changing the property of a clip in the browser after the fact won't fix anything in a tim
Re: Weird Jaggies on Rendered Transitions
by Justin Vaillancourt on Feb 3, 2012 at 7:39:11 pm
in the Apple Final Cut Pro Forum
That's what I thought, but apparently it does matter for rendering. If the field order is not set to NONE it renders aliased transitions. Once the footage is placed in the sequence with the wrong field order it will always render the transitions
Re: Weird Jaggies on Rendered Transitions
by Bret Williams on Feb 3, 2012 at 7:27:14 pm
in the Apple Final Cut Pro Forum
So were you seeing that during playback or paused? If you're working in progressive and FCP interprets something as interlaced, it really shouldn't make any difference, since in a progressive sequence interlacing interpretation is ignored.
Re: Aliasing when using animation codec from AE to FCP ProRes sequence
by Justin Vaillancourt on Feb 3, 2012 at 7:25:17 pm
in the Apple Final Cut Pro Forum
Hmmm, I just went through this same problem and field order was the issue for me. Just make sure in your render settings in AE the field order is set to none, that your FCP sequence settings are set to NONE and in the browser the field dominance is
Re: Weird Jaggies on Rendered Transitions
by Justin Vaillancourt on Feb 3, 2012 at 7:02:58 pm
in the Apple Final Cut Pro Forum
At last! After 2 hours of testing I have found the problem. It seems that Final Cut interprets certain codecs rendered from After Effects (Animation, ProRes) to have a field order even though they don't. It was as simple as scrolling over to the f
Re: Weird Jaggies on Rendered Transitions
by Bret Williams on Feb 3, 2012 at 4:18:11 pm
in the Apple Final Cut Pro Forum
Render settings not set to full 100%?
Weird Jaggies on Rendered Transitions
by Justin Vaillancourt on Feb 3, 2012 at 3:34:02 pm
in the Apple Final Cut Pro Forum
Hi, I'm not sure why this is happening, I have pre rendered ProRes LT files from After Effects, dropped into a properly formatted timeline. All my render settings are on best and my field order is none. The video exports crystal clear EXCEPT during
HD to SD DVD
by Chip Hess on Jan 25, 2012 at 5:03:32 pm
in the Apple Final Cut Pro Forum
I shot a project using the client's Pana AVCHD camera, 1080 60i. However, they want it delivered SD on DVD's. Shooting SD was not an option. My timeline is set to 720 and am Logging and Transferring using ProRes 422 LT. Would you cut it this wa
Re: The very best interlace to progressive conversion
by Brendan Dillon on Dec 19, 2011 at 12:40:26 pm
in the AVID Forum
If you're after the best convert it through a Teranex. "PixelMoton De-interlacing of video originated material produces perfect progressive frames in preparation for further processing. The processing aperture is adjusted on a pixel-by-pixel basis
Re: Rendered progressive but recognized by FCP as upper field first
by Bill Russell on Dec 14, 2011 at 9:52:36 am
in the Apple Final Cut Pro Forum
I wager if you export a short piece of the "jagged edge version" then open the Quicktime movie you'll find that it's really not jagged, but merely FCP's knack for capricious display on desktop (which does display as jaggies on the horizontal but is
Color loss during compression
by Nolan Maloney on Dec 12, 2011 at 6:18:11 pm
in the Compression techniques Forum
Hey all, first time poster, long time reader. Got a compression question that I thought you might be able to help me out with. My friend shot a promo video for an upcoming concert and wanted me to help her smooth out some jaggies in her text.
Any harm going the "progressive" route when capturing and exporting?
by Joe Daniels on Nov 26, 2011 at 3:43:47 pm
in the Adobe Premiere Pro Forum
Hey guys, Here is the deal. My brother sent me some old vhs tapes to capture for him of old home movies. My vcr is on the fritz, so I managed to borrow a nice JVC deck that has the DV port on it, so its nice to be able to just plug the firewire
Re: Apple HDV uncommonly used codec?
by Thomas O'Carroll on Nov 14, 2011 at 9:53:34 pm
in the Apple Final Cut Pro Forum
[Shane Ross] "It isn't? You mean Sorenson Squeeze, on your computer, won't compress this format? " No, I mean Sorenson Squeeze on any mac (not just mine) will have problems encoding from AppleHDV to h.264. It is easy to demonstrate and has no
News: A Star Is Born: Canon Launches New Digital Cinema Camera For High-Resolution Motion Picture Pr
by Cow News Droid on Nov 4, 2011 at 5:57:53 pm
in the NEWS: Product News Releases Forum
(Hollywood, California--November 4, 2011) Canon Inc. and Canon U.S.A., Inc. today raised the curtain on an all-new interchangeable-lens digital cinema camera that combines exceptional imaging performance with outstanding mobility and expandability to
Re: EPS files in motion
by Jeff Jordan on Oct 21, 2011 at 3:38:07 pm
in the Apple Motion Forum
Matth is right. Even vector PDFs will get jaggies when scaling while that pesky "fixed resolution" is checked. It seems to be checked by default.
Re: Unable to Play a QT File on New Macs
by Thomas Hughes on Oct 20, 2011 at 7:31:34 pm
in the Apple Final Cut Pro Forum
We tried redoing it with the bitrate at 6000. The setting we had it on before was Automatic, so this time we did it at 6000. A few things about the resulting video: The former file, done at the Automatic setting, was 3.5Gb. This new file, done at
Re: Problem with shadows (pic)
by Roland R. Kahlenberg on Oct 14, 2011 at 1:43:26 am
in the Adobe After Effects Forum
[Darby Edelen] "So try Roland's suggestion of moving them a little farther apart. You probably won't have to move them too much." Yup, move them apart in Z-position coupled with a Scale change to keep size as per the original. [Darby Edelen] "
Re: Problem with shadows (pic)
by Darby Edelen on Oct 13, 2011 at 7:03:06 pm
in the Adobe After Effects Forum
This tends to happen when layers are too close together. So try Roland's suggestion of moving them a little farther apart. You probably won't have to move them too much. Also you can increase the size of your Shadow Map, which generally helps to
Re: ProRes antialiasing issue
by ben g unguren on Sep 30, 2011 at 6:09:06 am
in the Adobe After Effects Forum
When you have such strong, contrasty, saturated colors running into each other, you should expect the jaggies that you're seeing with ANY 4:2:2 codec (or 4:1:1, or 4:2:0, etc). That's because of the 2's in ProRes422. While the luminance values are a
Warning, serious bug in Adobe Media Encoder! Adobe doesen´t seem to care at all...
by Kent Kumpula on Sep 19, 2011 at 9:17:41 pm
in the Adobe Premiere Pro Forum
OK, so it really seems like a butt-ugly bug, and a old one too! It seems that Adobe has known about this bug long over a year ago... They just haven´t done anything about it. If you change the framerate at all between your import footage and your
Sony HVR-S270U For Sale
by Ricardo Finley on Sep 9, 2011 at 3:33:00 am
in the Classifieds, Retailers Forum
For sale Sony HVR-S270U ($7499 New) My Price $6500! Ricardo@finleypro.com Matte box and batteries not included. The Sony HVR-S270U is an HDV camcorder designed for ENG applications, while still being highly cost-effective. Incorporating all
Re: Green Clips inside Bin
by Gerry Condez on Aug 10, 2011 at 7:46:55 pm
in the Media 100 Forum
Hi Jon I am sure you're right about the missing component issue. Most likely its part of FCP somewhere which I wont know. The video now is playing and far better in M100 than what I see when I playback in FCP which somehow I can see some faint ja
Re: Looks 2 Adding aliasing in FCP7 and not Premiere Pro 5.5
by Brock Meeks on Aug 9, 2011 at 4:13:24 pm
in the Magic Bullet Suite Forum
Here are a couple of screen captures that exhibit what I'm seeing on my end. The "jaggies" are very pronounced when a lower third is on the screen or right after I come out of a b-roll shot. It lasts a few seconds, then goes away (see lower image).
Re: Playback problem with DVCProHD 720/30pN footage
by Alli Gallixsee on Jul 26, 2011 at 3:04:02 pm
in the Adobe Premiere Pro Forum
Hi Gregg et all, I recently upgraded to PP CS5 at work and have started having the same issue with my P2 24PN footage- they all look exactly like your first youtube clip with lines and jaggies. I am not sure exactly what else to try- I am working
Jaggies around key
by Matt Dragovits on Jul 20, 2011 at 1:55:50 am
in the Sorenson Squeeze Forum
Hello, When I export my movie out of Premiere Pro the key looks fine. As soon as I import it into Squeeze I see jaggies all around the edges. This is before I even apply a compression setting. After I apply an flv setting and compress the movie l
Re: Trying to get alpha on export using ProRes
by Matt Dragovits on Jul 20, 2011 at 1:25:08 am
in the Adobe Premiere Pro Forum
Ok, I've now read that Premiere doesn't have the same ProRes Codec as FCP for alpha support. I've tried using the animation codec, png, and none as part of quicktime at 32 bit. I do get an alpha exported but now it has jaggies all around the speaker.
Re: Reflections are appearing broken up by hard lines
by Brian Jones on Jul 15, 2011 at 8:42:08 pm
in the Cinema 4D Forum
in your Render Settings/Anti-Aliasing set Anti-Aliasing to Best (I'm guessing you are using Geometry) the aliasing in reflections causing those jaggies should go away.
Re: Project Burned to DVD: Jagged Lines?
by Chris Tompkins on Jul 10, 2011 at 8:34:57 pm
in the Apple Final Cut Pro Forum
Well ya, the data rate does have something to do with it. I was going to mention the data rate. You can up it some. But like you said, you got to fit a 2 hour program on the disc. Burn another 5 min. test with the data rate upped some. Goi
Re: Animated Stills Look Horrid
by Mick Haensler on Jul 5, 2011 at 7:46:05 pm
in the Apple Motion Forum
Ah, a clue. I just tried animating one of the pics but only reduced scale to 88% and it cleaned up. Previously it was at 18%. So I kept it at 88% scale and just moved it back in Z space and the jaggies returned. Puzzling.
C4D Rendering + AA
by Seth Baron on Jun 29, 2011 at 7:16:19 pm
in the Cinema 4D Forum
Hi, New to the forum, thank you for providing this wonderful service! I'm new to C4D (very new), so hopefully my question is a simple one to answer: I'm trying to render a project without all the "jaggies". I've gone into the settings and
Re: Green Screen/Chroma Key
by Matt Dragovits on Jun 28, 2011 at 6:00:17 pm
in the Apple FCPX or Not: The Debate Forum
The key I had shot is excellent. I was still getting jaggies in FCP Studio though. When I brought the same footage into Premiere it keyed out perfectly. I'm glad to hear the keyer has been upgraded in X. That may be a big enough reason on its own
Re: Premiere Pro to Color Workflow
by Clayton Burkhart on Jun 25, 2011 at 7:53:22 am
in the Apple Color Forum
I have tried the xml route directly to Apple Color in both directions. Using an xml directly from PP results in an empty timeline. In FCP it is necessary to create a new project around the xml created in PP. If I then use this project in FCP the im
Re: hpx 370
by Chris Tompkins on Jun 24, 2011 at 5:26:03 pm
in the Panasonic HVX - HPX (P2) Forum
There are SO MANY things to love about this camera. It does make a beautiful picture. 24p and 30p are unusable if you are panning - in my opinion. Bad stuttering. I was panning a room with many monitors just yesterday in 1080i_60i mode. And
Re: Cinestyle grading issue t2i
by Dylan Hargreaves on Jun 21, 2011 at 11:04:20 am
in the DSLR Video Forum
We may be getting our moires mixed up. The type of moire that cinestyle produced on my quick test was the green and red noise in the midtone shadows rather than jaggies or that weird strobing effect you get when pointing the camera at a brick wall.
Related Tags

2D Compositing
3D Compositing
Advanced Compositing
Chroma Key
Chroma Keying
Color Finesse
Color Key
Compositing
Compositing in
Compositing Program
Compositing Programs
Compositing Software
Compositing Tool
DENoise
Digital Compositing
Digital Fusion
Emitter
Eyeon
FieldsKit
Film Compositing
Flex
Fusion
Genarts Sapphire
Green Screen
Image Compositing
Imagineer
Jaggies
Keying
Masking
Mocha
Mokey
Monet
Motion Tracker
Motor
Nuke
particle Illusion
particle Illusion 3
Particle System
ReelSmart
REFlex
REVision
REVisionFX
Rotoscoping
Sapphire
Shape Layer
Tracker
Twixtor
wondertouch


FORUMSTUTORIALSMAGAZINESTOCKYARDVIDEOSPODCASTSEVENTSSERVICESNEWSLETTERNEWSBLOGS

Creative COW LinkedIn Group Creative COW Facebook Page Creative COW on Twitter
© 2013 CreativeCOW.net All rights are reserved. - Privacy Policy

[Top]