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HDTV Broadcast

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NAB 2012: Hitachi Highlights New Slow-Mo Camera
by Debra Kaufman on Apr 12, 2012 at 4:36:25 pm
in the NAB Expo Forum
Hitachi Kokusai Electric America is showing three new cameras at NAB 2012. Of great interest to sports and mobile truck companies is the SK-HD1500, a new slow-motion HD camera.
Re: Quick Question about Monitors
by Malcolm Matusky on Feb 17, 2012 at 2:41:39 am
in the Sony Vegas Forum
Do you want to stay 8 bit or go 10 bit? Are you color profiling your monitors, are you using only computer monitors or a HDTV/broadcast monitor as well? It all depends. Most of my work is for the web, so 8 bit sRGB is fine for me. I added an Asus
News: Canon HDTV Lenses Are Chosen For Super Bowl XLVI Game Coverage By Production Facilities Compan
by Cow News Droid on Feb 3, 2012 at 8:23:25 pm
in the NEWS: Product News Releases Forum
More Than 100 Canon HDTV Field Lenses and Portable Zoom Lenses to be Deployed for Domestic and International Telecasts of the Game (Lake Success, New York--February 3, 2012) When the New York Giants and New England Patriots take the field for Su
Re: Color Suddenly Too Dark!
by Shane Ross on Apr 7, 2011 at 6:57:42 pm
in the Apple Color Forum
Monitoring this properly? Capture card? HDTV/Broadcast monitor?
Re: Color correction workflow dispair
by Shane Ross on Mar 25, 2011 at 6:52:00 pm
in the Apple Final Cut Pro Forum
[Guillaue Chadaillac] " Is there (today in 2011) a product that will allow me to connect my laptop to a broadcast monitor?" OH my yes. http://www.aja.com http://www.decklink.com http://www.matrox.com/video/en/home http://www.motu.com [Gui
News: Solutions from T-VIPS Enable Two Top PBS Affiliates to Transmit High-Quality Video in Real-tim
by Cow News Droid on Jan 25, 2011 at 5:50:27 pm
in the NEWS: Product News Releases Forum
(Millburn, New Jersey--January 25, 2011) T-VIPS, a global leader in professional video transport solutions for contribution, distribution and Digital Terrestrial Television today announced that PBS member station WNET selected the T-VIPS TVG420 ASI t
News: Brigham Young University Outfits New HD Facility with 12 FUJIFILM Lenses
by Cow News Droid on Nov 17, 2010 at 7:28:21 pm
in the NEWS: Product News Releases Forum
(Wayne, New Jersey--November 17, 2010) Starting this December, Brigham Young University’s BYU Television and KBYU Eleven will switch to an HDTV broadcast format at its new 100,000 square-foot media production and distribution facility, using an array
News: Ikegami Electronics (U.S.A.), Inc. Exhibits Wide Range of Broadcast HDTV Cameras and LCD Monit
by Cow News Droid on Oct 13, 2010 at 5:45:57 pm
in the NEWS: Product News Releases Forum
World-Renowned Television Equipment Innovator Showcases HDTV Capture and Display Products for Multiple Broadcast and Pro Video Production Applications (New York--October 13, 2010) Tapeless ENG pioneer Ikegami will demonstrate the latest advancemen
Re: OT: your opinion on HDTV please
by John Rofrano on Jun 7, 2010 at 3:11:34 am
in the Sony Vegas Forum
If you can't afford a broadcast monitor then I guess any HD TV will do as well as any other HD TV but it won't replace a calibrated broadcast monitor for color correcting. Yes, Vegas Pro 8 will allow you to preview video on it using the Windows Secon
News: Ikegami Chosen By Russia Today TV
by Cow News Droid on Feb 23, 2010 at 4:48:33 pm
in the NEWS: Product News Releases Forum
All-Digital HDTV Facility for Award-Winning Broadcaster is Equipped with Eight Ikegami Full Digital Cameras and Ikegami HD Monitors by Azzurro Systems Integration (Maywood, New Jersey--February 23, 2010) Russia Today TV (RT), an international broa
A lot of diferent question ..
by Bruno Silva on Dec 8, 2009 at 11:55:13 pm
in the Broadcasting Forum
Hello to all . So I started working in the area and I´m facing a lot of question . I´m a freelancer , so money is a importante factor in the next questions. My machine Phenom X4 965 - 4 * 3,40 Ghz 8 Gb Ram - 1600 mhz Nvidia Quad
News: Holophone's H2-PRO Takes to the Track for "Truth In 24"
by Cow News Droid on Dec 3, 2009 at 8:01:19 pm
in the NEWS: Product News Releases Forum
(Ontario, Canada--December 3, 2009) Holophone’s H2-PRO takes first place for “Truth in 24,” an NFL Films production created on behalf of car manufacturer, Audi. Centered around France’s annual 24-hour car race, 24 Hours of Le Mans (24 Heures du Mans
News: Holophone's H2-PRO Scores A Hat Trick For Soccer Broadcasts On Three Major Italian Networks
by Cow News Droid on Nov 19, 2009 at 5:43:07 pm
in the NEWS: Product News Releases Forum
Italy’s Soccer Championship and Champions/Europa League Events Covered in HD Video and Dolby Surround Sound for Mediaset, Sky Italy and Ra (Napoli, Italy--November 19, 2009) Frame S.P.A, a leading Italian-based television production company specia
News: Holophone Upgrades Best-Selling H2-PRO Surround Microphone With Sennheiser Mic Capsules
by Cow News Droid on Sep 25, 2009 at 5:30:27 pm
in the NEWS: Product News Releases Forum
(Ontario, Canada--September 25, 2009) Holophone®, the leading manufacturer of surround microphones, has unveiled a new version of its popular H2-PRO Microphone. The ground-breaking H2-PRO, capable of recording up to 7.1 channels of discrete surround
Re: Best HD Render Compression Out of AE
by Chikyujin Katano on Apr 6, 2009 at 4:05:48 pm
in the Adobe After Effects Forum
Hi, I have similar question too. I am an independent film maker and I've been editing my short film with tons of digital still pictures in After Effects CS3. My question is when I look at the composition panel I found two different options: DVCPRO
News: Ikegami exhibits at GV-Tech Expo
by Cow News Droid on Dec 2, 2008 at 4:31:25 pm
in the NEWS: Product News Releases Forum
Tapeless Flash-Based, Workflow-Efficient HD ENG, Versatile HD Cameras for a Wide Range of Production Applications, and Reference-Grade HD Monitors in Multiple Sizes Provide Diversity and Affordability for Government Video Production Professionals
News: NHK Media Techonlogy Selects Focus Enhancements ProxSys Media Server
by Cow News Droid on Nov 21, 2008 at 4:14:00 pm
in the NEWS: Product News Releases Forum
Focus Media Asset Management ; MAM Server Wins as the Solution of Choice for Archive andManagement of Video-on-Demand programs and contents (Tokyo, Japan--November 21, 2008) Focus Enhancements Inc. (NASDAQ: FCSE-PK), a worldwide leader in media ma
Re: Creating Widescreen video in FCP with LT titles
by Sjon Ueckert on Oct 30, 2008 at 7:01:10 pm
in the Apple LiveType Forum
Presets:: HDTV 1080i 16:9 (Same with FCP - HDTV Broadcast 1080) Going to SD (for the DVD) is the last thing you should do. Sjon
News: FOR-A To Demonstrate Array Of Products At HD World Conference And Expo
by Cow News Droid on Oct 8, 2008 at 4:25:51 pm
in the NEWS: Product News Releases Forum
(Cypress, California--October 8, 2008) FOR-A, a leading manufacturer of video and audio systems for the broadcast industry, will demonstrate a range of products at the upcoming HD World Conference and Exposition (Jacob Javits Center, October 15-16, B
Re: Exporting TIFF sequence settings for FCP
by Chris Wright on Sep 10, 2008 at 9:53:05 pm
in the Adobe After Effects Forum
but wait! there's more! 1. interpret your digibeta footage in AE as upper field first. 2. don't forget to render out with fields on. PAL broadcast SD is upper field first, HDTV broadcast TV is upper field first, SD NTSC is lower field first. field
News: FOR-A To Introduce New HD Frame Rate Converter And Audio Function Card For FRC-7000 at
by Cow News Droid on Aug 3, 2008 at 2:41:46 pm
in the NEWS: Product News Releases Forum
New Audio Function Card FRC-70DA16 Now Supports 16 Channels of Audio with Delay Compensation for all Channels; Dolby E Encoding and Decoding Available as an Option (London, UK--August 3, 2008) FOR-A, a leading manufacturer of video and audio syste
News: Fujinon to Showcase New HD Lens Series at HD Expo
by Cow News Droid on May 21, 2008 at 10:10:39 pm
in the NEWS: Product News Releases Forum
New HA23x7.6BE Offers Advanced Optical Technology for Demanding HDTV Studio and Field Applications (Wayne, New Jersey--May 21, 2008) Fujinon, a major manufacturer and distributor of optics and lens assemblies for the broadcast, digital cinema, and
News: Fujinon to Intro Premier Series HD Lens for Studio and Field Applications
by Cow News Droid on Apr 8, 2008 at 12:11:10 am
in the NEWS: Product News Releases Forum
New HA23x7.6BE Offers Advanced Optical Technology for Demanding HDTV Studio and Field Applications (Wayne, New Jersey--April 8, 2008) Fujinon’s new HA23x7.6BE HDTV lens, a Premier Series lens offering advanced optical technology, is being introduc
Re: Video Preview On A Plasma HDTV
by Ben Holmes on Dec 7, 2007 at 4:18:12 pm
in the Apple Final Cut Pro Forum
I'm guessing you're not a broadcast user (since you're using a firewire camera and -uh- you're asking this question) so you could connect your TV to your unspecified Mac using a DVI or VGA to DVI or DVI to HDMI cable and then when the Mac sees the TV
News: FOR-A To Introduce Enhanced Features On FRC-7000 HD Frame Rate Converter At NAB 2007
by Cow News Droid on Mar 6, 2007 at 11:23:52 pm
in the NEWS: Product News Releases Forum
(CYPRESS, CA, March 6, 2007) FOR-A Corporation of America, a leading manufacturer of video and audio systems for the broadcast and professional video industries, will introduce expanded optional capabilities for its FRC-7000 HD frame rate converter a
News: Fujinon HD Lenses Chosen for Trio Video's New HD Mobile Truck
by Cow News Droid on Jan 16, 2007 at 6:17:47 pm
in the NEWS: Product News Releases Forum
Trio Video's new  Fujinon XA101x8.9ESM, XA87x13.2ESM, HA22x7.8ERM/ERD, and HA13x4.5ERM/ERD HDTV Lenses to Serve Sports and Entertainment Clients    (WAYNE, NJ, JANUARY 16, 2006) In the 25 years he's been in business, Trio Video's Owner/Manager Jack W
Re: Trouble with 8-bit uncompressed
by Alan Okey on Dec 5, 2006 at 8:35:57 pm
in the Apple Final Cut Pro Forum
[Graeme Nattress] "Sure, but you can get the same benefits from just doing afinal render to uncompressed at the end, rather than editing uncompressed." Very true. [Graeme Nattress] "Also, you'd better be mastering to a really good pro HD tape forma
Re: Decklink HD Extreme card question?
by Luke Maslen on Oct 12, 2006 at 1:36:37 am
in the Blackmagic Design Forum
Hi, That's a surprising response for a few reasons. Firstly, we already have 720p50 and 1080i50 support in our Mac and Windows drivers as those are the two standard formats for Europe recommended by the EBU and those are the main HDTV broadcast for
News: Radio Television Guatemala Will Use Harris Corporation Equipment to Power Central Ameri
by Cow News Droid on Jun 9, 2006 at 4:46:58 pm
in the NEWS: Product News Releases Forum
Turnkey HDTV transmission, encoding and master control system will continue to provide digital and HDTV programming to Guatemala City region following World Cup broadcasts (CINCINNATI, June 9, 2006) Harris Corporation’s (NYSE: HRS) Broadcast Communi
News: NAB-HD to Use Miranda Gear for Branding and Monitoring of Cable, Satellite, and Mobile
by Cow News Droid on Apr 20, 2006 at 5:57:02 pm
in the NEWS: Product News Releases Forum
(MONTREAL -- April 20, 2006) Miranda Technologies Inc. has announced that NAB-HD, the fully functional HD broadcast station at NAB2006, will use its branding, monitoring, and interfacing systems to play out cable, satellite, and Mobile TV channels to
Re: HVX200 capabilities made the HVR-Z1U HD Obsolete?
by Barry Green on Jan 5, 2006 at 12:14:25 am
in the Panasonic HVX - HPX (P2) Forum
[hopperHD] "Secondly, is 1040i on its way out. It sounds like the 720p is the more versatile format and much more desired for television." 1080i is currently the broadcast format with the most stations. NBC, CBS, PBS, and cable stations like TBS an
Re: DVCPROHD capture
by gary adcock on Nov 5, 2005 at 7:13:43 pm
in the Apple Final Cut Pro Forum
[Michael Krupnick] "ou said: All HDTV broadcast video signals are 1.5 GBs not just 1080. Not correct, Gary. Only the baseband signals carried through wires are that high." I have not mentioned transmission at all, I will stand corrected and say base
Re: DVCPROHD capture
by Michael Krupnick on Nov 5, 2005 at 4:46:15 pm
in the Apple Final Cut Pro Forum
You said: All HDTV broadcast video signals are 1.5 GBs not just 1080. Not correct, Gary. Only the baseband signals carried through wires are that high. NOBODY broadcasts a signal like that. While at CBS network operating their first HD post bay,
Re: DVCPROHD capture
by gary adcock on Nov 5, 2005 at 4:15:30 pm
in the Apple Final Cut Pro Forum
[Michael Krupnick] "I stand corrected on HDCAM sampling, but actually, DVCProHD IS spec'd at 4:2:2 sampling." The Varicam uses DvcproHD, but footage from HDCam converted to DVCPROHD cannot miraculously make the color space better than what the came
Re: JVC gy-hd100
by jack gordon on Oct 23, 2005 at 6:24:40 am
in the HDV Format Forum
HDTV broadcast is 60 Hz. This camera records max. 30 Hz, although 24 Hz is used for shooting a lot of theatrical HDTV content. JVC is the only company that makes HDV/HD cameras that don't record 50-60 Hz, as far as I'm aware of. Check out the Sony Z1
JVC HD100: Deciphering Hidden Mysteries
by jack gordon on Oct 9, 2005 at 5:07:55 pm
in the HDV Format Forum
. The camera records 30p; the CCD's are clocked at 60p. . The camera is 1/3", has interchangable lenses, one low cost zoom, one zoom 2x as expensive as the camera itself. . The camera was supposed to be available a year earlier and there were rumors
Re: Sony's HDV DIS-advantage (intentional)
by jack gordon on Oct 5, 2005 at 11:07:23 pm
in the HDV Format Forum
If you guys want some more explanation on how this relates to the JVC HD100 camera, here goes. The processors in these cameras are extremely complex. Especially the Sony HDV one, because interlaced MPEG2 compression is harder to accomplish. Sony mus
Re: Question for the techno-savy out there...JVC HD100
by Barry Green on Aug 27, 2005 at 5:34:28 am
in the HDV Format Forum
There are very few stations nationwide that are broadcasting any sort of local-origination HD. I believe that there were six stations in the US broadcasting their local news in HD; that's about it. For networks, more networks are using 1080i than 7
Re: New "Pro" HDV shown at Paris Satis Show
by Steve Mullen on Nov 5, 2004 at 7:10:14 pm
in the HDV Format Forum
We both confused something: "I did read it. If you did so, you know as much as I do that there's NO option for interlace, not even metioned. HD/G1 and HD/G2 is 720p, HD/G3 is 1080p - these are all the considered options, nothing more." I agree
Re: New "Pro" HDV shown at Paris Satis Show
by kamm on Nov 5, 2004 at 2:15:34 am
in the HDV Format Forum
"But you should know that the 1080/50i market share is extremaly small. 70/60p share is small. Some 90% of HDTV broadcast, worldwide, is 1080/60i." LOL... are you aware of the fact that EBU has chosen 720p50 as the OFFICIAL preferred HDTV format f
Re: New "Pro" HDV shown at Paris Satis Show
by tom c. clark on Nov 5, 2004 at 12:33:41 am
in the HDV Format Forum
The E model has the following advantages: 50i converted to 24p looks better than converted 60i. 50i converts better to 60i than 60i to 50i. But you should know that the 1080/50i market share is extremaly small. 70/60p share is small. Some 9
Re: HDCAM broadcast monitor & color correction - HELP!
by stephane labrie on Nov 3, 2004 at 1:19:07 am
in the Autodesk Smoke Forum
Hi Lincoln! You won't be able to see a full screen HD image while bieng in the soft CC or the CC module. This is a limitation. Smoke 6 allows you to see, while in Full Screen mode, the HD image and the quick CC editor (not the full CC tool).
Z1 - Main Advantage over FX1
by tom c. clark on Oct 27, 2004 at 6:30:46 am
in the HDV Format Forum
Forget the XLR jacks and separate level controls. I don't believe that the Z1 is progressive. We have also discovered that the FX1 temporal resolution of 24p is bad. So for HDTV broadcast we need 1080/60i, which is now the great majority of HD
Re: CineFrame 24 examined / sample 24fps clip to chew on
by tom c. clark on Oct 26, 2004 at 9:33:42 pm
in the HDV Format Forum
I got the 12-15 frames from Steve's report. It seem that the processing is very efficient. Broadcast at this resolution and the same GPO is 19 Mbps. So 25 Mbps will give us some headroom for color correction, etc. Additionally 50i will have a com
Re: replacing smoke - Motion is amazing
by Eric Susch on Oct 8, 2004 at 7:40:56 pm
in the Autodesk Smoke Forum
Sounds like you have a broad client base that will support an expensive Tezro/Smoke for hopefully a few years. I still think it's a mistake to base a business on equipment instead of quality of service though, because newer cheaper technology will a
Why Interlaced Is Better
by Tom on Sep 25, 2004 at 8:12:05 pm
in the HDV Format Forum
What is your market? It's TV, and video rental, maybe a few art house bookings in NY, LA, London? You want the material to have longevity. You want it to be accepted by TV stations. For longevity you need to shoot HD. For acceptance by TV st
Re: Pixelation at the start of scenes - from inter-frame compression
by Lorin Thwaits on Sep 16, 2004 at 12:09:35 pm
in the HDV Format Forum
[JJKizak] "on some HDTV broadcast stations (antenna) that on every scene change there is a very quick (1/8th second) amount of pixelation that is barely noticeable unless you are looking for it." With OTA (over the air) signals, the compressio
Re: Pixelation at the start of scenes - from inter-frame compression
by Lorin Thwaits on Sep 16, 2004 at 12:09:35 pm
in the HDV Format Forum
[JJKizak] "on some HDTV broadcast stations (antenna) that on every scene change there is a very quick (1/8th second) amount of pixelation that is barely noticeable unless you are looking for it." With OTA (over the air) signals, the compressio
Transient Pixelation at the start of each scene.
by JJKizak on Sep 15, 2004 at 12:33:19 pm
in the HDV Format Forum
I noticed on some HDTV broadcast stations (antenna) that on every scene change there is a very quick (1/8th second) amount of pixelation that is barely noticeable unless you are looking for it. I saw some of this on our olympics channel. What caus
Re: What's the hold up with "HDV" ?!!!??? What's everyone think?
by JAMES J. KIZAK on May 13, 2004 at 9:45:27 pm
in the HDV Format Forum
Opinions of a non-pro hobbyest: 1. They watched JVC for a while now they are probably into full time. 2. They are now but Rome wasn't built in a day. Lenses are the problem.(cost) 3. Don't know. 4. Revolutionary because the end product is HDV and
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