| | | | Re: Quick Question about Monitors
by Malcolm Matusky on Feb 17, 2012 at 2:41:39 am
in the Sony Vegas Forum
Do you want to stay 8 bit or go 10 bit? Are you color profiling your monitors, are you using only computer monitors or a HDTV/broadcast monitor as well? It all depends. Most of my work is for the web, so 8 bit sRGB is fine for me. I added an Asus | | | | |
| | | | Re: Color correction workflow dispair
by Shane Ross on Mar 25, 2011 at 6:52:00 pm
in the Apple Final Cut Pro Forum
[Guillaue Chadaillac] " Is there (today in 2011) a product that will allow me to connect my laptop to a broadcast monitor?"
OH my yes.
http://www.aja.com
http://www.decklink.com
http://www.matrox.com/video/en/home
http://www.motu.com
[Gui | | | | |
| | | | Re: OT: your opinion on HDTV please
by John Rofrano on Jun 7, 2010 at 3:11:34 am
in the Sony Vegas Forum
If you can't afford a broadcast monitor then I guess any HD TV will do as well as any other HD TV but it won't replace a calibrated broadcast monitor for color correcting. Yes, Vegas Pro 8 will allow you to preview video on it using the Windows Secon | | | | |
| | | | News: Ikegami Chosen By Russia Today TV
by Cow News Droid on Feb 23, 2010 at 4:48:33 pm
in the NEWS: Product News Releases Forum
All-Digital HDTV Facility for Award-Winning Broadcaster is Equipped with Eight Ikegami Full Digital Cameras and Ikegami HD Monitors by Azzurro Systems Integration
(Maywood, New Jersey--February 23, 2010) Russia Today TV (RT), an international broa | | | | |
| | | | A lot of diferent question ..
by Bruno Silva on Dec 8, 2009 at 11:55:13 pm
in the Broadcasting Forum
Hello to all .
So I started working in the area and I´m facing a lot of question . I´m a freelancer , so money is a importante factor in the next questions.
My machine
Phenom X4 965 - 4 * 3,40 Ghz
8 Gb Ram - 1600 mhz
Nvidia Quad | | | | |
| | | | Re: Best HD Render Compression Out of AE
by Chikyujin Katano on Apr 6, 2009 at 4:05:48 pm
in the Adobe After Effects Forum
Hi, I have similar question too. I am an independent film maker and I've been editing my short film with tons of digital still pictures in After Effects CS3.
My question is when I look at the composition panel I found two different options:
DVCPRO | | | | |
| | | | News: Ikegami exhibits at GV-Tech Expo
by Cow News Droid on Dec 2, 2008 at 4:31:25 pm
in the NEWS: Product News Releases Forum
Tapeless Flash-Based, Workflow-Efficient HD ENG, Versatile HD Cameras for a Wide Range of Production Applications, and Reference-Grade HD Monitors in Multiple Sizes Provide Diversity and Affordability for Government Video Production Professionals
| | | | |
| | | | Re: Exporting TIFF sequence settings for FCP
by Chris Wright on Sep 10, 2008 at 9:53:05 pm
in the Adobe After Effects Forum
but wait! there's more!
1. interpret your digibeta footage in AE as upper field first.
2. don't forget to render out with fields on.
PAL broadcast SD is upper field first, HDTV broadcast TV is upper field first, SD NTSC is lower field first.
field | | | | |
| | | | Re: Video Preview On A Plasma HDTV
by Ben Holmes on Dec 7, 2007 at 4:18:12 pm
in the Apple Final Cut Pro Forum
I'm guessing you're not a broadcast user (since you're using a firewire camera and -uh- you're asking this question) so you could connect your TV to your unspecified Mac using a DVI or VGA to DVI or DVI to HDMI cable and then when the Mac sees the TV | | | | |
| | | | Re: Trouble with 8-bit uncompressed
by Alan Okey on Dec 5, 2006 at 8:35:57 pm
in the Apple Final Cut Pro Forum
[Graeme Nattress] "Sure, but you can get the same benefits from just doing afinal render to uncompressed at the end, rather than editing uncompressed."
Very true.
[Graeme Nattress] "Also, you'd better be mastering to a really good pro HD tape forma | | | | |
| | | | Re: Decklink HD Extreme card question?
by Luke Maslen on Oct 12, 2006 at 1:36:37 am
in the Blackmagic Design Forum
Hi,
That's a surprising response for a few reasons.
Firstly, we already have 720p50 and 1080i50 support in our Mac and Windows drivers as those are the two standard formats for Europe recommended by the EBU and those are the main HDTV broadcast for | | | | |
| | | | News: NAB-HD to Use Miranda Gear for Branding and Monitoring of Cable, Satellite, and Mobile
by Cow News Droid on Apr 20, 2006 at 5:57:02 pm
in the NEWS: Product News Releases Forum
(MONTREAL -- April 20, 2006) Miranda Technologies Inc. has announced that NAB-HD, the fully functional HD broadcast station at NAB2006, will use its branding, monitoring, and interfacing systems to play out cable, satellite, and Mobile TV channels to | | | | |
| | | | Re: DVCPROHD capture
by gary adcock on Nov 5, 2005 at 7:13:43 pm
in the Apple Final Cut Pro Forum
[Michael Krupnick] "ou said:
All HDTV broadcast video signals are 1.5 GBs not just 1080. Not correct, Gary. Only the baseband signals carried through wires are that high."
I have not mentioned transmission at all, I will stand corrected and say base | | | | |
| | | | Re: DVCPROHD capture
by Michael Krupnick on Nov 5, 2005 at 4:46:15 pm
in the Apple Final Cut Pro Forum
You said:
All HDTV broadcast video signals are 1.5 GBs not just 1080.
Not correct, Gary. Only the baseband signals carried through wires are that high. NOBODY broadcasts a signal like that. While at CBS network operating their first HD post bay, | | | | |
| | | | Re: DVCPROHD capture
by gary adcock on Nov 5, 2005 at 4:15:30 pm
in the Apple Final Cut Pro Forum
[Michael Krupnick] "I stand corrected on HDCAM sampling, but actually, DVCProHD IS spec'd at 4:2:2 sampling."
The Varicam uses DvcproHD, but footage from HDCam converted to DVCPROHD cannot miraculously make the color space better than what the came | | | | |
| | | | Re: JVC gy-hd100
by jack gordon on Oct 23, 2005 at 6:24:40 am
in the HDV Format Forum
HDTV broadcast is 60 Hz. This camera records max. 30 Hz, although 24 Hz is used for shooting a lot of theatrical HDTV content. JVC is the only company that makes HDV/HD cameras that don't record 50-60 Hz, as far as I'm aware of. Check out the Sony Z1 | | | | |
| | | | JVC HD100: Deciphering Hidden Mysteries
by jack gordon on Oct 9, 2005 at 5:07:55 pm
in the HDV Format Forum
. The camera records 30p; the CCD's are clocked at 60p.
. The camera is 1/3", has interchangable lenses, one low cost zoom, one zoom 2x as expensive as the camera itself.
. The camera was supposed to be available a year earlier and there were rumors | | | | |
| | | | Re: Sony's HDV DIS-advantage (intentional)
by jack gordon on Oct 5, 2005 at 11:07:23 pm
in the HDV Format Forum
If you guys want some more explanation on how this relates to the JVC HD100 camera, here goes.
The processors in these cameras are extremely complex. Especially the Sony HDV one, because interlaced MPEG2 compression is harder to accomplish. Sony mus | | | | |
| | | | Re: Question for the techno-savy out there...JVC HD100
by Barry Green on Aug 27, 2005 at 5:34:28 am
in the HDV Format Forum
There are very few stations nationwide that are broadcasting any sort of local-origination HD. I believe that there were six stations in the US broadcasting their local news in HD; that's about it.
For networks, more networks are using 1080i than 7 | | | | |
| | | | Re: New "Pro" HDV shown at Paris Satis Show
by Steve Mullen on Nov 5, 2004 at 7:10:14 pm
in the HDV Format Forum
We both confused something:
"I did read it. If you did so, you know as much as I do that there's NO option for interlace, not even metioned.
HD/G1 and HD/G2 is 720p, HD/G3 is 1080p - these are all the considered options, nothing more."
I agree | | | | |
| | | | Re: New "Pro" HDV shown at Paris Satis Show
by kamm on Nov 5, 2004 at 2:15:34 am
in the HDV Format Forum
"But you should know that the 1080/50i market share is extremaly small. 70/60p share is small. Some 90% of HDTV broadcast, worldwide, is 1080/60i."
LOL... are you aware of the fact that EBU has chosen 720p50 as the OFFICIAL preferred HDTV format f | | | | |
| | | | Re: New "Pro" HDV shown at Paris Satis Show
by tom c. clark on Nov 5, 2004 at 12:33:41 am
in the HDV Format Forum
The E model has the following advantages:
50i converted to 24p looks better than converted 60i.
50i converts better to 60i than 60i to 50i.
But you should know that the 1080/50i market share is extremaly small. 70/60p share is small. Some 9 | | | | |
| | | | Re: HDCAM broadcast monitor & color correction - HELP!
by stephane labrie on Nov 3, 2004 at 1:19:07 am
in the Autodesk Smoke Forum
Hi Lincoln!
You won't be able to see a full screen HD image while bieng in the soft CC or the CC module. This is a limitation. Smoke 6 allows you to see, while in Full Screen mode, the HD image and the quick CC editor (not the full CC tool).
| | | | |
| | | | Z1 - Main Advantage over FX1
by tom c. clark on Oct 27, 2004 at 6:30:46 am
in the HDV Format Forum
Forget the XLR jacks and separate level controls.
I don't believe that the Z1 is progressive. We have also discovered that the FX1 temporal resolution of 24p is bad.
So for HDTV broadcast we need 1080/60i, which is now the great majority of HD | | | | |
| | | | Re: CineFrame 24 examined / sample 24fps clip to chew on
by tom c. clark on Oct 26, 2004 at 9:33:42 pm
in the HDV Format Forum
I got the 12-15 frames from Steve's report.
It seem that the processing is very efficient. Broadcast at this resolution and the same GPO is 19 Mbps. So 25 Mbps will give us some headroom for color correction, etc. Additionally 50i will have a com | | | | |
| | | | Re: replacing smoke - Motion is amazing
by Eric Susch on Oct 8, 2004 at 7:40:56 pm
in the Autodesk Smoke Forum
Sounds like you have a broad client base that will support an expensive Tezro/Smoke for hopefully a few years. I still think it's a mistake to base a business on equipment instead of quality of service though, because newer cheaper technology will a | | | | |
| | | | Why Interlaced Is Better
by Tom on Sep 25, 2004 at 8:12:05 pm
in the HDV Format Forum
What is your market? It's TV, and video rental, maybe a few art house bookings in NY, LA, London?
You want the material to have longevity. You want it to be accepted by TV stations.
For longevity you need to shoot HD.
For acceptance by TV st | | | | |
| | | | Transient Pixelation at the start of each scene.
by JJKizak on Sep 15, 2004 at 12:33:19 pm
in the HDV Format Forum
I noticed on some HDTV broadcast stations (antenna) that on every scene
change there is a very quick (1/8th second) amount of pixelation that is
barely noticeable unless you are looking for it. I saw some of this on our
olympics channel. What caus | | | | |
|
|
