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AVID Editing
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Under the Gun with RED One
Dylan Reeve and a small team of New Zealand filmmakers had 48 hours to get their assignment, write a script, direct, shoot and post their film, then hand in the finished show...oh yeah, and refine their RED shooting and editing skills under the gun while trying to beat out 230 other teams! Sound wild? You have no idea....
Feature
Author: Dylan Reeve |
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| | | | WTB: HD broadcast monitor
by Bryan Fowler on Jun 28, 2008 at 11:38:00 am
in the Classifieds, For Sale Forum
I'm setting up an edit suite and looking for an HD broadcast monitor that could be used for color correction. Price range: under $2,000 Contact me with questions through email please. | | | | |
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Apple Final Cut Pro
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Matrox MXO: Broadcast Monitoring on a Desktop Monitor
Creative Cow Leader Shane Ross wasn't convinced that the Matrox MXO could really provide the CRT-accurate monitoring through an Apple Cinema Display he demands for his HD broadcast workflows. After working with it for nearly a year, through multiple upgrades and in a variety of configurations, he tells you here why he's convinced now.
Review
Author: Shane Ross |
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| | | | Sequence settings
by Brian DeFrees on Oct 1, 2008 at 3:00:01 am
in the Apple Final Cut Pro Forum
So if you edit HD footage with SD sequence settings (NTSC DV) it is obviously ok since you are usually outputting for SD broadcast. But if I want to output for HD broadcast or DVD should I be using a ... | | | | |
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Apple Color
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Introducing: Stop Staring and Start Grading with Apple Color
Allow us to introduce one of the most eagerly anticipated DVDs in Creative Cow Master Series history, Walter Biscardi's overview of Apple Color. Building on nearly 20 years of professional editing experience, as well as years of experience with Apple Color (and FInal Touch HD before it), he's got the perfect perspective to make working in Color easier than you imagined. It's the disk he wished he had when he started using Color.
Feature
Author: Walter Biscardi |
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| | | | News: JVC Announces Avid support for ProHD
by Cow News Droid on Apr 15, 2008 at 4:33:20 am
in the News & Press Releases Forum
expands the range of editing and distribution capability for our global users.” The Avid Media Composer’s native ingest capability of ProHD material maintains the original HD broadcast quality throughout the post-production process. In addition, the 20 Mbps payload of ProHD ... | | | | |
| | | | Online editing with FCP
by Ernie Santella on Sep 17, 2008 at 7:15:58 pm
in the Apple Final Cut Pro Forum
Do you have a quality HD broadcast monitor to do final color-grading and not just any old HD LCD? Ernie Santella Santella Film/Video Productions www.santellaproductions.com | | | | |
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IBC Expo
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Barend Onneweer looks at IBC 2004
Creative Cow's Barend Onneweer gives Cow members his look at some of the things he saw while visiting IBC 2004 which were noteworthy -- some, even quite impressive, while others were great time-savers for those in the production bay. While most of what Barend reports on are Windows tools, he makes a quick detour by the Apple booth to take a look at the latest version of Shake. Here is Barend's complete report...
Author: Barend Onneweer |
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N.A.B. Expo
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NAB 2003
Bob Bonniol revisits the National Association of Broadcasters (NAB) show in Las Vegas, while looking in on Diamond Vision's spectacular new 33 foot by 109 foot LED 'backdrop'. He reveals to readers stunning new technologies and entices us to look forward to the future of these remarkable advances.
Editorial
Author: Bob Bonniol |
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AJA Kona
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Recapturing HDV, Can it be done?
CreativeCOW.net contributing editor and leader, David Battistella, explores the question of recapturing HDV. He'd seen so many posts, so much talk about HDV format and the problems incurred, so David has taken the time to test a couple of workflows. Here's David's report.
Tutorial
Author: David Battistella |
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