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HD-SDI

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Re: Why I will probably choose the Red Scarlet over the Sony FS700.
by Bruce Allen on May 6, 2012 at 9:28:30 am
in the Sony NXCAM Forum
Thanks man! RE: Scarlet... you do know that its high speed modes are cropped, right? I mean, the promised 300fps 1K mode would basically be a 1024x512 tiny window in the middle of the sensor. Plus it's a Bayer sensor, so it really wouldn't be supe
Re: Will "Intensity Pro Shuttle USB 3.0" answer my need?
by Paolo Castellano on May 3, 2012 at 9:37:58 pm
in the Blackmagic Design Forum
Hello Adam, since you are talking about a "broadcast" video monitor, and you have 2 free PCI-E slots, you could consider to buy a Decklink SDI too, since broadcast monitors support HD-SDI and (sometimes) HDMI. The advantage of the USB 3.0 devices
News: Pomfort launches LiveGrade - the professional software for interactive look management at the
by Cow News Droid on May 3, 2012 at 5:25:51 pm
in the NEWS: Product News Releases Forum
LiveGrade in conjunction with a Blackmagic HDLink device allows to create and manipulate HD-SDI images of professional camera workflows on the monitor at the filmset. (Munich, Germany--May 3, 2012) Pomfort, a provider of professional software for
FOR SALE: Panasonic BT-LH910 9" Production Monitor - Low hours (100 or so) and mint condition - $225
by Helmut Kobler on May 3, 2012 at 5:05:09 am
in the Classifieds, Personal Forum
This is the best field monitor I've ever used, and one of Panasonic's top-tier models ($3705 retail). 9" is small enough to still use in the field conveniently (and even mount on a sturdy camera) but is big enough to show you what you're getting.
Record TV show with multiple locations on different sets
by Federico Lang on May 2, 2012 at 4:45:13 am
in the Web Streaming - Audio|Video Forum
Hello Everyone, first of all let me thank you all for all the info on this forum. It's awesome! Ok so my problem is the following: My client wants to produce a show with two hosts in two different locations. I'm based in Costa Rica so one of them
Re: What IO card will you use for CS6?
by Tom Daigon on May 2, 2012 at 4:19:49 am
in the Adobe Premiere Pro Forum
Im very familiar with Adobe Transmit. It means you can use just regular Adobe sequences (CUDA and all) and get HD SDI play out thru AJA, BM or Matrox hardware into an engineering monitor or tape machine. Adobe provided a hook for third party vendors
Re: What are you thinking about CS6?
by David Jahns on May 1, 2012 at 10:23:22 pm
in the Apple FCPX or Not: The Debate Forum
[Walter Soyka] "Of cours SpeedGrade can do proper video out, but it does require an NVIDIA HD-SDI daughter card -- meaning it also requires a Quadro GPU and a PC. " Ok, Thanks, Walter. So SpeedGrade on Mac is apparently hobbled - but works on Win
Re: What are you thinking about CS6?
by Walter Soyka on May 1, 2012 at 10:09:03 pm
in the Apple FCPX or Not: The Debate Forum
[David Jahns] "I've heard conflicting things about Speed Grade and the video output. I heard that SG does NOT support Transmit, and therefore the "Grading Application" can't actually output to a calibrated monitor. If so, that's ummm... disappointing
Re: Panasonic BT300
by Juan Salvo on May 1, 2012 at 9:54:55 pm
in the DaVinci Resolve Forum
Well the dual link hd-sdi card is pretty much a must have. For calibration, you can adjust the 10 point system by hand through the remote, but some software will also let you connect to it through Ethernet and do manual adjustments over a software in
Re: MC6 and HMC150 workflow issues?
by Tim Vaughan on May 1, 2012 at 8:58:17 pm
in the AVID Forum
http://community.avid.com/forums/p/101842/586388.aspx "The cameras normally split up into 2GB chunks" In the past, Avid has a HUGE problem importing the spanned clips. It basically didn't work. I think in 6, the workaround is the AMA in and then
time code
by Nick Price on May 1, 2012 at 1:17:56 pm
in the Blackmagic Design Forum
Hi i have a decklink studio, and just got a new JVC 21L4 HD monitor. Looks great. It has an option to read and display timecode over the HD sdi lead. It works when reading from a camera SDI output but not when playing from FCP. I know Kona cards
HDLink Pro DisplayPort 3D with 24" Apple LED Cinema display
by Neil Sadwelkar on May 1, 2012 at 1:10:23 am
in the DaVinci Basics & Configuration Forum
I wish there was a document somewhere which listed qualified monitors for use with the BM HDLink Pro DisplayPort and the DVI version. I'm having no luck with a HDLink Pro DisplayPort 3D with 24" Apple LED Cinema display This has been posted on
V4HD as embedder
by Jeff Stroming on Apr 30, 2012 at 10:35:36 pm
in the MOTU V4HD Forum
I am wondering if the V4HD can embed 8 channels of XLR audio on an HD-SDI signal. I would want to input 8x XLR inputs, as well as the HD-SDI with no audio, and combine and output them to one single HD-SDI output. Can this be achieved with the V4HD? C
HDLink Pro DisplayPort 3D with 24" Apple LED Cinema display
by Neil Sadwelkar on Apr 30, 2012 at 1:25:09 pm
in the DaVinci Resolve Forum
I've posted this on the BM forum too, but thought folks here may have actually tried it. I'm trying this… Blackmagic HD Extreme 3D feeding HD-SDI into a HDLink Pro 3D DisplayPort At the DisplayPort of the HDLink Pro I've connected a Gefen Di
HDLink Pro DisplayPort 3D with 24" Apple LED Cinema display
by Neil Sadwelkar on Apr 30, 2012 at 11:03:46 am
in the Blackmagic Design Forum
I'm trying this… Blackmagic HD Extreme 3D feeding HD-SDI into a HDLink Pro 3D DisplayPort At the DisplayPort of the HDLink Pro I've connected a Gefen DisplayPort to mini DisplayPort female adapter. This one… http://www.gefen.com/kvm/dproduct
NAB 2012: JVC
by Debra Kaufman on Apr 30, 2012 at 10:36:47 am
in the JVC cameras/decks Forum
JVC had a dynamic year for cameras and monitors. The company released the new GY-HM650 handheld mobile news camera, the result of its intention to support the Advanced Media Workflow Association "AS-10: MXF for Production" project. The comp
T-Tap question (audio)
by Bob Zelin on Apr 29, 2012 at 10:35:43 pm
in the AJA Kona - Mac Forum
Hi - everyone wants a T-Tap. But the question is audio sync. To have sync audio while monitoring the T-Tap, do you have to monitor the de-embedded audio output from the HD-SDI or HDMI output - or will the direct out of the Apple audio be in syn
Re: Thunderbolt port on BMD Cinema Camera
by Buddy Couch on Apr 29, 2012 at 12:55:48 pm
in the Blackmagic Design Forum
Hey this is from specs, I hope this helps :). SDI Video Output 1 x 10-bit HD-SDI 4:2:2 with choice of Film or Video Dynamic Range Analog Audio Input 2 x 1/4” jacks for professional balanced analog audio, switchable between mic and line levels. A
Re: Best way to stream a live outdoor event
by Craig Seeman on Apr 27, 2012 at 2:46:48 pm
in the Web Streaming - Audio|Video Forum
What you do may depend on your budget and onsite wireless conditions. You could use a Teradek Cube attached to each camera sending by a WifI connection created by the devices to a quad core i7 laptop with Telestream Wirecast which you can use to sw
NAB 2012: Matrox Video Systems
by Debra Kaufman on Apr 27, 2012 at 10:32:46 am
in the Matrox Video Systems Forum
Matrox debuted Matrox MicroQuad, a four channel SDI-to-MDMI multi-viewer for $995 and an adapter to expand the Mac workspace for $179. In addition to these choice and nicely priced products, the company announced support for Adobe Creative Suite 6 Pr
Re: Adding hard drive or solid state to my XL-H1 camera?
by Todd Terry on Apr 25, 2012 at 9:20:11 pm
in the Canon Cameras Forum
I won't recommend any particular one, Bohus... but of the ones that you mentioned (and another I will add) I'll give you some things to think about. The Firestore recorders (unless they have newer/different/better ones than the last time I looked
Re: ATEM TV Studio with Livestream
by Bob Zelin on Apr 25, 2012 at 1:55:38 am
in the Blackmagic Design Forum
James - I am going to kiss you. I just put in a new ATEM TV Studio today, and we were talking about Livestream Procaster and this link - http://new.livestream.com/images/marketing/encoder/Procaster-Certified-Devices.pdf and discussing which
Re: ATEM Television Studio Camera Inputs
by Brock Raum on Apr 23, 2012 at 10:39:51 pm
in the Blackmagic Design Forum
You would need component to either HDMI or HD-SDI converters because those are the only inputs available on the TVD. The ATEM 1 has 1 component input but it would be cheaper just to buy a few converters which black magic sells as well.
Re: EX3 Timecode Input & Genlock
by Seth Tours on Apr 23, 2012 at 9:09:59 pm
in the Live & Stage Events Forum
For the HD-SDI signal from the camera, use solid core 75Ohm coax cable. Timecode is an audio signal. For long timecode runs, use XLR balanced audio cables. For genlock you can use any 75Ohm coax cable. I DO NOT reccomend looping timecode or
Re: EX3 Timecode Input & Genlock
by Jeff Stroming on Apr 23, 2012 at 4:43:04 pm
in the Live & Stage Events Forum
Sorry not really understanding what you're saying....I'm guessing you're saying I need HD-SDI cable (digital video coax) for both the genlock input and Timecode input on the EX3, and that standard analog coax won't work. Not understanding what you me
HPX 370 Blurry in Concert lighting conditions
by Scott McClennen on Apr 23, 2012 at 3:28:23 pm
in the Panasonic HVX - HPX (P2) Forum
I am currently using two brand new HPX370's at a major concert venue. We are not using CCUs, rather just taking the straight HD-SDI out of the camera. Over the weekend, we needed to move one camera farther away from its normal near the stage po
Re: Is BlackMagic Going To Forever Change the HD DSLR video World?
by Peter J. DeCrescenzo on Apr 23, 2012 at 8:25:24 am
in the DSLR Video Forum
[Phil Balsdon] "I have some major reservations with this camera. 1) It's not a Super35 sensor, it's only approximately Super16 size which is about half the size. Anyone introducing a camera that doesn't have a Super35 sensor today is way behind the
Re: Component Input for Scopebox same as HD-SDI?
by Juan Salvo on Apr 22, 2012 at 10:17:56 pm
in the DaVinci Resolve Forum
If you're comparing 4:2:2 signals from component vs hd-sdi, it should be the same. Assuming your signal path is clean all the way through. D-A on the output side, cables, and then A-D on the input side. HD-SDI is a YUV 4:2:2 signal. so you should be
Component Input for Scopebox same as HD-SDI?
by Eric Hansen on Apr 22, 2012 at 8:33:35 pm
in the DaVinci Resolve Forum
I took Scopebox for a spin on my last color correction job and it was great, although it worked my older 2.33 C2D Macbook Pro pretty hard. Question though I have a Matrox MXO2 Mini feeding the MBP via Expresscard. the Mini has Component and HDMI i
720p 23.98 repeats frames
by dan luke on Apr 22, 2012 at 12:26:05 am
in the AJA Ki Pro Forum
When I record the HD-SDI signal out of my camera at the 720p 23.98 setting, the Ki-Pro mini recording of the signal is very choppy. As I step through it, every third frame is duplicated. The HDV tape recording doesn't exhibit this problem.
EX3 Timecode Input & Genlock
by Jeff Stroming on Apr 21, 2012 at 9:07:25 pm
in the Live & Stage Events Forum
Hello, I am looking into purchasing 3x EX3's and a Panasonic AV-HS410 Switcher for live events. In order to sync the cameras easily in post I am assuming I will need to run timecode from a master clock (I'm looking into the ESE LX-362U) to each
Timecode Input & Genlock Question
by Jeff Stroming on Apr 21, 2012 at 4:54:56 pm
in the Sony XDCAM - EX & Related Forum
Hello, I am looking into purchasing 3x EX3's and a Panasonic AV-HS410 Switcher for live events. In order to sync the cameras easily in post I am assuming I will need to run timecode from a master clock (I'm looking into the ESE LX-362U) to each
Re: Video Streaming with ATEM Television Studio and recorder
by Matthew Galvin on Apr 21, 2012 at 4:27:57 am
in the Blackmagic Design Forum
Check the connection diagrams here - HD/SDI and HDMI input. http://blackmagic-design.com/products/atemtelevisionstudio/
News: Vision Research Introduces the Versatile Phantom Miro M320S Compact Digital High-Speed Camera
by Cow News Droid on Apr 20, 2012 at 5:12:29 pm
in the NEWS: Product News Releases Forum
New Phantom Miro M320S Designed for a Variety of Applications From Scientific Research to Creative Media (Wayne, NJ--April 20, 2012) Vision Research, the leading manufacturer of digital high-speed imaging systems, presents the Phantom® Miro® M320S
Decklink HD Extreme 3D and Media Composer 1 frame timecode offest
by Pat Horridge on Apr 20, 2012 at 3:28:28 pm
in the Blackmagic Design Forum
Sorry crossed posted int he Avid forum as well: But have setup 2 new systems with the Decklink Extreme cards for Media Composer V6 and installed the 9.5 driver. Testing using BITC capture of SDI SD content and HD-SDI content show a 1 frame picture
News: PESA Demonstrates 3G-SDI Fiber Routing Switcher with New MFP Technology from Advanced Fiber Pr
by Cow News Droid on Apr 19, 2012 at 4:07:32 pm
in the NEWS: Product News Releases Forum
(Huntsville, Alabama--April 19, 2012) PESA, a leading U.S.-based custom design and build manufacturing company for professional audio and video signal distribution, today announced a new concept in fiber optic backplane design that uses MiniCube™ Min
GTX 470 fermi freezes on MacPro3,1 / Lion 10.7.3 / nVidia drivers
by Kilian Hirt on Apr 19, 2012 at 1:58:33 pm
in the Adobe Premiere Pro Forum
H-lo, it´s me back here. After considering buying a card from the trusted Macvidcards I decided to give a regular PC-card (MSI NGTX 470 Twin Frozr II) a shot. This wasn´t only about price, as I totally respect the work of David, but also availabilit
Is the New Blackmagic Cinema Camera the HDSLR Killer?
by Marco Solorio on Apr 18, 2012 at 10:07:47 pm
in the DSLR Video Forum
Marco Solorio of OneRiver Media dissects Blackmagic Design's new Cinema Camera to see if it is in fact, the much-anticipated HDSLR-killer everyone's been waiting for over the years. But with a comparatively smaller sensor size and radical body design
Re: ATEM Television studio?
by Mike Squires on Apr 18, 2012 at 5:53:36 pm
in the Blackmagic Design Forum
SDI stands for Serial Digital Interface. Yes, SDI is standard def, and HD-SDI is high def, though both use the same types of cables. The TVS takes both SDI and HD-SDI (and HDMI), and the mini-converter I linked to does both SDI and HD-SDI. Som
Re: ATEM Television studio?
by Bob Jacob on Apr 18, 2012 at 5:28:32 pm
in the Blackmagic Design Forum
I hope you will excuse my ignorance, I have never even read up on SDI, I was under the impression that SDI was standard def, and that HD-SDI was the high def version.
Needed, a Stereoscopic Video Shooting/Editing Training Conference or Seminar
by Russell Gann on Apr 18, 2012 at 4:11:21 pm
in the Stereoscopic 3D Forum
Does anyone know of any quality conferences or training events for professionals working in stereoscopic video. In the past year I began shooting and editting to familiarize myself with this growing technology. I am looking for an event to learn from
News: Marquise Technologies and NextComputing Demonstrate Advanced Image Processing for On-Set / Nea
by Cow News Droid on Apr 17, 2012 at 5:19:52 pm
in the NEWS: Product News Releases Forum
M I S T digital cinema, ingest and color grading software now certified for NextComputing portable workstations (Las Vegas: NAB 2012--April 17, 2012) Marquise Technologies, designers of state-of-the-art solutions for post-production, television an
Re: BMD Cinema Camera!
by João Santos on Apr 17, 2012 at 9:46:01 am
in the Blackmagic Design Forum
I would love to use it on TV news studio. We have SD cameras with B4 mount lens from Canon. How long can be the thunderbolt cable for image control? The HD-SDI is clean feed Full HD? Its a great price for Studio Camera.
News: Colorfront Previews On-Set Dailies 2012 Summer Release
by Cow News Droid on Apr 17, 2012 at 12:11:10 am
in the NEWS: Product News Releases Forum
Next On-Set Dailies release extends industry-leading 4K dailies performance (Las Vegas: NAB 2012--April 17, 2012) Academy Award-winning developer Colorfront is previewing On-Set Dailies Summer 2012 release, the next version of its Award-winning on
News: Matrox Ships New Multichannel 3G, HD, and SD I/O Cards for Developers
by Cow News Droid on Apr 16, 2012 at 11:35:41 pm
in the NEWS: Product News Releases Forum
Cost-Effective Matrox DSX LE3 Cards Already Designed Into Professional Products From AmberFin and EditShare (Las Vegas: NAB 2012--April 16, 2012) Matrox® Video Products Group today introduced the Matrox DSX LE3 family of cost-effective I/O cards
News: Bluefish444 Announces Cross Platform 3d HD SDI Preview For Assimilate Scratch® And Scratch Lab
by Cow News Droid on Apr 16, 2012 at 11:21:32 pm
in the NEWS: Product News Releases Forum
(Las Vegas: NAB 2012--April 16, 2012) Bluefish444, manufacturer of the industry’s highest-quality uncompressed 4K/2K/HD/SD SDI video cards, announced that it has collaborated with ASSIMILATE to provide Windows and MacOSX® X 3D HD SDI support for SCR
News: Bluefish444 Announces Cross Platform 3d HD SDI Preview For Assimilate Scratch® And Scratch Lab
by Cow News Droid on Apr 16, 2012 at 11:21:32 pm
in the Assimilate Scratch Forum
News: Production Tool Store To Offer The Ocean Tides WaveCart Production Dailies Cart, Based on SCRA
by Cow News Droid on Apr 16, 2012 at 11:17:19 pm
in the NEWS: Product News Releases Forum
(Vancouver British Columbia, Canada--April 16, 2012) Production Tool Store releases their WaveCart Production Dailies Cart, based on ASSIMILATE’s Scratch Lab® software, containing the latest production dailies and color grading technology for filmmak
Re: BMD Cinema Camera!
by Hal Lovemelt on Apr 16, 2012 at 10:32:16 pm
in the Blackmagic Design Forum
when you say that do you mean content aquisition, or for live... Im very curious if the HD-SDI feed is capable of live video... any idea?
News: Codex Announces Support For Canon Cinema EOS Cameras
by Cow News Droid on Apr 16, 2012 at 10:00:10 pm
in the NEWS: Product News Releases Forum
Codex Delivers 4K Workflow for Canon Cinema EOS Digital Cameras (London, UK--April 16, 2012) Codex, the leading developer of digital media recorders and media management systems for film and television production, today announces that its Onboard
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