| | | | Re: What IO card will you use for CS6?
by Tom Daigon on May 2, 2012 at 4:19:49 am
in the Adobe Premiere Pro Forum
Im very familiar with Adobe Transmit. It means you can use just regular Adobe sequences (CUDA and all) and get HD SDI play out thru AJA, BM or Matrox hardware into an engineering monitor or tape machine. Adobe provided a hook for third party vendors | | | | |
| | | | Re: What are you thinking about CS6?
by David Jahns on May 1, 2012 at 10:23:22 pm
in the Apple FCPX or Not: The Debate Forum
[Walter Soyka] "Of cours SpeedGrade can do proper video out, but it does require an NVIDIA HD-SDI daughter card -- meaning it also requires a Quadro GPU and a PC. "
Ok, Thanks, Walter. So SpeedGrade on Mac is apparently hobbled - but works on Win | | | | |
| | | | Re: What are you thinking about CS6?
by Walter Soyka on May 1, 2012 at 10:09:03 pm
in the Apple FCPX or Not: The Debate Forum
[David Jahns] "I've heard conflicting things about Speed Grade and the video output. I heard that SG does NOT support Transmit, and therefore the "Grading Application" can't actually output to a calibrated monitor. If so, that's ummm... disappointing | | | | |
| | | | Re: Panasonic BT300
by Juan Salvo on May 1, 2012 at 9:54:55 pm
in the DaVinci Resolve Forum
Well the dual link hd-sdi card is pretty much a must have. For calibration, you can adjust the 10 point system by hand through the remote, but some software will also let you connect to it through Ethernet and do manual adjustments over a software in | | | | |
| | | | Re: MC6 and HMC150 workflow issues?
by Tim Vaughan on May 1, 2012 at 8:58:17 pm
in the AVID Forum
http://community.avid.com/forums/p/101842/586388.aspx
"The cameras normally split up into 2GB chunks"
In the past, Avid has a HUGE problem importing the spanned clips. It basically didn't work. I think in 6, the workaround is the AMA in and then | | | | |
| | | | time code
by Nick Price on May 1, 2012 at 1:17:56 pm
in the Blackmagic Design Forum
Hi
i have a decklink studio, and just got a new JVC 21L4 HD monitor. Looks great.
It has an option to read and display timecode over the HD sdi lead. It works when reading from a camera SDI output but not when playing from FCP. I know Kona cards | | | | |
| | | | V4HD as embedder
by Jeff Stroming on Apr 30, 2012 at 10:35:36 pm
in the MOTU V4HD Forum
I am wondering if the V4HD can embed 8 channels of XLR audio on an HD-SDI signal. I would want to input 8x XLR inputs, as well as the HD-SDI with no audio, and combine and output them to one single HD-SDI output. Can this be achieved with the V4HD? C | | | | |
| | | | NAB 2012: JVC
by Debra Kaufman on Apr 30, 2012 at 10:36:47 am
in the JVC cameras/decks Forum
JVC had a dynamic year for cameras and monitors. The company released the new GY-HM650 handheld mobile news camera, the result of its intention to support the Advanced Media Workflow Association "AS-10: MXF for Production" project. The comp | | | | |
| | | | T-Tap question (audio)
by Bob Zelin on Apr 29, 2012 at 10:35:43 pm
in the AJA Kona - Mac Forum
Hi -
everyone wants a T-Tap. But the question is audio sync. To have sync audio while monitoring
the T-Tap, do you have to monitor the de-embedded audio output from the HD-SDI or HDMI output - or will the direct out of the Apple audio be in syn | | | | |
| | | | Re: Thunderbolt port on BMD Cinema Camera
by Buddy Couch on Apr 29, 2012 at 12:55:48 pm
in the Blackmagic Design Forum
Hey this is from specs, I hope this helps :).
SDI Video Output 1 x 10-bit HD-SDI 4:2:2 with choice of Film or Video Dynamic Range
Analog Audio Input 2 x 1/4” jacks for professional balanced analog audio, switchable between mic and line levels.
A | | | | |
| | | | NAB 2012: Matrox Video Systems
by Debra Kaufman on Apr 27, 2012 at 10:32:46 am
in the Matrox Video Systems Forum
Matrox debuted Matrox MicroQuad, a four channel SDI-to-MDMI multi-viewer for $995 and an adapter to expand the Mac workspace for $179. In addition to these choice and nicely priced products, the company announced support for Adobe Creative Suite 6 Pr | | | | |
| | | | Re: ATEM TV Studio with Livestream
by Bob Zelin on Apr 25, 2012 at 1:55:38 am
in the Blackmagic Design Forum
James -
I am going to kiss you. I just put in a new ATEM TV Studio today, and we were talking about Livestream Procaster and this link -
http://new.livestream.com/images/marketing/encoder/Procaster-Certified-Devices.pdf
and discussing which | | | | |
| | | | Re: ATEM Television Studio Camera Inputs
by Brock Raum on Apr 23, 2012 at 10:39:51 pm
in the Blackmagic Design Forum
You would need component to either HDMI or HD-SDI converters because those are the only inputs available on the TVD. The ATEM 1 has 1 component input but it would be cheaper just to buy a few converters which black magic sells as well. | | | | |
| | | | Re: EX3 Timecode Input & Genlock
by Seth Tours on Apr 23, 2012 at 9:09:59 pm
in the Live & Stage Events Forum
For the HD-SDI signal from the camera, use solid core 75Ohm coax cable.
Timecode is an audio signal. For long timecode runs, use XLR balanced audio cables.
For genlock you can use any 75Ohm coax cable.
I DO NOT reccomend looping timecode or | | | | |
| | | | Re: EX3 Timecode Input & Genlock
by Jeff Stroming on Apr 23, 2012 at 4:43:04 pm
in the Live & Stage Events Forum
Sorry not really understanding what you're saying....I'm guessing you're saying I need HD-SDI cable (digital video coax) for both the genlock input and Timecode input on the EX3, and that standard analog coax won't work. Not understanding what you me | | | | |
| | | | HPX 370 Blurry in Concert lighting conditions
by Scott McClennen on Apr 23, 2012 at 3:28:23 pm
in the Panasonic HVX - HPX (P2) Forum
I am currently using two brand new HPX370's at a major concert venue. We are not using CCUs, rather just taking the straight HD-SDI out of the camera.
Over the weekend, we needed to move one camera farther away from its normal near the stage po | | | | |
| | | | Re: Component Input for Scopebox same as HD-SDI?
by Juan Salvo on Apr 22, 2012 at 10:17:56 pm
in the DaVinci Resolve Forum
If you're comparing 4:2:2 signals from component vs hd-sdi, it should be the same. Assuming your signal path is clean all the way through. D-A on the output side, cables, and then A-D on the input side. HD-SDI is a YUV 4:2:2 signal. so you should be | | | | |
| | | | Component Input for Scopebox same as HD-SDI?
by Eric Hansen on Apr 22, 2012 at 8:33:35 pm
in the DaVinci Resolve Forum
I took Scopebox for a spin on my last color correction job and it was great, although it worked my older 2.33 C2D Macbook Pro pretty hard. Question though
I have a Matrox MXO2 Mini feeding the MBP via Expresscard. the Mini has Component and HDMI i | | | | |
| | | | 720p 23.98 repeats frames
by dan luke on Apr 22, 2012 at 12:26:05 am
in the AJA Ki Pro Forum
When I record the HD-SDI signal out of my camera at the 720p 23.98 setting, the Ki-Pro mini recording of the signal is very choppy. As I step through it, every third frame is duplicated. The HDV tape recording doesn't exhibit this problem. | | | | |
| | | | EX3 Timecode Input & Genlock
by Jeff Stroming on Apr 21, 2012 at 9:07:25 pm
in the Live & Stage Events Forum
Hello,
I am looking into purchasing 3x EX3's and a Panasonic AV-HS410 Switcher for live events.
In order to sync the cameras easily in post I am assuming I will need to run timecode from a master clock (I'm looking into the ESE LX-362U) to each | | | | |
| | | | Timecode Input & Genlock Question
by Jeff Stroming on Apr 21, 2012 at 4:54:56 pm
in the Sony XDCAM - EX & Related Forum
Hello,
I am looking into purchasing 3x EX3's and a Panasonic AV-HS410 Switcher for live events.
In order to sync the cameras easily in post I am assuming I will need to run timecode from a master clock (I'm looking into the ESE LX-362U) to each | | | | |
| | | | Is the New Blackmagic Cinema Camera the HDSLR Killer?
by Marco Solorio on Apr 18, 2012 at 10:07:47 pm
in the DSLR Video Forum
Marco Solorio of OneRiver Media dissects Blackmagic Design's new Cinema Camera to see if it is in fact, the much-anticipated HDSLR-killer everyone's been waiting for over the years. But with a comparatively smaller sensor size and radical body design | | | | |
| | | | Re: ATEM Television studio?
by Mike Squires on Apr 18, 2012 at 5:53:36 pm
in the Blackmagic Design Forum
SDI stands for Serial Digital Interface. Yes, SDI is standard def, and HD-SDI is high def, though both use the same types of cables.
The TVS takes both SDI and HD-SDI (and HDMI), and the mini-converter I linked to does both SDI and HD-SDI.
Som | | | | |
| | | | Re: ATEM Television studio?
by Bob Jacob on Apr 18, 2012 at 5:28:32 pm
in the Blackmagic Design Forum
I hope you will excuse my ignorance, I have never even read up on SDI, I was under the impression that SDI was standard def, and that HD-SDI was the high def version. | | | | |
| | | | Re: BMD Cinema Camera!
by João Santos on Apr 17, 2012 at 9:46:01 am
in the Blackmagic Design Forum
I would love to use it on TV news studio. We have SD cameras with B4 mount lens from Canon.
How long can be the thunderbolt cable for image control?
The HD-SDI is clean feed Full HD?
Its a great price for Studio Camera. | | | | |
| | | | Re: BMD Cinema Camera!
by Hal Lovemelt on Apr 16, 2012 at 10:32:16 pm
in the Blackmagic Design Forum
when you say that do you mean content aquisition, or for live... Im very curious if the HD-SDI feed is capable of live video... any idea? | | | | |
|
|
