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Green Screen

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	COW Tags : Compositing


	Re: Should I use progressive on EX1 for greenscreen, even when shooting 4:2:2? by Bob Mark on May 19, 2012 at 2:52:47 pm in the Sony XDCAM - EX & Related Forum I just did a 1080 30p green screen shoot with an EX1. Results were excellent!


	Green screen - need to match the lighting with the scene by Tom Daniels on May 19, 2012 at 9:40:42 am in the Adobe Photoshop Forum Hey guys, I am making a short movie and I came across this hard task. We have filmed our selves with a green screen and need it to look like we're on the edge of the building. Everything up until this is fine, but the lighting doesn't match at all.


	News: National Lampoon Shoots at Hollywood Center Studios by Cow News Droid on May 18, 2012 at 8:21:36 pm in the NEWS: Product News Releases Forum (Hollywood, California--May 18, 2012) Hollywood Center Studios recently played host to the cast and crew of National Lampoon’s Another Dirty Movie. Directed Jonathan Silverman, the film is the sequel to National Lampoon’s Dirty Movie, a sketch comedy


	Re: blurring or ghosting or kind of clonning, looking for example and how to do by Dave LaRonde on May 18, 2012 at 5:27:42 pm in the Adobe After Effects Techniques Forum You can still do it, but you'd better prepare yourself for detailed, painstaking work and lots of it. Here are some resources for rotoscoping. You should be able to use many of the techniques covered. I have to tell you: this is very difficult


	Re: Keying green screen AVCHD footage by Brock Jolet on May 18, 2012 at 4:25:06 pm in the Adobe After Effects Techniques Forum I converted to ProRes 4444, did the effects work, then delivered to the editor. I'm not sure if they continued to work with the 4444 or down converted, but I would imagine they kept the ProRes files.


	Pinning 2D shots to 3D locations in 360 degree pan shot by Derek Night on May 18, 2012 at 4:03:58 pm in the Adobe After Effects Forum I'm trying to figure out how to accomplish this. So basically: 1. I'll have a 360 degree pan shot, which I plan to loop. 2. I'll also have various green screen shot objects. 3. I want to "pin" these green screen shot objects to certain locati


	Pinning 2D shots to 3D locations in 360 degree pan shot by Derek Night on May 17, 2012 at 10:31:30 pm in the Adobe After Effects Techniques Forum I'm trying to figure out how to accomplish this. So basically: 1. I'll have a 360 degree pan shot, which I plan to loop. 2. I'll also have various green screen shot objects. 3. I want to "pin" these green screen shot objects to certain locati


	News: The Senate VFX Completes 186 Visual Effects Shots on "Dark Shadows" by Cow News Droid on May 17, 2012 at 10:22:11 pm in the NEWS: Product News Releases Forum (London, UK--May 17, 2012) The Senate VFX completed 186 shots in Warner Bros. Pictures’ and Village Roadshow Pictures’ “Dark Shadows,” a Tim Burton film, which opened May 11th. Anton Yri, The Senate’s visual effects supervisor on the film, working w


	News: Photron USA Introduces New Pricing for PRIMATTE V for Smoke on Mac by Cow News Droid on May 17, 2012 at 9:33:58 pm in the NEWS: Product News Releases Forum New Version of PRIMATTE Makes Chromakeying Even Easier for Autodesk® Smoke on Mac® Systems. (Cameron Park, California--May 17, 2012) Photron USA, Inc., the distribution arm of IMAGICA Technologies Corp., the engineering solutions division company


	Re: Using puppet tool on video/film (moving object)? by Gabriel Bergeron on May 17, 2012 at 9:01:30 pm in the Adobe After Effects Forum This is a film stunt and I want to accentuate the effect using something like the puppet tool. I have green screen footage of the subject getting pulled by stunt wires and I want to make subtle changes to the dynamic of the impact. When you said


	Complete Video Production Studio Equipment For Sale by derek townsend on May 17, 2012 at 5:46:28 pm in the Classifieds, Personal Forum Please email me for a list: Lighting Green Screen Camera (JVC PROHD) Tripod/mount NLE system (MacPro) Adobe Master Suite CS5.5 Computer monitors DVD/VHS player Sony Handycam Microphones Cables Everything you need to start/add to a vid


	Re: Keyed Subject clothing always flickering by Kevin Camp on May 17, 2012 at 4:41:36 pm in the Adobe After Effects basics Forum you may be seeing keylight's despill efforts, where it tries to remove any green screen color that spills on the subject from the screen. this often looks a bit like noise that gets added to the subject. to double check that that is the issue, to


	Keyed Subject clothing always flickering by dan caz on May 17, 2012 at 4:14:45 pm in the Adobe After Effects basics Forum I have this reoccurring problem when I am using a green screen and that is when I remove the green and make the adjustments (with keylight)my subject has this flickering effect happening all the time. Especially in darker colors like blue jeans or a


	Re: Is there a way to adjust keylight to key out only a certain luminance value? by Dave LaRonde on May 17, 2012 at 3:06:03 pm in the Adobe After Effects Forum [Andreas Sizynski] "I plan on evenly lighting the green screen, but there is some green in the actual set." If the green in the set doesn't move, it's easy: make a mask so it alone can be seen. Then put it above the layer with Keylight applied.


	Service: Octopod Video Labs by Kyle Fordrung on May 16, 2012 at 7:40:34 pm in the COW - Services Forum I am a freelance videographer and editor, with several years of professional, freelance and personal experience. I am well-versed with every phase of the production process, and I have been involved in a multitude of projects - from short form doc


	Octopod Video Labs by Kyle Fordrung on May 16, 2012 at 12:40:34 pm in the Forum I am a freelance videographer and editor, with several years of professional, freelance and personal experience. I am well-versed with every phase of the production process, and I have been involved in a multitude of projects - from short form docume


	Is there a way to adjust keylight to key out only a certain luminance value? by Andreas Sizynski on May 16, 2012 at 3:02:40 am in the Adobe After Effects Forum Hey guys, I have a scene I am working on that has elements of green in the foreground, and a green screen in the back. I plan on evenly lighting the green screen, but there is some green in the actual set. The green screen is in the frame, but largel


	News: Behind the Scenes: "The Avengers" in Albuquerque, NM by Cow News Droid on May 16, 2012 at 1:44:48 am in the NEWS: Product News Releases Forum Ever wonder what it takes to make a big blockbuster movie? Albuquerque Studios spills the beans on how "The Avengers" was shot on the studio lot. (May 16, 2012) Albuquerque, New Mexico played a big role in the making of Marvel Studios’ box office


	Re: Keying green screen AVCHD footage by Brandon Cranor on May 15, 2012 at 10:13:32 pm in the Adobe After Effects Techniques Forum So is the best thing to up convert footage to ProRes4444 do the edit and then down convert it back to something more manageable?


	Re: HPX 250 Green Screen by Tom Matthies on May 15, 2012 at 7:27:08 pm in the Panasonic HVX - HPX (P2) Forum Agreed. AVC-Intra 100 is the way to go.


	Building an in-house studio... by Mike Little on May 15, 2012 at 4:42:40 pm in the Corporate Video Forum Hi! I have been doing some light video work for my company for a couple of years. I usually just go into someone's office and they talk about something important to our clients, I edit it a bit, then it goes up on YouTube or Vimeo. Simple stuff. I am


	Luma Key or Chroma Key Shoot for White Background Compositing? by Paul Carpenter on May 14, 2012 at 9:36:21 am in the Adobe After Effects Forum Hi everyone, This is my first post here and I'm also pretty new to the wonderful world of AE. I hope you someone can help! I am about to shoot for a vfx sequence to be made in After Effects CS5.5. It will include sportspeople performing on-the


	Problems with Dynamic link between PP & AE (twixtor) by Mc Danito II on May 13, 2012 at 4:57:56 pm in the Adobe After Effects Forum Hi All, i am editing a videoclip i recorded on green screen, my plan whas to: edit the whole clip in Premiere pro cs 5, then do the SFX in After effects. i am done now, i edited the clip in PP, the only effect i used whas TWIXTOR PRO. but n


	Re: How much edit time would you budget? by Andrew Rendell on May 12, 2012 at 12:18:52 pm in the Art of the Edit Forum Very much a "how long is a piece of string" question. TBH, if the green screen shots are expertly (and consistently) lit and recorded at 4:2:2 or 4:4:4 at a high data rate, doing 10 in a day can be quite feasible. But if anything is less than immacul


	Re: Wait for new Macbook Pro? by Bobby Cullipher on May 11, 2012 at 9:48:19 pm in the Apple FCPX or Not: The Debate Forum Thank you, Chris! I apologize for not giving the specifics. Our workflow is the standard, which means there is no standard. We typically shoot/edit XDCAM 1080i60 and h.264... but we receive and edit most every format imaginable. We also do some l


	Re: Green Screen by Tim Little on May 11, 2012 at 5:07:42 pm in the Sony XDCAM - EX & Related Forum Thanks for the reply. I will find out the model number and apply your info.


	Re: Green Screen by Curt Pair on May 11, 2012 at 3:48:40 pm in the Sony XDCAM - EX & Related Forum Tim, Not that much has changed since I originally wrote this. I will say the newer cameras can help in some interesting ways, if you understand them. The main points in ANY chroma key environment are to use a waveform monitor to ensure your


	Re: Green Screen by Tim Little on May 11, 2012 at 3:09:33 pm in the Sony XDCAM - EX & Related Forum Curt I am just getting in to Green Screen video production. I am using FCP X and a Sony XDCam, I don't know the model number as the camera is not in my possession. You had given so interesting tips in this posting and seem to be quite knowledgeabl


	Concentric Circles in HPX250 viewfinder by Michael W. Towe on May 11, 2012 at 5:55:52 am in the Panasonic HVX - HPX (P2) Forum Had an interesting experience with my 250 today and I am wondering if anyone else has seen this. I was shooting some green screen footage and I could see some faint concentric circles in the viewfinder on the green screen. It was definitely coming f


	Re: Putting Body Parts Onto a Waterbottle by mathew fuller on May 11, 2012 at 12:21:31 am in the Adobe After Effects Forum I wouldn't suggest shooting a clear bottle filled with water on a green screen and hope for good results when keying. You need to do a CG water bottle or use a still image and animate that... or film it against something neutral and roto it out i


	Re: CS6 is released - so what now? by Jeremy Garchow on May 10, 2012 at 11:19:23 pm in the Apple FCPX or Not: The Debate Forum [Aindreas Gallagher] "I share this too - but, you know, sometimes (a little too much even) you self deprecate with 'I'm dumb' stuff, Jeremy," Hey! I said I'm a nerd, are you calling me dumb? ;-D Really, I can't possibly know everyone's requir


	Putting Body Parts Onto a Waterbottle by Max Baxter on May 10, 2012 at 10:32:25 pm in the Adobe After Effects Forum Okay. For my college project I want to be able to put Arms and Legs onto a few water bottles to make them dance around and bow. The problem is I have no idea how to do this. I think this is how it would be done: Put the bottle on a green table or


	Re: HPX 250 Green Screen by Larry Zapotocky on May 10, 2012 at 8:36:09 pm in the Panasonic HVX - HPX (P2) Forum Thought so, just wanted to put my 2 cents in. Good Luck!


	Re: HPX 250 Green Screen by Arthur Aldrich on May 10, 2012 at 8:05:52 pm in the Panasonic HVX - HPX (P2) Forum AVC-Intra is a 10 bit codec, so if I were shooting green screen I would want it in AVC-Intra 100.


	Re: HPX 250 Green Screen by Chris Tompkins on May 10, 2012 at 7:46:17 pm in the Panasonic HVX - HPX (P2) Forum I would shoot it in HD!


	Re: HPX 250 Green Screen by Larry Zapotocky on May 10, 2012 at 7:02:44 pm in the Panasonic HVX - HPX (P2) Forum I agree with Chris: Lighting is the key. You will also want to have the camera in DVCPro50 mode which is 4:2:2. DVCPro and DV mode are only 4:1:1.


	A really smooth jump to PP CS6... by Armando Ciurana on May 9, 2012 at 11:54:22 pm in the Apple FCPX or Not: The Debate Forum We are a medium size production and post-production company, We´ve been working in Final Cut Studio seats since 2006, and that work very well for us, we have been working with third party software like, Combustion, Davinci, After Effects, etc. with n


	Re: How much edit time would you budget? by Angelo Lorenzo on May 9, 2012 at 5:59:50 pm in the Art of the Edit Forum It's hard to say without diving into the particulars. My big question: is the green screen shot cleanly? Or do you have to do a tweak to every shot? I would budget two weeks (80 hours) because there are some hidden time sinks: ingest, reviewing


	How much edit time would you budget? by Greg Ball on May 9, 2012 at 5:41:02 pm in the Art of the Edit Forum I have a potential client looking to edit 50 1-minute videos that will be shot on green screen with different backgrounds. They'll supply all the background graphics and we'll create the on screen titles. I'm an average speed editor. Do you th


	Re: Premiere Pro CS 6.0: First Impressions by Jeremy Garchow on May 8, 2012 at 8:59:08 pm in the COW - Tutorials Forum I'd just like to Ross in here that I was on a green screen shoot today with two Arri Alexa's shooting 444. I brought the footage in to After Effects cs6 and, wow. I don't have the newest MacBook Pro and pulling keys in 1080 working @ 32bit wa


	Re: CS6 big dissappointment by Steve Brame on May 8, 2012 at 1:28:26 pm in the Adobe Premiere Pro Forum OK...certainly not a scientific comparison of Apples(pun intended) to oranges, but I just did a test. Since I'm PC-based, I couldn't used ProRes, but we transcode to Cineform, and I happened to have a green screen talking head clip handy. The clip is


	Re: How does AVID handle image scaling--even Premiere does it better. by hamish boyd on May 8, 2012 at 6:59:01 am in the AVID Forum Hi all, first post in a long time, and its because of my recent journey to avid from final cut. This thread essentially answers the big question I've had to get resolved so thank you. So my next question is... what's the workflow you use then?


	Re: Official Open CL test on Macbook Pro...results by Erik Mickelson on May 8, 2012 at 3:29:03 am in the Adobe Premiere Pro Forum Hardware Overview: Model Name: MacBook Pro Model Identifier: MacBookPro8,3 Processor Name: Intel Core i7 Processor Speed: 2.3 GHz Number of Processors: 1 Total Number of Cores: 4 L2 Cache (per Core): 256 KB L3 Cache: 8 MB


	News: Oishii Creative Designs High-Energy Main Titles & GraphicsPackage For Discovery Channel's "Auc by Cow News Droid on May 7, 2012 at 10:55:25 pm in the NEWS: Product News Releases Forum (May 7, 2012) How much would you bid on an authentic Elvis Presley gold and diamond bracelet? For the new season of "Auction Kings," the popular reality TV series on Discovery Channel, creative agency Oishii Creative developed a dramatic show open an


	Re: HPX 250 Green Screen by Chris Tompkins on May 7, 2012 at 6:57:02 pm in the Panasonic HVX - HPX (P2) Forum You'll be fine. Turn it on and shoot. Lighting, Lighting, Lighting will make the shot or break it.


	HPX 250 Green Screen by Joseph Kalouch on May 7, 2012 at 3:29:29 am in the Panasonic HVX - HPX (P2) Forum Hey everyone We have a green screen shoot in the coming few days, we were only able to rent the HPX250 P2 Panasonic and this is the first time i work with P2 cameras, I'm looking for tips on setting it up to get the best results on a green screen.


	Advice on chroma key editing software by Zara Macalister on May 5, 2012 at 6:17:40 pm in the Corporate Video Forum I'm going to be working together with a client to produce short corporate videos shot against green screen. I would normally use FCP for editing this stuff, but they'd like it to be edited on PCs (as they are PC based). As I will have to learn to use


	Re: Hideous horizontal distortion by Michael Gissing on May 5, 2012 at 12:38:11 pm in the Apple Final Cut Pro Forum FCPX has a better green screen keyer than FCP7 so that part is good. Still the problem is in fields and interlacing. You need to make sure all clip your field order is correct to the sequence settings. The reason I asked for clip and sequence set


	Re: Hideous horizontal distortion by Michael Gissing on May 5, 2012 at 7:45:10 am in the Apple Final Cut Pro Forum Looks like interlace with fields wrong on a progressive screen. What is your footage? What format did you shoot and what does FCP say about field order of the original clips and your sequence settings. Also did you do the green screen work outside


	Re: AIC or Pro Res for gfx heavy workflow by Matt Ferguson on May 4, 2012 at 3:28:17 pm in the Apple Final Cut Pro Forum thanks for the reply Michael. The Canon XF100 produces an MXF file format, so is that possible to be used in AE? Naturally I would think no but then again I never thought about it before. These videos are shot entirely on green screen and averagin

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