| | | | Re: Log and Capture - Not Progressive Problem
by Nick DeMicco on Apr 9, 2012 at 2:58:06 pm
in the Apple Final Cut Pro Forum
[Shane Ross] "You say that they DO NOT have the option to telecine to a digital file? They can ONLY telecine to DV? They are WAY BEHIND in the times. I'd find somewhere else to go. SD...and DV specifically...is dying. Dead in most areas...especially | | | | |
| | | | Re: Log and Capture - Not Progressive Problem
by Shane Ross on Apr 6, 2012 at 7:03:04 pm
in the Apple Final Cut Pro Forum
[Nick DeMicco] "Anyway, would you be able to give me the steps on how to do this?"
Tis in the manual...
http://documentation.apple.com/en/cinematools/usermanual/index.html#chapter=8%26section=4%26tasks=true
[Nick DeMicco] "And is it possible | | | | |
| | | | Director of Development
by Kelley Lassiter on Mar 13, 2012 at 7:10:44 pm
in the JOBS Offered - Higher Pay Forum
Our client is a digital agency - not a technology company. They use technology to solve marketing challenges, create brand opportunities, and expand the regional, national or global presence of our clients. You will be reporting directly to the chief | | | | |
| | | | Re: Séance - Phantom Camera Software for your Mac!
by Ross Pimlott on Mar 13, 2012 at 1:23:18 pm
in the Glue Tools Forum
Just wanted to congratulate Bob on such a great job following the completion Séance. Have been using it now since its release and have been thoroughly impressed with the results. Being able to use a Mac to control the cines from playback to download | | | | |
| | | | Walking, jumping text in after effects?
by Scot Warner on Mar 5, 2012 at 2:14:03 pm
in the Adobe After Effects Forum
I've been searching the web for this but have come up with no luck so far so it may not be that easy to do (especially in after effects). I basically want to make some text jump out of our company logo and some letters to begin walking and others hop | | | | |
| | | | Re: text not aligning to top in CSS box
by Heather Kirleis on Feb 24, 2012 at 2:51:07 pm
in the Adobe Dreamweaver Forum
Sure, but it's a lot. On this page I'm using a table because I want columns. Nothing is going to the top even though I specify align top on everything! I'm a print designer just learning to use Dreamweaver. It's very difficult converting over and hav | | | | |
| | | | Re: Shooting Interviews
by Nick Griffin on Feb 21, 2012 at 11:03:32 pm
in the COW - Tutorials Forum
Mike-
This is a good start and I too will probably think of more things after putting up this post.
I'll start be re-stating your point about the cleanliness of equipment. We routinely go from factory floors one day to CEO offices the next. That' | | | | |
| | | | Re: Extrude Nurbs and joint tool
by Brian Jones on Feb 15, 2012 at 6:18:40 am
in the Cinema 4D Forum
what version? You can set up an IK Chain without using joints at all (just using objects or even Nulls) and the box parts would not flex at all (I'm guessing that's the problem since I can't see your example).
Another possibility depending on how c | | | | |
| | | | Séance - Phantom Camera Software for your Mac!
by Robert Monaghan on Feb 11, 2012 at 10:51:11 pm
in the Glue Tools Forum
Hi Everyone!
I am thrilled to announce that I have made the first version of Séance available from our website!
Séance is a tool that will let you download Cine files directly onto your Mac.
You will no longer have to boot up a Windows | | | | |
| | | | Re: Is 60i better for slow motion than 30p?
by Neil Redman on Feb 8, 2012 at 10:56:59 am
in the Cinematography Forum
[Todd Terry] "Well, no... you want the frame rate be appropriate to the amount you want to slow-mo, not necessarily the highest possible. You wouldn't want to shoot 1500fps with a Phantom camera if you only wanted to slow-mo by 50%, obviously."
I | | | | |
| | | | Re: Essential non-camera must haves?
by Nick Griffin on Feb 3, 2012 at 3:44:59 pm
in the Field Production Forum
For true "run and gun" I like to carry a small pop-out "Lite Disc" / "Flex Fill" reflector. It helps open up eyes and other shadows when working with ambient light, weighs only a few ounces (.056kg) and our smallest one folds down to about a foot aro | | | | |
| | | | not a newbie but still in need of teaching !! :P
by Tony Dove on Feb 1, 2012 at 8:39:54 pm
in the Cinema 4D Forum
right .. ive been trying to rig up a flexible hose which at each end is connected to two seperate objects ..ie:- between a helmet and back pack and i want to be able to animate the head turn with the flexible hose connected to the backpack so the h | | | | |
| | | | Re: Phantom 10bit Packed Cine and Resolve 8.1
by Anders Holck on Jan 31, 2012 at 11:14:27 pm
in the DaVinci Forum
Hi Dwaine,
Any updates to this you can share?
.cine performance is really great, the colors are not :-(
Please if possible fix the input color science for .cine packed, and support the new FLEX smpte TC.
Best
Anders | | | | |
| | | | Re: Finding Work
by Thomas Miller on Jan 27, 2012 at 11:15:33 pm
in the Field Production Forum
Looks like you got lots of good tips from people. I would add that you should find something that not a lot of others in your market are doing, or doing well, and become known for it. For example, we've been hiring a young guy a lot who does excellen | | | | |
| | | | Ping Identity: The Device
by Brad Conner on Jan 27, 2012 at 6:31:29 am
in the Corporate Video Forum
I recently got some great client work where they let us do our thing and create this corporate marketing video disguised as a spy film.. It was a ton of fun shooting and editing this piece and we got to really flex our creativity. Feedback is always | | | | |
| | | | Soon: Phantom Camera/CineStation software for the Mac..
by Robert Monaghan on Jan 18, 2012 at 2:23:10 am
in the Glue Tools Forum
Hi Everyone,
I am really thrilled to drop this screen grab!
Its a screen grab of the main interface for "Séance for Mac". Séance is the first tool from Glue Tools that allows you to painlessly work with a Phantom Cinestation, Phantom Flex, Phantom | | | | |
| | | | Flex or Dynamic Object as Particle in PF
by David Chabashvili on Jan 15, 2012 at 6:12:47 pm
in the Autodesk 3ds Max Forum
Hi Guys,
I would appreciate if you can help me with this problem.
I'm on 3dx max 2012. I'm modeling a sthetoscope, which has rubber tube parts, which are flexible. I'm going to put Flex modifier on rubber tube parts to make them flexible under | | | | |
| | | | Morphing in Stereo?
by Ramil Pasibe on Jan 8, 2012 at 11:38:59 am
in the Stereoscopic 3D Forum
I have a project where I have to do morphing from a CG source to a Live footage - the live footage are shot in stereo while the CG materials are 2D only.
Any insights on how to approach this technique? I'm thinking of converting first the CG mater | | | | |
| | | | rendering problems: render won't start..
by viking jonsson on Jan 3, 2012 at 11:31:05 pm
in the Adobe After Effects Forum
Hello,
I posted some questions in an earlier post and the advice I got were very helpful. No I'm stuck with rendering again.
I've been using the demo version of RE:flex Morph to morph stills together and then I've timed remapped the pre-compose | | | | |
| | | | Service: N/A
by Justin Granger on Jan 3, 2012 at 5:13:21 am
in the COW - Services Forum
Freelance 3D animator - Maxi Flex, LLC
10/2011 - 12/2011
Created a instructional 3D video including surgical devices and medical simulations.
(Modeling through compositing)
Freelance rigger/animator
1/2011 - 3/2011
Rigged and animated a chara | | | | |
| | | | N/A
by Justin Granger on Jan 2, 2012 at 9:13:21 pm
in the Forum
Freelance 3D animator - Maxi Flex, LLC 10/2011 - 12/2011 Created a instructional 3D video including surgical devices and medical simulations. (Modeling through compositing) Freelance rigger/animator 1/2011 - 3/2011 Rigged and animated a character for | | | | |
| | | | Windows bug? (corrupt Phantom decode)
by Michael Lindsay on Jan 2, 2012 at 5:41:50 pm
in the DaVinci Forum
New so there may be some user error but:
Windows decoding of Phantom (HD gold tested but I could look at flex if needed) files produces corupt frames and black frames.
The same files decode fine on a MAC.
Is there a place to report problems | | | | |
| | | | Re: Natural Arm Movement
by Justin Berrington on Dec 28, 2011 at 1:00:44 am
in the Adobe After Effects Forum
Yes. Bulging should work fine for the muscle since it will only be the bicep that needs to flex a little.
The cloth just needs to wrinkle and ripple slightly. If I were to use the puppet tool would that cause distortion automatically as the limb | | | | |
| | | | Resolve for windows problem with phantom .cine files
by michael ciancio on Dec 18, 2011 at 4:43:23 am
in the DaVinci Forum
I was looking at at some cine files a few days ago and found that at 21 sec and 14 frames on 24 frames a sec time line the files show a solid black image and on long clips it starts freaking out and flashing different colors and the image moves all o | | | | |
| | | | Re: Anyone else a little frustrated?
by Joshua Helling on Nov 29, 2011 at 6:21:32 pm
in the Blackmagic Design Forum
Gunter,
I'd just like to respond to this to provide perspective here.
1: 72x144 Broadcast Video Hub with SmartControl Panels: You can not use the panel for switching a group of signals more than 2. You can not return routing states from RS 422 | | | | |
| | | | Re: Phantom 10bit Packed Cine and Resolve 8.1
by Anders Holck on Nov 23, 2011 at 1:56:45 pm
in the DaVinci Forum
Sounds great, we are always using packed.
Let me know if you need any test files.
Also Vision research is prepping the new SMPTE Timecode firmware for the Phantom FLEX, any incentive for supporting that?
Best
Anders Holck | | | | |
| | | | Re: Anyone else a little frustrated?
by Gunter Puszkar on Nov 22, 2011 at 10:33:18 am
in the Blackmagic Design Forum
Hi
I would like to extend this to: the blast of products are lacking quality control in hardware and software and support.
Just some samples from the BMD tools we use:
1: 72x144 Broadcast Video Hub with SmartControl Panels: You can not use th | | | | |
| | | | I like the way you move it, baby... Pt. 2 (budget edition)
by Danny Grizzle on Nov 20, 2011 at 7:13:38 pm
in the DSLR Video Forum
Now that the Canon EOS C300 announcement has blown over, I'm more interested than ever in getting the most out of the cameras I've already got.
My first reaction to the C300 was to order an anti-moire filter for my 5D Mk II from Mosaic Engineering | | | | |
| | | | Re: Cheap Backup Camera ?
by Danny Grizzle on Nov 20, 2011 at 6:45:07 pm
in the Canon Cameras Forum
I'm even more jazzed about the Sony HX9V today than I was yesterday.
Go to Amazon.com and search for "pico dolly". Perfect inexpensive tabletop dolly for the HX9V - in fact, the HX9V is featured in many of the promo videos.
I just bought the $9 | | | | |
| | | | Re: I need your feedback
by Danny Grizzle on Nov 19, 2011 at 9:40:42 pm
in the Sony NXCAM Forum
Something else you should look at - the brand new Sachtler Ace. So new, in fact, it has not shipped, but it is due any day now:
http://www.bhphotovideo.com/c/product/822102-REG/Sachtler_1001_Ace_Fluid_Head_with.html
I'm a believer in quality su | | | | |
| | | | Stabilizing a shot in Z space...
by Mel Massadian on Nov 18, 2011 at 3:03:25 pm
in the Adobe After Effects Forum
Hello Everyone,
First of all sorry for my english...
I have a simple request of something i never faced...
So i used a Pico Flex table dolly to make a low shot of an actor laying on the floor,
the camera mouvement is really simple, close up | | | | |
| | | | Phantom and DaVinci
by Pablo García on Nov 11, 2011 at 6:51:42 pm
in the DaVinci Forum
Hi, i just open two files from phantom flex on DaVinci Resolve 8.1 one was the cine.raw and the other was the same but converted to .mov over the pcc 1.3.
the preoblem is that they doesn´t look the same, the .mov looks normal but the cine.raw look | | | | |
| | | | Re: Hinge in R11.5
by Brian Jones on Nov 10, 2011 at 4:06:08 am
in the Cinema 4D Forum
it's hard to make real hinges etc without something like the hinge object - it's sort of possible but getting the tolerances needed where everything moves and doesn't bind up is difficult if not impossible depending on what you are after. It can be d | | | | |
| | | | RE:LEASE
by Michael Wiehart on Nov 6, 2011 at 2:22:23 pm
in the Forum
Michael Wiehart directed this musical travelogue through an atmospheric world, blending live action and high speed liquids shots with 3D animation, we journey through an other-worldly environment.
"RE:LEASE" was shot with the Red Epic and Phantom | | | | |
| | | | Re: Workflow - Phantom Cam & 35mm
by Robert Monaghan on Nov 2, 2011 at 4:39:26 pm
in the AJA Kona - Mac Forum
Actually, the Flex does have TimeCode out. It is a valid and unique timecode signature based (roughly) on the time of day of the shot. When the KiPro records from the back of a Flex, it gets this very same timecode.
Also, I am working on an update | | | | |
| | | | Re: Workflow - Phantom Cam & 35mm
by Julian Lalinde on Nov 2, 2011 at 4:33:56 pm
in the AJA Kona - Mac Forum
Hello,
Been investigating and running some tests and got this information. I guess there is no easy way of managing the Phantom's files.
"u will not be able to match timecode to flex on the raw data via your aja ki pro.
Phantom really has no | | | | |
| | | | Rigid body objects acting like jello jigglers!
by Doug Wattenschaidt on Oct 31, 2011 at 9:58:14 pm
in the Cinema 4D Forum
To give an idea of my history, I'm new-ish to Cinema 4D and 3D modeling. I've gone through almost every lesson from Lynda.com, made the simpler stuff, but now have a project for work that is much more in depth than rolling a ball down stairs.
Usin | | | | |
Podcasts | | | | re:vision effects
RE:Flex Still-to-Still Morphs in AE
In this RE:Vision FX video tutorial, Lori Freitag covers the basics of morphing between still images within Adobe After Effects using the RE:Flex Morph plugin. | | | | |
| | | | re:vision effects
RE:Flex for AE - Morphing in Layers
This RE: Vision Effects video tutorial, Lori Freitag shows the benefits of using a matte within your morph and the difference between doing a one layer morph and a two layer morph using a matte inside Adobe After Effects. | | | | |
| | | | re:vision effects
RE:Flex Morphs in AE - Dissolve Rates
This RE:Vision Effects video tutorial takes the basic morph a step further, explaining how to vary the splines dissolve rates and also how to add additional still-to-still morphs along the same time-line. | | | | |
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