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Final Frame

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	Re: Quick question about pillarboxing HD by Nick Meyers on Mar 30, 2013 at 11:50:11 pm in the Apple Final Cut Pro Forum sorry i was wrong in my last post re the frame sizes. but as for the specifics of getting your final frame size, Compressor is best, and does provide options for pillar-boxing (Padding) in the geometry pane of the inspector. nick


	Commercial for NTSC HD broadcast editing in Avid MC, mix of 50% live action shot in 23.976fps, and 5 by John Kim on Mar 16, 2013 at 3:06:32 am in the AVID Forum Say I'm cutting a national commercial, and let's say that the final delivery will be 1080/60i. Half the commercial is live action, and that incoming footage was shot at 23.976 fps. The other half of the commercial is native animation that is cr


	Re: Apple Final Cut Pro 7 Multi Cam Editing by Trevor Coats on Mar 4, 2013 at 2:40:36 pm in the Apple Final Cut Pro basics Forum Thank you!!! The frame size is 720x576, the aspect ratio is CCIR 601 / DV PAL 5:4) The pixel aspect ratio is PAL-CCIR 601 (720x576) The field dominance is lower (even) the editing timebase is 29.97. The quick time video settings are compressor DV-PAL


	Mondays at Racine Documents Beauty Salon for Cancer Fighters by Debra Kaufman on Feb 24, 2013 at 6:00:00 pm in the Indie Film & Documentary Forum Filmmaker Cynthia Wade - who previously won an Academy Award for Documentary Short Subject for Freeheld - has recently finished Mondays at Racine, a moving piece about two sisters who open up their beauty salon every Monday to cater to breast cancer


	CS MoCam Timing Issues by Ron Moore on Jan 21, 2013 at 12:56:30 am in the Cinema 4D Forum I'm using Cinema 4D R12 Broadcast and everytime I setup camera moves around my scene with CS MoCam I'm always way off in estimating where the camera will be at certain marks where it needs to be in the animation. I usually start placing waypoint cam


	Re: Puppet tool points missing by Dave LaRonde on Jan 10, 2013 at 6:02:23 pm in the Adobe After Effects Forum Start over again. Pick the final frame rate. Happiness ensues. There are some things you simply must decide upon before you begin a project. The frame rate is one of them.


	How to make title text appear at different times? by Jeremy Buhain on Jan 4, 2013 at 12:05:36 am in the Sony Vegas Forum Hi I use Sony Vegas 12, and I want to animate title texts by having different parts of the title appear at different times. For example, I have several words on the final frame of the title animation, but I don't want them to come out at the sa


	Twinkle VFX by Clara Parati on Dec 27, 2012 at 1:11:54 am in the Forum Dragon Warriors (Feature Film) Highland Film Group, LLC \| 12/2012 - Present Matte Painter - Concept Artist Concepts and environment creation in conjunction with the Director. Merlin Series 4 & 5 (BBC Production) Vine Post Production \| 05/2011 - 10/20


	Random Jump Cuts -- sliding off the end of the footage? by Jason Guest on Nov 29, 2012 at 6:23:32 pm in the Adobe After Effects Expressions Forum Hello! I have a query about the Random Jump Cuts expression which appears on Dan Ebberts' famous website. It's a bit of a favourite of mine. The code is as follows: segDur = .5;// duration of each "segment" of random time minVal = inPoint; max


	Re: Animate Single Letter in a Word by Jason Watson on Nov 29, 2012 at 4:41:52 pm in the Apple Motion Forum It's not an entirely straightforward process, but easy enough to do. 1. Type out your text 2. Add the Sequence Text behavior 3. Set up the basic sequence as you want 4. Select the text layer (not the sequence behavior), right click and s


	Time Code Extents by Joseph Owens on Nov 27, 2012 at 7:09:26 pm in the DaVinci Resolve Forum Don't Match. I see this has been touched upon a couple of times, but "Force Conform" isn't working for me. I honestly don't know where an extents issue could be coming from in this particular project. It is a 22:56 minute timeline that links e


	Re: trimming clips query by Walter Soyka on Oct 15, 2012 at 4:42:30 pm in the Adobe After Effects Forum [chris brett] "So to simplify -- when I go edit / split layer to trim up shots how do I make sure the bits I do not want on that layer are truly gone please ?" Short answer: Ae is not an NLE, so this just doens't work the same way as you might be


	Re: Looking for input on shooting/editing resolution/frame rate by Walter Soyka on Sep 26, 2012 at 6:21:15 pm in the Adobe After Effects Forum [Drew Smith] "I did step through the final version of the video from FCP before it went to the post house(the version before it went for final grade)and it did have a pattern of three unique frames followed by two identical frames (I assume that thes


	Re: No Audio Export from Timeline (Browser) Edit by Don Smith on Aug 31, 2012 at 10:34:41 am in the Apple FCPX Techniques Forum No one is offering to enlighten. I read/viewed two tutorials about editing in a timeline in the browser vs. editing in a Project and how you can get any frame size you want. One tutorial by Alex of Alex4D fame and the other by T. Payton of Albuque


	Behind the Lens: Navaho Teens Struggle Up Heartbreak Hill by Erica Scharf on Jul 25, 2012 at 6:33:49 am in the Indie Film & Documentary Forum Two young track stars at a rural New Mexico high school are torn between the lure of brighter futures and the ties that bind them to home. Home for these teens, however, is a small town on a Navajo reservation, and in leaving, they must separate from


	Problems scripting button links in Flash CS4/AS3.0 by Megan Kenal on Jul 3, 2012 at 9:36:34 pm in the Adobe Flash Forum Hi all. First let me just get this out there: I'm new to Flash, and to scripting in general (my programming language knowledge extends as far as HTML and some CSS, and that's about it...if you can even call that programming). I'm redoing my website


	How to Get a Video to Play Once and the Close by Alex Johnson on May 28, 2012 at 1:57:41 am in the Adobe InDesign Forum Hi there, I'm starting to pull my hair out, and I was hoping somebody might be able to save me from premature baldness. I'm putting together an Interactive PDF using InDesign CS6. There is a main page which takes you to different product pages


	Re: Best approach to simple editing by Jeff Pulera on May 7, 2012 at 4:05:39 pm in the Adobe Premiere Pro basics Forum Hi Tony, You need to get yourself some training then. Read the HELP files, watch tutorials online, get a book. This is very basic stuff. I think what may be confusing you on the transitions is the way they behave. You've trimmed the end of the


	Re: Trying to get more serious about de-interlacing - blend vs interpolate vs plugins? by Stephen Crye on Apr 30, 2012 at 3:14:09 am in the Sony Vegas Forum Ok people, on a more serious and less eczemic note - read below and please jump in where I have it wrong. Footage shot at 60i means that we get 30 "full" frames a second, with each full frame consisting of two half frames, each 1/60th of second ap


	Re: Import Final Cut XML into Resolve yeilds some files unlinked... manual relink? by Neil Sadwelkar on Apr 5, 2012 at 8:05:12 am in the DaVinci Resolve Forum Is the project frame rate and that of the clips the same? Also, enable embedded timecode and reel name support.


	Re: How can I keep the highest resolution in a 4x3 full screen project, originally shot in 16x9 HD? by Michael Gissing on Mar 4, 2012 at 12:40:29 am in the Apple Final Cut Pro Forum Lots of confusion over HDV, and using anamorphic to get a 16:9 image. In standard def non square pixels are the way to get a full height 16:9 image as SD frame sizes are 4:3. In HD 16:9 is the native format and is often acheived by using thin rast


	News: Final Frame Helps Oscar Nominees Hit the Finish with Nucoda by Cow News Droid on Feb 27, 2012 at 6:20:30 pm in the NEWS: Product News Releases Forum The New York Facility Extends its Track Record of Oscar Caliber Work on "Hell and Back Again" and "If a Tree Falls: A Story of the Earth Liberation Front" (Los Angeles, California--February 27, 2012) The Nucoda Film Master was the system of choic


	Behind the Lens: Marshall Curry & If a Tree Falls by Debra Kaufman on Feb 24, 2012 at 5:44:40 am in the Indie Film & Documentary Forum Marshall Curry is most interested in a subject when reality cuts against his expectations. That's exactly what happened as this talented Emmy & Oscar-nominated director, producer, writer delved deeply into a story about the Earth Liberation Front in


	News: Final Frame Helps Oscar Nominees Hit the Finish with Nucoda by Cow News Droid on Feb 23, 2012 at 6:20:30 pm in the NEWS: People in the News Forum


	Re: Combining sequences with video with different frame rates by Shane Ross on Feb 12, 2012 at 8:14:44 pm in the Apple Final Cut Pro Forum Settle on the final frame rate. Export the other sequence as a Quicktime file. Use Compressor to change the frame rate, going into the FRAME CONTROLS to adjust settings so that it looks good. Import the result into the main sequence. Try to avo


	Moving Clips ( or Sliding or Slipping) on Timeline frame by frame Via Keyboard Shortcuts. by cem yildirim on Feb 1, 2012 at 5:29:53 pm in the Adobe Premiere Pro Forum Hi there...I'm a long time Final Cut Pro user and trying out Premier Pro. Here is something I can't find. How do you move clips ( or slide or slip) on Timeline frame by frame using keyboard shortcuts. Thank you. http://www.cemyildirim.i8.com


	Moving Clips ( or Sliding or Slipping) on Timeline frame by frame Via Keyboard Shortcuts. by cem yildirim on Jan 31, 2012 at 8:25:01 pm in the Adobe Premiere Pro basics Forum Hi there...I'm a long time Final Cut Pro user and trying out Premier Pro. Here is something I can't find. How do you move clips ( or slide or slip) on Timeline frame by frame using keyboard shortcuts. Thank you.


	Re: organizing footage by frame rate by Alex Korda on Jan 30, 2012 at 8:33:59 pm in the Apple Final Cut Pro Forum What browser? In final cut or in mac os? That's the problem I'm having - there's no way to tell what the framerate is unless you look at each clip individually. Should I import them in to final cut and scroll through them that way?


	multi cam combination by Tom Masters on Jan 24, 2012 at 4:53:50 pm in the Adobe After Effects Expressions Forum this may be more a scripting request, than an expression.. I've been asked to help on a video. They are trying to achieve a "3D GIF" effect. (not entirely sure what that means) Footage will be shot on three 7D cameras mounted on a Steadicam.


	Renderin Problem, PLEASE H ELP! by Fedor Karpenko on Dec 27, 2011 at 6:34:33 am in the Cinema 4D Forum Hi! So yesterday I started rendering a scene which is about 170 frames long. When the render get's to frame 90, and jumps to frame 91, frame 1 disappears and you can no longer view it. When it jumps to 92, frame 2 disappears, and it keeps happening u


	Re: 4K DI on The Girl With The Dragon Tattoo by Barend Onneweer on Dec 21, 2011 at 7:21:08 am in the COW - Tutorials Forum Not sure if Michael Cioni reads along here, but one thing I wonder: If the final frame is a 3600x1500 pixel crop from the source footage, do they blow up to achieve the 4096x1716 for DCP? I'm sure most of the theaters showing the movie will sho


	Re: How to get a 12 fps timeline ?? by Sean Thomas on Nov 17, 2011 at 4:48:47 am in the Apple Final Cut Pro Forum Can't you export from FCP to a QT .mov file and choose your final frame rate. We do it all the time for web compression. Size, Rate, etc. can all be changed. You can also do it in Compressor. Will that work for you?


	Re: Final Cut Mastering Format for Mix Sources by Shane Ross on Nov 1, 2011 at 11:27:24 pm in the Apple Final Cut Pro Forum Well, there are no "moderators" here, only fellow users. I can tell you right now you are in for a bag of hurt. Mainly because you are asking what frame rate you should be mastering in. That is something you should know. That is something that


	Main Frame Digital by Kimberly Holmes on Oct 8, 2011 at 3:07:45 pm in the Forum Over 20 years of experience in ENG/EFP video and film production. Documentary, corporate, educational, broadcast/cable projects. Currently shooting in high definition with Sony XDCAM PDW-F800 and PDW700, also EX1. All three cameras match and are used


	Re: Merging many 10-15 second clips off CF card into one long clip in FCP7 by Ben Chastney on Sep 22, 2011 at 2:53:21 pm in the Apple Final Cut Pro Forum Did that, it worked and the file plays fine in QT, but when I bring it into FCP and put the clip onto the timeline it behaves strangely. The audio appeared to be out of sync. After toiling around trying to figure out what was going on I noticed that


	Re: Time Warp by Andrew McKee on Sep 8, 2011 at 11:40:16 am in the AVID Forum Unlike FCP, their is no option to shorten the clip as you speed it up so if you speed it up so much that you reach the end of the media by the time the clip ends then Avid simply freezes on the final frame of the media. You can either trim the clip o


	Re: Major Studio Films/Shows using color? by Ben Watts on Jul 25, 2011 at 6:52:08 pm in the Apple Color Forum As far as "major" films go, I believe "O Brother, Where Art Thou" was one of the first features to employ Color--if not the first, then the first one that really publicized using the software. Pretty sure the Coens have used it on every other film t


	Re: Alexa Footage - Media Manager Error 34 by Ben Watts on Jul 7, 2011 at 3:21:37 pm in the Apple Final Cut Pro Forum We got the same error message when we were trying to media manage an entire feature film shot on the Alexa for our colorist. When we simply tried to "Copy" using Media Manager, the files wouldn't work at all. However, we figured out that we could u


	Re: Changing resolution? by Simon Ubsdell on Jul 6, 2011 at 8:42:04 pm in the Apple FCPX or Not: The Debate Forum [Oliver Tosh] "I am trying to work on a video that is 1024x768." That is a really unusual frame size - are you sure it's what you want? 1024x576 is common for 16:9 square pixel PAL, or 1050x576 if you are Adobe or the BBC (don't ask!). Your fram


	Re: XDCAM and FCP Batch Import./Relinking... please, by Ben Watts on Jun 29, 2011 at 9:57:27 pm in the Apple Final Cut Pro Forum Hey Bouke, Just a couple questions about your XDCAM Extract for FCP: 1) Does it still exist?! 2) Does it work from hard drives or just from the discs? I ask because I see in your documentation that it's meant to work from the discs, but wil


	Re: Confused with timecode: 23.976fps vs. 24fps by James Heliker on Jun 21, 2011 at 5:10:06 pm in the Apple Final Cut Pro Forum Hey Folks - Okay, thank you for all the responses, I appreciate it very much. I thought I made it pretty clear in my post that I understand that 23.976 is actually a ratio (24/1.001): [James Heliker] "23.976 (more accurately 24/1.001, or 23.976


	problems with 24fps frame display in Viewer by Steve Renard on Jun 8, 2011 at 5:41:50 pm in the Apple Final Cut Pro Forum Hi all - has anyone run into a weird thing in the viewer where it displays onlyY 29.97fps timecode (as opposed to 23.98), and seems to do strange conversions if you change it to display frames? I am working on a 24fps project and whenever I open a c


	How to stretch movie when using timewarp? by Waseem Dabbas on May 25, 2011 at 11:10:22 am in the Adobe After Effects Forum Hi, I'm a beginner in AE, after using timewarp, the movie cut off at the middle or time according to speed I'm using, what i wanted to do is to use timewarp and stretch movie to end at it's final frame, how?


	Re: HDMI monitoring from FCP by Greg Golden on May 4, 2011 at 6:24:07 pm in the Apple Final Cut Pro Forum I tried a 720p sequence with some 720p footage and, no, I only see a still frame. When I stop the playhead that frame updates to the final frame played. I went through all of this using SD footage and a broadcast monitor 6 or 7 years ago and it


	Re: Two takes alternating quickly in final cut by Chris Tompkins on Apr 14, 2011 at 7:28:33 pm in the Apple Final Cut Pro basics Forum Ya, start cuttin. Slice a clip every frame or 3. Take a second clip and slice it up the same. And then alternate the shots in the track. Nest that. Drop nest in new sequence and crop it over another track.


	RAM Preview by matt kresling on Mar 16, 2011 at 2:14:43 am in the Adobe After Effects Forum One problem (among many) that I have with RAM preview is that when AE reaches the last frame of what I've worked on, it will then zoom through the remaining length of the composition, rendering stuff I don't want to see. So when the RAM preview start


	Re: Final cut express exporting by mark jordan on Feb 23, 2011 at 3:45:27 pm in the Apple Final Cut Pro Forum I have: Frame size 621x720 JPG and nothing next to anamorphic...this any use Tom?


	Re: Final Cut Pro codec/setup/rendering problems! by Gary Askham on Feb 22, 2011 at 10:02:39 pm in the Apple Final Cut Pro Forum Oh, my??! Frame Size: 1920 x 1080 Compressor: H.264 shot on an XDCAM Sequence preset: DV PAL 48Khz Capture preset: Blackmagic PAL - Apple ProRes (HQ) Device control preset: Blackmagic PAL 25 Video Playback: Blackmagic PAL - 8 Bit (720 x 576)


	CS5 Render issues by Jeremy Allen on Feb 18, 2011 at 12:25:08 am in the Adobe After Effects Forum When I render, After Effects takes approximately 4-5 minutes to "initalize background processes". I'm just wondering if this is pretty normal or if I can do anything to speed this up. Also, when the render gets to the final frame, it will stall again


	Re: Pulldown wrong in Final Cut by Tony Silanskas on Feb 7, 2011 at 5:48:27 pm in the Apple Final Cut Pro Forum I guess the issue is the pulldown in Final Cut. Is it still considered "wrong" and is it unacceptable for broadcast? It's mostly for cases where I don't have access to an HD deck and need to make a self-contained export for broadcast. And it would


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