| | | | Re: DVCPRO HD 1080p25 codec seems missing by Floh Peters on Aug 17, 2009 at 6:57:16 pm in the Media 100 | Media 100 HD Forum Do you have the codecs installed? You need the DVCPro codecs from FCP. Since you cannot view the files in QT Player, I guess they are missing. Simply copy them over from your FCP startup drive. Btw, you also can install Media100 and FCP on the same s | | | | |
| | | | Data Conform from an EDL? by Gabe Thorburn on Aug 17, 2009 at 6:33:24 pm in the AVID Editing Forum Hello -
Hopefully someone can offer me help and save me from overcutting a total of 13 reels of a feature film that originated in FCP and now is being moved to Media Composer.
Basically to make a clean switch, we are starting over and digitizi | | | | |
| | | | DVCPRO HD 1080p25 codec seems missing by John Twigt on Aug 17, 2009 at 6:16:14 pm in the Media 100 | Media 100 HD Forum Does anybody know if in V14 the 1080p25 codec has been left out? I'm not able to import XML files from FCP in this format. Also the ingested (by FCP) files cannot be played with the QT-player of my M100 startup disk. Everything is fine in FCP startup | | | | |
| | | | Workflow help... Short video, much footage! by Harvey Zinc on Aug 17, 2009 at 6:15:12 pm in the Apple Final Cut Pro Forum Hi All
We are producing a three minute promo that contains many slow motion sequences. All the original material is HDV shot with a Z1U in 60i. The finished master will be ProRes HQ or another high quality format (animation??? recommendations ?? | | | | |
| | | | Re: What QT format to use by Job ter Burg on Aug 17, 2009 at 6:03:14 pm in the AVID Editing Forum For future reference, you can download the Avid codec at http://www.avid.com/dnxhd, then export in DNxHD codec from FCP. | | | | |
| | | | Re: General Error by John Fishback on Aug 17, 2009 at 5:43:42 pm in the Apple Final Cut Pro Forum Make sure you never use your system drive as your scratch drive. Another possible reason for the error might be corrupt drive directories. Run Disk Warrior on your system and external disks. IMHO, Disk Warrior is the most important utility to have if | | | | |
| | | | Re: help with AF to FCP files by kiley lane on Aug 17, 2009 at 4:37:34 pm in the Adobe After Effects Forum Thanks! But then what codec do you recommend exporting as a high quality quicktime? especially if the person I am giving the files to does not have FCP installed on their computer, therefore, they cannot accept straight uncompressed FCP files-which | | | | |
| | | | Re: Iphone Video into FCP - basic workflow by Jeff Glasse on Aug 17, 2009 at 4:19:25 pm in the Apple Final Cut Pro Forum Is anyone else having audio drift issues with video from the 3gs? We find that a 30 minute clip plays just fine in Quicktime player, but when brought into final cut pro the clip has several seconds of drift over thirty minutes. This is before it's ev | | | | |
| | | | Re: ProRes HQ to mpeg by robert craghead on Aug 17, 2009 at 3:54:44 pm in the Compression techniques Forum Thanks for the info. Trying the method, but isn't working too well. I think this is due to the HDV precept in the document. I am working with progressive ProRes 720p
My exported movie should be full progressive movie, as it is 1280x720 ProResHQ ex | | | | |
| | | | Re: Crumpled Paper Transition by Kevin Monahan on Aug 17, 2009 at 3:44:22 pm in the Apple Final Cut Pro Forum If you have FCP 7, you could create an alpha transition for this. You'll have to shoot the content or find the stock footage for the piece, though.
Kevin Monahan
www.fcpworld.com
Author - Motion Graphics and Effects in Final Cut Pro | | | | |
| | | | Re: HELP! My DVD's only play in Macs! by diane guerrazzi on Aug 17, 2009 at 3:43:10 pm in the Apple DVD Studio Pro Forum Hello,
Is it possible to create an HD DVD on a DVD+R or -R? Here's the workflow I have been using to produce a 17:00 SD-DVD:
Panasonic HVX200 P2 footage (shot in 1080i60i),
--edited in FCP,
--HD timeline exported to Compressor,
--change | | | | |
| | | | Re: PNG-24 Transparency Issue by Rafael Amador on Aug 17, 2009 at 3:38:01 pm in the Apple Final Cut Pro Forum [Raven Plenty] "But I'm not going to paint a few pixels in an area that is supposed to be transparent, and then mask those pixels in FCP. "
Don't need to mask them, just crop them.
This is the only way to avoid the layers resizing.
rafael
www | | | | |
| | | | Re: HD do-for-both viewfinder/client monitor by John Fishback on Aug 17, 2009 at 3:37:31 pm in the Cinematography Forum We use the Ikan V8000 (8-inch). They also have a 5.6" version. http://www.ikancorp.com/pages/monitors/index__HD.html
John
MacPro 8-core 2.8GHz 8 GB RAM OS 10.5.5 QT7.5.5 Kona 3 Dual Cinema 23 ATI Radeon HD 3870, 24" TV-Logic Monitor, ATTO Expres | | | | |
| | | | Re: PNG-24 Transparency Issue by Raven Plenty on Aug 17, 2009 at 3:26:54 pm in the Apple Final Cut Pro Forum [Rafael Amador] "Make sure that all the corners of all the layer have some color information.
If there is any fully transparent corner, pint [paint?] few pixels."
But I'm not going to paint a few pixels in an area that is supposed to be transpar | | | | |
| | | | Re: 4x3 SD to HD thru MXO2 - Best workflow? by John Fishback on Aug 17, 2009 at 3:26:45 pm in the Apple Final Cut Pro Forum Kona 3 has many uprez options: Pillarbox 4x3, Zoom 14x9, Zoom Letterbox or Zoom Wide.
John
MacPro 8-core 2.8GHz 8 GB RAM OS 10.5.5 QT7.5.5 Kona 3 Dual Cinema 23 ATI Radeon HD 3870, 24" TV-Logic Monitor, ATTO ExpressSAS R380 RAID Adapter, PDE encl | | | | |
| | | | to play multiple sequences same time by Liv Ulven on Aug 17, 2009 at 3:21:48 pm in the Apple Final Cut Pro Forum Hello. I am making a videoinstallation with three videos on three screens, i need to see the three videos together in fcp, i want to play three sequences in playback at the same time...is this possible? please help ! thanx | | | | |
| | | | Re: compressor 3.5 & bluray by Craig Seeman on Aug 17, 2009 at 3:12:29 pm in the Compression techniques Forum Interesting that hours after posting this Ken Stone posted a step by step how to create a Blu-ray compatible DVD using FCP7's Share feature.
He did make an important technical note. Such AVCHD "Blu-ray" DVD would have an avg data rate of 14.7Mbps | | | | |
| | | | Re: Importing mpeg4 to FCP help need it by Rafael Amador on Aug 17, 2009 at 2:58:49 pm in the Sony EX Series XDCAM Forum [Craig Seeman] "Calibrated Software's EX MP4 import plugin is designed to work with FCP. It's not the same as the EX MOV reader plugin which will conflict with FCP. "
Thanks for the correction.
Cheers,
rafa
www.nagavideo.com | | | | |
| | | | What QT format to use by Cole Prine on Aug 17, 2009 at 2:28:18 pm in the AVID Editing Forum Hey guys, I'm a FCP user and I have to send a Quicktime of a commercial I just finished up to another company that works on AVID. We work in DVCPRO-HD, but they tell me that they can't pull in DVCPRO-HD. So, what's a good HD format to convert the | | | | |
| | | | Re: Importing mpeg4 to FCP help need it by Craig Seeman on Aug 17, 2009 at 2:23:26 pm in the Sony EX Series XDCAM Forum [Rafael Amador] "First you must be aware that the Calibrated plugin shouldn't be installed together with FC. They will conflict. "
Calibrated Software's EX MP4 import plugin is designed to work with FCP. It's not the same as the EX MOV reader plugin | | | | |
| | | | digital cinema desktop not playing by Matt Cohn on Aug 17, 2009 at 1:37:42 pm in the Apple Final Cut Pro basics Forum Hi All,
The Digital Cinema Desktop Preview function in FCP was working fine, but now all I'm getting is audio with a black screen. Does anybody know what the problem might be and what I have to do to correct this?
Thanks,
Matt | | | | |
| | | | Adobe layered image problem resolved. by Paul Sulsky on Aug 17, 2009 at 1:37:06 pm in the Adobe Photoshop Forum Motion 4 and FCP 7 import these images correctly. It turns out that the first three images I tried were either corrupted or the original single layer drawings.
Kudos to Apple engineering, specifically Charles Meyers. I reported this to Apple via | | | | |
| | | | Re: virtual VTR by Joe Huggins on Aug 17, 2009 at 1:36:50 pm in the Apple Final Cut Pro Forum Bouke,
That is fantastic! I can't wait for our editorial staff to put that to work. If this works like the demo shows, this solves one of the biggest problems that has plauged FCP for people who relink digital media in a tapeless environment. Appl | | | | |
| | | | Re: Importing mpeg4 to FCP help need it by Rafael Amador on Aug 17, 2009 at 12:00:43 pm in the Sony EX Series XDCAM Forum Hi Jose,
You have broken all the rules for downloading EX-1/3.
That's a good way of learning. Now you know what you don't have to do anymore.
First you must be aware that the Calibrated plugin shouldn't be installed together with FC. They will co | | | | |
| | | | Re: FCP EDL Software by Andreas Kiel on Aug 17, 2009 at 11:41:37 am in the Apple Final Cut Pro Forum I do have an ancient EDL app which splits the EDL into EDLs per reel.
Let me know if that makes sense for you-
Andreas
Spherico
http://www.spherico.com/filmtools | | | | |
| | | | Re: How many of your are Certified AVID or FCP by John Grote, Jr. on Aug 17, 2009 at 10:11:08 am in the Art of the Edit Forum I'm glad that I see that the majority feels the way I do and has the passion to respond and be heard. I always feel that any education is good education and if you are a fairly competent editor you know this already, but as we all know there are a lo | | | | |
| | | | Re: Primatte Keyer for FCP, Motion, or AE by Erik Lindahl on Aug 17, 2009 at 8:18:34 am in the Apple Final Cut Pro Forum I thought Red Giant software had the "feature" of "buy one, use for all" as in buy one plug-in and use it for all host-apps. I might be wrong in this however…
I'm also looking for other alternatives to the Keylight plugin in After Effects. It ofte | | | | |
| | | | Importing mpeg4 to FCP help need it by Jose blanco on Aug 17, 2009 at 8:01:14 am in the Sony EX Series XDCAM Forum Hi everyone, here is my dilemma, I captured my footage with a SDHC card reader, did not dragged the BPVA folder to my hard drive but the subfolders inside of it, than I erased the card so I could use again, now I only have the folders with the clips | | | | |
| | | | Best way to blur out car number plates? by Alex Bluffield on Aug 17, 2009 at 7:39:28 am in the Apple Final Cut Pro Forum Hi
I need to blur out car number plates in a piece I'm cutting. I remember trying to do this once before and not being able to restrict the blur filters to a specific part of the image. What's the best way of doing this (in either FCP or Motion?) | | | | |
| | | | Re: Working with merged clips by Jonno Woodford-Robsinon on Aug 17, 2009 at 7:25:14 am in the Apple Final Cut Pro Forum Hi Nick,
I like the Extend function also. I use it a lot when cutting jobs on Avid as well as FCP. I seem to be bouncing between both systems every other job recently and hoping to minimise the number of procedures that have to be done differently | | | | |
| | | | reconnecting P2 in Avid by Sara Iyer on Aug 17, 2009 at 5:37:10 am in the AVID Editing Forum Hello,
So I'll preface this by saying I'm very new to Avid - I've been an FCP user for over 5 years but I took an intro to avid class for school. I feel pretty comfortable with the interface, but I've had very little practical experience with th | | | | |
| | | | After Effects dropping frames while rendering. by Anant Raina on Aug 17, 2009 at 4:15:14 am in the Adobe After Effects Forum I'm editing a DV pal timeline in FCP. I exported some footage as an Mov without any compression. I imported this Mov into After effects. I used MB Looks on the footage for color grading. I then re-exported this as an Mov using DV Pal compression.
W | | | | |
| | | | Converting HD to SD - new question by GInny Stein on Aug 17, 2009 at 3:49:28 am in the Sony EX Series XDCAM Forum Hi
I spoke to soon about the company in Australia I am filming for editing in FCP 6...it is FCP 5. Does anyone have any suggestions as to how I can export/send them files filmed on my Xdxam ex1 camera in SD.
They will only accept SD.
I have FCP | | | | |
| | | | Re: Render Cancelled RED footage by Neil Sadwelkar on Aug 17, 2009 at 3:28:26 am in the Apple Color Forum Intermediate film, the kind used in film recorders like the Arrilaser, are sold in 2000 feet loads. 2000 feet corresponds to 22 min 13 sec. Allowing for handling, you should not exceed 21 mins in a reel. 21 mins corresponds to about 1890 feet.
----- | | | | |
| | | | Re: HD to SD and copying footage by GInny Stein on Aug 17, 2009 at 3:24:29 am in the Sony EX Series XDCAM Forum Hi
I spoke to soon about the company in Australia I am filming for editing in FCP 6...it is FCP 5. Do you have any suggestions to how I can export/send them files from my Xdxam ex1 camera in SD.
I have FCP 7.
Btw, I bought and downloaded Noah's | | | | |
| | | | ProRes HQ to mpeg by robert craghead on Aug 17, 2009 at 2:25:55 am in the Compression techniques Forum I have a project that was cut in DVCProHD 720p, sent to Apple Color, and returned to FCP in a ProRes HQ sequence. In the ProRes sequence, all looks great on the preview on CPU as well as monitor.
The problem is when I try to make into a D1 mpeg fo | | | | |
| | | | Re: 4x3 SD to HD thru MXO2 - Best workflow? by Kurt Waddington on Aug 16, 2009 at 11:08:48 pm in the Apple Final Cut Pro Forum Thanks Shane.
After some more reading I see that standard prores should work well As far as the latest driver (1.5.1) for the MXO2 with Max I have that installed and it seems even according to Tech support it is not yet capable of cropping. I mentio | | | | |
| | | | Re: FCP EDL Software by Arnie Schlissel on Aug 16, 2009 at 10:26:33 pm in the Apple Final Cut Pro Forum First off, FCP can sort an EDL by reel number. Simply choose "source" as the sort order (instead of "program".
Second, you can open the EDL in Text Edit and modify it there.
Arnie
Post production is not an afterthought!
http://www.arniepix.com | | | | |
| | | | Apple Final Cut Pro | Get Your FCP Timelines in Motion with Final Cut Studio
Having both FCP and Motion in Final Cut Studio means more options for effects creation with your video projects -- and FCS integration makes it easy to work with them together. Having Motion projects sitting on your FCP timeline even helps keep your projects organized! Our man in Nepal, Jiggy Gaton, shows just how easy it can be to take advantage of it all. Tutorial Author: Jiggy Gaton |
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| | | | Apple Final Cut Pro | Final Cut Studio 3 is here, and all is good!
Our man in Nepal, Jiggy Gaton, likes to live for danger. He installed a major software upgrade mid-project, with virtually no preparation, just to see what would break. Lo and behold, it all worked! And the more Jiggy works with it, the better he's liking it. Join him in this Creative COW, Real-world, Real-time Report on Final Cut Studio 3. Review Author: Jiggy Gaton |
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| | | | Automatic Duck | Jerry Hofmann reviews Automatic Duck for FCP
One of CreativeCOW's popular Final Cut Pro® forum leaders, Jerry Hofmann takes a look at Automatic Composition Import FCP for Final Cut Pro users from Automatic Duck. 'I'm a believer. Can't get over it. Gotta have it.' Jerry says these are the words that come to mind after using the new tool... Review Author: Jerry Hofmann |
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| | | | Apple Final Cut Pro | The Forbidden Kingdom: Jackie Chan. Jet Li. FCP.
A Creative Cow Exclusive! DigitalFilm Trees Zed Saeed has helped create pioneering digital workflows built around FCP, custom-designed for large-scale productions. Their biggest challenge so far has come on The Forbidden Kingdom, an epic film partnering Jackie Chan and Jet Li for the first time -- with production and post in China, Korea, Australia, and multiple locations in the US. Heres a look at how they put it all together with FCP, Xserve, XML, Color, file-based workflows...and hard, hard work. Feature Author: Zed Saeed |
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| | | | Apple Final Cut Pro | Maximum FCP Efficiency with Tabs
Because Final Cut Pro can do so much, it can be easy to get lost inside its interface as you start to do more and more at once. Let Creative Cow leader and Final Cut Pro expert Walter Biscardi show you how to take back control of your workspace and work more quickly and efficiently with FCPs tabs. Tutorial, Video Tutorial Author: Walter Biscardi |
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| | | | Apple Final Cut Pro | The Ultimate Real-world FCP FAQ, part 2
Creative Cow Leader Shane Ross is one of a very small handful of the world's most respected FCP experts. Over the course of years answering questions, he's compiled a real-world list of the questions that are truly the most frequently asked. He calls them Shane's Stock Answers. We call them the information you really need for working with FCP. In part 2 he covers HDV monitoring, editing web codecs, working with Photoshop files in FCP, and much more. Tutorial, Feature Author: Shane Ross |
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| | | | Apple Final Cut Pro | The Ultimate Real-world FCP FAQ, part 1
Creative Cow Leader Shane Ross is one of a very small handful of the world's most respected FCP experts. Over the course of years answering questions, he's compiled a real-world list of the questions that are truly the most frequently asked. He calls them Shane's Stock Answers. We call them the information you really need for working with FCP. In part 1 he covers lossless QuickTimes, digitizing across timecode breaks, some of his favorite freeware add-ons, and more. Tutorial, Feature Author: Shane Ross |
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| | | | Apple Final Cut Pro | The Ultimate Real-world FCP FAQ, Part 3
Creative Cow Leader Shane Ross is one of a very small handful of the worlds most respected FCP experts. Over the course of years answering questions, hes compiled a real-world list of the questions that are truly the most frequently asked. He calls them Shanes Stock Answers. We call them the information you really need for working with FCP. Here in Part 3, he covers QuickTime issues, timecode management, P2 tips and much more, including one of the most frequently questions of all: how to open new projects in older versions of FCP. Tutorial, Feature Author: Shane Ross |
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| | | | Apple Final Cut Pro | Keyframing Color Correction
In this episode of Final Cut Help, Richard Harrington takes a look at keyframing the three way color corrector in FCP. As details change in a movie clip you can have the filter adjust its values over time. This example uses a video of a bird starting in a bright sky and ending in water which is darker, the contrast transition is controlled by keyframing the saturation and color correction.
Tutorial, Video Tutorial Author: Richard Harrington |
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| | | | Apple Final Cut Pro | Become replaceable. Have a life with better FCP project management
Sure, being replaceable can be scary -- but sometimes you NEED somebody to step in and help. Here are some of the tricks that Cow author Dustin Lau has learned for project set-up, file naming, and clear communication with other members on the team. These tricks will create smooth hand-offs from you to your temporary replacement -- and back to you when you return, without driving anyone crazy. Tutorial Author: Dustin Lau |
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| | | | Apple Final Cut Pro | Stephens Five FCP Time Saving Tips
Want to save time while using Final Cut Pro? CreativeCow.net Contributing Editor Stephen Smith will show you how. His video tutorial has five must use tips: Motion Templates, Swap Edit, Audio Levels, Ripple Delete and Transitions Time Saver. Tutorial, Video Tutorial Author: Stephen Smith |
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| | | | Apple Final Cut Pro | Vee You: 8 Free Mac Plug-ins for FCP, AE and Motion
VFX artist Roger Bolton has worked on films including The Lord of the Rings, Charlie and The Chocolate Factory and Kingdom of Heaven. He has also created effects for his own use -- in this case, a wide variety of 2D and 3D VU meters, automatically animated by the audio in your project. He now offers these 8 plug-ins to artists using Final Cut Pro, After Effects and Motion -- with no watermarks, no time limits, no price tag. Please note: these plug-ins are MAC ONLY. Tutorial, Video Tutorial Author: Roger Bolton |
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| | | | Apple Final Cut Pro | Fast Flowing Montages for FCP & Motion
Alongside such compositing projects as "The Lord of the Rings" and "Charlie and the Chocolate Factory," Roger Bolton designs "CoreMelt Visual Effects" for Final Cut Pro and Motion. They take advantage of Apple's core video technology for amazing high-quality, real-time performance. This tutorial shows you how to harness that power to solve an age-old problem: how to quickly and creatively create image montages. Best of all, you'll find links to free effects filters, exclusively available to Cow readers! Tutorial, Feature Author: Roger Bolton |
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| | | | Apple Final Cut Pro | Upgrade your FCP Machine to Leopard...Safely!
You know you want to install OS X Leopard as soon as you can. For your production machine, though, you probably also know that you should wait. You also know that you're probably going to do it anyway. Whether you do it at the right or wrong time, there's a right way to do it. Creative COW Leader Shane Ross tells you how. Editorial, Feature Author: Shane Ross |
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| | | | Apple Final Cut Pro | Travel Mattes in FCP: Faster than AE
"I about had a heart attack, as the budget did not allow for days of AE work, so I began to search for alternatives to animating a gazillion layers in Final Cut Pro." If you haven't been there yet, you will. Either way, Chris Poisson will show you how to build high-impact composites in Final Cut Pro, more quickly than you can in AE. Tutorial Author: Chris Poisson |
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Podcasts | | | | final cut help tutorials podcast Compression with Turbo In this Final Cut Pro podcast, Richard Harrington takes a look at using the elgato turbo.264 to speed up your compression process when exporting or rendering for iPod, iPhone, YouTube or other devices that you need to compress to. | | | | |
| | | | final cut help tutorials podcast Gradient Wipe Transition In this Final Cut Pro podcast tutorial, Richard Harrington takes a look at customizing the gradient wipe transition. | | | | |
| | | | final cut help tutorials podcast Trashing Preferences In this Final Cut Help episode, Richard Harrington takes a look at some basic troubleshooting tips when Final Cut starts acting up. Trashing the preferences is one of these that Richard takes a look at. | | | | |
| | | | final cut help tutorials podcast Correcting White Balance In this Final Cut Pro tutorial podcast, Richard Harrington shows you how to fix footage shot in the wrong white balance setting. | | | | |
| | | | final cut help tutorials podcast iChat Theater Review In this episode of Final Cut Help, Richard Harrington takes a look at iChat Theater Review, a technique for online video review that allows you to share video with a team member, clients or partners. | | | | |
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