| | | | Compact VideoHub- User experiences
by Clayton Jacobsen on Nov 4, 2011 at 1:05:16 pm
in the Blackmagic Design Forum
Hi All,
I have a few questions on the Compact Videohub that i am hoping to get some real world advice on from users.
We have a small post house that currently has the following decks:
J3
JH3
D1800
DVCPro HD1400
HVR1500
PAL Digi
NTSC Di | | | | |
| | | | Re: Low Luminance Issues after QC session.
by Robbie Carman on Aug 5, 2011 at 12:15:32 am
in the Apple Color Forum
-680mv???? That would be insanely low. SO low that I don't know any scopes that go that low
Unfortunately, many transition manufactures don't pay any attention to things like broadcast specs. I had a show recently that every blur across transiti | | | | |
| | | | a wishlist for FCPx
by Ben Scott on Apr 22, 2011 at 11:46:39 am
in the Apple FCPX or Not: The Debate Forum
thought this probably the time to be making big list of things which work on fcp7, that dont and that would be nice to have
Features to keep
Mackie MIDI controllers
colour control surface support
export OMF/XML/AAF/EDL/user settings
working me | | | | |
| | | | Re: Chroma levels for BluRay
by Doug Beal on Apr 19, 2011 at 2:07:36 pm
in the Apple Final Cut Pro Forum
3 way color corrector .. color w bcast safe selected on.. these are part of the FCS
or
http://www.eyeheight.com/complianceSuite.asp
provides more advanced legalization.
we output broadcast masters all the time using whatever tools are necessa | | | | |
| | | | Re: Audio levels within FCP
by Simon Pegg on Nov 13, 2010 at 3:15:51 pm
in the Apple Final Cut Pro Forum
Actually the meters in Final Cut are not even true peak meters, they are only peak sample meters and this can result in them under-reading by several dB in certain circumstances. We have a new audio plug-in for final cut called KARMAudioAU (http://ww | | | | |
| | | | Eye Height Compliance SuiteFC
by Robbie Carman on Aug 31, 2010 at 1:19:06 pm
in the Apple Color Forum
Just curious if anyone is using the EyeHeight Compliance suite for Final Cut? We've been trying to figure out a way to move from the ole DL860 workflow as few series we're working on are tapeless delivery to our clients. I've got the demo but haven | | | | |
| | | | completely agree..
by adam taylor on Jul 15, 2009 at 7:39:23 am
in the COW - Blogs Forum
..with you Walter. Although i think the final 12 words of your post really hit on the meat of the issue.
Depending upon workflows, a legalizer is not always practical. My nice Eyeheight unit is rarely used nowadays because all my commercials are | | | | |
| | | | Re: HD SDI legalizers
by Andy Mees on Sep 29, 2007 at 12:43:01 pm
in the HD High-End Forum
Worth a look is the LegalEyes HDi from Eyeheight http://www.eyeheight.com
Exteremly easy to configure and use, and with excellent results. | | | | |
| | | | Re: Color Render Issue
by sean Davison on Jul 28, 2007 at 9:44:43 am
in the Apple Color Forum
I've been using the RGB limiter in FCP as a final check - It seems to be replacing my Eyeheight quite nicely!
I discovered it one day in the Color corrector filter set! | | | | |
| | | | Re: Edit Systems
by lightning ad on Jul 6, 2007 at 7:15:18 am
in the Apple Final Cut Pro Forum
i'm sure many others will leap in to this thread...and i'm not going to answer your questions regarding monitors, macs etc, its too large a minefield. I know works for me, but it may not for others.
What i will say is if you want a professional edit | | | | |
| | | | Re: Must See @ NAB 07?
by Michael Alberts on Apr 11, 2007 at 6:37:55 am
in the Apple Final Cut Pro Forum
A small company out of England who makes kick ass (but expensive) products for both SD and HD is called Eyeheight. http://www.eyeheight.com I've used some of their gear in the past like the LegalEyes legaliser. Their stuff just works.
Telestream | | | | |
| | | | Re: Broadcast Safe Limiter
by Tom Bridges on Mar 23, 2007 at 12:35:14 pm
in the AJA Kona - Mac Forum
The best way to legalise your video signals is to use dedicated hardware. We use Eyeheight's LegalEyes MultiDef legaliser, which works very well for us.
Best,
Tom | | | | |
| | | | Re: RGB limiter
by TrevorA on Dec 22, 2006 at 12:47:03 am
in the Synthetic Aperture Forum
[Bob Currier] "
As for RGB clipping: All clipping in Color Finesse actualy takes place in RGB space, but the controls are luma/chroma oriented. At least for NTSC, if you limit RGB to guarantee legal luma/chroma, you end up doing more limiting than is | | | | |
| | | | Re: Broadcast Monitors V. Cinema Displays
by Paul Ingvarsson on Apr 25, 2006 at 4:40:10 pm
in the Apple Final Cut Pro Forum
Hi Franco,
If you need to adhere to the Tech Specs you will be best off to use a legaliser (I use an Eyeheight Multidef Unit) this means that if it looks good - then it is good (providing your monitor can look at the output of the legaliser). I'm s | | | | |
| | | | Re: Legalizers? What are you using?
by Michael Alberts on Aug 12, 2005 at 8:34:35 pm
in the Apple Final Cut Pro Forum
I know of several facilites using the Videotek DL-810. It's a great little box. Set it and forget it. I've been looking into the Eyeheight Legaleyes for our facility. Eyeheight is out of England (www.eyeheight.com) Both companies also have prod | | | | |
| | | | Re: Legalizers? What are you using?
by NIck on Aug 12, 2005 at 10:41:12 am
in the Apple Final Cut Pro Forum
Hi David,
I have done 50 or so onlines here in London with the eyeheight minibox, which is identical to their new legaleyes box. In fact the new box has a nice control panel too. I pay close attention to the FCP scope and the hardware scope, make sur | | | | |
| | | | Re: Onlining a FCP anamorphic project on an AVID
by Michael Alberts on Aug 4, 2005 at 7:32:38 pm
in the Apple Final Cut Pro Forum
The last several 16x9 shows I've onlined at our facility required both a 16x9 anamorphic and a 4:3 center punch. We mastered all shows out to digital betacam. The 4:3 center punch was done sending the 16x9 SDI signal through an SDI aspect ratio con | | | | |
| | | | Re: Affordable (and still good) SDI legalizer ?
by Alan Ryan on May 7, 2004 at 3:40:50 am
in the Broadcasting Forum
We've just been looking at the Eyeheight legaliser which is made in England. Check out their website (www.eyeheight.com)
This device is SDI in and out and has presets for the very tight limits and the new EBU R103-2000 specification.
What a legalis | | | | |
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