| | | | Why?
by Terje Kjetil Gillebo on Jun 18, 2012 at 1:22:20 pm
in the DVS Clipster Forum
Why is this string called DVS Clipster?
There is nothing about Clipster in here...
Med vennlig hilsen/best regards
Terje Kjetil Gillebo
DCP Technician (Clipster operator) / Conformist / Colorist
Nordisk Film Shortcut
Nedregate 7, - 0551 | | | | |
| | | | Service: Grade A Co
by Gino Panaro on Apr 30, 2012 at 6:01:28 am
in the COW - Services Forum
Gino Panaro
Colorist
1601 N. Sepulveda Blvd #647
Manhattan Beach, CA 90266
Phone (424) 254‐6595
Email: Gino@GradeACo.com
EXPERIENCE
Grade A Co
Freelance Colorist January 2012 EDUCATION
Rochester Institute of Technology, New York | | | | |
| | | | Grade A Co
by Gino Panaro on Apr 29, 2012 at 11:01:28 pm
in the Forum
I enjoy all aspects of color grading, especially creating and collaborating with clients. One of my favorite projects was working on Cold Case for Warner Bros. It was fun to work with director Mark Pellington on the pilot and then taking the looks in | | | | |
| | | | dvd will not start at Chapter 1 with auto start?
by Mark Goodwillie on Apr 10, 2012 at 9:24:33 pm
in the Apple DVD Studio Pro Forum
I've made over 100 dvs with dvdsp. Today, the "successful" dvd will not start at the beginning (default Ch 1). It starts about 20 seconds in but varies each time and in different players starts in different locations. I am creating auto start with no | | | | |
| | | | Video Editor
by Neda Panah on Jan 5, 2012 at 6:41:05 pm
in the JOBS Offered - Higher Pay Forum
Individuals with CLIPSTER EXPERIENCE are considered right away, please on the subject line say Video Editor-Clipster
A high-energy, fast-paced company is looking for a full time Video Editor in our Post/Compression Department. We are looking for a | | | | |
| | | | Re: Anyone else a little frustrated?
by Gunter Puszkar on Nov 29, 2011 at 7:13:17 pm
in the Blackmagic Design Forum
Hi Joshua,
many thanks for your indepth explaints. As you can see, we still buy your products and we like your rapid developments in so many areas.
I'm still confused about the small pass of defining "bug" and "feature".
1. Still use on th | | | | |
| | | | Placing motion text over my video with Tricaster
by Justin Grant on Nov 16, 2011 at 11:53:45 am
in the Telestream Wirecast Forum
Hi,
I using a ttricaster to stream online. I fade in name tags for the performers on our show using a .png image. But I want to spice it up a bit and use animated text.
I have tried using .movs and dvs exported with alpha channel and million col | | | | |
| | | | AMD Releases SDI Link
by Debra Kaufman on Oct 23, 2011 at 1:23:39 pm
in the Broadcasting Forum
Semiconductor designer AMD is fulfilling the promises made at IBC by shipping its AMD FirePro SDI-Link, a platform for GPU acceleration for live/on-air broadcast graphics and real-time video production/post-production pipelines. | | | | |
| | | | Re: Prores created on Windows?
by Andrew Rendell on Oct 16, 2011 at 9:59:08 am
in the Apple Final Cut Pro Forum
AFAIK Apple still don't provide a prores encoding codec for windows, only a playback one. I understand that there are a couple of systems that can do it, e.g., Telestream or DVS Clipster, but I don't have any experience of them. | | | | |
| | | | Re: sr-dvm700 deck to Premiere connection problem
by Michael Channon on Oct 5, 2011 at 10:08:01 am
in the Adobe Premiere Pro Forum
Hello all CC crew,
My first post. I am new to this.
I know this one is an old post, but we have these machines still in our offices.
Any idea about this? At work, we have these machines, and a quick setup of a camera connected to the JVC wa | | | | |
| | | | Weird horizontal lines while wiping the ref
by Stephane Ma on Sep 22, 2011 at 7:18:30 am
in the DaVinci Resolve Forum
Hi guys,
I'm fairly new here so I hope I'm posting this in the right forum.
We're having some problems with some of our projects. Like I said in the subject we see some horizontal lines on the reference when we wipe it across the screen. We eve | | | | |
| | | | Re: Clipster
by Craig Seeman on Sep 19, 2011 at 10:10:03 pm
in the Compression techniques Forum
http://www.dvs.de/products/video-systems/clipster.html
It does look like it can handle ProRes .
http://www.dvs.de/products/video-systems/clipster/clipstersupregsup/key-features.html
I don't see a detailed list of supported codecs so you may need | | | | |
| | | | No QTs / R3Ds into the proxy manager..why ?
by Sascha Haber on Aug 13, 2011 at 11:23:40 am
in the DaVinci Resolve Forum
Hi there, is there a reason for this ?
I mean,it would make things so much easier if I could just load a bunch of shady H264 Canon clips , Red and DVs into the proxy manager and make nice DPXs out of them in native resolution. | | | | |
| | | | Re: technicolor and cinevator
by filip orlandic on Aug 11, 2011 at 11:09:26 pm
in the DaVinci Resolve Forum
[Joakim Ziegler] "I have printed to a couple of Cinevators, including the one at Technicolor, are you doing direct to print, or printing to negative? We mostly did direct to print, from log files, and we found the LUT was similar to the one we used f | | | | |
| | | | Re: QuickTime Recording Problems
by Rafael Amador on Aug 5, 2011 at 4:27:45 pm
in the Apple Final Cut Pro basics Forum
[Mike Sussman] "No, it has nothing to do with FCPX. I don't even have that application."
Sorry; I meant o write QT-X
[Mike Sussman] "Like most Apple products that drastically limit options and customization"
QT is a Player with few added funct | | | | |
| | | | Re: Final Cut Pro 7.03 crashing
by katie halper on Aug 4, 2011 at 12:54:50 am
in the Apple Final Cut Pro Forum
Some of it is SD but most is HD on mini DVs. The footage is spread out with some overlap (I'm trying to organize my footage) over a few external hard drives and internal hard drives. I have a drobo and a glyph.
I thought the fastest thing in terms | | | | |
| | | | Out of the Blue - Color Grading Service
by Micah Kirz on Aug 2, 2011 at 11:58:30 am
in the Forum
Out of the Blue provides a unique atmosphere for final color correction on television commercials, documentaries and everything in-between. Out of the Blue utilizes the DaVinci Resolve with a DVS San as the backbone of a highly flexible digital inter | | | | |
| | | | Re: FCPX = Ampex Ace
by Patrice Freymond on Jul 22, 2011 at 2:34:13 pm
in the Apple FCPX or Not: The Debate Forum
No I don't think the analogy works for FCPx is much too young (beta) for that. Now, in those days a manufacturer would probably not survive if launching a product so unfinished as this one.
I would agree that the ACE was a different proposition fo | | | | |
| | | | DVS Clipster
by Jeff Franklin on Jul 6, 2011 at 10:30:49 pm
in the Compression techniques Forum
I have been reading and hearing about the DVS Clipster for some time and it sounds like a pretty amazing device. It is referred to as "a facility in a box" in that it can ingest anything at any resolution in real time and then convert it to any othe | | | | |
| | | | Re: 444 to DPX and keeping TC -- CS5.5?
by Danny Hays on Jun 22, 2011 at 3:07:13 am
in the Adobe After Effects Forum
Hmm, We have a venue here at Universal Orlando that uses a DVS video server that plays 1080 60p DPX frame sequences with 444 color space.
There has to be something to make these files. I have an Intensity Shuttle that captures via HDMI as DPX files | | | | |
| | | | Raw Footage, No Contract, No Deal
by Dominique Lee on May 28, 2011 at 3:51:28 am
in the Business & Marketing Forum
I recently was paid to produce a music video for someone. I wrote up a contract but before filming started the artist refused to sign the contract since we were way off schedule. I'm young and this was my first big production, so I let it go and cont | | | | |
| | | | Re: Capturing and mixing HDV and DV in FCP - I'm Stuck!
by Sam James on May 18, 2011 at 7:59:42 am
in the HDV Format Forum
Hi there:
My pleasure to give you my suggestions and help.
According to my own experience capturing and mixing videos from my panasonic camcorder, I am convinced that there is a HD video converting sofware called Pavtube HD Video Converter powerful | | | | |
| | | | real digital capture
by sushil sharma on Apr 28, 2011 at 8:00:49 am
in the Blackmagic Design Forum
hi
i have an interesting question.
i m a film editor and has worked on feature films with my old nice betacam VTR and mojo analog to do offline editing. really had to do with editing no finishing, just a nice EDL or cutlist.
some music video work | | | | |
| | | | Post Production Manager
by Neda Panah on Apr 11, 2011 at 8:02:54 pm
in the JOBS Offered - Higher Pay Forum
Post Production Manager
POSITION SUMMARY
The Post Production Manager is responsible for the post production process, during which they maintain clarity of information and good channels of communication between the editors, designers, etc. and | | | | |
| | | | Re: Fcp and Isis
by Christopher Lowden on Mar 19, 2011 at 7:10:13 am
in the SAN - Storage Area Networks Forum
Many thanks to you all for your advice. I am definitely less ignorant now.
I am not an engineer but a workflow consultant, so I juggle user problems whilst developing future proofing solutions for both production and post-production.
What comes out | | | | |
| | | | Re: Fcp and Isis
by Jason Myres on Mar 17, 2011 at 6:29:39 am
in the SAN - Storage Area Networks Forum
Here is a pretty informative thread regarding the same question:
http://forums.creativecow.net/thread/8/1121011
For what it's worth though, I don't think you're going to find a better way to take care of 25 FCP workstations than an Xsan. That | | | | |
| | | | Fcp and Isis
by Christopher Lowden on Mar 16, 2011 at 8:26:18 pm
in the SAN - Storage Area Networks Forum
Hello
I investigating solutions to attach 25 fcp suites to a central server using prores hd. For the moment the machines are on Xsan and I do not have intention of upgrading. This leaves me the Isis, terrablock or Dvs as solutions? Has anyone had an | | | | |
| | | | Re: problem getting stable video out of VideoHub
by Ron Shaw on Mar 12, 2011 at 10:40:45 am
in the Blackmagic Design Forum
Hi I'm new here but have been in the video production business since 1984, having started with production formats like Beta I (That's Betamax kids, not Betacam), then 3/4 U-Matic, 3/4 SP, Betacam, Betacam SP, Digital Betacam (still in use), Betacam S | | | | |
| | | | Converting the AG-HPX170p to AG-HPX171E
by David Maltais on Mar 8, 2011 at 4:23:59 pm
in the Panasonic HVX - HPX (P2) Forum
Hello,
I am new here, so i apologize if this issue has already been addressed. I searched here but I didn't see anything pertaining to this issue.
The issue is that we have 2 factory modified HPX170p's that are set to PAL. Our company is lookin | | | | |
| | | | Re: reverse assemble
by Joe Huggins on Jan 14, 2011 at 6:35:11 pm
in the AVID Forum
Job,
Good feedback. I know Avid stopped supporting MediaStation long ago (ex Avid salesman here). But VRT control is only for playback, Avid can not be used as a Record deck and make an 'edit' and neither can AJA KiPro, only slam record or RS422 p | | | | |
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