| | | | Re: Render to xvid/divx by Ben Edwards on Aug 17, 2009 at 12:45:12 pm in the Sony Vegas Forum OK, ime using Vegas Studio Platinum Pro Pack'. I cant see a 'Save as Type' box but under the Project menu there is a 'Render as'.
From here I can choose 'video for windows'
From here I choose the 'PAL DV Widescreen' Template.
From here I click | | | | |
| | | | Re: Different file types by John Rofrano on Aug 17, 2009 at 12:23:17 pm in the Sony Vegas Forum Depending on your version of Vegas, WMV files may have problems. This is nothing I've experienced personally because I don't use WMV but just from answering questions here it seems that there are lots of issues with Vegas and WMV files lately. Try co | | | | |
| | | | Re: Render to xvid/divx by Mike Kujbida on Aug 17, 2009 at 11:25:02 am in the Sony Vegas Forum Select Video for windows (*.avi) in the Save as type: box.
Then NTSC DV (or any other option of your choice) in the Template box.
Click Custom and then Video.
Select DivX or XviD in the Video format: drop down box, click OK and start rendering. | | | | |
| | | | Re: Error by John Rofrano on Aug 17, 2009 at 10:57:34 am in the Sony Vegas Forum > It indicates that I need an xvid codec. Is that a good codec to download?
Vegas does not work well with Xvid or DivX so don't bother trying to edit them directly. You'll need to re-encode those files into something that Vegas can edit if you rea | | | | |
| | | | Re: Primatte Keyer for FCP, Motion, or AE by Erik Lindahl on Aug 17, 2009 at 8:18:34 am in the Apple Final Cut Pro Forum I thought Red Giant software had the "feature" of "buy one, use for all" as in buy one plug-in and use it for all host-apps. I might be wrong in this however…
I'm also looking for other alternatives to the Keylight plugin in After Effects. It ofte | | | | |
| | | | Re: Converting HD to SD - new question by Rafael Amador on Aug 17, 2009 at 5:28:53 am in the Sony EX Series XDCAM Forum If they are using FC, you shouldn't send them any AVI.
They will need to transcode it for editing.
If they are in FC 5, you can not send them Proress.
PhotoJPEG 75%, DVCPro50 or DV are your options.
cheers,
rafael
www.nagavideo.com | | | | |
| | | | Re: Converting HD to SD - new question by Craig Seeman on Aug 17, 2009 at 5:27:15 am in the Sony EX Series XDCAM Forum Just to clarify, they have FCP5?
They won't spend $299 to upgrade to Final Cut Studio 3 / FCP7?
Did they inform you of their format needs?
If not, they should either spend the $299 to upgrade or you should charge them for the time it takes to conv | | | | |
| | | | After Effects dropping frames while rendering. by Anant Raina on Aug 17, 2009 at 4:15:14 am in the Adobe After Effects Forum I'm editing a DV pal timeline in FCP. I exported some footage as an Mov without any compression. I imported this Mov into After effects. I used MB Looks on the footage for color grading. I then re-exported this as an Mov using DV Pal compression.
W | | | | |
| | | | Converting HD to SD - new question by GInny Stein on Aug 17, 2009 at 3:49:28 am in the Sony EX Series XDCAM Forum Hi
I spoke to soon about the company in Australia I am filming for editing in FCP 6...it is FCP 5. Does anyone have any suggestions as to how I can export/send them files filmed on my Xdxam ex1 camera in SD.
They will only accept SD.
I have FCP | | | | |
| | | | Re: Why do I lose all sensation of speed on DVD? by Chris Simpson on Aug 16, 2009 at 11:44:30 am in the Apple DVD Studio Pro Forum I hear what you're saying guys. I have some of your Call Box DVDs Noah, I'm a bit of a fan.
The trouble is always 'time', and getting some one to pay for it!as much as I'd like to do plenty of finessing of footage with colour correction, and IMAX | | | | |
| | | | Re: FCP Run Slow using External Drive by Margus Voll on Aug 16, 2009 at 7:42:50 am in the Apple Final Cut Pro Forum HI.
Try and go with ProRez. If it works use that. DV has less color information and may give you head ace :)
Option would be replacing external drive to FW 800 or something better.
--
Margus
http://iconstudios.eu | | | | |
| | | | Re: FCP Run Slow using External Drive by Milton Hockman on Aug 16, 2009 at 6:55:37 am in the Apple Final Cut Pro Forum how should i have my settings? Should i set them to a DV codec to edit with, and then switch to animation when outputting?
Motion Graphics Artist and Non-Linear Editor
Software expertise include: After Effects, Avid Xpress Pro, Final Cut Pro, Dvd S | | | | |
| | | | Re: FS-100 Emergency questions by Michael Sacci on Aug 16, 2009 at 4:19:15 am in the Apple Final Cut Pro Forum have you read the instruction to this device? But you do "organize P2? before trying to off load the footage. Which camera did you shoot this footage with the 170 or 100? If use are using the DVX100 then it needs to be set on DVCPro/DV Rec not DVCPro | | | | |
| | | | Experienced Assistant Editor Available by Robert J. Williams on Aug 16, 2009 at 4:02:36 am in the JOBS Wanted Forum Robert J. Williams
Editor
815.298.7012
rjweditor@me.com
Experienced assistant editor available for work. I am located in Chicago, but can relocate or travel depending on job. I am not union, but meet all necessary qualifications to become a | | | | |
| | | | Re: looking for Gary Adcock's paper on Pro Res by Rafael Amador on Aug 16, 2009 at 3:35:55 am in the Apple Final Cut Pro Forum [Phil Yunker] "My understanding is that ProResHQ can be or is overkill unless your footage originated as 1080i or even 2k. By making the footage ProRes HQ I'm not making the footage look any better, correct, the footage "is what it is." "
The codec | | | | |
| | | | FS-100 Emergency questions by John Nelson on Aug 16, 2009 at 2:34:09 am in the Apple Final Cut Pro Forum Apologies in advance if this is not the right place to be asking this but I'm in a pickle about how to extract what was shot today using the FS-100 connected to an AG-HPX170P.
The preface is that I have never used either prior to today. The reaso | | | | |
| | | | Re: reducing size of picture on a white screen by Michael Gissing on Aug 16, 2009 at 12:07:44 am in the Apple Final Cut Pro Forum DV codec is part of the problem. If you drop your edit into an uncompressed or ProRes sequence, you should see better resolution after render.
I have also read opinion that third party software like Innobits Video Purifier does a better job of res | | | | |
| | | | reducing size of picture on a white screen by ofer meir on Aug 15, 2009 at 10:00:46 pm in the Apple Final Cut Pro Forum hello to all
I am editing a music video clip in fcp.
I am tryibg to reduce the size of the picture i have so i can have a few "windows"of people singing at the same time. all the singers have a white screen in the background.
the problem is that | | | | |
| | | | Re: deinterlacing in compressor by Hector berrebi on Aug 15, 2009 at 12:16:31 pm in the Apple Final Cut Pro Forum Hi Raphael
since this thread seams to have been hijacked and the original poster is not around anymore :) i would like to add a question
as i was thinking of how to write it, i threw out this small test. would like to know what you think.
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| | | | Re: mt2s Files by Ron Hurtibise on Aug 14, 2009 at 11:58:20 pm in the Sony Vegas Forum You might also adjust the setting on your AVCHD camera to the lowest bitrate, or LP setting. I did that on my Canon HG20 and previewing on Vegas, while far from ideal, is much better. Meanwhile, picture quality did not suffer.
DV Raptor, Premiere 6, | | | | |
| | | | Re: DV capture no audio??? by Danny Hays on Aug 14, 2009 at 7:35:22 pm in the Sony Vegas Forum Didn't know Vegas would see USB cams, does the tape have audio? you could capture that through you sound card and sync it up if you cant figure it out via USB | | | | |
| | | | Why do I lose all sensation of speed on DVD? by Chris Simpson on Aug 14, 2009 at 7:22:37 pm in the Apple DVD Studio Pro Forum I posted this in Sony DV, possibly by mistake, now that I've found a DVD Studio Pro sub forum.
But here's the thing.
This may seems odd, but I've creating multi can event dvds of karting. Using HDV and DV cameras, recording HDV and miniDV obvio | | | | |
| | | | suddenly no playback by Larry Schutte on Aug 14, 2009 at 7:17:50 pm in the Adobe Premiere Pro Forum I'm running PP CS3 on an HP Pavillion dv 8000. It's been working great. This morning the playback stopped working when I hit the spacebar or the play button in the source or monitor windows. I can scrub and see picture and hear sound but no playba | | | | |
| | | | Why do I lose all sensation of speed on DVD? by Chris Simpson on Aug 14, 2009 at 7:10:10 pm in the Sony DV Forum This may seems odd, but I've creating multi can event dvds of karting. Using HDV and DV cameras, recording HDV and miniDV obviously, when I'm editing it in Final Cut Pro, or even viewing H264 files for upload and then viewing them on line on say vim | | | | |
| | | | DV capture no audio??? by Eric Winkelspecht on Aug 14, 2009 at 6:29:34 pm in the Sony Vegas Forum While trying to capture DV video (through usb) in Sony Vegas 7.0 the video captured perfectly, but I could not find a setting that allowed me to capture the audio!
What am I doing wrong? Or what settings do I have to change?
Thank you,
Eric | | | | |
| | | | What kind of microphone set up for Sony VX2100? by Don Kimball on Aug 14, 2009 at 5:59:44 pm in the Audio Professionals Forum Okay I am completing a free-lance project on the Parrots of Australia. I shot 6 months worth of footage and now am editing it in Sony Vegas.
I have done 2 voice-over narrations of my first chunk of film.
1. I used the cam and simply recorded | | | | |
| | | | Re: BIG PROBLEM to use S270 4 channel Audio (HDV Format) by Tom Pauncz on Aug 14, 2009 at 5:33:17 pm in the Sony DV Forum I believe you need an external deck capable of 4CH audio to ingest your footage. Such as the SONY M35.
I too have the same issue - DVCAM/DV 4CH works fine copying from the CF card, HDV does not.
Cheers for now,
Tom Pauncz
(30WEST MEDiA GROUP) | | | | |
| | | | Re: Sending footage from FCP to Motion by Shane Ross on Aug 14, 2009 at 5:20:03 pm in the Apple Final Cut Pro Forum Don't use H.264. It is not an editing codec, it is a delivery codec. it is not meant to be used the way you are trying to. You need to convert this to DV, or if it is HD sized, then to ProRes. Then do all of your editing and such.
Shane
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| | | | Re: mpeg streamer query. by John Fishback on Aug 14, 2009 at 4:16:57 pm in the Apple Final Cut Pro Forum You shouldn't convert to mpeg 2 and then convert to an FCP edit codec. Do it in one step in MPEG Streamclip. Open the VOB and export ProRes, DV, DVCPro50, whatever. How is your external drive formatted? If it's FAT32 you have a 4GB file size limit. I | | | | |
| | | | Advice on Mixing SD and HDV formats by Laura Kingwell on Aug 14, 2009 at 3:59:51 pm in the Apple Final Cut Pro basics Forum Hi
I am editing a project which was shot 1080i50 on a Sony Z1 camera and am editing natively in HDV using the appropriate HDV easy set up.
I now also need to capture some archive footage which will be on a variety of formats DV, DVCAM and Dig | | | | |
| | | | Sending footage from FCP to Motion by Matthew Charof on Aug 14, 2009 at 2:56:28 pm in the Apple Final Cut Pro Forum Hey guys,
I am working with an H.264 codec in FCP, and whenever I send it to Motion there is some sort of glitch. The video cuts off part way and is replaced with a freeze frame for the duration of the time code. I tried bringing in the same vid | | | | |
| | | | H.264 1080P60 encoding by James Wright on Aug 14, 2009 at 12:41:40 pm in the Apple Final Cut Pro Forum I've got some H.264 1920x1080 60 fps progressive scan footage and I was wondering what is the best way to import it into Final Cut Pro with minimal loss of quality/frames in the encoding process? Will MPEG Streamclip suffice? What are the ideal expor | | | | |
| | | | DVD Authoring | DVD Workshop 2 Review by Nick Jushchyshyn
One of Creative COWs Ulead Media Studio Pros leaders, Nick Jushchyshyn takes a look at DVD Workshop 2 from Ulead and concludes with... Given its very competitive pricing, powerful feature set, and ability to create truly professional DVDs, this software gets a solid 4 1/2 cows. Review Author: Nick Jushchyshyn |
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| | | | Apple Final Cut Pro | Working with HDV in Final Cut Pro
You can work successfully with HDV in Final Cut Pro, provided you know the secrets and the limits. In this Final Cut Pro tutorial from The Creative COW Magazine, Jerry Hofmann reveals what you need to know to work with high definition video in Final Cut. Tutorial Author: Jerry Hofmann |
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| | | | HDV Format | HDV vs HD: A Primer
Emmy Award winner, Tim Kolb discusses HDV and its place in the greater scope of HD production formats. Since the inception of the HDV format, we have seen many responces regarding the HDV format and how it fits alongside HDCam, DVCProHD, XDCam and other formats in the greater scope of the HD picture. In this article (which is taken from an HDV Format forum responce), Creative Cow's Tim Kolb gives what we feel is an exemplary job of dissecting the subject and clarifying the many components of the HD universe, HDV being one of those parts.... Tutorial, Feature Author: Tim Kolb |
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| | | | HDV Format | Building the Perfect HDV Key
In the first of our Creative COW Magazine Web Extras, we begin with Stephen Smiths outstanding article on setting up an area for proper keying from the May-June 2007 edition. His article covers every option for setting up and lighting perfect keys. Here, we look at the best advice around The COWs online communities for pulling keys from HDV footage. Tutorial, Feature Author: Tim Wilson |
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| | | | HDV Format | Demystifying HDV Workflows
Creative COW Leader Tim Kolb uses his HDV expertise to explore the technology behind HDV, and show how it applies inside Final Cut Pro and other NLEs, with a special focus on longer projects. As Tim notes, this is a modified version of a post he made in the HDV forum responding to a question about FCP, but anyone who wants to know about editing HDV needs to check this out. Tutorial, Feature Author: Tim Kolb |
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| | | | Apple Final Cut Pro | Recapturing HDV, Can it be done?
CreativeCOW.net contributing editor and leader, David Battistella, explores the question of recapturing HDV. He'd seen so many posts, so much talk about HDV format and the problems incurred, so David has taken the time to test a couple of workflows. Here's David's report.
Tutorial Author: David Battistella |
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| | | | Adobe OnLocation | Serious Magic DV Rack HD 2.0 reviewed
DV Rack and later, HDV Rack have proven to be valuable pieces of software for Emmy Award winner, Tim Kolb's field production activities, but like others, Tim is moving through the HD transition. Enter DV Rack 2.0. Tim determines that this version has some important improvements.. Read the rest of Tim's review..... Review Author: Tim Kolb |
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| | | | HDV Format | HDV/DV Rack by Serious Magic
There are times when a piece of software or hardware comes along that changes your thinking about what tools are critical in your work. DV Rack was one of those pieces for Emmy Award winner, Tim Kolb. The ability to have accurate and comprehensive image and audio quality measurement via FireWire anywhere you can power a laptop changed the way Tim thought about acquiring video. With the arrival of the HDV Power Pak upgrade module, the same technical control is now available for those of us shooting HDV. Read the rest of Tim's review..... Review Author: Tim Kolb |
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| | | | HDV Format | Taking Sony's HDV Camera to the Outer Limits of Performance
Sony has made a big splash in the video world with the release of their HDV camcorder the HVR-Z1U. By itself, it is capable of images that will amaze even the most jaded video professional. But as with all things, there's always room for improvement. By not having a microphone or wide angle supplied, you can choose better components that will enhance the performance of an already incredible camera. In this article, CreativeCOW.net contributing editor Jim Harvey walks CreativeCOW members through what they need to build the Ultimate Z1U set up.
Feature Author: Jim Harvey
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| | | | Sony Vegas | Sony Vegas Pro 9
In this article, CreativeCOW's Jim Harvey takes a look the new release of Vegas Pro 9 and determines ...This is one of the most comprehensive editing suites out there and certainly the most comprehensive version of VEGAS to be released. Review Author: Jim Harvey |
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| | | | HD High-End | HDCAM, XDCAM & DVCPRO HD: Some Questions Answered
Responding to questions in the Creative Cow "HD High End" forum, Cow leader and contributing editor Tim Kolb lays out key differences between Sony's XDCAM and HDCAM, as well as cameras using Panasonic’s DVCPRO HD. This look at some of the industry's hottest forums will help anyone looking to explore the world of HD production. Feature Author: Tim Kolb |
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| | | | Motion Graphics - How Do I? | Zoe-DVL
CreativeCOW contributing editor Wayne Orr reviews The Zoe-DVL lens controller, with a new coiled cable, right angle connector, and MSR control all weighing in at a mere 4 ounces. About two years ago, Wayne wrote a review of the Zoe-DV zoom lens controller, which he suggested was the best controller in the marketplace at the time. The new DVL continues to pack professional control options in a versatile compact package is just one of his observations on this new product.... Review Author: Wayne Orr |
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| | | | Motion Graphics - How Do I? | EIDE Drives in DV
Just thinking about getting a new DV system or adding a DV system to your existing studio? Wondering what the issues are when setting up the drives for your new system? Still thinking that SCSI is the way to go? Not sure if the EIDE drives will be fast enough? CreativeCOWs founder, Kathlyn Lindeboom, explores these and other issues in this article. Tutorial Author: Kathlyn Lindeboom |
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| | | | Adobe Premiere basics | Great Titles with the DV Codec
In this article, Philip Hodgetts gives us a few hints on how to make great titles with the DV Codec. In most cases, if you're using the DV Codec, you'll find that your titles at best will be good. If you want great quality, then you will need to follow most of these guideliness that Philip discusses but NOT compress to the DV Codec. Tutorial Author: Philip Hodgetts |
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Podcasts | | | | boris fx tutorials podcast Boris Continuum Complete 6 - DV Fixer DV video is prone to jaggy edges and compression artifacts. DV Fixer in the Boris BCC 6 plug-in will greatly improve the look of your clip without sacrificing image detail or quality. Watch how it's done inside Adobe After Effects CS4. | | | | |
| | | | creative cow podcast Episode #086 - July 30, 2009 Expanding Your Creative Business with Andy Stinton, Apple ships new Final Cut Studio and Logic Studio, BorisFX Cartoon Look, Canon reinvents images stabilization, FontGenius, AutoFX and more creative news and interviews - creativecow.net | | | | |
| | | | adobe premiere pro tutorials podcast DVD Authoring in Premiere Pro 2.0 In this video podcast, Creative Cow Leader Aanarav Sareen demonstrates how to use Premiere Pro 2.0's DVD Authoring capabilities. | | | | |
| | | | adobe premiere pro tutorials podcast Achieving the film look with DV camera; an interview with Stu Maschwitz One of the most common topics in the post production field is "Achieving the Film Look". In this interview, Aanarav Sareen speaks with Stu Maschwitz to discuss "The DV Rebel's Guide" and some other procedures that go over the process of achieving high production standards. | | | | |
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