Creative COW

SIGN IN :: SPONSORS :: ADVERTISING :: ABOUT US :: CONTACT US

FORUMS:

list (w/ descriptions)

DV

COW Tag


	COW Tags : Video


	Re: dv pal to web sequence settings by Michael Gissing on Jun 2, 2012 at 11:32:57 pm in the Apple Final Cut Pro Forum ProRes422. DV is lower field so FCP should automatically apply the shift fields filter. As the content is for the web, you might want to consider deinterlacing this footage and using a progressive sequence.


	dv pal to web sequence settings by Paul Joseph on Jun 2, 2012 at 5:43:05 pm in the Apple Final Cut Pro Forum Hi there I've got some dv pal anamorphic footage that I need to cut together for a website. It's going to be mixed with some stills, text and graphics created in after effects. I find that dv pal makes text and graphics look horrible. What sequenc


	Re: FCP X hardware performance by Oliver Peters on Jun 2, 2012 at 2:41:44 pm in the Apple FCPX or Not: The Debate Forum [olof ekbergh] "FCPX seems to really depend on new hardware to work well. I was really disappointed with how FCPX ran on my 2009 8core," Fortunately, I really haven't hit many "beach balling" issues on the Mac Pros. Maybe just lucky. The main thi


	Re: Premiere Pro 5.5 and Canon XH A1 Capture by David Collins on Jun 2, 2012 at 11:56:46 am in the Adobe Premiere Pro Forum 1st make sure your project is set to HDV not DV then go to capture then go to settings tab next to the logging tab 1st make sure it saus capture format is HDV then under device control ,make sure sure you have dv/hdv device control selected


	Re: Archive format for DV tapes? by Craig Alan on Jun 2, 2012 at 4:45:26 am in the Sony DV Forum make dupes of the tapes. reserves full quality and if stored properly will last much longer than any hard drive. i would not compress them. the nice thing about the old mini-dv, is that you did not need to compress the image any further. you could


	Re: Decklink and PrPro 6 Oddity ?? by Peter Hoeyberghs on Jun 2, 2012 at 4:36:18 am in the Blackmagic Design Forum Hello George, I've exactly the same problem with the last driver of BM Decklink. 8.5.2. I've already opened a ticket at BM support. But they told me that they don't have premiere CS6 yet to reproduce this issue. Looks a bit strange to me. An


	Workflow suggestions for already graded mixed format timeline? by Noam Kroll on Jun 1, 2012 at 11:00:55 pm in the DaVinci Resolve Forum I had a client deliver a tcp 7 project file to me that was to be exported for colouring in resolve. The original project had mixed media (16mm film converted to prores, h.264 from a 5d and some DV b-roll shots. I was told that all of the files were c


	News: Cinedeck Software Upgrades Ship With More Native Codecs, Including Dnxhd 444, Plus New 3D Ster by Cow News Droid on Jun 1, 2012 at 7:44:12 pm in the NEWS: Product News Releases Forum Cinedeck’s software-based architecture enables greater capability and faster development (New York, New York--June 1, 2012) Cinedeck LLC, pioneering developer of capture systems for motion picture and broadcast production, continues to set new ben


	News: DP Bill Mills Documents ‘Big Cat Exposé’Safari with Panasonic AG-HPX250 P2 Handheld with 10-Bi by Cow News Droid on Jun 1, 2012 at 6:20:07 pm in the NEWS: Product News Releases Forum Video Travelogue Starring Southern Africa’s Endangered Leopards, Cheetahs and Lions Created for Company at the Forefront of Conservation Tourism (Secaucus, NJ--June 1, 2012) Emmy Award-winning Director of Photography Bill Mills recently returned f


	Away from PPro editing for six years - looking for advice by Ruby Gold on Jun 1, 2012 at 6:04:15 pm in the Adobe Premiere Pro Forum Hi there. I've been away from shooting/editing for six years and at that time was shooting on mini-dv tape, then capturing into PPro 1.5 and using the footage along with other assets to create edited pieces authored to DVD and compressed for online s


	Re: Mix Hd(progressive), HDV(upper field) and Dv(low field) in the same timeline in FCP for then out by Julio Cesar on Jun 1, 2012 at 5:22:02 pm in the Apple Final Cut Pro Forum No, my videos are at the same frame rate, so thats not a problem, i tink the problem can be the dominance field, and my delivery format is to tape. So the only problem that i have is the that the progresive HD and the interlaced HDV seems to have


	Re: Mix Hd(progressive), HDV(upper field) and Dv(low field) in the same timeline in FCP for then out by Shane Ross on Jun 1, 2012 at 4:40:46 pm in the Apple Final Cut Pro Forum Use a ProRes timeline. Set the field dominance to "None." If you have multiple frame rates, convert the ones that don't match the main frame rate.


	Mix Hd(progressive), HDV(upper field) and Dv(low field) in the same timeline in FCP for then output by Julio Cesar on Jun 1, 2012 at 3:09:19 pm in the Apple Final Cut Pro Forum Please, can some one tell the way to work with this 3 diferent type of media, i need to know what i need to do to have a clean and a very good looking video for output to tape for broadcast, so i dont want to se jagged video or someting or ghosting,


	Service: Fidget by Casey Smith on Jun 1, 2012 at 1:54:27 am in the COW - Services Forum Over 10 years experience in post production, Working on Feature 2D/ 3D films, Television series, music videos and commercials Have experience working on solo projects to working in teams of 30 artists with vfx producers, directors, clients involveme


	Service: tj barkwill by tj barkwill on Jun 1, 2012 at 1:41:08 am in the COW - Services Forum DRAMATIC WRITING Recent Feature Screenplays Orange Dissection EDUCATION Chapman University, CA Camera: Canon EOS Rebel T2i; Arri II 16mm; Canon XL2 mini dv; Panasonic HDC-TM700K fixed lens AVCHD; Sony Handycam; JVC mini dv. Mac and PC.


	Re: Apple article on Optimizing Media by Jeremy Garchow on May 31, 2012 at 9:31:14 pm in the Apple FCPX or Not: The Debate Forum [Clint Wardlow] "Does PPRO and FCPX work better with mixed mediums?" That's a rather loaded question. FCPX has more control than FCP7, but I can't promise a 29.97 SD clip is going to look good in a 4k 23.98 timeline. Composite converted DV i


	Re: Apple article on Optimizing Media by Clint Wardlow on May 31, 2012 at 9:23:13 pm in the Apple FCPX or Not: The Debate Forum In FCPX how well do native formats play together in a timeline that has say DV( which has been compressed from sources like betacam and pixelvision), XDCAM, HDV, and film files converted to Prores 422? I do this quite often and in FCP7 I found it


	Fidget by Casey Smith on May 31, 2012 at 6:54:27 pm in the Forum Over 10 years experience in post production, Working on Feature 2D/ 3D films, Television series, music videos and commercials Have experience working on solo projects to working in teams of 30 artists with vfx producers, directors, clients involvemen


	Re: 3D Flag by Edward Wu on May 31, 2012 at 4:48:08 pm in the Zaxwerks Forum Thanks! I sent you a new response. It seems like there's an issue with the PAL D1/DV setting. I have submitted the issue to our development team and will let you know as soon as I receive the fix from our team. Best, Edward


	Working a mixed media project FCP7 by Mike Heneghan on May 31, 2012 at 12:03:34 pm in the Apple Final Cut Pro Forum Hey Guys I've just inherited a documentary project that was a real mess when I got ahold of it. Not much thought had gone into the shooting of it, so the interviews were all shot on different formats. I'm not even sure what cameras were used, a


	Service: Giaimos by Jon Giaimo on May 31, 2012 at 3:27:24 am in the COW - Services Forum I am currently a Video Producer / Engineer. I have over 10 years of industry experience with a strong focus in editing, directing, visual effects and motion graphics. I also have 6 years of web design and flash animation. Attended Full Sail Univer


	working with wide screen Tv by Dawud Ali on May 30, 2012 at 10:36:17 pm in the Adobe After Effects basics Forum This probably a simple question with a simple answers but I simply don't have the answer to it :c What is the typical setting for HD wide screen tv? my preferred setting and the one i pretty much always use is: PAL D1/DV wide screen Square Pixe


	Re: Encoding for Power Point by Ann Bens on May 30, 2012 at 9:14:05 pm in the Adobe Premiere Pro basics Forum There are quite a few formats PP supports; mov, dv-avi, wmv, mp4, mpg and lots more.


	spending money wisely. by Don Walker on May 30, 2012 at 8:56:20 pm in the Apple FCPX Techniques Forum I have a 2008 8 core MacPro with 10 gigs of RAM. Kona Lhe. Nvidia GT8800, and about 17 TB of hard drive hanging off of it through various interfaces E-sata FW800 internal drives etc. I have transitioned from FCP 7 to X and surprisingly love editing w


	Giaimos by Jon Giaimo on May 30, 2012 at 8:27:24 pm in the Forum I am currently a Video Producer / Engineer. I have over 10 years of industry experience with a strong focus in editing, directing, visual effects and motion graphics. I also have 6 years of web design and flash animation.


	Re: Hyperdeck shuttle my views by Shaun Roemich on May 30, 2012 at 8:18:31 pm in the Blackmagic Design Forum Oh and regarding using firewire as an input: Firewire output on cameras is limited to 25mbps (the DV/hdv standard) so it is already heavily compressed, so much so that 1080I requires anamorphic pixels (1440 x 1080) to stay within bandwidth. No


	Re: Quicktime export quality not the same as viewer. by Paul Brady on May 30, 2012 at 8:00:55 pm in the Apple Final Cut Pro Forum Hi folks I've got a sequence that when exported using QuickTime Conversion (see settings below after sequence setting) it loses it's quality. Looking washed out somewhat. The quality of the viewer in FCP is beautiful. I've been trying numbers expo


	Re: Video camera reccomendation by Scott Gaskin on May 30, 2012 at 7:59:49 pm in the DSLR Video Forum Hi Brent, Thank you for your response. I did look at the Canon 5D Mk 2 and the cheaper 7D model. Does the full sensor make much difference to the video quality? also in your opinion, do you think there is much difference between the Mk 2 and Mk


	Re: Archive format for DV tapes? by Jeff Pulera on May 30, 2012 at 1:55:58 pm in the Sony DV Forum I think people these days are getting too used to compression of MP3 audio and online video clips. I would argue that DV files are NOT huge at all, in the scheme of things. Apparently you have never worked with professional video formats, compressed


	Re: HD tape question by Peter Burger on May 30, 2012 at 1:54:21 pm in the HDV Format Forum What HD format are you shooting on? I assume - since you're writing in the HDV forum - it's HDV? I don't know why the freelance shooter states that the quality of HD-video on tape is no better than SD... IMHO he is comparing apples to oranges..


	Problems capturing video using Premiere Pro CS5 on Mac by gus serrano on May 30, 2012 at 1:46:45 pm in the Adobe Premiere Pro Forum I am using Premiere Pro CS5 on Mac and a JVC SR-DVM600 deck to capture video. When I go to capture I am able to control the deck but No preview window, and am not able to capture. I am aware of no preview on HDV, but I am using DV. Any help is apprec


	Aspect Ratio issues for an animation! PAL to NTSC by jacinda klouwens on May 30, 2012 at 8:37:20 am in the Adobe After Effects basics Forum Hi I'm in NZ, and am trying to create a H.264 widescreen NTSC file (for a possible USA festival screening) and just hoping someone can help me? My film is an short animation (PAL.1024x576) and whilst the ratio looks fine on the project file -


	Re: Hyperdeck shuttle my views by Neil Adamson on May 30, 2012 at 7:19:42 am in the Blackmagic Design Forum Hello I understand the reason for thinking that a compressed codec is maybe not an absolute . However one really strong use case in my environment is to avoid the use of tapes on a number of older tape based DV HDV cameras I have. So altho


	Re: Export OFFLINE EDL from ONLINE Edit by Michael Gissing on May 30, 2012 at 12:01:38 am in the Apple Final Cut Pro Forum Media Manage and stay with the same frame size and frame rate. Do not use DV as it is a nightmare. ProRes LT or Proxy are your best choice. Don't need an EDL just open their project and relink to the original ProRes media. Do not change any file n


	Re: Question about Intensity Shuttle USB 3.0 and MPEG-2 by Mike Squires on May 29, 2012 at 7:35:59 pm in the Blackmagic Design Forum Both DV (or HDV) and MJPEG are fast, as well as uncompressed (as long as your hard drives can keep up). The Shuttle can capture in all three of those formats.


	Re: Problems capturing 16mm to DV NTSC by Shane Ross on May 29, 2012 at 2:56:55 pm in the Apple Final Cut Pro Forum You need to use the DV/NTSC Easy Setup.


	Re: What is the fastest way to make a DVD after shooting a 2 hour football game with an EX3? by David Wheeler on May 29, 2012 at 2:34:38 pm in the Sony XDCAM - EX & Related Forum If you are using a Matrox MXO2 in the setup, I'm guessing you are recording directly to a computer? You should be able to feed a component video signal plus audio directly from your Matrox to a standard DVD recorder and record real time. You should


	Re: legacy DV-AVI in DS by Declan MacErlane on May 29, 2012 at 1:21:30 pm in the AVID Forum I haven't heard that. I use AVI with DS quite a lot and haven't had any problems... maybe I'm lucky. I'd try bringing in the AVIs without scaling and then resize as necessary with the DS DVE, making sure to select Frame source (assuming the AVIs are


	Export OFFLINE EDL from ONLINE Edit by Nikos Papadopoulos on May 29, 2012 at 10:55:11 am in the Apple Final Cut Pro Forum Hello all. I need your help with this: I have 3TB of Prores footage that I have been editing online in native resolution. After several months of editing I cut down the project to 2 hours and decided to collaborate with another editor. A) Can I


	New guy needs advice (and maybe a consultant!) by Andrew Wright on May 29, 2012 at 8:02:12 am in the CatDV Forum Cat DV seems like a perfect fit for my current project, but I'm not sure it will do everything that I need. My corporate client wants an archive of about 100 interviews (~2hrs each). Everything is ProRes, and they want to... 1) Add tags/keywords


	Problems capturing 16mm to DV NTSC by Sabina Kato sabinaedonnelly@gmail.com on May 29, 2012 at 6:33:55 am in the Apple Final Cut Pro Forum Hi I am in Japan. I shot my footage in 16mm and got it transfered to DV NTSC. What are the correct settings to capture the film? I can play it on Final cut but when I try to capture it, it captures for two seconds and then stops. I have tried it


	Re: Article: A Cautionary Tale for the FCP Switcher by Jim Wiseman on May 29, 2012 at 4:57:18 am in the COW - Tutorials Forum Thanks very much for the insight. All of my projects are very similar in that they have almost every type of source. Documentaries, with legacy material fom Betacam, DV, DVCPro, even S-VHS on tape and all of the new digital formats, especially Sony E


	Motion Graphics Designer AND Graphic Designer/Illustrator by Wes Townsend on May 29, 2012 at 12:52:17 am in the JOBS Offered - Higher Pay Forum Beginning immediately, Garbanzo Grafix is offering Summer 2012 internships for a MOTION GRAPHICS DESIGNER and GRAPHIC DESIGNER/ILLUSTRATOR. During this internship, you will work on professional broadcast, corporate, and promotional projects. Trans


	One silent audio channel? Works in final cut express but not FCX by Anna Berbert on May 29, 2012 at 12:32:02 am in the Apple FCPX Techniques Forum I'm trying to edit the audio of some footage that I shot on my Panasonic DVX100b. It records onto a DV tape and I archived and then imported it into FCX. When I shot the video, I recorded into a microphone on one channel and just used the camera's mi


	Re: BCC8 / Vegas 10 Pro / 3d Image Shatter not shattering by Stewart Bourke on May 28, 2012 at 11:43:10 pm in the Boris FX Forum Peter, My apologies for the delay in replying - I have had tech rehearsals for a show all weekend. I was using the latest version of BCC8 - I downloaded the latest version immediately to installing it. Here is what I did to replicate: a)


	Re: Capture problem by Kristoffer Hansen on May 28, 2012 at 7:04:22 pm in the Sony Vegas basics Forum Ahh, its a DV cam. My bad :)


	Capture problem by Dave Wilson on May 28, 2012 at 5:50:00 pm in the Sony Vegas basics Forum I have Movie Studio 11 and I am on Windows 7 and have a panasonic NV GS120 camera connected by firewire. When I try to capture video I get the message The device 'Microsoft DV Camera and VCR' could not be opened and the capture window in Movie Stu


	Re: Mixed source media = choppy playback. by Andrew Turner on May 28, 2012 at 8:27:03 am in the Apple Final Cut Pro Forum OK - I'm pretty much a novice here so you may need me to guide me through this. Firstly, I'm wrong its actually FC5 not 6. Looking under Audio/Video Settings the Sequence preset is DV Pal (I do live in New Zealand where PAL is standard). How


	Red and green flashes in footage after capture (Sony HVR-Z7U) by Way Spurr-Chen on May 27, 2012 at 9:44:27 pm in the Adobe Premiere Pro Forum Hi guys, I'm working on a documentary project with a Sony HVR-Z7U recording onto Mini DV tapes--all my footage looks great on playback on the LCD screen, but after capturing, when I review the footage, a lot of it gets periodic, seemingly random glit


	Re: Clips Offset in Color by Shane Ross on May 27, 2012 at 8:06:36 pm in the Apple Color Forum Color doesn't work with either of those formats. It works with ProRes, DVCPRO HD and HDV. DV as well...and Uncompressed SD and HD. It doesn't work with H.264 nor AIC

Podcasts


	adobe after effects podcast AE Basics 44: Shaping Text And Advanced Options AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 44: In this (more advanced) tutorial, Andrew Devis shows the options to change the way text moves through its range.


	adobe premiere pro podcast Achieving the film look with DV camera; an interview with Stu Maschwitz One of the most common topics in the post production field is "Achieving the Film Look". In this interview, Aanarav Sareen speaks with Stu Maschwitz to discuss "The DV Rebel's Guide" and some other procedures that go over the process of achieving high production standards.


	adobe premiere pro podcast DVD Authoring in Premiere Pro 2.0 In this video podcast, Creative Cow Leader Aanarav Sareen demonstrates how to use Premiere Pro 2.0's DVD Authoring capabilities.


	final cut help tutorials podcast Abba - DVD Studio Pro: Making a Menu - Part 1 Join Apple Certified Trainer Abba Shapiro as he shows you how to make a menu in DVD Studio Pro.


	final cut help tutorials podcast Abba - DVD Studio Pro: Making a Menu - Part 2 Join Apple Certified Trainer Abba Shapiro as he shows you how to make a menu in DVD Studio Pro. Part 2.


	Forums Adobe Encore DVD Forum Apple DVD Studio Pro Forum CatDV Forum DVD Authoring Forum DVD Workshop, Ulead Forum DVDit, Sonic Forum DVS Clipster Forum HDV Format Forum Panasonic AF100, DVX100, HMC150 Forum Sony DV Forum Related Tags 23.98 29.97 After Effects Video After Effects Video Tutorial AJA Video Systems ARRI ATTO Aurora Video Systems Blackmagic Design Compact Videohub Blackmagic Design Desktop Video 9.0 Blackmagic Design Desktop Video 9.5 Blackmagic Design Universal Videohub 3 Blackmagic Design Videohub Master Control Broadcast Video Broadcast Videohub Chyron Corporate Video da Vinci Demo Reels Desktop Video 9.2 Digital Video Camcorder Digital Video Cameras DPX DV Edit Decision List EDL Enterprise Videohub Fast Forward Video FireStore Firewire Flash Video Haivision Network Video HD-SDI Iconix Video Litepanels MacVideo Micro-Video Patchbay music video music videos Nattress Video Scrapbook Neat Video NVIDIA P2 Panasonic LCD Video Monitors Phoenix Video ProVideo Solutions Quantel Ross Video Stock Video Studio Videohub Tapeless Thomson Video Networks Time Lapse Training Video Transvideo TSD Video Video video adventures Video Assist Video Cameras Video Capture Video Compression Video Control Center Video Editing Video Editing Software Video Editor Video game graphics video games Video Graphics Video Podcast Video Production video streaming Video Switcher Video Tutorial Video Tutorials Videography Magazine VideoRAID VideoStudio Wedding Video YouTube DV Blogs

FORUMS • TUTORIALS • MAGAZINE • STOCKYARD • VIDEOS • PODCASTS • EVENTS • SERVICES • NEWSLETTER • NEWS • BLOGS

© 2013 CreativeCOW.net All rights are reserved. - Privacy Policy

[Top]