| | | | Service: TiltAWhirl Pictures
by Dayna Tiltawhirl on May 16, 2013 at 6:35:42 pm
in the COW - Services Forum
Screenwriting and Directing Credits
Tales From Morningview Cemetery (post-production), 2012/ feature film/ screenwriter and director /Swindy Films in Association with TiltAWhirl Pictures
Heavy Rebels, 2010/ documentary feature film/ screenw | | | | |
| | | | TiltAWhirl Pictures
by Dayna Tiltawhirl on May 16, 2013 at 11:35:42 am
in the Forum
Screenwriting and Directing Credits Tales From Morningview Cemetery (post-production), 2012/ feature film/ screenwriter and director /Swindy Films in Association with TiltAWhirl Pictures Heavy Rebels, 2010/ documentary feature film/ screenwriter/ dir | | | | |
| | | | Creating Animation for PBS - in High School
by Michael Reilly on May 16, 2013 at 11:00:00 am
in the Autodesk 3ds Max Forum
Lanier High School students work with 3D Studio Max creating a real world project thanks to a collaboration between Biscardi Creative Media Principal Walter Biscardi, Jr. and CDAT teacher Mike Reilly. Instead of just working on a class assignment, th | | | | |
| | | | Service: dBA MEDIA
by Henrik Helms on May 16, 2013 at 8:11:39 am
in the COW - Services Forum
I am a digital storyteller Gimlekollen Mediasenter
Soundengineer, editor and producer at TV/MIDT-VEST
Owner dBA MEDIA Digital storytelling Canon C300 FCPX Sofievej 6 Snejbjerg Herning Ringkøbing Denmark , Production, Production, , Documentary, Co | | | | |
| | | | Re: Encoding PAL MPEG-2 from 1280x720@50P
by Niklas Wikman on May 16, 2013 at 6:50:30 am
in the DVD Authoring Forum
We are into educational/documentary field, so no need for slo-mo and such things. But sure, we'd like to pan/zoom without the image jumping all around... I guess you just have to get used to it, but I'm sure we're missing a few settings on the camera | | | | |
| | | | Re: Ken Burns zoom
by Nikolas Bäurle on May 16, 2013 at 2:21:05 am
in the Apple FCPX Techniques Forum
The Ken burns starts and stops like that by default, there's no way to change that. It is a specific type of animation that works very well in news and documentary when you need a "classical" movement and it gives you a straight zoom no matter what f | | | | |
| | | | dBA MEDIA
by Henrik Helms on May 16, 2013 at 1:11:39 am
in the Forum
Gimlekollen Mediasenter Soundengineer, editor and producer at TV/MIDT-VEST Owner dBA MEDIA | | | | |
| | | | Service: Evil Genius Productions
by Jeff Fowler on May 16, 2013 at 1:07:14 am
in the COW - Services Forum
Manhattan Undying Films Inc.
Post Production Supervisor - “Manhattan Undying” - Full length dramatic feature film - 2013
Le Cheval Noir
Editor/Writer - “ER Vets - Season 2” - Half hour reality episodic for Corus - 12 Episodes - 2011-12
Editor - | | | | |
| | | | Evil Genius Productions
by Jeff Fowler on May 15, 2013 at 6:07:14 pm
in the Forum
Manhattan Undying Films Inc. Post Production Supervisor - “Manhattan Undying” - Full length dramatic feature film - 2013 Le Cheval Noir Editor/Writer - “ER Vets - Season 2” - Half hour reality episodic for Corus - 12 Episodes - 2011-12 Editor - “Pick | | | | |
| | | | Vs transfer of XDcam EX raw-files/logs from CatDV to FCP
by Hilde Korsaeth on May 15, 2013 at 9:31:23 am
in the CatDV Forum
Having used CatDV as a great logging and systematizing tool for my previous documentary projects, I am presently trying to define the most functional work flow for my next project.
It is a typical process documentary that includes a rather volumino | | | | |
| | | | @Nino Cucic
by Michael Garber on May 14, 2013 at 7:17:47 pm
in the COW - Tutorials Forum
What I'm cutting is more feature story, documentary style. We're shooting over multiple days and culling from lots of footage. This is not evening news. But it is for broadcast and it is news. My hope is that some of the tips I've included could help | | | | |
| | | | @Randy Hansen
by Michael Garber on May 14, 2013 at 5:04:03 pm
in the COW - Tutorials Forum
Thanks, Randy! We have certainly had our half-day turnarounds in the past, and those days are crazy.
We generally have 6-10 hrs of raw footage and a 10-12 page script. All individual interviews are between 30-45 minutes of raw footage (so figure | | | | |
| | | | HD proxies for VERY old Macbook Pro workflow
by Alexander Melck on May 14, 2013 at 4:39:03 pm
in the Adobe Premiere Pro Forum
Thank you in advance for reading and contributing to this post.
I'm editing a long format documentary on an iMac on Premiere Pro CS6. OS 10.7.5.
The footage is in a MPEG-2 1080p format.
I am going on a trip but need to continue editing on my | | | | |
| | | | Cyclist at SUNSET
by Kalyan Tagore on May 14, 2013 at 9:52:43 am
in the Adobe After Effects Forum
Hey friends,
I am making a short documentary about a Cyclist. The END FRAME of the video should be something like this...
" Cyclist approaching towards the Horizon (or SUNSET) "
But I dont have a perfect location like this to shoot..
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| | | | What is this for Exactly ?
by Neil Hynes on May 14, 2013 at 12:14:15 am
in the Blackmagic Design Forum
Whats the main purpose of this card ? And when would one use one ?
Im concerned that everyone is saying that it captures video better than other methods; but is this intended for live streaming performances or what ?
I mean im shooting a documentar | | | | |
| | | | Re: Converting Old Black & White footage to HD 16:9
by Joseph W. Bourke on May 13, 2013 at 5:35:26 pm
in the Adobe Premiere Pro Forum
You're limited as to the visual quality you can get out of this footage. When I see 4:3 footage mixed with HD stuff in documentary, it seems that generally they window the footage, centered in the middle of the screen, with black around it. It preser | | | | |
| | | | Converting Old Black & White footage to HD 16:9
by Frances Hill on May 13, 2013 at 12:52:09 pm
in the Adobe Premiere Pro Forum
I am making a documentary using old 1960s footage and want to convert it to widescreen.
So far, I am using the following sequence settings:
Editing mode: QuickTime DV PAL
Timebase: 25.00fps
Video Settings:
Frame size: 720h 576v (1.458 | | | | |
| | | | Service: Arbour Media LLC
by Peter Wiley on May 11, 2013 at 3:57:54 pm
in the COW - Services Forum
Arbour Media LLC has produced videos for customers ranging from local artists to Fortune 100 companies. Peter Wiley, Executive Producer at Arbour Media was educated at Indiana University, The University of Tennessee, and The University of Massachuset | | | | |
| | | | Re: RED ONE Vs Sony PMX EX3
by Theo Ukpaa on May 11, 2013 at 2:48:28 pm
in the RED Camera Forum
I Agree completely with Gary. the Canon MK II is not a proffesional video camera. for wildlife sometimes you need to achieve a steady zoom movement which you cant achieve with a Canon except you use a track.
I am currently shooting a Documentary a | | | | |
| | | | Arbour Media LLC
by Peter Wiley on May 11, 2013 at 8:57:54 am
in the Forum
Peter Wiley, Executive Producer at Arbour Media was educated at Indiana University, The University of Tennessee, and The University of Massachusetts. He brings a mature and sophisticated strategic approach to client's communications projects rooted e | | | | |
| | | | Re: MōVI
by David Turner on May 10, 2013 at 11:22:50 pm
in the Cinematography Forum
I just want to say I'm happy to come across this thread and hear more on people's thoughts.
I did check the M10 out at NAB and really liked it a lot. And it was still "beta." I think I am rounding up a couple other freelancers I work with a lot an | | | | |
| | | | Re: Sub 10K Camera recommendations?
by David Turner on May 10, 2013 at 11:05:55 pm
in the Cinematography Forum
I'd be interested in hearing what people have as suggestions for this as well. I work freelance, but will be advising a documentary company I do a lot of work with on what cameras to upgrade to shortly. They are still shooting on Panasonic HVX's if y | | | | |
| | | | Music on a non-existent budget
by May Mirsman on May 8, 2013 at 7:39:33 am
in the Indie Film & Documentary Forum
Hello Everyone,
This is my first post, glad to be here :)
I have been working on a documentary film for the last six months, and so far I've gotten by using little out of pocket (because I just finished my Master's and I'm beyond BROKE). Luck | | | | |
| | | | Service: Gloria Kurnik
by Gloria Kurnik on May 8, 2013 at 4:32:09 am
in the COW - Services Forum
- 2 years experience as freelance camera person/ director
- Directed/produced and shot couple of documentary shorts that you can watch on my Vimeo: https://vimeo.com/gloriakurnik
- For over a year was a director, camera person and head of productio | | | | |
| | | | Re: Why you'll buy Adobe CC
by Aindreas Gallagher on May 7, 2013 at 10:09:21 pm
in the Apple FCPX or Not: The Debate Forum
Mmm. I'll live without AECS next - I'm still praying that premiere makes it through the FUBAR. I want that as my next editing system, as in the one that everyone else broadly agrees should be the general use case replacement for FCP. Some mess they' | | | | |
| | | | Gloria Kurnik
by Gloria Kurnik on May 7, 2013 at 9:32:09 pm
in the Forum
- 2 years experience as freelance camera person/ director - Directed/produced and shot couple of documentary shorts that you can watch on my Vimeo: https://vimeo.com/gloriakurnik - For over a year was a director, camera person and head of production | | | | |
| | | | Service: DCL Video Productions
by David Lewis on May 7, 2013 at 11:21:20 am
in the COW - Services Forum
**Over 30 years of film and video production experience, spanning the worlds of Corporate/Industrial production to commecials to documentaries.
** Documentary Filmmaker for 20 years (PBS; History Channel; variety of international broadcasters).
** | | | | |
| | | | DCL Video Productions
by David Lewis on May 7, 2013 at 4:21:20 am
in the Forum
**Over 30 years of film and video production experience, spanning the worlds of Corporate/Industrial production to commecials to documentaries. ** Documentary Filmmaker for 20 years (PBS; History Channel; variety of international broadcasters). ** Lo | | | | |
| | | | How to go about listing/reporting assets used
by Tom Duncan on May 6, 2013 at 4:41:10 pm
in the Apple Final Cut Pro Forum
I've cut a 70 minute documentary that uses a lot (1000+?) of still photos and footage clips from a wide variety of sources. Now I need to list and create reports of all assets used and length to use for licensing and budgeting purposes.
Doing this | | | | |
| | | | Service: Stephen Menick
by Stephen Menick on May 6, 2013 at 4:38:36 pm
in the COW - Services Forum
Three-time Emmy-nominated Writer, Producer, Director since 1995, when I was awarded my first CINE Golden Eagle. I’ve interviewed hundreds of people--some famous, many others who should be. In 2011, my short doc on the legacy of Martin Luther King, Jr | | | | |
Podcasts | | | | adobe premiere pro podcast
Documentary Photo Effects
In this tutorial for the Premiere Pro Video Adrenaline series, Richard Harrington takes a look at how to integrate still photos into your Premiere Pro timeline to acquire the very popular documentary photo effects style with pans and scans. | | | | |
| | | | creative cow podcast
Episode #064 - February 24, 2009
Indie Directing with Troma's Lloyd Kaufman, Mac Mini rumor, Screenflow 1.5, Canon Studio Solution, Kern, Stacks 1.0 for Rapidweaver, PhotoTools 2 and more creative news and interviews - creativecow.net | | | | |
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