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	Re: Best render format for interchange between SVP11 and FCPX? by Jeff Schroeder on May 27, 2012 at 3:02:00 am in the Sony Vegas Forum I don't know FCPX, but I found this on the net. Re: Export DNxHD in FCP X? Feb 22, 2012 8:15 AM (in response to uh60pilot) You can't export to Avid from inside FCP. You need to use Compressor. Does the codec appear in the older version of Compre


	Re: PProCS6 not relinking to renders by Tom Daigon on May 26, 2012 at 11:27:08 pm in the Adobe Premiere Pro Forum I followed suit and change my Preview file to DNxHD which is my mastering codec of choice these days. Same drill. Immediate identification on restart. Maybe its just AVC Intra. I know when I work with Photo-JPEG files I bump into a few anomalies.


	Re: Best render format for interchange between SVP11 and FCPX? by Jeff Schroeder on May 26, 2012 at 9:59:43 pm in the Sony Vegas Forum Get the Avid DNxHD codecs for both machines - they are free. http://avid.force.com/pkb/articles/en_US/Download/en423319 Jeff


	Re: Major Gamma / Luma Shift Resolve -> Avid DNxHD MXF Media -> Avid by Richard Starkey on May 26, 2012 at 5:25:59 am in the DaVinci Resolve Forum Can I just ask a very simple question: If I want to grade a piece for viral web use (and possible tv broadcast later), what settings should I use? My unsuccessful workflow: Grade 5D Native files in DaVinci Resolve, on "Normally Scaled Legal


	Re: Major Gamma / Luma Shift Resolve -> Avid DNxHD MXF Media -> Avid by Richard Starkey on May 26, 2012 at 5:07:38 am in the DaVinci Resolve Forum I've been seeing this too. I've tried exporting out of Resolve as: Prores 4444 Prores HQ Uncompressed QT RGB Uncompressed QT YUV DNX HD 1080P 185 DNX HD 1:1 RGB Nothing looks the same. The DNX all look a bit green and there is a gamma shi


	Transcode from AMA crash by Mike Brown on May 25, 2012 at 6:13:44 pm in the AVID Forum Hi, I'm helping a colleague ingest/transcode some AVCHD footage from an NEX FS100 camera. He is running Media Composer 6 on an 8 core mac pro. Our workflow is as follows: Use Shot Put Pro to transfer card data to an external hard-drive. Link vi


	For Sale: Blackmagic Design Cinema Camera New in Box by Brian Hughes on May 25, 2012 at 2:44:19 pm in the Classifieds, Retailers Forum Hi ALL! We are happy to be offering the newly released Blackmagic Cinema Camera CINECAM26KEF with Built-In SSD Recorder 2.5K Uncompressed CinemaDNG RAW 12-bit Capture as well as Apple ProRes and Avid DNxHD As a reseller we are able to offer


	Re: After a year has perception of FCPX changed? by Herb Sevush on May 25, 2012 at 3:16:26 am in the Apple FCPX or Not: The Debate Forum [Michael Hancock] "However, if you're on a Mac (which you obviously are) you can rewrap the Quicktime ProRes files to ProRes MXF files which gives you full functionality and the stability Avid is known for. It's like rewrapping P2 footage in FCP - it


	Re: After a year has perception of FCPX changed? by Michael Hancock on May 24, 2012 at 7:22:57 pm in the Apple FCPX or Not: The Debate Forum [Herb Sevush] " I know Avid claims it can now work with ProRes directly, but I have to know that I'm not loosing any functionality doing so." What you would be likely losing is some stability because, if you have Quicktime ProRes files, you'd need


	Re: After a year has perception of FCPX changed? by Herb Sevush on May 24, 2012 at 3:29:55 am in the Apple FCPX or Not: The Debate Forum [Andy Neil] "Sounds like Avid is the NLE for you." After avoiding it for 15 years, you might be right. One of my issues going with Avid is we now shoot in ProRes. There's no way I am going to re-wrap 14 Terrabytes of material (which is what we cre


	Re: How do I implement Avid DNxHD codec? by Wayne Blackburn on May 23, 2012 at 7:10:20 pm in the Sony Vegas Forum OK, so I have an imac OS X and I'm trying to edit a variety of files and one is in this DNxHD codec. It was edited in Avid and I'm trying to use it in FCP 7. I've downloaded the Avid Codec package and all it did was make it to where FCP crashes every


	Re: Codec Settings for AE to PP? by Kevin Camp on May 23, 2012 at 3:01:27 pm in the Adobe After Effects basics Forum ideally, you like to stick with as little of compression as possible through the pipeline, so with ae users you'll find that the lossless animation codec is one of the most common. however, (as you've found) unless you have a super fast raid, it w


	Avid to Encore Problems by Jamie Panton on May 23, 2012 at 11:07:43 am in the Adobe Encore DVD Forum Hey guys, in a bit of trouble here, would appreciate some help. Long story cut short, had a friends Mac for a couple weeks to edit a film on. I was using Avid and exported the file as a Quicktime file, under the Avid DNxHD Codec. Expecting problems t


	Re: Large Sensor Camera Test 2012 by Michael De Lazzer on May 23, 2012 at 8:31:49 am in the DSLR Video Forum According to Nikon (yes, my D800 is still on backorder) recording to the card compresses the data rate to 25 Mb/s. Recording to an external deck through the HDMI port like the Pix 240 ups the data rate to 190 Mb/s. I can't image this not making an


	Codec Fatal Decode Error by Mark Crenshaw on May 22, 2012 at 3:41:53 pm in the AVID Forum We are running MC 5.5.2, Win7 64bit, Z800 12-core, 12gig RAM. AMA plugin 1.2 installed. I'm working with QT movies recorded on a Black Magic HyperDeck 2. They are recorded using the Avid DNxHD 220x codec in a .mov wrapper. The files are on a media


	Re: dslr hd RAW by Michael De Lazzer on May 22, 2012 at 3:20:30 pm in the DSLR Video Forum I would be recording in DNxHD and editing on Avid Symphony, which has a decent color corrector (though admittedly not nearly as powerful as the BlackMagic Cinema/DaVinci workflow). Recording to the internal card on the Nikon is discarding the ca


	Re: full quality export - 7D footage by Jeff Pulera on May 21, 2012 at 9:31:04 pm in the Adobe Premiere Pro Forum Hi Jon, There are different schools of thought on this. Some might say uncompressed, but when starting with a highly compressed source, this makes little sense due to the huge file sizes. H.264 is a delivery format - if you plan on perhaps re-edit


	Re: Premiere Pro CS6 Preview Render by David Tunnell on May 21, 2012 at 7:30:31 pm in the Adobe Premiere Pro basics Forum I had no idea about dynamic link! I had seen it, just ran a test, premier has to render it to be able to use it and that render is almost as long as just outputting the file. I wonder if you could expand a bit on "editorial codec HD (such as ProRe


	Re: Premiere Pro CS6 Preview Render by Jeff Greenberg on May 21, 2012 at 6:14:02 pm in the Adobe Premiere Pro basics Forum Unless you're over HD, you'll only get 1/2 and 1/4. If you're working with After effects, either render as a editorial codec HD (such as ProRes or DNxHD), especially if you want to keep your alpha channel. Adobe Premiere Pro can dynamically link


	Pix 240? Blackmagic Hyperdeck? What's Working well? by Michael De Lazzer on May 21, 2012 at 5:50:00 pm in the DSLR Video Forum Wondering if anyone has hands on with these recorders... I'm in the market for one and looking seriously at the Pix 240, but read a review which said there were issues with glitches in the video. I'll be recording DNxHD. I like the Pix for its au


	Rendering DNxHD codec to H.264 in FCP - Not looking good so far... by Nick Blake on May 21, 2012 at 5:40:38 pm in the Apple Final Cut Pro Forum Hi there, I am in the final stages of delivery on a project and am having trouble exporting. My grader delivered our film as a Quicktime DNxHD codec, which I am importing to FCP to sync with sound before exporting as Quicktime H.264 (for Vimeo,


	avid codec & apple motion by joshua schwarz on May 21, 2012 at 4:59:47 pm in the AVID Forum i'm trying to export some type with alpha channel from apple motion using the avid quicktime codec. motion doesn't allow you to export directly to the avid codec but you can use the templates in compressor to get to the avid codec. so, in motion, i u


	Re: Color Shifting when exporting AVID DNxHD Premeire CS6 by Tom Daigon on May 21, 2012 at 3:52:12 am in the Adobe Premiere Pro Forum I had the same problem fixed by selecting RGB (NOT 709) in the DNxHD codec selection box when I chose it as the way I wanted to export. Problem cleared up immediately!


	Re: Color Shifting when exporting AVID DNxHD Premeire CS6 by James Barton on May 21, 2012 at 3:07:36 am in the Adobe Premiere Pro Forum If you export using RGB color levels rather than 709 your issues should largely be fixed--the DNxHD codec will clip the whites to 100IRE but otherwise it should be OK--conversion issue with Avid codecs and Adobe apps--perhaps a different exchange cod


	Re: XDCAM HD = unreadable in Vegas? by Ken Mitchell on May 21, 2012 at 12:00:41 am in the Sony Vegas Forum another advantage of ProRes from Mac to Pc is that you are not locked into standard frame rates and sizes like you are in AVID DNXHD. So if you are doing a banner for a stadium etc. Prores works well.. But AVID DNXHD is truly cross platform mac to p


	Re: XDCAM HD = unreadable in Vegas? by Ken Mitchell on May 20, 2012 at 11:57:41 pm in the Sony Vegas Forum Yes ProRes, Prores HQ or Avid DNXHD are the best choices.. Many people are not even using Prores HQ anymore and are just transfering files at the standard ProRes. Going from PC to mac I usually give them AVID DNXHD or if they insist .mov H264 at abo


	Re: Color Shifting when exporting AVID DNxHD Premeire CS6 by David Cherniack on May 20, 2012 at 10:05:51 pm in the Adobe Premiere Pro Forum The issue seems to be with the After Effects export. Have you tried posting this in the AE forum?


	Re: Hyperdeck Studio DNxHD (MOV wrapper) in Resolve not working by Karin Davidson on May 20, 2012 at 8:36:32 pm in the Blackmagic Design Forum I've been dealing with this for 2 weeks... because I'm trying to get it into FCP as a .mov. Hyperdeck cuts it into video and audio tracks.... and the first command would combine, so thank you for this. HERE'S MY QUESTION: But now it rewraps it


	Re: XDCAM HD = unreadable in Vegas? by John Rofrano on May 20, 2012 at 4:54:55 pm in the Sony Vegas Forum [Ken Mitchell] "The mac xdcam codec .mov are for Mac only. Just like mac HDV and Mac Intermediate codec. You cannot use them on a pc at all."Good to know. So the only option is to have them delivered in either ProRes 422 or Avid DNxHD. I know Mike Ku


	Color Shifting when exporting AVID DNxHD Premeire CS6 by Wilbert Thomas on May 20, 2012 at 3:51:28 pm in the Adobe Premiere Pro Forum Hey everybody, I'm stuck. I have been have warp stabilization problems in Premeire CS6, so now Im using AE to do the work. Im noticing that when I export my clips using Quicktime - Codec DNxHD, 1080p, 23.976, 175, 10 bit. Color Space 709. When I


	Re: How can i import mov footages with Avid DNxHD codec in premiere or after effect?? by Jeff Greenberg on May 20, 2012 at 2:31:38 pm in the Adobe Premiere Pro basics Forum If qt sees it, AE or PP should see it. The files do have the extension, right? Import the file into AE. Click on it. What does it say in about the file?


	Re: XDCAM HD = unreadable in Vegas? by Jeff Schroeder on May 20, 2012 at 1:28:43 pm in the Sony Vegas Forum Gee Philippe, Sony Vegas is running codecs written by Sony, Apple, MainConcept, Realmedia, Cineform, just to name a few. When editors realize that the code behind the codecs is not exclusively controlled by Sony, they gain an understanding of how to


	Re: XDCAM HD = unreadable in Vegas? by John Rofrano on May 20, 2012 at 1:14:30 pm in the Sony Vegas Forum [Philippe Gosselin] "I don't understand. I thought that the XDCAM HD 422 was made by Sony?, Shouldn't it be readable but Vegas? "Yes, if you keep them in their original MXF/MP4 containers. Vegas isn't expecting to see XDCAM HD in a QuickTime containe


	Image: avid-dnxhd-color-shift.png by Wilbert Thomas on May 20, 2012 at 8:48:52 am in the COW - Images Forum


	Re: 5D (Canon DSLR) in Avid MC 5.5.3 via AMA, can't link back via Relink AMA by Bouke Vahl on May 19, 2012 at 9:14:10 am in the AVID Forum Shawn, for Offloader and color, i don't know. In my experience Canon stuff imported over AMA comes in a bit washed out. When i do a regular import with input levels set to RGB it's better to my liking. Offloader uses QT and the avid codecs to con


	Re: Hyperdeck shuttle HDMI in adding set up to DNxHD file? by Levi Davis on May 19, 2012 at 6:46:33 am in the Blackmagic Design Forum It appears that converting the files from DNxHD.mov to ProRes utilizing the application called MPEG Streamclip is an easy answer. Test out the formula by referencing the simultaneous recording from the AVC HD format. Just followed one of the user'


	Re: DNXHD36 8 Bit for Hyperdeck Shuttle 2 , Livegrading Application for Davinci?, Audio in Resolve? by Brian Berdan on May 18, 2012 at 11:33:29 pm in the Blackmagic Design Forum Anyone know if the Shuttle2 would at least play back DNxHD 36 files if copied to the drive? That's all I need in order to use this as a screening source. Thanks


	Re: Using Prelude to transcode & prevent lengthy render at output by Tom Daigon on May 18, 2012 at 10:58:50 pm in the Adobe Premiere Pro Forum [Shane Ross] ". Delete temp render files before you do this (I hear you need to do that)...that way the original media gets referenced, not the render files, that might be MPEG-2." Unless you check "Use Preview Files" when Exporting a sequence (no


	Re: Pink/purple pixels in clipped highlights only in 16 and 32bpc by Robert Cuadra on May 18, 2012 at 6:12:25 pm in the Adobe After Effects Forum Thanks for the reply. No effects or color grading. It looks like it might be a DNxHD issue. No matter what flavor (36-175 10 bit), the same clipping purple, blue, pink pixels occur. Animation codec and Cineform codec there's no issue. Any ideas what


	Re: 5D (Canon DSLR) in Avid MC 5.5.3 via AMA, can't link back via Relink AMA by Bouke Vahl on May 18, 2012 at 5:39:42 pm in the AVID Forum Shawn, Thank you for your interest in QTchange (i'm the developer) but: QTchange won't help you that much, since timecode isn't involved in AMA relinking. Filename is! I'm not sure how far the pathname is involved (i'm still fighting with AMA reli


	Re: Audio time remap by John Cuevas on May 17, 2012 at 7:53:24 pm in the Adobe After Effects basics Forum You might get a lot of different answers to that question. I generally don't use .avi's for no other reason than uncompressed .avi's are huge. I work with an avid system and QT's work well with Avid, so I generally stick to QT's. Either in the D


	Re: Hyperdeck Shuttle and new SSD (aka OCZ Vertex 4) by Sebastien THOMAS on May 17, 2012 at 5:06:04 pm in the Blackmagic Design Forum Thanks Jay, Chris for both your (same) response :) The Black Magic Disk Speel Test AND some user tests with "uncompressable" data showed the Vertex 4 "should" support the throughoutput of the Shuttle as it is better than the Vertex 3. I just ca


	Re: HDV captured in FCP, timecode wrong when imported into Avid, and more... by John Pale on May 17, 2012 at 12:37:50 pm in the AVID Forum Like the others, I suspect this is a long GOP issue. Have you tried transcoding a clip to DNXHD to see if it returns to normal?


	Re: Ideal FFMPEG commands for web videos and audios by stephen dixon on May 17, 2012 at 12:20:23 pm in the FFmpeg Forum I'm not sure how that version was compiled (I don't have a working windows box at the moment), but for x264 and webm you need to have a version of ffmpeg that was compiled with the libx264 and libvpx (? or something like that) libraries. ffmpeg.org i


	Re: "Smart Rendering" in Premiere by Bernhard Grininger on May 17, 2012 at 11:52:00 am in the Apple FCPX or Not: The Debate Forum Jeremy, I was very surprised to read in the GV-4095M White Paper "AVC-Intra for HD-Editing and Production", Pg.7 that AVC-I seems to be more robust than ProRes and DNxHD! In fact this has changed my mind. I have to admit that I wasn't that f


	News: MTI Film Extends Cortex::Capture Giveaway by Cow News Droid on May 17, 2012 at 4:51:48 am in the NEWS: Product News Releases Forum WIN a FREE seat of Digital Camera Decoding Software (Hollywood, California--May 17, 2012) In response to the enormous interest generated by the launch of its new, on-location review and color management tool, Cortex::Capture, MTI Film is extending


	After Effects Frame Rate by Stefan Cruz on May 16, 2012 at 10:08:06 pm in the Adobe After Effects Forum I have imported some footage (about 3 minutes worth) into a single composition in After Effects in order to color correct with Color Finesse. Without even having loaded the plugin (or ANY plugins), the video plays at between 14 and 20 fps with the fo


	Re: HDV captured in FCP, timecode wrong when imported into Avid, and more... by Richard Sanchez on May 16, 2012 at 6:04:54 pm in the AVID Forum I've experienced this quite a bit with XDCAM HD. In going from offline 8:1m to DNxHD, we noticed certain clips coming in offset. The strange thing was, the pattern by which the clips came in offset was inconsistent, but when the clips were offsets,


	Re: file export from Sony Vegas to use in AVid MC6 by Mike Kujbida on May 16, 2012 at 4:51:04 pm in the Sony Vegas Forum Have your Vegas client install the DNxHD codec (it's free) on their machine and then work out a suitable render setting for your needs. 2.3.7 appears to be the newest version. http://avid.force.com/pkb/articles/en_US/Download/en423319


	file export from Sony Vegas to use in AVid MC6 by Diana Jenkins on May 16, 2012 at 4:26:54 pm in the Sony Vegas Forum I have a client that edits on Sony Vegas. I need to find the right file format for them to export for me to import and work with on Avid MC 6. We are requesting DNxHD or ProRes files from other clients. Can you suggest what the editor could export

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