DLP Cinema
COW Tag
| | | | Re: monitor out?
by Mike Most on Mar 26, 2012 at 7:26:50 pm
in the DaVinci Resolve Forum
That's a bit of an overly simplistic answer, and not entirely accurate. 422 and 444 as monitoring modes differ primarily in how you feed them, what your monitor device is, and what you're proposing as a processing pipeline. There are a lot of "indie" | | | | |
| | | | Re: Subtitles for DCP
by Robin Erard on Mar 15, 2012 at 6:49:57 pm
in the DaVinci Resolve Forum
Hello,
Step by step. (sorry for my english, I speak french)
1) Export XML from FCP. If you created subtitles in FCP with "subtitles text", they will be in the XML. Try to put all blocs on the same videotrack.
2) open Annotation edit and impo | | | | |
| | | | Re: Varicam 27FE for theather screening
by Bruce Greene on May 4, 2011 at 5:00:44 am
in the Panasonic VariCam Forum
From my experience, the f-900 will be very slightly more detailed than the 720p Varicam.
But I like the Varicam camera better (though I wouldn't say it's colors are "richer").
I have just seen a movie I shot with the Varicam projected on a very | | | | |
| | | | Sub-titling/verbatim logger/Finalcut pro
by paul simma on Oct 29, 2010 at 12:37:47 pm
in the CatDV Forum
Hi!
We would like to export sub-tittles made on Verbatim logger, so that we can use the program “TitleExchange†(http://www.spherico.de/filmtools/), to transfer them as sub-tittles to Final cut pro.
Would it be possible to export from | | | | |
| | | | Re: RED workflow, film out questions
by Neil Abeynayake on Oct 6, 2009 at 11:52:24 pm
in the RED Camera Forum
Jonathan,
The question is not which format(2k or 4k) is best, but rather, which format is best for your project? The answer, of course, is based on a balance between aesthetic and budgetary considerations.
In your post there is a reference abo | | | | |
| | | | Re: 3D cinema.... wow
by Chris Borjis on Apr 22, 2008 at 9:11:35 pm
in the HD High-End Forum
Beowolfe 3D was incredible.
I saw it played in my local theatre from a Christie DLP cinema projector with an overlay device over the lens.
The glasses/system was by Real-D.
I wouldn't normally see a movie like that, but the 3d experience made it m | | | | |
| | | | Re: Sony 1080p 2,35:1 cropping question
by David Mullen, ASC on Jun 14, 2004 at 3:01:20 am
in the HD High-End Forum
You don't have to do the cropping & stretching to scope for the film-out -- the company doing that can do it as the last step before sending it to the Arrilaser. You just have to give them the guidelines for cropping to 2.35 or provide a letterboxed | | | | |
| | | | Re: Sony 1080p 2,35:1 cropping question
by David Mullen, ASC on Jun 13, 2004 at 1:53:36 am
in the HD High-End Forum
I've been through the works screening my 2.35 HD movies digitally using DLP-Cinema projectors so if you have any questions, just email me. You'll learn the joys of asking festivals if they are carrying the 1.9X anamorphic lens for the DLP projector, | | | | |
| | | | Re: HDLink, Flat Panels, and the fate of CRTs
by Sean ONeil on May 2, 2004 at 10:44:50 am
in the Blackmagic Design Forum
"The DLP-Cinema projectors can do 16bit per channel, I would like to see LCD offer more than 8bit per channel giving 16.7Million colors."
8 bits per channel is 16.7 million colors. 8 x 3 = 24. All modern LCDs can already do this.
Projection i | | | | |
| | | | Re: HDLink, Flat Panels, and the fate of CRTs
by Jonathan Smiles on Apr 30, 2004 at 3:51:48 pm
in the Blackmagic Design Forum
The DLP-Cinema projectors can do 16bit per channel, I would like to see LCD offer more than 8bit per channel giving 16.7Million colors.
We use the 3 chip DLPs made by Digital Projection Inc for grading (timing) sessions, even have one in a mobile | | | | |
| | | | Re: What is your definition of 2k
by David Mullen on Apr 13, 2004 at 7:04:48 pm
in the HD High-End Forum
"2K" is usually short for "2K data" as opposed to HD video, but resolution-wise, they are pretty close if not the same as in the case of a Spirit 2K scan.
The new "2K" DLP-Cinema projector is technically 1920 x 1080 pixels, I believe. The current | | | | |
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