Discreet

Re: Transition Plug-ins by Steve Eisen on Nov 21, 2009 at 3:34:02 am in the Apple Final Cut Pro Forum CGM, CHV and one you should not overlook is Noise Industry's FX Factory Pro. Digital Juice Swipes You want cheezy, check out Discreet FX. They are bringing Toaster FX back to the Mac (FCP). That is if you have FCP 7 which added the new featur Re: 5.1 surround from FC to HD1400 deck? by Michael Gissing on Nov 21, 2009 at 12:15:15 am in the Apple Final Cut Pro Forum Either your friend is not aware of his deck or it may require an option to take 8 channels. I can't answer that for you so you need to find out from your friend and do a test. As far as FCP goes, you need to set up your sequence for 8 channel out Re: Smoke in a mac by Javier Leon on Nov 20, 2009 at 12:30:18 am in the Autodesk Smoke Forum all of this sounds great. have a smoke for 15k is great. But I keep wondering why Autodesk keep and keep messing around with this discreet products instead of add new features, fix bugs and improve workflow. smoke on mac will carrie all the bugs fr Re: Smoke in a mac by Ben Rojas on Nov 19, 2009 at 3:48:50 pm in the Autodesk Smoke Forum I'm w/u Stuart. Using Autodesk as an example, essentially a software company that made much of it's money w/it's AutoCad program(s), the writing was on the wall that they didn't want to be in the hardware game. I have a strong feeling they will mak Re: Combustion ended ? by Mark Suszko on Nov 18, 2009 at 3:44:42 pm in the Autodesk Combustion Forum Humor me a moment while I propose something insanely wacky. What if instead of taking Combustion out back and shooting it in the head, Autodiscreet turned the product over to a small independent development team, for purposes of bug and OS fixes.. Re: several shots untransferable from SDHC card by Jordan Dwyer on Nov 17, 2009 at 5:30:20 am in the Sony EX Series XDCAM Forum a reformat is supposed to fix the bad sectors on the card by teaching the memory card where the bad sectors are and going around them. However in my card a simple reformat did not work. The camera rejected the card during the formating when it got to Combustion ended ? by Helder Oliveira on Nov 17, 2009 at 2:30:39 am in the Autodesk Combustion Forum Hi, what happenede to Combustion, it's not showing up on discreet/autodesk, also, for toxik there's no stand alone version! What's going on ? What are the alternative in this price range ? That's why Open source makes so much sense, autodesk de CS3 Encore BR Build Fails with Weird message! by Frank Wylie on Nov 16, 2009 at 8:51:21 pm in the Adobe Encore DVD Forum Hi, I am trying to burn an Encore BR project that consists of 3 discreet titles with a total of 18.35 GB disc space used (shown in the Build tab), BUT when I actually start the build process the project it shows 17 GB being written UNTIL the very en Re: Multi-track audio recording by gary adcock on Nov 14, 2009 at 4:25:09 pm in the AJA Ki Pro Forum [Hector Silva] "I want to bring in three or four audio tracks while recording to a Ki Pro. On the analog side I only see two channels of inputs, but I'm assuming if I had four tracks coming from HDMI or SDI that they will be discreetly captured withi Can't Get Viewer to display 16:9? by Peter Corbett on Nov 14, 2009 at 7:05:59 am in the Apple Final Cut Pro Forum I really struggling migrating to Final Cut. After 12 years of discreet and Premiere, learning Final Cut is proving much, much harder than I antipated. "Little" things bog me down for hours. I can't find a way to display 16:9 clips correctl Re: In my Fourth Hour of editing with FCP....... by Peter Corbett on Nov 10, 2009 at 8:42:49 pm in the Apple Final Cut Pro Forum [Bob Flood] "Peter. Ahhh another ex discreet edit editor joins the "herd"! you are in good company, sir!" Hi Bob, How are you going? Yes another editor* here. Imagine if edit had survived and developed until now? Would have been amazing I' Re: In my Fourth Hour of editing with FCP....... by Bob Flood on Nov 10, 2009 at 4:24:52 pm in the Apple Final Cut Pro Forum Peter Ahhh another ex discreet edit editor joins the "herd"! you are in good company, sir! as shane said, there are presets for all the tapeless formats. the tricky bits are if its 59.97, 60, 30, 29.97 etc. if the framerates in your view set Re: Pushing the limits of cheap software by Mark Suszko on Nov 3, 2009 at 3:31:06 pm in the Business & Marketing Forum We had Crystal 3D Impact Pro bundled with our Discreet Edit* system and it was one of my favorite toys. Does way more than just flying type, and dirt-simple to use. Basically it was TOPAS, which I had been sgtruggling to learn, with keyframing remov HDCamSR Codec in FCP? by jeffrey fitzgerald on Oct 31, 2009 at 5:46:08 pm in the Apple Final Cut Pro Forum Hi Gang, just curios if anyone knows if there is an HDCamSR format in FCP? I am not sure I've seen one and want to ensure what I provide will match the needed requirements (below). This is for use in theatres. I know I can use the same specs, but did Re: I've broken Final Cut by David Roth Weiss on Oct 27, 2009 at 5:10:11 pm in the Apple Final Cut Pro basics Forum [Dennis Radeke] "I found that moving from Mac to PC when I started working for Pinnacle Systems. Once I knew how to move around the PC, it ceased to be difficult. " That wasn't my issue, I was a Discreet Edit* user for ages, so I'm very conversant Re: I used to do this in Discreet Edit*, can I do it in FCP? by Tom Wolsky on Oct 26, 2009 at 5:08:34 pm in the Apple Final Cut Pro basics Forum Just to add to what David said, you don't want to do this in the timeline, as it will make a sequence subclip, which is not a good thing. You have to make the subclip with browser clips before you edit them into the timeline. All the best, Tom Re: I used to do this in Discreet Edit*, can I do it in FCP? by David Roth Weiss on Oct 26, 2009 at 5:01:29 pm in the Apple Final Cut Pro basics Forum Mark, Though not exactly what you're asking for, creating subclips in FCP is the closest thing I can think of to what you're asking for. Command + u creates a subclip, which can renamed however you would like. Read up on subclips in the manual and Re: I used to do this in Discreet Edit*, can I do it in FCP? by Mark Suszko on Oct 26, 2009 at 4:44:08 pm in the Apple Final Cut Pro basics Forum I suspected as much, but thanks for a confirmation. Re: I used to do this in Discreet Edit*, can I do it in FCP? by Tom Wolsky on Oct 26, 2009 at 4:33:54 pm in the Apple Final Cut Pro basics Forum I'm afraid FCP just does not work this way. Its master/affiliate relationship between clips is completely different, a master and all its affiliates have to have the same name. You could make the sequence clips independent and then change the name I used to do this in Discreet Edit*, can I do it in FCP? by Mark Suszko on Oct 26, 2009 at 3:47:23 pm in the Apple Final Cut Pro basics Forum When I was editing on Discreet Logic Edit*6, a feature I really liked was that I could razor the timeline and the newly-divided section of timeline would change background color behind the picon, to distinguish itself from the shots before and after Re: problem with converted QT to MXF with File converter 1.2 by Rafael Amador on Oct 26, 2009 at 2:50:32 am in the Convergent Design Forum [Marcello Mazzilli] "Doing as you said and checking FORMAT in the file info gives me... STEREO 48K " That's very curious. The clips from the EX-1 comes with "Two Mono" audio channels. Can't you change in the camera so you record Two Discreet chann Re: Ki Pro with Varicam???? by Jeremy Garchow on Oct 13, 2009 at 5:31:49 pm in the AJA Ki Pro Forum [Jennifer Isenhart] "I guess I don't understand this. I thought if you shot at 720p 59.94 you would get two corresponding frames for every field when converted to 1080i 29.97. " And you do. 1080psf and 1080i get played back exactly the same way, Re: Ki Pro with Varicam???? by Jeremy Garchow on Oct 13, 2009 at 4:28:05 am in the AJA Ki Pro Forum [Jennifer Isenhart] " But when we've tried to up-convert to 1080p... it doesn't look so good." First, the best you will get is 1080psf. You will want to shoot at 720p30 so that you will get true 1080psf29.97. This way, evert segmented field will Re: Do I always need to reselect the Viewer before each edit? by David Roth Weiss on Oct 12, 2009 at 9:27:09 pm in the Apple Final Cut Pro Forum BTW Brent, just for the record, Discreet Edit*, which was "end of lifed" nearly eight years ago, was smart enough to reselect the source viewer and to move the cursor to the out point, while simultaneously moving the timeline playhead either to the n Re: I've broken Final Cut by David Roth Weiss on Oct 11, 2009 at 6:39:27 pm in the Apple Final Cut Pro basics Forum [Steven Gladstone] "Haven't used Adobe since 4.5 Former DPS Velocity user. " I don't know why, but I thought you were coming from Premiere. I was a Discreet Edit* user myself, but managed to learn FCP very quickly. Oddly, trying to learn Premiere Re: subclips freaks me out by Graham Bernard on Oct 11, 2009 at 9:24:56 am in the Sony Vegas Forum I can't see Jay how you can extend a Subclip? Once it is set you need to go back VIA its Parent Event to adjust. As I said, the purpose of a Subclip is to make a discreet time-set length to an Event, in the form of a Subclip. OK, giving this some Re: Career Advice by Tim Wilson on Oct 4, 2009 at 7:37:47 pm in the Business & Marketing Forum Best career advice EVER for 2010: keep your job. Don't sweat the rest. [David Roth Weiss] "there are only like two "Hollywood" directors who have control over the production process" I remember hearing Robert Altman say that he never had final Re: Multi-channel AES/EBU to consumer digital surround converter? by Marco Solorio on Oct 1, 2009 at 8:36:47 pm in the Audio Professionals Forum Hi Jeff, The Kona 3's digital audio outputs are obviously uncompressed AES/EBU, but those discreet channels need to be muxed/converted in real-time to a single stream digital surround signal (e.g., AC3, DTS, etc.) as consumer coax or fiber optic; Re: Multi-channel AES/EBU to consumer digital surround converter? by Marco Solorio on Sep 30, 2009 at 9:26:11 pm in the Audio Professionals Forum Hi Jeff, Yup, I understand the discreet digital output part from FCP. We're outputting from a couple of Kona 3s (using the K3 breakout boxes) via its AES/EBU ports as separated channels. What I don't understand is how you're then taking those i Re: Mac Pro internal RAID? by Ken Nicholson on Sep 28, 2009 at 11:46:26 pm in the Apple Final Cut Pro Forum Hey DRW! Long time no see... NAB 2000? Crashing the Discreet sessions... Yeah I do fastidious nightly backups of projects to Firewire drives. Got burned once with a RAID drive crash, no more... So performance, heat all nominal with interna 24p to 30p workflow + codec fun by Michael Tucker on Sep 27, 2009 at 6:25:57 pm in the Apple Final Cut Pro Forum We're working on a project. We shot the interviews 24p(n) on the HVX200 (960x720). There is a mixed bag of field footage, but a majority of the (usable) footage was shot 30p on an HV30 (1440x1080). We ingested the HV30 via firewire and we're edit Re: yes and no by Ron Lindeboom on Sep 14, 2009 at 3:11:47 pm in the Business & Marketing Forum I have to chuckle remembering that all the way in 1994 when I bought my first Media 100 and a box of CoSA After Effects, that I was soon on digvid-l and vidpro-l arguing with some of the guys there that sure, they weren't up to par with the million-d JVC DY-90U Camcorder, BR-D750 Deck, and more by Michael Jones on Sep 10, 2009 at 3:25:07 am in the Classifieds, For Sale Forum JVC D9 DY-90U Camcorder with Canon Lens, 116 viewfinder, JVC D9 BR-D750 deck, Manfrotto tripod, IDX Power. All the equipment is fully functional, in pristine condition with about 300 hours on both the camera and deck. Cosmetically 9.5 out of 10. All Re: How best to create content for large screen presentation by Walter Soyka on Sep 9, 2009 at 12:51:57 am in the Live & Stage Events Forum Before you rule out doing this within Watchout, you might consider the pros and cons. The biggest advantage of doing this entirely within Watchout is that it is far easier to make last-minute changes. The biggest disadvantage is that your toolset dur Re: Custom Transitions by Chris Buttacoli on Sep 6, 2009 at 10:53:26 pm in the Adobe Premiere Pro Forum Some editiors I know use stuff from the Editors Toolkit by Digital Juice. Perhaps they have some discreet transition packages? Re: Capturing...befuddled by Don Seils on Sep 4, 2009 at 11:54:55 pm in the Apple Final Cut Pro basics Forum Thanks Mark...since this is caused by a faulty recording mechanism in my camera, I'll just capture usiing a discreet deck. I can only assume that timecode or control track is not the problem but rather signal dropouts on the tape. I tried this arrang Re: Preparing video for display by david bogie on Sep 3, 2009 at 5:21:29 pm in the Apple Final Cut Pro Forum Alan's advice is sound but I sense your reluctance. Try this then, divide your man sequence up into four discreet reels about about 12=15 minutes each. You can do that by simply using the razor blade across all tracks and moving them to a new sequenc Re: Compressor worse than iDVD with stills and titles? by Thomas Piper on Sep 3, 2009 at 2:47:10 pm in the Compression techniques Forum Thanks again, Daniel. I did do some reading through all the cow posts that I could find and I think I've got a much better handle on how and why they work. For instance, I understand now that when resizing from HD to SD there is necessarily deinter IBM Intellistation/Edit System by Roger Castillo on Aug 29, 2009 at 12:02:52 am in the Classifieds, For Sale Forum IBM Intellistation M-Pro Type 6850-21U Dual Pentium Xeon 1.7GHz Processors 1.25GB ECC RAM 18GB Program Drive 48x-20x CD-ROM Floppy Drive 10/100 Ethernet Windows 2000 installed Discreet edit 6.5 Keyboard NVIDIA Quardo2 MXR AGP 4x video card D Re: The Best Thing about FCS3!!! by Bob Flood on Aug 28, 2009 at 7:55:35 pm in the Apple Final Cut Pro Forum Markus: ja, im not sure of all the rules and reasons, but it seems that if you have two clips with a transition in between like this: _______x_________ and if you then mark an i and o before and after the transition like this ____i___x_ Re: The Best Thing about FCS3!!! by Mark Palmos on Aug 28, 2009 at 3:00:16 pm in the Apple Final Cut Pro Forum hey there bob ja, im not sure of all the rules and reasons, but it seems that if you have two clips with a transition in between like this: _______x_________ and if you then mark an i and o before and after the transition like this ____ Re: Is combustion right for me? by Adam Benson on Aug 26, 2009 at 3:49:30 am in the Autodesk Combustion Forum Combustion is a fantastic product. In my opinion it blows AE out of the water. Yes, AutoDesk has almost completely stopped any upgrades to Combustion. Part of this is because Combustion works. Why fix it? The rumors that Autodesk is going to kil Keeping Audio True on Export by Paul Hillman on Aug 25, 2009 at 10:22:23 pm in the Apple Final Cut Pro Forum Anyone know how to export two tracks of audio (along with video) from a FCP timeline while keeping the audio identical to tracks 1 and 2 in the timeline--that is not mixing the two tracks together on the exported tracks? I've tried the following: Discreet Edit system, camera, deck, and more by Michael Jones on Aug 24, 2009 at 6:06:50 pm in the Classifieds, For Sale Forum I have a complete Edit 5 system, JVC D9 DY-90U Camcorder with Canon Lens, 116 viewfinder, JVC D9 BR-D750 deck, Manfrotto tripod, IDX Power. I am no longer using the system and am looking for an interested party to purchase these components for active Re: Station Specs by Bob Zelin on Aug 23, 2009 at 2:26:26 pm in the Broadcast Video Forum Hi Dan - do you work for a dubbing house? Are you used to simply popping in a tape in one VTR, assigning it to another VTR (or bank of VTR's) and just hitting the play and record buttons to make a dub ? Does your dubbing facility have lots of bro Re: Dolby E - bit off topic by Juan Salvo on Aug 21, 2009 at 8:52:43 pm in the Apple Final Cut Pro Forum Anything that resamples the audio will kill Doby-E. There is no way to keep the dolby-e intact when you are capturing. You need to decode it out to discreet tracks and then re-encode it to dolby-e when you are done. Re: Final Cut Pro Video Editor Needed by barbara neuman on Aug 18, 2009 at 9:16:35 pm in the JOBS Offered - Higher Pay Forum Hello, I am looking for more work my resume and link to my site as follow , willing to relocate. http://www.vfx.digialera.net Mobile: 647.294.4458 barbneuman3@shaw.ca DIGITAL EDITOR – TV & FILM GRAPHIC DESIGN / MOTION GRAPHICS Highly skill News: Veteran Cinematographer Steven Poster Shoots‘Tap Dreams,’ Dance Documentary, With Panasonic’s by Cow News Droid on Aug 18, 2009 at 3:53:19 am in the News & Press Releases Forum (Secaucus, New Jersey--August 18, 2009) Celebrated Director of Photography Steven Poster recently shot two pilot segments of a dance-centric documentary, 'Tap Dreams', with Panasonic’s new AG-HPX300 P2 HD shoulder-mount camcorders. Tap Dreams is p Re: Encore Slide Show into Premiere by Debbie Mulvena on Aug 17, 2009 at 6:38:08 pm in the Adobe Encore DVD Forum Hi Jeff..Just wanted you to know I finally found the files. I see what you mean!! Thanks again for your help. I'm sure you'll see my name again as I am going from 8 years of editing on Discreet Edit to PP I am struggling at times. well......most Re: Capturing HD XDCAM 720/24 over 60 to 24p timeline by john sharaf on Aug 16, 2009 at 4:45:26 pm in the Apple Final Cut Pro Forum Hi Raphael, Yes, there is a 2:3 pulldown just like a Varicam, so that the 24 frames are repeated alternately twice or three times to add up to 60 frames per second, as opposed to 60p which is 60 distinct frames per second (which if dropped into a Windows Hardware & Software HP SkyRoom: Sharing is Nice You might look at HP SkyRoom and see a videoconferencing system, which indeed it is. But it is also a powerful tool for desktop sharing and collaboration, taking advantage of advanced technologies for maximum performance. Feature Author: Tim Wilson Autodesk Combustion 3D Transitions in discreet combustion: part 2 Purpose: To build a transition that helps to instruct the use of the 3d workspace, and how to put it to use in a production piece. This is part 2 of a two-part tutorial. Tutorial Author: Ben Munkres Autodesk Combustion 3D Transitions in discreet combustion In this tutorial, Ben Munkres demonstrates building a transition in order to instruct in the use of the 3d workspace and how to put into use in a production piece. Tutorial Author: Ben Munkres Adobe After Effects Cycore Effects HD 1.0 Review This article by Barend Onneweer investigates the improvements and new additions in Cycore Effects HD and tries to evaluate whether the new additions and improvements are worth the price. Although Cycore seems to aim for After Effects users at this point in time, the article might be of interest for Discreet Combustion users, too. Review Author: Barend Onneweer Cinematography The Redrock Micro DSLR Cinema Bundle for the Canon 5D MKII If you are using the Canon 5D MKII or Nikon D90 for their gorgeous HD video, or even thinking about it, you need to read this. Creative COW Contributing Editor Jim Harvey shows how the Redrock Micro DSLR Bundle makes these cameras even more useful for video shooters, then shows how he and other pros are using it, in the field and in the studio. Jim is enthusiastic about the possiblities it opens up, and thinks you will be too. Review Author: Jim Harvey Autodesk Combustion Combustion 4, a first look by Ken LaRue Creative Cow's Ken LaRue explores the just announced Discreet combustion 4. Packed with many new features that Ken enthusiastically describes as ''Hot!'' and which include quite a number that many users have had on their own personal wish lists, C4 is drawing a lot of attention and discussion here in the Creative Cow forums. In this article, Ken helps us explore many of the reasons why... Review Author: Ken LaRue Autodesk Combustion Creating a Promo Transition with Combustion As the lines between television and the internet continue to blur, it seems like every TV channel wants you to look at their website. Whether you're CNN or community television, you'll have to rise above the straight cut or dissolve to get the viewer's attention.In this tutorial, Lee 'Rod' Roderick will show you how to use Discreet combustion to create a promo transition that combines digital video and motion graphics. Once you set it up, you can substitute your own clips and text. Tutorial Author: Lee Roderick Autodesk Combustion Morphing Smoke into Text When I was working on a title sequence for a short film, I needed some help creating a particular effect; smoke morphing into text. Not knowing where to turn, I wrote a post in the Combustion Forum. Lucky for me some people were more than happy to help out. Lee "Rod" Roderick, Discreet Training Specialist, helped me out. This tutorial was created from his original file. In this tutorial, we will use Combustion's Particle effects and text operators to create a cool effect suitable for your home or office. Tutorial Author: Adam Tracksler Autodesk 3ds Max 3-d cloud text effect In this tutorial, Morteza Yousefi demonstrates how to create a 3-d cloud text effect using Discreet's 3ds Max. Beginner to intermediate. Tutorial Author: Morteza Yousefi Autodesk Combustion The Importance of Digital Color Correction Paulo de Andrade is an accomplished video effects artist whose work includes 19 years in broadcast television where he has worked on hundreds of major international series and films. In this article, Paulo looks at the importance of digital color correction and explores some of the ways that he uses to create visual magic in his own work. As the founder of MacProNet.com, a site dedicated to Macintosh media professionals, Paulo focuses on tools like Final Cut Pro and Discreet Combustion in this article. Tutorial Author: Paulo de Andrade Autodesk Combustion Combustion 3 Alan Edward Bell takes a thorough look at Discreet Combustion 3 and concludes with, "...Many feature film and television effects houses use Combustion on a daily basis for doing everything from matte generation, color correction to full blown compositing, I cannot recommend this software enough, and this review only scratches the surface of what is possible." Review Author: Alan Edward Bell Autodesk Combustion Creating Shadows and Reflections In Combustion In this tutorial, Mike Harper demonstrates, using Discreet Combustion, how to create shadows and reflection layers and how they interact with lights in a 3-D environment. Tutorial Author: Mike Harper Nuke Nuke - An Introduction for After Effects Users Nuke, the new compositing tool from The Foundry, is rapidly becoming a favorite in high-end film production. Its price also offers an easy entry for indie producers who want to create better work, faster and more powerfully. This guided tour of Nuke for AE users, along with tips for leveraging your AE experience in the brave Nuke world of VFX creation will help you discover Nuke. Review, Tutorial Author: Pete O'Connell Adobe After Effects Digital Compositing for Film and Video In the world of graphics production, few books attain legendary status. In the past decade, two come to mind: David Biedny's ''Photoshop Channel Chops'' and Trish & Chris Meyer's ''Creating Motion Graphics.'' Well, if I were to pick another book that could stand right alongside these two titles and hold its own -- it would be Steve Wright's ''Digital Compositing for Film & Video.'' Some would read that and ask: ''Have you lost your mind, Boomer?'' To that, I can only answer that in 6.5 years of building forums-based communities online, we have met few people who have mastered what's in this book. Even fewer can articulate this mastery. Steve is one who has accomplished both. Buy it -- unless you could have written it yourself. Review Author: Ron Lindeboom Event Videographers How to Add Video, Photo and Audio Assets to your Digital Toolbox Who doesnt love high quality free stuff? Let Creative Cow Contributing Editor Stephen Smith be your maitre D. Hell provide a menu that will show you some of the best places to get free video, photo and audio assets that will benefit every media professional. Feature Author: Stephen Smith Autodesk Combustion Using the Diamond Keyer of Combustion 4 to change a selected color In this tutorial, Ayman Abdel-Basset demonstrates how to use the new Diamond Keyer of Autodesk Combustion 4 along with the Color Correction operator to change the selected color of the footage. Tutorial Author: Ayman Abdel-Basset Apple Final Cut Pro Avid versus Final Cut Pro: One Editor's Perspective Longtime professional editor, Patrick Inhofer -- whose work has included many stints on systems like Smoke, Avid and newer tools like Final Cut -- explores the differences between Avid Composer and Final Cut Pro. With his experience, Patrick explores workflow and feature comparisons of areas where they are both similar and dissimilar. Whether you agree or disagree with Patrick, we guarantee that you will find his perspective to be well thought out and full of information gained from years in the editing booth. Feature Author: Patrick Inhofer Apple Final Cut Pro Avid versus Final Cut Pro: One Editor's Perspective: 2006 Longtime professional editor, Patrick Inhofer -- whose work has included many stints on systems like Smoke, Avid and newer tools like Final Cut -- explores the differences between Avid Composer and Final Cut Pro. With his experience, Patrick explores workflow and feature comparisons of areas where they are both similar and dissimilar. Whether you agree or disagree with Patrick, we guarantee that you will find his perspective to be well thought out and full of information gained from years in the editing booth. This article has been entirely rewritten to reflect where we stand today, the start of 2006. Feature Author: Patrick Inhofer Autodesk Combustion Combustion: Replacing A Color using the Color Suppression Operator Beginners in Combustion often ask the question: My actor's shirt is green. How do I change it to blue? In this tutorial, Ayman Abdel-Basset demonstrates how to change one color in an image to another color. And he does it in Combustion without extra plug-ins. Tutorial Author: Ayman Abdel-Basset Podcasts creative cow podcast Episode #031 - April 20, 2006 Episode 031 - After Effects Fractal Noise with Chris Zwar, Opera 9 and Internet Explorer 7, Discreet Inferno for Linux, Adobe buys land, NewTek TriCaster, Matrox RT.X2 and more creative tech news, interviews and reports - www.creativecow.net

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