| | | | Article: Either/Or? BOTH.
by Ramy Katrib on Dec 1, 2011 at 6:57:55 pm
in the COW - Tutorials Forum
Apple FCPX or Not: The Debate Either/Or? BOTH. Ramy Katrib helped design the first FCP workflows for features and TV, but with many new opportunities, DigitalFilm Tree refused to limit themselves. Feature, People / Interview 12/01/2011 Autho | | | | |
| | | | Re: Walter Murch hasn't used FCX
by David Roth Weiss on Nov 1, 2011 at 3:40:49 am
in the Apple FCPX or Not: The Debate Forum
[Jeremy Garchow] "As far as this being his last film on FCP7, yep. It's probably time to move on from that EOL product. No question."
I don't agree with your interpretation Jeremy, not to mention that Mr. Murch went on in the very next line to add | | | | |
| | | | Re: Walter Murch hasn't used FCX
by Jeremy Garchow on Nov 1, 2011 at 3:12:34 am
in the Apple FCPX or Not: The Debate Forum
[David Roth Weiss] "He doesn't have to look at it Jeremy. It's a given at this point that X doesn't work for him, and he knows that without looking. That's the part you and others seem to not to understand, and it's been that way since June 22nd when | | | | |
| | | | Re: Chip Chart Color Correction in FCP7
by Greg Ondera on Oct 5, 2011 at 5:19:07 pm
in the Apple Final Cut Pro Forum
Thanks! I go through that routine every so often, but this is different. It doesn't respond to that to my surprise. I'm wondering if the LCD screen was something internal that triggered in the camera. Everything looks super green and washed out. I do | | | | |
| | | | Now What? The HDCAM SR Tape Shortage
by Debra Kaufman on Jul 31, 2011 at 9:03:00 am
in the Art of the Edit Forum
Shooting the Fall 2011 TV season is already largely tapeless but HDCAM SR has still been the standard for mastering and delivery. What are people doing now in the wake of the SR tape shortage? | | | | |
| | | | used Tangent CP100 for SALE!
by Henry Santos on Mar 19, 2011 at 2:18:01 am
in the Classifieds, Retailers Forum
Color User's Digitalfilm Tree a Hollywood based post production facility has updated there gear. So this means they have used gear for sale. They have just posted a Tangent CP100 control panel for sale on Ebay. This control surface works great with | | | | |
| | | | reconform options
by Patrick Woodard on Oct 26, 2010 at 11:39:20 pm
in the DaVinci Resolve Forum
I'm trying to figure out the best practice for doing a reconform. I've exported an self-contained QT from FCP and use an edl for the preconform. I usually work on episodic shows where VFX happen during the color timing process so inevitably I'll ha | | | | |
| | | | Re: Tangent CP-100?
by Henry Santos on Oct 5, 2010 at 6:34:53 pm
in the DaVinci Resolve Forum
Peter posted a thread if there are still CP 100 users out in the world. I am one of them that is pretty disappointed with this. We have two of those panels that worked with a hand full of amazing color grading software. We where hoping that Blackmag | | | | |
| | | | Legalize Material
by Patrick Woodard on Sep 24, 2010 at 3:06:46 pm
in the DaVinci Resolve Forum
I\'ve been reading the resolve 7 manual and noticed no mention of a broadcast safe option for rendering or direct to tape. Would I need to invest in hardware to do this?
Patrick Woodard
Colorist
DigitalFilm Tree | | | | |
| | | | CS5 adds a frame at 16bits or higher
by Patrick Woodard on Sep 2, 2010 at 8:11:51 pm
in the Adobe After Effects Forum
I've exported QuickTime files from Final Cut Pro for VFX artist using CS5. The file format is Uncompressed 10-bit 4:2:2 23.976. When the files are handled in CS5 at 8bit they are frame accurate, however when the comp is switched to 16bit or 32bit t | | | | |
| | | | Re: Apple's Lack of nVidia worrying?
by Patrick Woodard on Aug 12, 2010 at 5:49:00 pm
in the DaVinci Resolve Forum
I saw this video from Siggraph where an Nvidia rep explains the new Quadro 4000 coming to the Mac in October which has 2x performance over Quadro 4800.
Here is a link, it\'s towards the end of the video.
http://media.fxguide.com/fxguidetv/fxg | | | | |
| | | | Re: Problem Solved
by Patrick Woodard on Sep 22, 2009 at 8:57:53 pm
in the Apple Color Forum
Glad you are liking this workflow. I've done 4 episode of the Sarah Siverman Program using same method. One other thing to mention is when you send a sequence to Color after doing the conform make sure to run your color projects through the looping | | | | |
| | | | 2 Issues with Color 1.5
by Patrick Woodard on Sep 16, 2009 at 8:16:36 pm
in the Apple Color Forum
I've noticed for some time now that Color 1.5 doesn't retain rendered status once a project has been closed. I've been using Michael Cinquin website to trick Color into thinking my projects are rendered (which they are) http://www.michaelcinquin.com | | | | |
| | | | Heavy Iron
by Zed Saeed on Aug 19, 2009 at 10:16:21 pm
in the COW - Tutorials Forum
Business & MarketingHeavy IronHow can a creative business survive, much less prosper, these days? DigitalFilm Tree's Zed Saeed offers a possible solution that combines embracing new, disruptive, low-cost technologies, and investing wisely to add val | | | | |
| | | | Heavy Iron - Creative COW Magazine Article
by Creative COW on Aug 19, 2009 at 4:15:06 pm
in the Letters to the COW Team Forum
Business & MarketingHeavy IronHow can a creative business survive, much less prosper, these days? DigitalFilm Tree's Zed Saeed offers a possible solution that combines embracing new, disruptive, low-cost technologies, and investing wisely to add | | | | |
| | | | Heavy Iron
by Zed Saeed on Aug 18, 2009 at 3:16:21 pm
in the Business & Marketing Forum
How can a creative business survive, much less prosper, these days? DigitalFilm Tree's Zed Saeed offers a possible solution that combines embracing new, disruptive, low-cost technologies, and investing wisely to add value. | | | | |
| | | | Re: Still store fix
by Patrick Woodard on Aug 8, 2009 at 3:14:28 am
in the Apple Color Forum
I am seeing the Still Store shift on my reference monitor not my computer monitorr. I hope this is fixed soon.
Patrick Woodard
Colorist
DigitalFilm Tree | | | | |
| | | | Re: Anyone experiencing this one?
by Patrick Woodard on Aug 8, 2009 at 3:11:24 am
in the Apple Color Forum
Robbie,
I can confirm this, same thing happens to me. I've found that when renders finish if you move the playhead to another shot the save function is no longer grayed out, seems to be a bug. The bigger problem is even when saved after grades a | | | | |
| | | | One Team. Three Network Shows. Every Week.
by Zed Saeed on Dec 23, 2008 at 9:36:44 am
in the COW - Tutorials Forum
Creative COW Magazine feedbackOne Team. Three Network Shows. Every Week.Creative Cow Contributing Editor Zed Saeed has helped create pioneering Final Cut Pro workflows for major feature films and episodic TV production. This year, he and the team at | | | | |
| | | | Re: ATI HD 3870
by Patrick Woodard on Aug 28, 2008 at 9:54:40 pm
in the Apple Color Forum
I posted my feedback of the 3870 a couple weeks back. I didn't see any improvement over the X1900. I have mostly the same configuration as stated above except I'm on 10.5.2. To summarize my feedback I get 17 fps playback of uncompressed 10-Bit HD | | | | |
| | | | Color and ATI Radeon HD 3870
by Patrick Woodard on Aug 7, 2008 at 11:46:14 pm
in the Apple Color Forum
Just replaced graphics card on 8 core mac (8GB of Ram) from ATi X1900 to ATi 3870. Still no realtime with 10-bit uncompressed 23.98 in color. I've been getting 17 fps playback on ungraded material, 13-14 fps with grades on. With Force RGB on I get | | | | |
| | | | The Forbidden Kingdom: Jackie Chan. Jet Li. FCP.
by Zed Saeed on Apr 14, 2008 at 12:00:00 am
in the Apple Final Cut Pro Forum
A Creative Cow Exclusive! DigitalFilm Trees Zed Saeed has helped create pioneering digital workflows built around FCP, custom-designed for large-scale productions. Their biggest challenge so far has come on The Forbidden Kingdom, an epic film partner | | | | |
| | | | Color and Everybody Hates Chris
by Patrick Woodard on Apr 2, 2008 at 6:51:27 pm
in the Apple Color Forum
For those of you who may be interested here is a article that was written up about Apple Color and Season 3 of Everybody Hates Chris. The article is intended to describe workflow of the whole show rather than specifics of color grading.
http://ww | | | | |
| | | | Re: Training in the Art?
by Gary Morris McBeath on Feb 14, 2008 at 6:33:01 pm
in the Apple Color Forum
Hi Adam,
Here are some DVDs and books I've found useful:
DVD: Color Correction for Final Cut Pro, by DigitalFilm Tree
DVD: Color Correction for Final Cut Pro, by Ripple Training
Book: Color Correction for Digital Video, CMP Books
Book: Video Colo | | | | |
| | | | Re: Combustion 4 MAC Demo in NYC (by Ken)
by Kenneth La Rue on Dec 16, 2005 at 11:38:07 am
in the Autodesk Combustion Forum
Hi,
First thanks for coming out Phil and it was great to go get some food and a beer with you instead of getting room service as is the norm.
Whenever I'm last on the lineup card I have learned you get the least amount of time but as Phil said I'll | | | | |
| | | | Re: DV to DVCPro HD uprez DUB HOUSE?
by Noah Kadner on Nov 11, 2004 at 9:37:25 pm
in the Panasonic VariCam Forum
Hmm- well I believe you could get 60p no problem but converting from DV to 24p is not as simple because there are extra frames that have to be accounted for. Try making some phone calls, DigitalFilm Tree and Dr. Rawstock in L.A. could be of help.
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| | | | lafcpug to meet Oct 27
by Michael Horton on Oct 25, 2004 at 3:26:11 pm
in the Apple Final Cut Pro Forum
The next meeting of the LA Final Cut Pro User Group will be Wednesday, Oct 27, 2004 6:45PM - until we drop, at the LA Film School in Hollywood
This meeting is sponsored as always by Charles McConathy and ProMax
Join us for our last meeting at | | | | |
| | | | Re: DVCPROHD -> Filmout
by Noah Kadner on Oct 18, 2004 at 1:26:54 pm
in the Panasonic VariCam Forum
Well explained answer, K. One other thing I would add is that how the DI is done depends greatly on budget. A lot of facilities will bump the entire project up to 2k or uncompressed HD for DI work just before the filmout. That's what DigitalFilm Tree | | | | |
| | | | Back to School Night at lafcpug Sept 22
by Michael Horton on Sep 19, 2004 at 5:00:29 pm
in the Apple Final Cut Pro Forum
The next meeting of the LA Final Cut Pro User Group will be Wednesday, September 22, 2004 6:45PM - until we drop, at the LA Film School in Hollywood
Join us for "Back to School Night" as we devote most of the evening to FCP Tips and Techniques, | | | | |
| | | | The "other" NLE's at lafcpug July 28
by Michael Horton on Jul 27, 2004 at 4:21:24 am
in the Apple Final Cut Pro Forum
The next meeting of the Los Angeles Final Cut Pro User Grooup will be Wednesday, July 28, 2004 from 6:45PM - 10:00PM, at the LA Film School in Hollywood
Join us as we bring Avid Xpress Pro 4.5, Sony Vegas 5, Adobe Premiere Pro 1.5, and Pinnacle Liqu | | | | |
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