Creative COW SIGN IN :: SPONSORS :: ADVERTISING :: ABOUT US :: CONTACT US
Creative COW's LinkedIn GroupCreative COW's Facebook PageCreative COW on TwitterCreative COW's Google+ PageCreative COW on YouTube
FORUMS:listlist (w/ descriptions)archivetagssearchhall of famerecent posts

Digital Film Tools

COW Tag
COW Tags : Digital Film Tools
Blog: Creating a Film Look on a Video Budget
by Richard Harrington on Jul 19, 2012 at 3:13:00 pm
in the COW - Blogs Forum
Here's the recording from my "Creating a Film Look on a Video Budget" webinar (sponsored by Tiffen).These days, a "film look" is more popular than ever. This workshop will give you practical shooting advice to achieve a shallow depth of field and mor
Creating a Film Look on a Video Budget
by Richard Harrington on Jul 19, 2012 at 8:13:00 am
in the Forum
Here's the recording from my "Creating a Film Look on a Video Budget" webinar (sponsored by Tiffen).These days, a "film look" is more popular than ever. This workshop will give you practical shooting advice to achieve a shallow depth of...
Re: From FCP to PP - Questions from an editor ready for the jump!
by Kevin Monahan on May 29, 2012 at 11:55:25 pm
in the Adobe Premiere Pro Forum
[Adam White] "Sometimes we have a need for multiple editors to work on the same project. In FCP7 we simply create a project file for each editor." You can import Premiere Pro project files into one "master" project. You can pull in others sequence
News: Digital Film Tools Brings the Magic of Film to New Film Stocks Plug-in
by Cow News Droid on Jan 26, 2012 at 1:04:07 am
in the NEWS: Product News Releases Forum
New Film Stocks photo and video/film plug-in simulates the look of analog film stocks (Los Angeles, California--January 26, 2012) Digital Film Tools, developer of visual effects software, today announced the release of Film Stocks with plug-in su
Plugin Update for Media Composer 6
by Daniel Warvi on Dec 19, 2011 at 5:08:25 pm
in the AVID Forum
Since I think Avid Marketplace is complete BS, here's a breakdown of the plugins that are ready to go with Media Composer 6: *Digital Film Tools (everything.) (ReFine and PhotoCopy are WAY COOL!) *GenArts (Sapphire.) No comment from the company
News: Digital Film Tools Helps Photographers and Videographers 'reFine' Images
by Cow News Droid on Dec 13, 2011 at 5:42:56 pm
in the NEWS: Product News Releases Forum
New photo and video/film plug-in delivers professional edge-aware sharpening and smoothing effects (Los Angeles, California--December 13, 2011) Digital Film Tools, developer of visual effects software, today announced the release of reFine with pl
News: Digital Film Tools Releases 64-bit Plug-ins for Avid
by Cow News Droid on Nov 15, 2011 at 7:14:59 pm
in the NEWS: Product News Releases Forum
Digital Film Tools plug-in product line supports Media Composer v6, Symphony v6 and NewsCutter v10; Free update for existing customers (Los Angeles, California--November 15, 2011) Digital Film Tools, developer of visual effects software, today ann
News: Digital Film Tools Releases 64-bit Plug-ins for Avid
by Cow News Droid on Nov 15, 2011 at 7:14:59 pm
in the AVID Forum
Re: Third Party Apps
by Craig Seeman on Aug 31, 2011 at 12:02:45 am
in the Apple FCPX or Not: The Debate Forum
It looks like Digital Film Tools Rays plugin just came out for FCPX.
News: Digital Film Tools Rays Sheds Light on Film and Video Footage
by Cow News Droid on Aug 30, 2011 at 4:54:04 pm
in the NEWS: Product News Releases Forum
Visual effects plug-in Rays now supports video/film hosts from Adobe, Avid and Apple - including FCP X (Los Angeles, California--August 30, 2011) Digital Film Tools, developer of visual effects software, today announced that their visual effects p
Re: How to create silverscreen film
by steve agriosi on Aug 19, 2011 at 3:47:26 pm
in the Adobe After Effects Forum
Try to separate color channels and then do a custom combination. COlor channels are very useful when they are separated. U can also try some plugins from Digital film tools than can simulate this look. I'd recommend a photoshop action tho' I gue
News: Digital Film Tools Releases Rays
by Cow News Droid on Apr 6, 2011 at 6:01:44 pm
in the NEWS: Product News Releases Forum
Visual effects innovators add a ray of light to any creative project (Los Angeles, California--April 6, 2011) Digital Film Tools, developer of visual effects software, today announced the availability of a brand new plug-in for visual effects arti
News: Digital Film Tools Rolls Out PhotoCopy
by Cow News Droid on Feb 2, 2011 at 10:11:06 pm
in the NEWS: Product News Releases Forum
(Los Angeles, California--February 2, 2011) Digital Film Tools, developer of visual effects software, today announced the availability of PhotoCopy. Pho•to•copy (foh-tuh-kop-ee) creates a photographic reproduction of a printed or graphic work mad
Re: Flex registration problem?
by Arjen Abbestee on Nov 30, 2010 at 3:08:47 pm
in the RE:Vision Effects Forum
I re-installed everything (from system to plugins and everything in between) and so far so good. Except for a couple of plugins from digital Film Tools that now refuse to register...
Re: tiffen dtf/dfx, version conflict
by David Johnson on Sep 2, 2010 at 3:26:39 pm
in the Adobe After Effects Forum
I'm with Walter on both counts ... "I don't believe that this is possible to do" and "I'd contact Tiffen for support". The issue is that the Tiffen DFX bundle originated with a different company (Digital Film Tools) and was somewhat re-written dur
Re: Anyone Use Tiffen Dfx2?
by Ken Jones on Feb 7, 2010 at 9:21:19 pm
in the Apple Final Cut Pro Forum
I have never used the Tiffen branded set of filters, but several years ago I used these filters on an Avid when it was called "Digital Film Tools 55mm" and they took forever to render. I only ever used it on :30 or :60 second spots because any long f
Re: Plug-In Recommendations
by David Johnson on Jan 6, 2010 at 11:58:49 pm
in the Adobe After Effects Forum
Search the forum for "plugins" and "plug-ins" and you'll get a wealth of good advice ... I'm pretty familiar with almost every AE plugin ever publicly available, but AE does so many different things and there are so many different types of plugins th
Re: FCP YUV Vs RGB
by Doug Beal on Nov 19, 2009 at 11:10:41 pm
in the Apple Final Cut Pro Forum
The only time I select it, for rendering, is for maintaining color fidelity after DPX to quicktime conversion and I'm using aja Kona 10bit RGB. otherwise i'm in high precision YUV and outputting to tape. I used to have to use it with a plugin package
Anyone one here use DFX plugins?
by Jimmy Brunger on Nov 9, 2009 at 4:59:29 pm
in the Adobe After Effects Forum
We recently upgraded our Digital Film Tools DFX suite of plugs for AE CS4 and whilst they are great tools, someone at Tiffen or whoever makes these now has had the crazy idea of very slightly renaming the plugin names...This means that any previously
Clean up bad video compression artifacts
by Michael Lansdell on Sep 8, 2009 at 11:28:42 am
in the Apple Final Cut Pro Forum
I'm putting the finishing touches to a program that uses a lot of archive, most of the sources through the series have been really good, but in the last programme a lot of the clips were only possible to source off DVD and VHS even. These clips have
Re: Colorista Substitute.
by Chris Wright on Jul 29, 2009 at 10:46:19 pm
in the Adobe After Effects Forum
If you can't afford a Davinci, here's some additional color correction plugins... 1. Digital Film Tools' Composite Suite Color Corrector. http://www.digitalfilmtools.com/cs/cscc.htm 2. Three-Way Color Corrector preset http://generalspecialist
Re: Blend modes and additive dissolves
by Job ter Burg on May 22, 2009 at 1:58:14 pm
in the AVID Forum
There's the Optical Dissolve effect that is in Digital Film Tools' Composite Suite.
Aperture Audio
by Bradley Giardiello on May 22, 2009 at 11:52:09 am
in the Forum
Aperture Audio provides full service audio post production for the film, broadcasting, and new media industries. Specialties include surround mixing for film and HD broadcast. Some of the services we provide: - Pre-production consulting - Dubs and tr
Sundog Studios
by Lon Keller on May 21, 2009 at 7:52:54 am
in the Forum
* Editorial: What makes a good production great? It's the quality and experience of the storyteller ... and we've got some of the best. Our staff has over 150 years combined experience producing memorable, results-getting media. * Production: We offe
Mocha Shape
by Kent Blocher on May 13, 2009 at 5:08:38 pm
in the Adobe After Effects Forum
I understand that Mocha Shape will export shape data to After Effects CS3 and later, but since I'm stuck with AE7, can I use Mocha Shape as a stand-alone product and create a rendered image for import into AE7? I've asked this of Imagineer, but have
Re: A winter's afternoon look in After Effects CS4...
by Dave Johnson on Feb 6, 2009 at 8:47:08 pm
in the Adobe After Effects basics Forum
Do you have access to any third-party plugins? Digital Film Tools (much of which is now Tiffen DFX) has day4night and nightvision filters as well as many other great CC filters that can make your goal easier. As Dave L. suggested, the key is getting
Re: Technique for grading flashback
by Rebecca Lally on Sep 23, 2008 at 6:34:58 pm
in the Apple Final Cut Pro Forum
Using a little bit of film clutter for transitions (overlaying some end burns and light leak style film flashes) can be a nice transitional element, especially if you're working with the vignette. But if it doesn't work to suggest an old movie kind
Re: Is there such a thing for Sony Vegas?
by Steve Rhoden on Aug 3, 2008 at 8:26:23 pm
in the Sony Vegas Forum
Blahtor, If you have a compositing software as an additional tool to your editing you most definitely can get a plugin for it like what you are looking for. Autodesk Combustion is my personal "holy grail" for my high end compositing needs (Keylight
P2: The format. The trailer.
by Doug Spice on Apr 24, 2008 at 12:00:00 am
in the Panasonic HVX - HPX (P2) Forum
What do filmmakers do in their free time? They make films. The horror movie P2 has just been released on DVD, but when Doug Spice and team at Psychic Bunny saw the original trailer for the theatrical release, all they could think about was their cudd
News: Digital Film Tools Releases Power Stroke, Light! and Ozone
by Cow News Droid on Apr 21, 2008 at 12:33:32 pm
in the NEWS: Product News Releases Forum
Available for Apple Aperture 2.1 and above (April 21, 2008) With the release of Power Stroke, Light! and Ozone for Aperture 2.1, Apple’s expansive photo editing and management tool, Digital Film Tools affirms its on-going commitment to bring inn
News: Apple Releases Aperture 2.1 with Powerful Image Editing Plug-In Architecture
by Cow News Droid on Mar 28, 2008 at 5:28:04 pm
in the NEWS: Product News Releases Forum
(Cupertino, California--March 28, 2008) Apple® today released Aperture™ 2.1, which introduces an open plug-in architecture that makes it easy for photographers to use specialized third party imaging software right from within Aperture. Availabl
Tiffen Dfx has a specific Skin Smoother!
by Dan Warvi on Mar 20, 2008 at 5:11:47 pm
in the AVID Forum
Well, it's called something else now...Digital Film Tools had the awesome 55mm plugins for Avid (which had a both a skin smoother and a selective soft focus) but Tiffin bought those plugins and turned them into Dfx: http://www.tiffen.com/dfx_filter_
Re: bleach look in c*?
by bones on Nov 30, 2007 at 10:56:26 am
in the Autodesk Combustion Forum
Bleach by-pass isn't too difficult to achieve digitally. Digital Film Tools have a plugin that will do it for you, along with a load of other preset looks that I think can be tweaked [haven't used it for ages]. If you want to do it yourself, it is ba
Re: unwanted facial highlighting
by Aharon Rabinowitz on Nov 19, 2007 at 6:53:42 pm
in the Adobe After Effects Forum
Digital film tools has a tool that can do the opposite - adding a fill light to a poorly lit part of the video - so maybe you can reverse the effect for your needs: http://www.digitalfilmtools.com/powerstroke-ae/fill_light.htmAharon Rabinowitz Emai
Re: Keying pluggin for FCP ?
by Arniepix on Nov 16, 2007 at 9:55:57 pm
in the Apple Final Cut Pro Forum
I really like using Conduit, also from DV garage. You may also want to try Zmatte from Digital Film Tools.Arnie Now in post: Peristroika, a film by Slava Tsukerman http://www.arniepix.com/blog
Re: volumetric light ?
by Richard Harrington on Sep 5, 2007 at 10:16:47 pm
in the Adobe Photoshop basics Forum
http://www.adobe.com/designcenter/photoshop/articles/phs8lightblast.html also try light from Digital Film Tools
Re: Footage and alpha channels
by stuartambient on Sep 2, 2007 at 2:18:52 pm
in the Adobe After Effects basics Forum
Thank you Richard. Over the past few weeks I'm been brushing (no pun intended) on my masking skills in photoshop, so I now know that I can carry those over to AE. However, in addition one tool that seems interesting is Matte Generator from Digita
DFT plugins
by Greg Nosaty on Jul 24, 2007 at 7:33:34 pm
in the Apple Final Cut Pro Forum
Is anyone using the Digital Film Tools 55mm plugin set with FCP6? Have you noticed and extremely long render times or crashing while using them? I've rebuilt my system from OS up and I'm still crashing every 15 to 30 minutes while I try to color gra
Re: Can
by Marco Paolini on Jun 20, 2007 at 8:22:01 pm
in the Apple Final Cut Pro Forum
We no longer use the Options button for licensing. Anyone who purchases the software is given instructions as to how to install a license. Customers can request support at http://www.digitalfilmtools.com/kb/contact.php Marco Digital Film Tools
Re: Can
by Marco Paolini on Jun 20, 2007 at 8:21:07 pm
in the Apple Final Cut Pro Forum
We no longer use the Options button for licensing. Anyone who purchases the software is given instructions as to how to install a license. Customers can request support at http://www.digitalfilmtools.com/kb/contact.php Marco Digital Film Tools
Re: FCP plug-ins, integrative software
by Scott Davis on Jun 6, 2007 at 4:53:24 pm
in the Apple Final Cut Pro Forum
Look at Boris Continuum (sp?) Complete. Or Digital Film Tools 55mm.
Re: Keying in Final Cut Studio 2
by David Jahns on May 25, 2007 at 5:14:33 pm
in the Apple Final Cut Pro Forum
agree with previous - of course, well shot, uncompressed is best, etc.. but the reality is we are often asked to polish a turd, right? I've found DV Matte Pro (FCP Plug) to be a fantastic keyer - especially for substandard footage with DV compressio
Re: spectre matte
by Sep on Apr 14, 2007 at 4:26:48 pm
in the AVID Forum
ZMatte, digital film tools http://www.digitalfilmtools.com/zmatte/ As good as spectra matte.Sep
Re: best color grading option
by Steve Eisen on Mar 6, 2007 at 8:40:07 pm
in the Apple Final Cut Pro Forum
Depends on how critical you want to be. The current Color Corrector inside FCP is very powerful in itself. It can be tricky to manipulate. It will be interesting to see what Apple does with Final Touch. I am looking forward to NAB this year. Nat
Re: plugins
by Shane Ross on Feb 26, 2007 at 3:56:14 pm
in the Apple Final Cut Pro Forum
Here is a pretty complete list of what plugins are available: http://proapptips.com/tips/links.php?category=Plugins I have stuff from nattress.com, Magic Bullet and Digital Film Tools. I do tend to use Magic Bullet for my main color correction (Co
Re: 1970's colours?
by Tim Kolb on Feb 26, 2007 at 3:44:42 pm
in the Adobe Premiere Pro Forum
You could crush the blacks and roll back the color saturation a bit and you should start too see that "Rockford Files" thing...maybe add some grain. You can do this without any plugins...but the 55mm plugins set from Digital Film Tools would have so
Re: 9mm/Film look effects
by AK-Jake on Dec 18, 2006 at 6:15:31 am
in the AVID Forum
Have you tried some of the effect suites from Digital Film Tools? 55mm and Digital Film Lab are 2 that I'd check out first. http://www.digitalfilmtools.com Or how about Magic Bullet Editors AVX or the full-blown Magic Bullet Suite for After Effect
Re: Digital Film Tools 55mm "Light" plugin help
by AK-Jake on Dec 1, 2006 at 5:51:15 pm
in the AVID Forum
I would like to ask the same thing...I've never been able to figure this out either. Help would be appreciated.
Re: easiest way to introduce chromatic abberation?
by scott on Nov 25, 2006 at 2:17:05 am
in the Adobe After Effects Forum
Hi Chris, Thanks for the detailed response. This was basically what I was planning to do originally, but I wasn't sure how subjective this method would be - I can tell there's going to be a lot of back and forth with the director and VFX sup saying
Digital Film Tools 55mm "Light" plugin help
by sdragon on Nov 24, 2006 at 9:28:32 pm
in the AVID Forum
Hello, I am using Digital Film Tools 55mm ver6 for Avid Media Composer, but I can't figure out one of the filters that comes with it. It is the Light! filter. I know what it is supposed to do, but evertime I apply it to a video clip, it turns black.

Podcasts

creative cow podcast
Episode #020 - February 02, 2006
Episode 020 - Producing Creative Media with Mark Val - markval.com, Shockwave 3D, Macromedia Director, Video Game Creation, Encore DVD 2.0, Flash Paper, Breaking into the Creative Industry, Digital Film Tools Snap, Adobe Flex 2.0 and Flash Player 8.5, Ambient Design ArtRage, Survivor for $1.99, Handbrake for Windows DVD/iPod ripper, Madonna and Gorillaz, Academy Awards Nominations for Animation and more creative tech news, interviews and reports - www.creativecow.net
Related Tags

Digital Film Tools


FORUMSTUTORIALSMAGAZINESTOCKYARDVIDEOSPODCASTSEVENTSSERVICESNEWSLETTERNEWSBLOGS

Creative COW LinkedIn Group Creative COW Facebook Page Creative COW on Twitter
© 2013 CreativeCOW.net All rights are reserved. - Privacy Policy

[Top]