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Digital

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	COW Tags : Digital


	Digital Cine Lenses by Brad Froman on Aug 17, 2009 at 6:20:10 pm in the Panasonic HVX - HPX (P2) Forum Has anyone out there used the Canon HDEC 2/3" prime lenses? I will be shooting a feature in a hot, dusty climate -- most likely on a Panasonic HPX 3000 -- and would rather avoid using the ProAdaptor 35. Or if not Canons, any other ideas? What rent


	Digital Cine Lenses by Brad Froman on Aug 17, 2009 at 6:18:32 pm in the Cinematography Forum Has anyone out there used the Canon HDEC 2/3" prime lenses? I will be shooting a feature in a hot, dusty climate on a Panasonic HPX 3000 and would rather avoid using the ProAdaptor 35. Or if not Canons, any other ideas? What rental houses are offe


	Re: is it just me or is CS4 the most unstable buggy software ever by Todd Roush on Aug 17, 2009 at 6:14:11 pm in the Adobe Premiere Pro Forum Theresa, Great observations and I concur completely. I used to work in customer support way, way back and what we do when we don't have an answer is flip it back on the customer by asking tons of questions. It puts the workload on the customer


	Re: Article: Apple BluRay Support by eric pautsch on Aug 17, 2009 at 5:04:19 pm in the Apple Final Cut Pro Forum Something to add here. Unless you plan to replicate Blu Ray for mass distribution, BD authoring seem irrelevant to me these days. If its a looping trade show or a one time shot I'm suggesting more and more to clients to playback from this medi


	Re: digital cinema desktop not playing by Matt Cohn on Aug 17, 2009 at 4:06:35 pm in the Apple Final Cut Pro basics Forum thanks, david, that's all it seemed to need!


	Re: digital cinema desktop not playing by David Battistella on Aug 17, 2009 at 2:06:03 pm in the Apple Final Cut Pro basics Forum You might want to try to refresh audio visual devices in the view menu. David Peace Check out my new web series. http://www.ripperhockey.com


	digital cinema desktop not playing by Matt Cohn on Aug 17, 2009 at 1:37:42 pm in the Apple Final Cut Pro basics Forum Hi All, The Digital Cinema Desktop Preview function in FCP was working fine, but now all I'm getting is audio with a black screen. Does anybody know what the problem might be and what I have to do to correct this? Thanks, Matt


	Re: virtual VTR by Joe Huggins on Aug 17, 2009 at 1:36:50 pm in the Apple Final Cut Pro Forum Bouke, That is fantastic! I can't wait for our editorial staff to put that to work. If this works like the demo shows, this solves one of the biggest problems that has plauged FCP for people who relink digital media in a tapeless environment. Appl


	Chroma key scale lock by Neil Weaver on Aug 17, 2009 at 12:22:32 pm in the Adobe After Effects Forum Hi all, We are doing a fashion shoot next week on green screen where we are digitally mocking up a catwalk for the models to walk down. I think it would be nice to have a slight pull out on camera as the models approach the camera, but this wi


	Re: Article: Apple BluRay Support by walter biscardi on Aug 17, 2009 at 11:03:50 am in the Apple Final Cut Pro Forum [Jeff Handy] "The licensing is ridiculously expensive - untouchable for small businesses for a distribution format." Not through NetBlender's DoStudio. We're a small shop (3 employees, 3 edit suites) and have been doing BluRay authoring / distrib


	Re: Skin by walter biscardi on Aug 17, 2009 at 10:57:24 am in the Apple Color Forum [Rafael Metz] " When sitting in telecine or tape2tape I saw often the colorist using a denoiser in the da Vinci system or on the optical way putting some SoftFX or Blackpromist in the optical line of the film scanner" You can download the Nattress


	Help using 16:9 standard def SDI input and outputting DVD in 16:9 SD by Matthew Harover on Aug 16, 2009 at 11:55:36 pm in the AJA Kona Forum I am using Sony DXC-D50WSH cameras which are 4:3/16:9 switchable. I know they are still standard def, but assumed a native 16:9 would lend itself better to a widescreen final product. Using the SDI output of a Panasonic AG-MX70 switcher, and mai


	Re: Panasonic AJHD1200A sound capture by walter biscardi on Aug 16, 2009 at 6:52:56 pm in the Apple Final Cut Pro Forum [Carly DeLora] "I herd through the grape vine that there is a way to use the devise to add the sound without having to re-capture. Is this true? If so, How?" I have never heard of this. I owned that deck for 2 years and then traded it in for the


	Re: [FCP 6.0] Whip / swish transicitons by Nick Meyers on Aug 16, 2009 at 3:29:32 pm in the Apple Final Cut Pro Forum Digital Heaven have a whip-pan plug in. i think it even comes with sound effects! nick


	Re: Resolution for HD in PAL format by walter biscardi on Aug 16, 2009 at 12:21:21 pm in the Apple Final Cut Pro Forum Those specs depend wholly on what your deliverable will be. Generally PAL is 50i or 25p for HD. Either 720 or 1080. What does the network / client request? SD Widescreen is generally not acceptable as HD because it's not HD. Walter Biscard


	Re: Possible to set Motion Tracker as target for another Motion Tracker? by Barend Onneweer on Aug 16, 2009 at 8:01:31 am in the Adobe After Effects Forum Sounds like first you need to stabilize your "B-eyes" so they stay in static position. You probably need to stabilize scale, rotation and position. I'd precompose the result. Then track the A-eyes and apply the tracking data to the precomped B-eye


	Re: Progressive render for DVD? by Mike Kujbida on Aug 16, 2009 at 12:13:06 am in the Sony Vegas Forum Interlace flicker is usually caused by the images being far too large. If your stills came from a digital camera and are something like 4000 x 3000 pixels in size, use Photoshop or a free app like IrfanView to reduce them a lot. The rule of thumb i


	Re: Digital artifact effect by Scott Roberts on Aug 15, 2009 at 10:06:54 pm in the Adobe After Effects Forum Try DigiEffects Damage: http://www.digieffects.com/products/damage.html


	Re: AJA iO HD > FCP > FW400 Drive? by walter biscardi on Aug 15, 2009 at 8:32:50 pm in the Apple Final Cut Pro Forum [T. John Wise] "Approximately how much storage space is needed for 100 minutes of HD Prores content? " what size? What frame rate? What resolution of ProRes? All that factors into the equation. Digital heaven has a free widget for doing thes


	Re: Beach Ball... Hierarchy? or ProResHQ? by walter biscardi on Aug 15, 2009 at 8:31:31 pm in the Apple Final Cut Pro Forum [Charles Breiner] "I suspect one of two things either, the ProRes HQ is too high a resolution for FCP to handle, or I have all the media stored in a single folder and that the system needs more of a hierarchy with the media broken up better in order


	Re: Cheaper "Professional: Lighting Units for students by Rick Wise on Aug 15, 2009 at 7:55:03 pm in the Lighting Design Pros Forum Craig, The University has plenty of lights, up to 5Ks. But the issue is, I am required to design an on-line 100% digital lighting class that shoots only video (no film) and also involves equipment that on-line students from all over the US and the


	Bad quality after reducing noise by Jurgen Willocx on Aug 15, 2009 at 7:49:19 pm in the Adobe Audition, Soundbooth Forum Hello, I have problem when reducing the noise in Soundbooth CS4 of an interview I made with my new ZOOM H2. The voice is turned into very digital and I hear a dubbed voice in the background. Even on the lowest reduce and reductions -0- setting


	final cut pro editor by ehsan jahanbakshan on Aug 15, 2009 at 7:08:57 pm in the JOBS Offered - Higher Pay Forum Name: EHSAN JAHANBAKSHAN Address: Flat 9, 353 Uxbridge RD, London, W3 9RH , Tel:07972007979 Age: 28 Nationality: Iranian-British Ed


	Re: looking for Gary Adcock's paper on Pro Res by walter biscardi on Aug 15, 2009 at 6:55:21 pm in the Apple Final Cut Pro Forum [Phil Yunker] "I'm trying to figure out if exporting to pro res HQ is worth it. I'm working with footage that was shot in HDV(JVC) and captured to DVCPRO720p final output will be to 1080i HDCAM SR for Broadcast. " Short answer is no. ProRes HQ is


	Re: Rolling Shutter? by Wayne Orr on Aug 15, 2009 at 6:54:49 pm in the Sony DV Forum It won't be much consolation to you, Lisa, but it's a problem with pro cameras also. It's gotten to the place where most scripted shows using digital won't allow strobes flashes for effects. Wayne Orr, SOC


	Re: Tracking problems im going to cry :( by Barend Onneweer on Aug 15, 2009 at 5:16:24 pm in the Adobe After Effects Forum I couldn't watch the quicktimes because I'm in iPhone with slow connection. First, I'd try Mocha AE for tracking - gives better results and is bundled with CS4. If that's not an option: try smoothing keyframes using either an expression or the


	Re: incompatable compostion, open gl, final render by Barend Onneweer on Aug 15, 2009 at 3:09:10 pm in the Adobe After Effects Forum Without knowing the details about your comps, it's hard to tell how your comps could be optimized. But optimizing and rendering proxies etc. also takes time so for this time you might be best off just hitting the render button. It does sound like


	Re: How to manage 2 or more editors working simultaneously on single project by Barend Onneweer on Aug 15, 2009 at 2:52:35 pm in the Adobe After Effects Forum I've coordinated many projects where we had multiple animators/compositors collaborate like this. Like David suggests I start out designing a master project template that has all footage, source materials, and some compositions prepared. Forcing one


	Storyboard app for iPhone by Barend Onneweer on Aug 15, 2009 at 1:12:59 pm in the Apple iPhone Forum It looks like this might be a great tool for on-the-road storyboarding. http://vimeo.com/channels/hitchcock Barend Raamw3rk - digital storytelling and visual effects


	Storyboard app for iPhone by Barend Onneweer on Aug 15, 2009 at 1:12:59 pm in the Cool New Tools Forum It looks like this might be a great tool for on-the-road storyboarding. http://vimeo.com/channels/hitchcock Barend Raamw3rk - digital storytelling and visual effects


	Re: Question: Laws with using motion presets by walter biscardi on Aug 15, 2009 at 12:19:00 pm in the Apple Motion Forum You mean you want to change part of a preset for a television show? Absolutely you can do that, you can use it straight up as is if you want. Those are there for you to use as you see fit. Walter Biscardi, Jr. Editor, Colorist, Director, Writer,


	Re: Render Cancelled RED footage by walter biscardi on Aug 15, 2009 at 12:18:17 pm in the Apple Color Forum First thought would be to split your project into two projects. Keep the first half that rendered just fine, but save off a second project with only the second half of the project that doesn't render and see if Color will render that. The new col


	Unexpected windfall! by walter biscardi on Aug 15, 2009 at 11:53:57 am in the Business & Marketing Forum Here's a new one I got this morning. I'm not even sure how to read this. peter has sent you a message on peter Attention; This is to officially inform you that your fund has been duly approved and gazette for you via ATM Visa Card after d


	Re: importing video files by Barend Onneweer on Aug 15, 2009 at 8:11:35 am in the Adobe After Effects Forum Is your AE 4 on the same machine? It sounds like a missing codec. QuickTime is a wrapper (.mov) that can use a wide variety of codecs, not all of them standard, or even crossplatform. Sounds like your camera records to some codec that needs to be ins


	Re: 3D Match move dilemma by Barend Onneweer on Aug 15, 2009 at 8:00:29 am in the Adobe After Effects Forum You can basically convert your foreground layer to a 3D layer, and parent it to AE's 3D camera. You'll have to manually position and orient the layer relative to the camera, since your cam will not be in default position anymore. Raamw3rk - d


	Re: AE claims it is missing files but it is not. by Barend Onneweer on Aug 15, 2009 at 7:52:21 am in the Adobe After Effects Forum My first thought would be faulty RAM or a codec error, probably the last. If you check the frames where it usually hangs and delete one layer at a time to see if it will render then - you might find the problem layer. You might be able to convert


	Re: vegas cannot render by Stephen Mann on Aug 15, 2009 at 5:32:04 am in the Sony Vegas Forum "Low Memory Errors" almost always mean that your dynamic RAM is too small. It is also likely being managed by Windows (the default). This is an anachronism from the days that a big hard-disk was 1Gb and 512Mb of RAM was huge. I recommend that you


	Re: You Too?!? by walter biscardi on Aug 14, 2009 at 11:58:47 pm in the Business & Marketing Forum [Mark Suszko] ""Fragile'" Sounds Italian. You should plug it in, and put it in the front window. It is, after all, a "major award"." Oh you should see what it looks like from out here! Walter Biscardi, Jr. Editor, Colorist, Director, Writer,


	Re: Importing footage with Sony HDR-SR11 camera and my renders. Please help by Eric Stutt on Aug 14, 2009 at 6:25:34 pm in the Adobe Premiere Pro Forum David, I can go over things with you. Oddly enough, I called Cannon about their M2ts codecs to see if they could tell me what editing programs support them and the sales rep didn't have an answer so I went with Sony. I dont have a profile I ca


	Re: keyboard shortcut enlarge canvas by Matt Cohn on Aug 14, 2009 at 4:57:29 pm in the Apple Final Cut Pro basics Forum Thanks, Tom. I actually found it going through A/V Settings, and clicked on Digital Cinema Desktop Preview. I only then found it under Video Playback in the View drop down menu. I appreciate your help!


	Importing footage with Sony HDR-SR11 camera and my renders. Please help by Eric Stutt on Aug 14, 2009 at 4:54:01 pm in the Adobe Premiere Pro Forum I actually posted this question in the Adobe help forums and since the people there were not being entirely clear in their responses. For example, I would ask follow up questions and some deemed them to be too simple I guess. I think the assumption w


	Re: A little OT: Locking files on our Final Share system by Ron Amborn on Aug 14, 2009 at 4:52:06 pm in the Maxx Digital Forum Hello Jason, Please contact our office at 714-374-4944 and one of our techs will be happy to help you. Sincerely, Ron Amborn President Maxx Entertainment Digital 21562 Newland Street Huntington Beach , Ca 92646 Direct 714-374-4944 Cel


	Re: FCP 7 Digital Delivery with Closed Captioning in HD by Bouke Vahl on Aug 14, 2009 at 4:47:50 pm in the Apple Final Cut Pro Forum Never mind, got it working. For the archives, the timecode in the .SCC file is relative to the running length, not the timeline TC. Thus, if your timeline starts at 01:00:00:00, and your first caption is after two seconds, that should be 00:00:02:0


	Is There Full Screen Preview in FC7? by John Willis on Aug 14, 2009 at 4:17:00 pm in the Apple Final Cut Pro Forum Hi Guys, I use to be able to do full screen preview by checking Digital Cinema Desktop Preview under view and then just hit the 'Y' key for full screen display...but this does not work with the new FC7. Any suggestions? John


	Advice on Mixing SD and HDV formats by Laura Kingwell on Aug 14, 2009 at 3:59:51 pm in the Apple Final Cut Pro basics Forum Hi I am editing a project which was shot 1080i50 on a Sony Z1 camera and am editing natively in HDV using the appropriate HDV easy set up. I now also need to capture some archive footage which will be on a variety of formats DV, DVCAM and Dig


	Re: Indie DI with Color, questions.. by Shawn Larkin on Aug 14, 2009 at 3:35:33 pm in the Apple Color Forum I agree completely. Digital projection has surpassed film projection in the last few years. The good 1080p, 2k, and 4k projectors can faithfully reproduce what you would see on a high end monitor--only much bigger. Since the better projectors ca


	Re: Indie DI with Color, questions.. by Patrick Inhofer on Aug 14, 2009 at 3:23:43 pm in the Apple Color Forum [Shawn Larkin] "So I think it is better to achieve a perfect grade in rec709 space, which will be perfectly replicated on tape masters and DCI projection masters. This way any decent digital projection or display will look spot on." Veering slight


	Re: A little OT: Locking files on our Final Share system by walter biscardi on Aug 14, 2009 at 2:49:54 pm in the Maxx Digital Forum instead of locking it, can't you make the folder Read Only. Walter Biscardi, Jr. Editor, Colorist, Director, Writer, Consultant, Author. Credits include multiple Emmy, Telly, Aurora and Peabody Awards. Owner, Biscardi Creative Media featuring HD


	Re: Indie DI with Color, questions.. by Shawn Larkin on Aug 14, 2009 at 1:44:08 pm in the Apple Color Forum Today, any decent lab should be able to work with lin dpx and do an inverse LUT. The Efilm guys use Technicolor, which has this stuff down. I use FotoKem and they are excellent. As Nick points out, there are some gamma shifts because film cannot


	Re: UPGRADE BEWARE FCP7 display bug - living dangerously by walter biscardi on Aug 14, 2009 at 1:28:48 pm in the Apple Final Cut Pro Forum [Rich Rubasch] "I am surely not going to do a clean install and start a drive from scratch. I'll let you know how it goes. If it goes well I saved about 6 hours or more compared to the "blank it and start over" crowd. " I'll take stability over ta

Creative COW Magazine feedback

21st Century Cinema: An indie look at Digital Cinema

You may have heard that digital cinema is coming, and that it will be big. Both are true, and Creative Cow leader Russell Lasson is one of the people making it happen. Here is a look at how digital cinema works, and how one indie company is building their business around it. Also, a closer look at professional-strength Windows on Mac workflows.
Feature
Author: Russell Lasson

Adobe Photoshop

123Di Training Course for Digital Photography Reviewed

In this article, CreativeCOW.net contributing editor Jim Harvey reviews 123Di Training Course for Digital Photography and discovers ''a delightful course that covered the Basics, the Intermediate and the Advanced aspects of Digital image acquisition, but had done so in a very interesting and well laid out program that is like nothing that I've ever seen before!'' ... A five COW recommendation for a powerful Photoshop training tool.
Review
Author: Jim Harvey

Adobe Photoshop

Mike Gondek reviews: Digital Photography Hacks by Derrick Story

CreativeCOW leader, Mike Gondek examines Digital Photography Hacks: 101 industrial Strength Tips & Tools by Derrick Story and published by O'Reilly, (2004, 332 pages). Read on to find out why Mike says, ''If you have a digital camera and want to improve your images learning from a book written in an easy to read format, then you will enjoy this book.
Review
Author: Mike Gondek

Apple Final Cut Pro

Digital Heaven Loader

In this article, CreativeCOW leader Brendan Coots takes a look at Loader from Digital Heaven. Brendan admits that he even tried to break the app or expose any problems and failed at his effort. Brendan concludes with ...Loader is a solid, simple and thoughtful little app that I will definitely be putting it to use on my own projects.
Review
Author: Brendan Coots

Digital Photography

Time Lapse Video Secrets: HD and Beyond with your Digital Camera

You already know that your digital camera has higher-than-HD resolution -- even higher than film res sometimes -- and the pictures can look amazing. It turns out that your still camera actually works better than an HD video camera for creating time-lapse photography. Marco Solorio tells you how to put it all together.
Tutorial, Feature
Author: Marco Solorio

Sony Vegas

Sony Vegas Pro 9

In this article, CreativeCOW's Jim Harvey takes a look the new release of Vegas Pro 9 and determines ...This is one of the most comprehensive editing suites out there and certainly the most comprehensive version of VEGAS to be released.
Review
Author: Jim Harvey

Adobe After Effects

Sand Dune Effects with Digital Anarchy's Psunami

In this tutorial, Jim Tierney demonstrates a 'non-water' use for Digital Anarchy's newly acquired Psunami plug-in. Follow along and learn how to create your own 'Dune' world.
Tutorial
Author: Jim Tierney

Adobe Photoshop

The Photoshop Book for Digital Photographers

Brian Artka takes a look at The Photoshop Book for Digital Photographers by Scott Kelby. ~ Read this review for details on whether or not you should grab a copy of this book...
Review
Author: Brian Artka

Cinematography

LENSBABY 2.0 Digital Lens

In this article, CreativeCOW.net contributing editor Jim Harvey reviews LENSBABY 2.0 Digital Lens and questions readers, ''Ever want to take those dreamy photos that have a shallow depth of field but didn't want to invest in the Photoshop time or the mess of Vaseline on your filters or worse yet the expense of a View camera? Read on for one of the most fun items I've come across in quite a while. I confess that this review took three times longer than usual because I have been so busy playing with my Lensbaby!.''
Review
Author: Jim Harvey

Matrox Video Systems

Matrox CompressHD races to the H.264 finish line

In this article, CreativeCOW's Craig Seeman takes a look the new release of Matrox CompressHD with MAX technology.
Review
Author: Craig Seeman

Cinematography

Pushing the Limits on Pushing Daisies

Visual Effects Supervisor William Powloski helped create one of the most eye-popping worlds ever seen on TV, as part of a feature film aesthetic on a TV budget and schedule. Although it was canceled after only two seasons, it remains one of the most beautiful and innovative programs to ever air on US television. In an extended version of the original article in The Visual Effects Issue of Creative COW Magazine, here is an exclusive look at how he and his team helped pull it off.
Feature, People / Interview
Author: William Powloski

Cinema 4D

Digital Texturing & Painting by Owen Demers

CreativeCOW Technical Director, Curtis Thompson examines Digital Texturing & Painting by Owen Demers from New Riders.
Review
Author: Curtis Thompson

Audio Professionals

Jim Harvey reviews An Introduction to Digital Audio

Jim Harvey takes a look at An Introduction to Digital Audio by John Watkinson. ~ This book is published by Focal Press. Read why Jim says this book is a comprehensive book in every respect, but not for the faint of heart or those wishing to have guidance of a more practical nature in producing their audio.
Review
Author: Jim Harvey

Adobe Photoshop

Photoshop for Digital Video: Creative Solutions for Professional Results

In this article, CreativeCOW leader George Loch reviews Photoshop for Digital Video: Creative Solutions for Professional Results by Mike Gondek, Archie Cocke, and published by Focal Press, 272 pages, September 2004, ISBN: 0240806336, and begins with "Wherever you are in videography food chain, chances are that you are dealing with graphics, text and pictures to some degree. If you have had any experience with these items in production you are most likely aware of the potential traps and snares they can create. Photoshop for digital video is a great resource for instruction in dealing with these issues. Read on to find out why."
Review
Author: George Loch

Audio Professionals

John Hartney reviews: Producing Great Sound for Digital Video, Second edition

John Hartney examines Producing Great Sound for Digital Video, Second edition by Jay Rose and published by CMP Books. John concludes with, ''Folks, this book is a treasure chest. Jay has written a delicious compilation of tips and tutorials that I can honestly recommend to anyone looking to produce great sound for digital video.''
Review
Author: John Hartney

Panasonic HVX - HPX (P2)

P2 Digital Workflows with the Panasonic HPX500

Don't be afraid of digital workflows, says Mark. And don't be afraid to spend money on the right camera. In this Creative COW Magazine article, Mark Wagoner discusses workflow when working with the Panasonic HPX500 in comparison to the HVX200 and other cameras.
Review
Author: Mark Wagoner

Event Videographers

Stack Tracks: Layered Digital Music

In need of some high-end royalty free music that can fit any media professionals budget? Creative Cow Contributing Editor Stephen Smith explains why Digital Juices StackTraxx layered music library can be the perfect solution for your next project.
Review
Author: Stephen Smith

Motion Graphics - How Do I?

Editing Digital Video

Instructor and CreativeCOW contributing editor, Paul Werner takes a thorough look at Editing Digital Video by Robert M. Goodman and Patrick McGrath and concludes that this book would be an excellent textbook or resource for an editing class. (This book is published by McGraw-Hill)
Review
Author: Paul Werner

Adobe Photoshop

Digital Photo Drama - Part Two

In this video tutorial Creative COW Leader Franklin McMahon shows how to add drama to your digital photos with Adobe Photoshop CS2 using rotate, exposure, cropping, shadows and highlights, levels and text. This is part two of a two-part Adobe Photoshop tutorial series.
Tutorial, Video Tutorial
Author: Franklin McMahon

Adobe After Effects

Jerry Hofmann reviews Digital Film Tool's 55mm Plugin for NLEs

There's been a lot of 'hype' surrounding Digital Film Tools' new 55mm Plugins for NLE's. In this article Jerry Hofmann, one of CreativeCOW's Final Cut Pro forum leaders lets COW members know whether the description of the tools is hype or if this set of filters deliver on the promise.
Review
Author: Jerry Hofmann

Audio Professionals

Audio Post Production for Digital Video by Jay Rose

CreativeCOW leader Timothy Allen takes an in depth look at Jay Rose's Audio Postproduction for Digital Video and determines that every serious non-linear editor should have this book. Read why Timothy, who is a multiple Emmy award winner as well as an accomplished musician, gives this new book in the CMP Books DV Experts Series such high marks.
Review
Author: Timothy Allen

Podcasts


	creative cow podcast Episode #061 - February 03, 2009 Digital Cinema with Russell Lasson, Foundry and Autodesk make up, QuarkXPress 8.02, InDesign to Flash, iWeb themes, Panasonic ZS Series, Quadro CX + Adobe CS4 with NVIDIA's Sean Kilbride and more creative news and interviews - creativecow.net


	creative cow podcast Episode #056 - December 30, 2008 Digital Intermediates with Steve Wright, Windows XP gets 4 more months, JVC at MacWorld, Sony at CES, Intel 160GB SSD shipping, new Matrox CS4 support and more creative news and interviews - creativecow.net


	photoshop for video tutorials podcast Camera Raw - Part 1 In this Photoshop tutorial podcast, Richard Harrington spends some time looking at the camera raw interface inside of Adobe Photoshop.


	photoshop for video tutorials podcast Camera Raw - Part 2 In this Photoshop tutorial podcast, Richard Harrington continues to look at the camera raw interface inside of Adobe Photoshop.


	creative cow podcast Episode #070 - April 07, 2009 Producing Narrative Series with Kate Kaminski and Betsy Carson, Cineform FirstLight, Canon Digital Rebel T1i DSLR shoots HD video, YouTube and Sony team up, Dimension 3 2009 Expo, Tascam DR-100 update and more creative news and interviews- creativecow.net


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