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Cutting Room

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	Re: HOW TO DO THIS EFFECT! Panning Effect Music Video by Joseph W. Bourke on Oct 21, 2012 at 4:39:05 pm in the Adobe After Effects Techniques Forum Well...I can think of a few ways to do it. One is done in the camera, and it's generally called a Swish-pan. At the end of a shot, or the beginning of a shot, pan the camera quickly into place. The only problem with this is that it limits your editin


	Parenthood in Post Production: Being a Editor Dad by Kylee Wall on Sep 28, 2012 at 10:00:36 am in the Art of the Edit Forum Balancing parenthood and post-production is a challenge for anyone - especially if you decide to make a cross-country move to LA with a two year old in tow. In this interview, freelance editor Tim Wilsbach tells us about how he manages a busy editing


	Blog: Parenthood in Production and Post: Being a Editor Dad by Kylee Wall on Sep 27, 2012 at 10:36:00 pm in the COW - Blogs Forum As a woman of child-bearing age who has recently begun the descent into the back half of her 20's, I'd be lying if the idea of reproducing wasn't at least on my mind. It's floating around somewhere in the back, mostly, but it's there. Lurking. Ob


	Parenthood in Production and Post: Being a Editor Dad by Kylee Wall on Sep 27, 2012 at 3:36:00 pm in the Forum As a woman of child-bearing age who has recently begun the descent into the back half of her 20's, I'd be lying if the idea of reproducing wasn't at least on my mind. It's floating around somewhere in the back, mostly, but it's there. Lurking....


	The Master by Scott Roberts on Sep 24, 2012 at 5:39:50 pm in the Film History & Appreciation Forum I love every film Paul Thomas Anderson has ever made. Sadly, that statement only lasted up until this weekend. I don't love The Master. It got held down by its own style and pacing. I wanted to love it, for sure. I tried to love it. But in the


	Re: BMCC - 'First' Production with BMCC by Rick Lang on Sep 6, 2012 at 12:58:19 pm in the Apple FCPX or Not: The Debate Forum "This guy" is Marco Solorio who is generously performing a wonderful evaluation of the Blackmagic Cinema Camera now in limited distribution. Marco, and several other cinematographer/bloggers received a production version of the BMCC in August. The


	Re: Converting Arri Alexa Log c footage to Avid DNXHD by andrew thompson on Jul 29, 2012 at 1:51:25 pm in the AVID Forum Thanks guys! I'll give this a shot tomorrow with our test footage. If you have a second, please give this some thought: I recently worked on a small Avid 6.5 project where we were working with R3D files shot on the RED MX. I do not believe it w


	Avid - Alexa, RED, and LUT question. by andrew thompson on Jul 29, 2012 at 12:58:07 pm in the AVID Forum We are setting up a project in which we're skipping the post house for dailies processing and handling them in our cutting room. We're shooting on Arri Alexa and here is my question; Is there a way to preserve or apply a LUT to that footage in Media


	Stereo D Converts Abraham Lincoln: Vampire Hunter to 3D by Debra Kaufman on Jul 2, 2012 at 4:30:36 am in the Stereoscopic 3D Forum If you think that converting a motion picture from 2D to 3D is a post production process, think again. Stereo D just wrapped up the conversion of director Timur Bekmambetov's Abraham Lincoln: Vampire Hunter from 2D to 3D, and the job began before a s


	Mint Sony PMW EX-3 With Warranty til 5/2013 (with Free EX3case / SXS) by Nick Stoian on Jun 25, 2012 at 3:13:31 am in the Classifieds, Personal Forum *** Mint Sony PMW EX3 ** - $7199 INCLUDES WARRANTY TIL 5/3/2013 FROM SONY YOUR SAVING 1000.00 PLUS 650.00 IN FREE ACCESSORIES AND YOU DONT HAVE TO WAIT 2-3 MONTHS FOR REBATE FROM SONY!! Mint condition, Zero Lens scratches with less than 17


	Re: HD Camcorder and Sony Vegas by Bob Hobart on Jun 24, 2012 at 6:01:56 am in the Sony Vegas Forum Thanks for your expert advice John. Yes, I am referring to HDD camcorders - sorry about the confusing title. For the convenience of security and storage I've been using miniDV tapes for years, most recently with a Canon HV30 and Vegas V10. My overs


	Re: Adding Thunderbolt to the MacPro is such a big problemâ€¦ by Andrew Richards on Jun 20, 2012 at 3:41:21 pm in the Apple FCPX or Not: The Debate Forum [Erik Lindahl] "Looking at the ASUS example a system like that - given not a "mac pro" system in regards to all aspects - could for example make a software like FCPX, Premier Pro, After Effects or Resolve dance." Could it? Don't be fooled by the


	Re: HyperDeck 2.5 Beta 2 software available now. by Brian Berdan on May 18, 2012 at 11:34:26 pm in the Blackmagic Design Forum Playback of DNx36 files would be very welcome in my cutting room... great device to take Avid outputs to screening rooms.


	Service: SounDudes by Kirill Belousov on May 14, 2012 at 2:20:28 am in the COW - Services Forum "EJECTA" (FF) May 2012 In-Produciton Production Sound Mixer/ Boom Operator "DISNEY XD: DROPS IN!" (TV) April 2012 Production Sound Mixer/ Boom Operator "PAPER BIRDS" (SF) February 2012 Production Sound Mixer/ Boom Operator "HOME"(SF) Febr


	SounDudes by Kirill Belousov on May 13, 2012 at 7:20:28 pm in the Forum "EJECTA" (FF) May 2012 In-Produciton Production Sound Mixer/ Boom Operator "DISNEY XD: DROPS IN!" (TV) April 2012 Production Sound Mixer/ Boom Operator "PAPER BIRDS" (SF) February 2012 Production Sound Mixer/ Boom Operator "HOME"(SF) February 2012 Pr


	Mint Sony PMW EX-3 With Warranty til 5/2013 (with Free EX3case) by Nick Stoian on May 7, 2012 at 9:04:03 pm in the Classifieds, Personal Forum *** Mint Sony PMW EX3 ** - $7599 INCLUDES WARRANTY TIL 5/3/2013 FROM SONY This camera is on 2 month back-order at most stores Mint condition, Zero Lens scratches with less than 17hrs camera run-time total (see pic below). Run-time "sys" can-


	Re: DSLR to A.E, then back to Premier. by Walter Soyka on Apr 17, 2012 at 11:43:12 pm in the Adobe After Effects Forum I would consider doing the edit with the unfinished footage first, for two reasons. First, there is no sense in doing a lot of effects work on a shot that will end up on the cutting room floor. Second, some of the work you'll have to do (like c


	Re: viewer Q by Stephen Mark on Feb 20, 2012 at 10:05:22 pm in the Apple FCPX or Not: The Debate Forum I'm old enough to add an historical note to the film editing question. I always used two moviolas. My preference for working with Kem was to gang two four plates. Avid was invented to operate as an analog to film editing so workflows would be famili


	Re: MacBreak Studio discussion on Avid and FCPX by peter dunphy on Jan 26, 2012 at 10:47:54 am in the Apple FCPX or Not: The Debate Forum Tweet from Chris Jones "Why you should choose Adobe CS 5.5 for editing your film" and his blog entry http://www.chrisjonesblog.com/2012/01/avid-or-final-cut-pro-x-tips-for-setting-up-your-first-feature-film-cutting-room.html#comment-2405


	Re: "Mastering" Post Production Mixes? by Chris Conlee on Jan 10, 2012 at 3:02:41 pm in the Audio Professionals Forum [Peter Groom] "TV programmes I have more dynamic, but be aware that the listening environment and speakers of the tv audience are much worse than theatres to mix or check your mix on small speakers." Yes, very helpful. This all amounts to a pre


	Re: New blog post from Philip Hodgetts. Worth the read. by Walter Soyka on Dec 19, 2011 at 7:52:18 pm in the Apple FCPX or Not: The Debate Forum [Chris Harlan] "Frankly, Jeremy, I generally find your tempered assessment of FCP X's virtues far more insightful and useful than PH's. No disrespect to PH; I just think he's gotten himself caught up in a whirlwind as an evangelist/apologist, and it


	News: Animation Company General Gau Launches in Boston by Cow News Droid on Dec 13, 2011 at 6:29:16 pm in the NEWS: Product News Releases Forum Veteran Character Animator Anders Beer Teams with Brickyard VFX to Offer Custom Character Animation (Boston, Massachusetts--December 13, 2011) Renowned character animator Anders Beer has teamed up with Brickyard VFX co-owners Dave Waller and Geoff


	Re: Can't get past final cut 3.0 registration screen by Mark Suszko on Dec 6, 2011 at 12:43:42 am in the Apple Final Cut Pro Forum If not, maybe we can move the topic to an appropriate forum and talk about taking up a collection to get him set up better. Just promise me, sailor, the XO-in-the-shower scenes stay on the cutting room floor.:-)


	The Open Timeline and Spatial Workflows -- Another Example by Franz Bieberkopf on Oct 12, 2011 at 5:37:00 am in the Apple FCPX or Not: The Debate Forum INTRODUCTION I had thought about posting this as a follow up (from my own perspective) to the David Lawrence post here: http://forums.creativecow.net/readpost/335/16979 But it was Gerald Baria who pushed me over the edge here: http://foru


	News: Cutting Room And Audi Make Crime Pay In New Short Series For FX by Cow News Droid on Sep 28, 2011 at 6:23:37 pm in the NEWS: Product News Releases Forum (New York--September 28, 2011) Cutting Room, NY editors Chuck Wills and Mike Douglas help noted TV director Daniel Minahan ("True Blood", "Game of Thrones", "Greyâ€™s Anatomy") craft an ambitious, Sopranos-like thrill ride through mob territory in a


	News: Cutting Room And Audi Make Crime Pay In New Short Series For FX by Cow News Droid on Sep 28, 2011 at 6:23:37 pm in the NEWS: People in the News Forum


	Blog: Synchronous TV Viewing will Demand a New Creative Process by Adam Kranitz on Sep 12, 2011 at 5:00:00 am in the COW - Blogs Forum 56% of us are surfing the webwhile we watch TV This summer Harris Interactive posted the results of a survey of US adults stating that 56% of us are surfing the web while we watch TV, and 40% of us are on social media sites while we watch our


	Synchronous TV Viewing will Demand a New Creative Process by Adam Kranitz on Sep 11, 2011 at 10:00:00 pm in the Forum 56% of us are surfing the webwhile we watch TV This summer Harris Interactive posted the results of a survey of US adults stating that 56% of us are surfing the web while we watch TV, and 40% of us are on social media sites...


	Re: What happened to the APIs Apple was going to release in the next "few weeks"? by MIke Guidotti on Aug 20, 2011 at 5:40:38 pm in the Apple FCPX or Not: The Debate Forum [Sean Cole] "What DO people want EDLs for these days??" If the project originated on film, an EDL is necessary to color correct the selects. ADR recordists like to know what lines they have to record. Sound editors like to know what they are c


	Re: Just an observation by Brad BussÃ© on Jul 21, 2011 at 6:41:32 pm in the Apple FCPX or Not: The Debate Forum Gotta love that patronizing photo taken, what, 25 years after women dominated the cutting room.


	Re: Removing Echo in Soundbooth by Lee Hughes on Jul 20, 2011 at 1:21:05 am in the Adobe Audition, Soundbooth Forum sorry ive been so busy i completely forgot about this. removing echo is a tough situation, what i poorly described above was simply the way that my particular situation was resolved. When dealing with an echo you need to identify what wavelength its


	Re: Avid MC 6.0: Looking good! by Andrew Richards on Jul 15, 2011 at 3:45:18 am in the Apple FCPX or Not: The Debate Forum [Sean Thomas] "Where's the magnetic timeline? :-)" On the cutting room floor.


	Re: A Final Cutter Tries Out Premiere Pro by Phil Mozolak on Jul 6, 2011 at 3:22:20 pm in the COW - Tutorials Forum Ever continuing misinformation to promote AVID and Pr. I have to wonder what is the Juice$ Cow gets for doing "bias" man on the cutting room floor pieces. Where is your brand loyalty? Purchased. thats where. If you look in this piece every time a


	Re: Interesting take on Apple's view of "Pros" by Mike Most on Jul 3, 2011 at 6:22:01 pm in the Apple FCPX or Not: The Debate Forum >>I wonder what "pros" thought of the first AVID release? We were pretty darned impressed. In 1987 (I think....), I was one of a select group that was shown what was to become the Avid Media Composer in a suite at the original MGM Grand (now th


	@Mike Garrick by Jiggy Gaton on Jun 28, 2011 at 11:20:15 am in the COW - Tutorials Forum Only because I can't resist adding to the evergrowing garbage dump of comments on FCPX, who knows, someone might print it all someday and use if for a ladder to the moon...but I came from that paddock mentioned just 3 years ago, and believe me, back


	Bummed on FCPX, too bad Avid MC5 is back to full price by Matt Devino on Jun 23, 2011 at 5:52:37 pm in the Apple FCPX or Not: The Debate Forum After reading all of the negative reviews I'm glad I decided to wait to download FCPX, I think it has potential but I don't see it being ready for pros for a while. I work in Hollywood, and Final Cut is definitely the most used app by editors working


	Re: Sean Kimber's Demo Reel by Ronald Lindeboom on Jun 2, 2011 at 3:02:09 pm in the COW - Videos Forum Hello Sean, I hope you do not take this the wrong way but if this were my demo reel, I'd cut it down to just the absolute best stuff and shorten it. Lose things like the podiatrist checking the woman's foot, arguably the weakest moment in the vide


	Panning Tracks in Avid by Emma McCleave on May 23, 2011 at 11:00:52 am in the AVID Forum Hi there. This is a relatively simple one - but has our little cutting room baffled. We are on Avid 5 and we are having an occasional issue in our timeline with panning tracks... not the whole audio track - just parts. I am trying to pan some


	News: Black Swan And Toy Story 3 Editors Take Attendees Behind The Scenes At Editfest NY 2011 by Cow News Droid on May 20, 2011 at 4:23:26 pm in the NEWS: Product News Releases Forum Andrew Weisblum and Ken Schretzmann among the list of award-winning filmmakers to attend EditFest NY; ACE and Manhattan Edit Workshop host the summer's most talked about industry event (New York, New York--May 20, 2011) The American Cinema Editor'


	News: EditFest NY 2011: The Summer's Hottest Editing Extravaganza Returns by Cow News Droid on Apr 29, 2011 at 7:48:02 pm in the NEWS: Product News Releases Forum American Cinema Editors and Manhattan Edit Workshop bring editors, filmmakers and moviegoers alike the biggest blockbuster event of the summer; the only thing small about this year's EditFest NY is the price tag (New York--April 29, 2011) The Ame


	News: Mewshop Talks Art of Editing with Keith Reamer by Cow News Droid on Apr 8, 2011 at 10:59:37 pm in the NEWS: Product News Releases Forum Editor of "The Music Never Stopped" and "I Shot Andy Warhol" offers behind-the-scenes tips and techniques to aspiring filmmakers and editors as this month's Mewshop Artist in Residence (New York, New York--April 8, 2011) Manhattan Edit Workshop (M


	Re: Top 10 Dying industries... by Richard Clark on Apr 6, 2011 at 1:02:27 am in the Art of the Edit Forum change is one of the guaranteed aspects of life but the one we struggle with the most, post production has changed remarkably since I began as a cutting room assistant back in the 60's. I have loved staying on the edge of new technologies and today m


	Re: Reality Television Workflow by grinner hester on Mar 29, 2011 at 5:09:05 pm in the Business & Marketing Forum Because no script is involved, I just lay all keepable footage on a timeline with no regard to it's running time. I then go through that subtractively as needed to meet my required running time. Once I've told the story, I hit with a pass for b-roll


	Re: Why I exist by Rob Ashe on Jan 5, 2011 at 7:10:18 pm in the COW - Blogs Forum Thanks for taking the time to write. The best thing I can say for you is quite simply just edit. Edit anything. Keep editing and editing until your brain just can't take it anymore. This response may seem a bit simple so let me elaborate a bit. F


	Red-MC3.5 work flow by zoe west on Aug 17, 2010 at 10:22:17 am in the AVID Forum Hi there Looking for some feedback/problems/suggestions on our suggested workflow. We are about to shoot a feature film on RED camera. The shoot will mainly take place in the day and the onset Data Wrangtler will transcode the rushes on set to


	Re: The Art of Editing: Sometimes we worry too much about technical things. by Richard Clark on Aug 2, 2010 at 10:01:59 pm in the COW - Blogs Forum well said keith. i learned via hands on in a production company cutting room, they were called cutting rooms, not editing rooms :) however, the teachers were the real world directors who made films in england and then retired to australia ie, jack le


	Re: xporting an edl from a 24fps project for neg cut by claire griffith on Jul 13, 2010 at 2:47:08 pm in the Apple Final Cut Pro Forum Hi, just wanted to feed back... I'm back in the cutting room today and have managed to export accurate EDLs by following your advice. I changed my sequence settings to 24@25 and that has solved the problem. Thanks very much once again!


	Re: How Does One Achieve The Highest Possible Quality SD DVD by Lisa Laughbaum on Jun 23, 2010 at 5:13:59 am in the Apple Final Cut Pro Forum Scott... I've been shooting live theatre and dance productions for close to four years now. I gave up talking to the LDs long ago as most are very attached to their design, settings, and look; not to mention that they are usually way too busy to h


	Re: Sharing projects between two workstations by Brian Berdan on May 24, 2010 at 4:35:47 am in the Apple Final Cut Pro Forum Hey Elizabeth, Away from the cutting room for a few days... how nice for me! Well, all I know is my assistant and I are having no problems playing the same ProRes LT material at the same time. And as I said, HQ 1920x1080 worked great on my last sh


	Re: Editing and Special FX by grinner hester on Feb 25, 2010 at 6:26:20 pm in the Art of the Edit Forum I always do effects last so I'm not wasting time on a shot that may wind up on the cutting room floor.


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