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Compositing

COW Tag
COW Tags : Compositing
Re: Smoke is changing- into Final Cut Extreme
by moody glasgow on Apr 14, 2012 at 2:39:21 pm
in the Apple FCPX or Not: The Debate Forum
Personally, this is what I think Autodesk will do: 1. Drop the price. I think they will have to drop it to $5k or less to make it price competitive. 2. Add / improve editing features. 3. I would be shocked it they added Batch to Smoke on
Re: Can see compound clip in timeline index but doesn't show up in the "project window"
by Jason Brown on Apr 14, 2012 at 3:07:48 am
in the Apple FCPX Techniques Forum
I'm not sure how big it is honestly...maybe 200GB of prores - 150 clips - 3hrs content? Maybe? It's my family's vacation video...I'm not ready to cut client stuff on it yet. Using a family project to get my feet wet. It's my first project in FCPX
News: Boris Graffiti Version 6 Now Available
by Cow News Droid on Apr 13, 2012 at 5:20:49 pm
in the NEWS: Product News Releases Forum
New User Interface, 40+ New Filters, Support for 64-bit Applications (Boston, Massachusetts--April 13, 2012) Boris FX, the leading developer of integrated VFX and workflow technology for video and film, today announced that Boris Graffiti Version
News: Creative Professionals Supercharge Their Adobe Creative Suite 6 Workflows with NVIDIA GPU Tech
by Cow News Droid on Apr 13, 2012 at 5:09:12 pm
in the NEWS: Product News Releases Forum
NVIDIA GPUs Enable Dramatic New GPU-accelerated Features for Adobe After Effects CS6, Adobe Premiere Pro CS6, Adobe SpeedGrade CS6 and Adobe Photoshop CS6 (Santa Clara, California--April 13, 2012) Whether in small agencies or the largest media co
News: RadiantGrid And Cinnafilm Debut Unprecedented Processing Speeds For Standards Conversion At Th
by Cow News Droid on Apr 13, 2012 at 4:21:09 pm
in the NEWS: Product News Releases Forum
Joint Solution Offers Faster-Than-Real-Time Video Processing Within a File-Based Workflow (Las Vegas: NAB 2012--April 13, 2012) RadiantGrid Technologies, the developer of leading-edge transcoding, transformation and New Media Automation™ service
Re: Looking for someone to create a Corporate Video
by Mark Suszko on Apr 13, 2012 at 3:51:14 pm
in the Corporate Video Forum
This is some nice kinetic typography, blended with very professional compositing. I felt like it was a little long, like it was 3 or 4 tighter stand-alone pieces, welded into one long one. The music reinforces that feeling. It's an animated missio
Service: Scott Knapp
by Scott Knapp on Apr 13, 2012 at 1:41:26 am
in the COW - Services Forum
BizVFX- Worked as a freelance artist for a Lego Batman commercial. I modeled, UV'd, rigged, and animated a book that will be showcased in a commercial. L3 Communications: Link Simulation & Traning- I worked for 6 months at L3 Communications
Adobe After Effects: Compositing Actors in Virtual 3D Sets
by Rob Mize on Apr 12, 2012 at 10:07:06 pm
in the Forum
Rob Mize follows up his Creating Virtual 3D Sets tutorial with this demonstration of how to composite real-life actors into these 3 dimensional environments.
Podcast: Adobe After Effects: Compositing Actors in Virtual 3D Sets
by Rob Mize on Apr 12, 2012 at 10:07:06 pm
in the Adobe After Effects Forum
Podcast: Adobe After Effects: Compositing Actors in Virtual 3D Sets
by Rob Mize on Apr 12, 2012 at 10:07:06 pm
in the Adobe After Effects basics Forum
Podcast: Adobe After Effects: Compositing Actors in Virtual 3D Sets
by Rob Mize on Apr 12, 2012 at 10:07:06 pm
in the Adobe After Effects Techniques Forum
Podcast: Adobe After Effects: Compositing Actors in Virtual 3D Sets
by Rob Mize on Apr 12, 2012 at 10:07:06 pm
in the COW - Podcasts Forum
Adobe After Effects: Compositing Actors in Virtual 3D Sets by Rob Mize (00:12:52) -- 04/12/2012 Rob Mize follows up his Creating Virtual 3D Sets tutorial with this demonstration of how to composite real-life actors into these 3 dimensional environmen
Service: aspect+angle
by Russell Tripp on Apr 12, 2012 at 8:31:36 pm
in the COW - Services Forum
Title Design and Segment Editor - Carolina Home & Garden (TV show) Title Design and Segment Editor - Down The Aisle (TV show) Producer/Editor/Motion Design/Stereographer - Xperience Greenville 2011 (live show incorporating large-screen interactive
News: Boris FX Product Line to Support Adobe CS6
by Cow News Droid on Apr 12, 2012 at 7:26:05 pm
in the NEWS: Product News Releases Forum
VFX, compositing, titling, and workflow tools for broadcast, post-production, and film professionals (Boston, Massachusetts--April 12, 2012) Boris FX, the leading developer of integrated VFX and workflow technology for video and film, today announ
News: Canon Announces Development Of 4K Digital Cinema Cameras
by Cow News Droid on Apr 12, 2012 at 7:08:45 pm
in the NEWS: Product News Releases Forum
(Lake Success, New York--April 12, 2012) Canon Inc. is developing two digital cinematography cameras as part of its acclaimed new Cinema EOS System of professional cinematography products. Designated as the Cinema EOS C500* for use with EF-mount lens
Scott Knapp
by Scott Knapp on Apr 12, 2012 at 6:41:26 pm
in the Forum
BizVFX- Worked as a freelance artist for a Lego Batman commercial. I modeled, UV'd, rigged, and animated a book that will be showcased in a commercial. L3 Communications: Link Simulation & Traning- I worked for 6 months at L3 Communications as a 3D G
News: Avid Offers Unprecedented Limited-Time Symphony 6 Crossgrade Promotion
by Cow News Droid on Apr 12, 2012 at 6:02:24 pm
in the NEWS: Product News Releases Forum
Media Composer and Final Cut Pro users can save over 80% on Symphony, enabling accelerated storytelling with a suite of professional editing, color correction, and mastering tools (Burlington, Massachusetts--April 12, 2012) Avid® (NASDAQ: AVID) to
Juddering edges on footage after import into premier / after effects / fcp but not in player
by Sam Edwards on Apr 12, 2012 at 3:04:56 pm
in the Adobe After Effects Forum
Hello all at creative cow!, I have been a long time in creating my 1st post, having been using these forums for about 6-7 years I have finally encountered something that is driving me nuts and has been on and off for years. I have tried many numer
aspect+angle
by Russell Tripp on Apr 12, 2012 at 1:31:36 pm
in the Forum
Title Design and Segment Editor - Carolina Home & Garden (TV show) Title Design and Segment Editor - Down The Aisle (TV show) Producer/Editor/Motion Design/Stereographer - Xperience Greenville 2011 (live show incorporating large-screen interactive vi
Re: Avid and eyeon Fusion
by Simon Ubsdell on Apr 12, 2012 at 11:48:41 am
in the Apple FCPX or Not: The Debate Forum
This is pretty amazing news. Fusion is a really powerful top-of-the-range compositing tool that's a real pleasure to use. Having it inside AVID is phenomenal. I can see eyeon eating back some of Nuke's feature film market share with this - althoug
Tutorial: Adobe After Effects: Compositing Actors in Virtual 3D Sets
by Rob Mize on Apr 12, 2012 at 9:32:08 am
in the COW - Tutorials Forum
Adobe After Effects Adobe After Effects: Compositing Actors in Virtual 3D Sets Rob Mize follows up his Creating Virtual 3D Sets tutorial with this demonstration of how to composite real-life actors into these 3 dimensional environments. Learn how t
Tutorial: Adobe After Effects: Compositing Actors in Virtual 3D Sets
by Rob Mize on Apr 12, 2012 at 9:32:08 am
in the Adobe After Effects Forum
Tutorial: Adobe After Effects: Compositing Actors in Virtual 3D Sets
by Rob Mize on Apr 12, 2012 at 9:32:08 am
in the Adobe After Effects basics Forum
Tutorial: Adobe After Effects: Compositing Actors in Virtual 3D Sets
by Rob Mize on Apr 12, 2012 at 9:32:08 am
in the Adobe After Effects Techniques Forum
Adobe After Effects: Compositing Actors in Virtual 3D Sets
by Rob Mize on Apr 12, 2012 at 2:32:08 am
in the Adobe After Effects Forum
Rob Mize follows up his Creating Virtual 3D Sets tutorial with this demonstration of how to composite real-life actors into these 3 dimensional environments. Learn how to create an effective sense of interaction between your actors and their virtual
Re: Fork in the road of editing career
by krisztian majdik on Apr 12, 2012 at 1:26:10 am
in the Art of the Edit Forum
I believe the most important thing for you is to go to each and every networking event you can find. Join the Union roster/follow their websites about events, go to NAB, etc. Be friendly, mingle and show real enthusiasm without being pushy and jump o
Re: Autodesk Smoke is changing. Everything.
by Ben Rojas on Apr 11, 2012 at 10:54:09 pm
in the Apple FCPX or Not: The Debate Forum
well, all my connections are under non-disclosures, but I've pieced together some things that I'll add to the discussion. I've been on Smoke for 12 yrs. with a 2yr hiatus on Avid DS. Smoke is truly an amazing Finishing/Compositing sys. My only comp
Re: Avid and eyeon Fusion
by Alan Okey on Apr 11, 2012 at 7:34:08 pm
in the Apple FCPX or Not: The Debate Forum
It's funny - a few years ago, Fusion and Nuke were running almost neck and neck in the post-Shake compositing market, but then Nuke just took off. I haven't kept up with what's happening with Fusion, but it seems I rarely hear it mentioned anymore.
News: Sheffield Softworks Look Sweet II Released for Final Cut Pro, Motion and After Effects
by Cow News Droid on Apr 11, 2012 at 7:01:06 pm
in the NEWS: Product News Releases Forum
Look Sweet II plugins sweeten the look of mundane, troubled, or ordinary footage (Boston, Massachusetts--April 11, 2012) Noise Industries, developer of visual effects tools for the post-production and broadcast markets, introduces Sheffield Softwo
Avid and eyeon Fusion
by Walter Soyka on Apr 11, 2012 at 6:34:05 pm
in the Apple FCPX or Not: The Debate Forum
NAB is getting more and more interesting. eyeon is announcing integration of Fusion and Dimension with Avid's AVX2 architecture. An excerpt from the eyeon press release [link]: Connection directly embeds Fusion’s advanced node-based VFX superc
Re: OK, what's going on with Smoke?
by Phil Hoppes on Apr 11, 2012 at 4:56:24 pm
in the Apple FCPX or Not: The Debate Forum
More than likely they will be bundling Luster with Smoke. I'd love to see a price drop to make it competitive with Avid and Adobe but my guess is no. I used Smoke for about 6 months working with a local VAR. It was very frustrating when I was
News: FOX Sports Takes Vizrt Technology Under the Hood for Second Time at Daytona 500
by Cow News Droid on Apr 11, 2012 at 4:43:30 pm
in the NEWS: Product News Releases Forum
(Bergen, Norway--April 11, 2012) Vizrt Ltd announced today that FOX Sports employed Vizrt live broadcast graphics technology during its HDTV coverage of the Daytona 500 on February 27, 2012. This is the second consecutive season that the Vizrt graph
Re: Autodesk Smoke is changing. Everything.
by Brian Mulligan on Apr 10, 2012 at 11:23:26 am
in the Apple FCPX or Not: The Debate Forum
[Steve Connor] "Care to share some thoughts on Smoke as an editor? What are it's strengths, what is it's media management and edit toolset like?" See this is the problem that I hope this announcement will fix. No one really knows what Smoke is.
Re: Autodesk Smoke is changing. Everything.
by Lance Bachelder on Apr 9, 2012 at 9:31:18 pm
in the Apple FCPX or Not: The Debate Forum
Yeah the price tag has always been the big turnoff for me, although I know it's got an insane feature list. Maybe they're doing a scaled down version for editors? Those who don't need all the uber compositing features? I got an invite to a Autodesk e
News: Roland Systems Group Introduces a Powerful New Eight Channel Multi-Format Switcher
by Cow News Droid on Apr 9, 2012 at 4:51:29 pm
in the NEWS: Product News Releases Forum
(Bellingham, Washington--April 9, 2012) Roland Systems Group has introduced the Roland V- 800HD Multi-Format Live Video Switcher as a powerful addition to their popular line of Multi-Format video mixers. The V-800HD Live Video Switcher is ideal for a
Re: 3d camera projection from VIDEO, not a STILL... Possible??
by Walter Soyka on Apr 9, 2012 at 3:51:52 pm
in the Adobe After Effects Forum
[Chris Mellor] "I'm astonished that there isn't more written about this. If it works, it sure could be a powerful tool." Most of the heavy-hitting compositing like this is being done today in Nuke, which has some great 3D, geometry, and UV tools b
Re: Any bright minds who wouldn't mind speaking to me over Skype about some effects?
by Darby Edelen on Apr 9, 2012 at 8:19:32 am
in the Adobe After Effects Forum
So it's hard to give specific answers without knowing exactly what your problems are, but here are some higher level thoughts on your concerns. [Chris Wood] "Matte painting - I have some shots on the that I want to make look more mountainous. I'm
Re: Any bright minds who wouldn't mind speaking to me over Skype about some effects?
by Chris Wood on Apr 8, 2012 at 10:38:54 pm
in the Adobe After Effects Forum
I'm free pretty much throughout the week. Here's some of the VFX I need to do on my film in post-production: Matte painting - I have some shots on the that I want to make look more mountainous. I'm having trouble getting the images I have to
Re: Advice for a new home system?
by Richard Cardonna on Apr 8, 2012 at 6:04:38 pm
in the Apple FCPX or Not: The Debate Forum
I am using a laptop with 27 inch external monitor and keyboard (shuttle) connected a raid and it works great ( I mostly work in avchd,hdv,dv) My camera is an af101. I do events, and comerical, web and currently working on film for a local station
Building/Creating a Medieval Peasent Village
by Ty Yachaina on Apr 8, 2012 at 3:00:13 pm
in the Indie Film & Documentary Forum
Hello all, Im not exactly certain where to post this so I will try my luck here. We are in the budgeting stage for a film set in 10th century Germany. Some of the scenes take place in a small farming village. One of the challenges we have is decid
Service: Jim Branstetter AKA RubberBullet Studio
by jim branstetter on Apr 7, 2012 at 10:22:37 am
in the COW - Services Forum
Highly creative and conceptual thinker with twenty years of design experience. Now applying that experience, creativity and skill to Motion Design and Animation. Using a passionate “can do” problem solving approach with strong design skills and produ
Jim Branstetter AKA RubberBullet Studio
by jim branstetter on Apr 7, 2012 at 3:22:37 am
in the Forum
Highly creative and conceptual thinker with twenty years of design experience. Now applying that experience, creativity and skill to Motion Design and Animation. Using a passionate “can do” problem solving approach with strong design skills and produ
Rear Window in two minutes.
by John Cuevas on Apr 7, 2012 at 1:32:54 am
in the Art of the Edit Forum
Amazing job of compositing here: Rear Window Timelapse from Jeff Desom on Vimeo.
Re: 1080: i vs p - and framerates - what to use??
by Erik Freid on Apr 6, 2012 at 2:25:29 pm
in the Digital Delivery Forum
Not bad advice above. Progressive capture is superior to interlaced especially if you have to do compositing in edit. Interlacing after to deliver a "i" version looks better than de-interlaing after the fact to deliver a "p' version. All HD ma
Re: Bcc8 text extruder not interacting w/ 3d layers?
by peter mcauley on Apr 6, 2012 at 1:51:29 pm
in the Boris FX Forum
Hi Maha, The BCC 3D Objects will indeed interact with 3D layers in After Effects and can they use the AE camera and lighting system, however, you cannot intersect a 3D Object with another layer. Can you describe the effect that you are trying to c
2012 Editor Demo Reel - Todd Nilssen
by Todd Nilssen on Apr 6, 2012 at 1:46:42 am
in the Demo Reels Forum
Hey guys, looking for input on my latest demo reel Video editor demo reel, also specialize in color and graphics/compositing http://vimeo.com/39811432 pw: tn12 -Todd Nilssen
How to add external comp tag to an hexagon shape to get into AE
by Ganbayar Gansukh on Apr 5, 2012 at 10:17:43 pm
in the Cinema 4D Forum
Hello, I'm just can't get a hexagon shaped solid from external compositing tag from Cinema4d to a AE in order to replace with it with a footage. Any suggestion? I included the picture what I'm trying to do. Thanks in advance
3D Animation Internship
by Mary-Juen Sohn on Apr 5, 2012 at 8:26:11 pm
in the JOBS Offered - Higher Pay Forum
Stone Canoe is a digital advertising and motion design studio located in downtown Toronto. We offer a range of digital services, and believe working collaboratively — whether with clients or other agencies — is the best approach to creating work that
Re: General Smoke Questions
by moody glasgow on Apr 5, 2012 at 4:49:10 pm
in the Autodesk Smoke Forum
1. It sounds like you want to use Auto Paint. Its a a great tool, I use it all the time. In auto paint you can track a paint stroke to your background, and change the start point and end point. 2. One way to select multiple Gmasks is to tie the
Re: New Mac Pro? I'm waiting patiently
by Jeremy Garchow on Apr 5, 2012 at 2:35:14 pm
in the Apple FCPX or Not: The Debate Forum
[Frank Gothmann] "However, due to the legal situation in Europe, you can buy legit Hackintoshes in Germany for example. It's mainly small companies offering them, not too many, but they do offer support for those machines. Eg: (http://pearc.de/)."

Podcasts

adobe after effects podcast
Adobe After Effects: Compositing Actors in Virtual 3D Sets
Rob Mize follows up his Creating Virtual 3D Sets tutorial with this demonstration of how to composite real-life actors into these 3 dimensional environments.
multimedia 101 podcast
What is Compositing?
In this podcast, Creative Cow Leader Aharon Rabinowitz explains how images and video are combined to create complex visuals using programs like After Effects, Combustion and Motion.
apple motion podcast
On the Fast Track with Motion 5 Chapter 1 Lesson 1: Getting Started
Apple's Motion is one of the best compositing applications on the market today, the problem is it is easily the most misunderstood as well.
adobe after effects podcast
Basic Color Keying Techniques
In this video tutorial, Creative Cow leader Andrew Kramer shows you the basics of green-screening using keylight. This is a sample of the training found in Andrew's Creative Cow Master Series DVD: "Serious Effects & Compositing - Advanced Techniques for After Effects 7," available soon.
adobe after effects podcast
Weather Replacement - Part 2
In this tutorial, Creative Cow leader Aharon Rabinowitz continues his weather replacement tutorial, and shows you how to add rain to your shot, as well as drops of water on the camera. Also, 3D compositing and color correction are covered.
Related Tags

2D Compositing
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Color Finesse
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Compositing Tool
DENoise
Digital Compositing
Digital Fusion
Emitter
Eyeon
FieldsKit
Film Compositing
Flex
Fusion
Genarts Sapphire
Green Screen
Image Compositing
Imagineer
Jaggies
Keying
Masking
Mocha
Mokey
Monet
Motion Tracker
Motor
Nuke
particle Illusion
particle Illusion 3
Particle System
ReelSmart
REFlex
REVision
REVisionFX
Rotoscoping
Sapphire
Shape Layer
Tracker
Twixtor
wondertouch


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