Colorfront
COW Tag
| | | | Re: questions about F55 XAVC codec to AVID workflow
by Michael Phillips on Feb 6, 2013 at 1:20:55 pm
in the AVID Forum
Couple things to consider:
1. Avid does not have a 60p project format so you will most likely be working in a 60i (interlace) type project. This means that every frame becomes a field losing 1/2 the vertical resolution, but motion resolution shoul | | | | |
| | | | Re: Resolve 9.1 10 to 8bit monitoring issue.
by Mike Most on Jan 24, 2013 at 4:24:11 pm
in the DaVinci Resolve Forum
And my statement is based on almost a year of running a GT120 and a GTX580 together in at least 5 Mac Pros running Colorfront software, never turning them off for months at a time, and never having one fail. And, BTW, having that configuration design | | | | |
| | | | Re: Exporting aaf to avid mc6
by Eric Tramp on Dec 18, 2012 at 8:24:03 pm
in the DaVinci Resolve Forum
No, I don't want to export an ALE.
Editorial specs for deliverables are the ProRes 444 LogC files, and MXF wrapped DNxHD36 with an .aaf file, to use as offline proxies in Avid Media Composer. The transcodes from Resolve definitely have a video mxf | | | | |
| | | | Skyfall: Dailies & DI from London to California
by Debra Kaufman on Dec 2, 2012 at 10:36:31 am
in the Cinematography Forum
To ensure color consistency from dailies to DI for Skyfall, Company 3 London and EFILM collaborated to create an integrated pipeline, newly branded EC3. Skyfall cinematographer Roger Deakins, ASC, BSC was able to enjoy dailies graded by his long-time | | | | |
| | | | Killer Dailies: The Walking Dead & Vampire Diaries
by Joe Huggins on Nov 15, 2012 at 2:45:19 pm
in the Art of the Edit Forum
Undead hits The Walking Dead (shooting on film) and The Vampire Diaries (shooting with ARRI Alexa) are both shot near Atlanta, GA, and both rely on Crawford Media Services for dailies for two very different workflows, one revolving around the ARRI Al | | | | |
| | | | Re: Arri Looks in Resolve
by Chris Lundy on Nov 8, 2012 at 8:58:33 pm
in the DaVinci Resolve Forum
The Alexa ProRes that is written when using a Look in camera does indeed embed the Look metadata in the Quicktime file itself. It's non-destructive. If you use Media Inspector on Mac you can see all this data in the header. When you play the file it | | | | |
| | | | Re: Multiple deliveries with different data burn-ins
by Chris Lundy on Sep 27, 2012 at 5:55:04 pm
in the DaVinci Resolve Forum
Yes indeed, Colorfront is much more powerful for dailies. Although with Blackmagic adding some of these functions now I think they'll find they need to keep adding more, or tweaking the way they work, in order to assuage the folks looking to do daili | | | | |
| | | | Wow. IBC was a dud if you were looking for anything new
by gary adcock on Sep 17, 2012 at 10:02:23 am
in the Forum
Wow, After 10 years of going to the IBC show in Amsterdam, I am used to seeing a fair number of products announced at NAB to be finally shipping. Yet there is usually a good number of new products that are released on the European... | | | | |
| | | | Blog: IBC opens today, Wonder what is happening?
by gary adcock on Sep 7, 2012 at 5:30:47 am
in the COW - Blogs Forum
So far, this IBC looks to be an interesting show.
Some of the new products will be featured here as the media embargo is lifted, One special product, my first look at the Blackmagic Cinema Camera will be featured on the @Techhive blog site that M | | | | |
| | | | IBC 2012: AJA
by Debra Kaufman on Sep 7, 2012 at 4:00:14 am
in the AJA Ki Pro Forum
AJA is unveiling several new products at IBC 2012, chief among them the Corvid Ultra, which supports 2K and 4K high-frame rate DI workflows. Corvid Ultra also features the new TruScale arbitrary scaling engine, which allows up and down scaling from w | | | | |
| | | | IBC opens today, Wonder what is happening?
by gary adcock on Sep 6, 2012 at 10:30:47 pm
in the Forum
So far, this IBC looks to be an interesting show. Some of the new products will be featured here as the media embargo is lifted, One special product, my first look at the Blackmagic Cinema Camera will be featured on the @Techhive blog site that... | | | | |
| | | | Article: IBC 2012: Colorfront Express Dailies
by Debra Kaufman on Sep 5, 2012 at 11:14:49 am
in the COW - Tutorials Forum
Cinematography IBC 2012: Colorfront Express Dailies Colorfront, the company that brought us On-Set Dailies, is now shipping Express Dailies, a laptop-based dailies system based on the same image-science technology. Express Dailies features a range | | | | |
| | | | IBC 2012: Colorfront Express Dailies
by Debra Kaufman on Sep 5, 2012 at 4:14:49 am
in the Cinematography Forum
Colorfront, the company that brought us On-Set Dailies, is now shipping Express Dailies, a laptop-based dailies system based on the same image-science technology. Express Dailies features a range of tools for file-based workflows, including playback | | | | |
| | | | News: IBC 2012: Colorfront Express Dailies
by Cow News Droid on Sep 5, 2012 at 4:14:49 am
in the NEWS: Product News Releases Forum
Colorfront, the company that brought us On-Set Dailies, is now shipping Express Dailies, a laptop-based dailies system based on the same image-science technology. Express Dailies features a range of tools for file-based workflows, including playback | | | | |
| | | | Sony DMPC Inaugurates F65 Training Workshop
by Debra Kaufman on Jun 13, 2012 at 4:08:39 am
in the Cinematography Forum
On Wednesday, June 6, the Sony Digital Motion Picture Center (DMPC), housed in Studio 7 on the Sony Pictures lot, held its first all-day workshop on the F65 camera and its workflow, with weekly free Wednesday workshops to follow for the next two year | | | | |
| | | | Production Systems Engineer
by COW Jobs on Apr 23, 2012 at 3:59:42 pm
in the JOBS Offered - Higher Pay Forum
Technicolor-PostWorks NY, a longtime leader in the film and television post production industry, is currently seeking a skilled, motivated individual to fulfill the requirements of next generation file-based post and digital cinema.
The Production | | | | |
| | | | Re: Resolve and Audio
by Mike Most on Dec 6, 2011 at 5:28:57 pm
in the DaVinci Resolve Forum
If that sounded personal, I apologize. It's just that if you read many if not most of the threads here, it's often about that. The main point of my post was that people want the program to be something it was never designed to be. Not that there's an | | | | |
| | | | Re: solve and Audio
by Mike Most on Dec 6, 2011 at 4:21:14 pm
in the DaVinci Resolve Forum
I would point out that using Resolve for creating editorial dailies is something users are doing, but neither Blackmagic nor DaVinci before them has ever stated or even implied that Resolve is a dailies system. It is a grading system for finishing, a | | | | |
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