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Color

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COW Tags : Apple
Re: No Video-Out with Apple Color 1.5
by Ray Chung on Aug 17, 2009 at 5:04:23 pm
in the Blackmagic Design Forum
Agreed...in the 'Decklink' section of System Preferences, choose "black' instead of 'extended desktop', if it is set to the former. You'll have to restart after changing the setup. Color 1.5 works fine with my Multibridge Pro 2 monitoring out.
Re: "save to snapshot" result sin different color
by Bob Pit on Aug 17, 2009 at 4:49:21 pm
in the Sony Vegas Forum
Eric >>> Could it be that the color correction is happening twice? Meaning that you are applying color correction at the track (or project level), then taking a snap shot and adding it back to the same track (or the project level color correction
Re: Again a problem with RED footage and render and tracking
by Thadeous Watson on Aug 17, 2009 at 4:29:55 pm
in the Apple Color Forum
Color doesn't really care how much RAM your system has. It's all about the GPU. The less memory your graphics card has, the slower Color will be and less things you can do. At the bare minimum, I would have an ATI 1900 card in any system that's runni
Re: Would like to use Color 1.5 for a personal project
by Joseph Owens on Aug 17, 2009 at 4:27:49 pm
in the Apple Color Forum
COLOR supports HDV as an ingest format, but it will not offer it as Original Format for render -- you will likely use one of the ProRes formats. But go ahead and use HDV to "Send To..." COLOR. jPo This IS my blog!
Re: Again a problem with RED footage and render and tracking
by Joseph Owens on Aug 17, 2009 at 4:25:05 pm
in the Apple Color Forum
COLOR is GPU intensive, and until multi-thread becomes available, # of cores is largely irrelevant. jPo This IS my blog!
Re: Will a Matrox benefit me?
by Damon Gaskin on Aug 17, 2009 at 4:11:09 pm
in the Matrox Video Systems Forum
As the others have said, you do not need a "supercomputer", simply because say, the X2, there aren't a lot of times you really need to render. And when you do, the rendering is extremely fast! 64 bit "is" the way to go, as Jeff stated, because yo
Re: PNG-24 Transparency Issue
by Raven Plenty on Aug 17, 2009 at 3:26:54 pm
in the Apple Final Cut Pro Forum
[Rafael Amador] "Make sure that all the corners of all the layer have some color information. If there is any fully transparent corner, pint [paint?] few pixels." But I'm not going to paint a few pixels in an area that is supposed to be transpar
Re: Sci-Fi/Fantasy Indie Game Seeking 3D Artist/Animators
by Santino Farro on Aug 17, 2009 at 3:23:30 pm
in the JOBS Offered - Low/No Pay Forum
Dear Ashes, My name is Santino Farro, and I am a 3D Animator based in New Jersey. You may view my 3D Demo Reel at http://www.santinofarro.com/DemoReel.html. I have attached a Reel Breakdown to this email for your perusal, and have also email
Re: No Video-Out with Apple Color 1.5
by Tal Rom on Aug 17, 2009 at 3:14:18 pm
in the Blackmagic Design Forum
If you updated the Multibridge Pro Driver, check if the control panel in the system preferences is not set to "extended desktop" it should set to "Black" Tal Rom PrePost Production & Post Workflow Solution Israel
Re: "save to snapshot" result sin different color
by D. Eric Franks on Aug 17, 2009 at 3:04:45 pm
in the Sony Vegas Forum
Could it be that the color correction is happening twice? Meaning that you are applying color correction at the track (or project level), then taking a snap shot and adding it back to the same track (or the project level color correction is hitting i
Re: replacing old sequence with new sequence
by Scott Lansing on Aug 17, 2009 at 2:12:20 pm
in the Apple Color Forum
My Graphics are all married to image. Thank you for the Color input. This was extremely helpful! Scott
Re: Skin
by Bob Sliga on Aug 17, 2009 at 1:45:09 pm
in the Apple Color Forum
HI Rafael, The type of looks you are describing in the daVinci sessions are done using the defocus board and HSL selections. In Color this can be accomplished in the Color FX Room using the HSl and the Blur nodes. If you haven't already downlo
Would like to use Color 1.5 for a personal project
by Jan Bliddal on Aug 17, 2009 at 1:29:36 pm
in the Apple Color Forum
I have decided that I will try to learn how to use Color for a personal project. Problem is I have a Canon XH-A1 HDV camcorder and Colors does not support HDV do to HDV small color space. I can see in the Spec that ProRes HQ is supported. Will I be a
Re: "save to snapshot" result sin different color
by Norman Willis on Aug 17, 2009 at 1:02:37 pm
in the Sony Vegas Forum
Got it. I guess that one was obvious. Thanks
No Video-Out with Apple Color 1.5
by Kurro Gonzalez on Aug 17, 2009 at 12:45:18 pm
in the Blackmagic Design Forum
Hi everybody. I've got a problem with a Multibridge Pro 2. The thing is that I've been using Apple Color since it appeared on FCS 2. It worked perfectly and I could check the results of my color corrections on a broadcast HD monitor trough the Multib
Re: Article: Apple BluRay Support
by walter biscardi on Aug 17, 2009 at 11:03:50 am
in the Apple Final Cut Pro Forum
[Jeff Handy] "The licensing is ridiculously expensive - untouchable for small businesses for a distribution format." Not through NetBlender's DoStudio. We're a small shop (3 employees, 3 edit suites) and have been doing BluRay authoring / distrib
Re: Alpha Issues
by Campbell Morgan on Aug 17, 2009 at 11:00:26 am
in the MAYA Forum
I've been struggling with this for ages and have tried a number of bizarre workarounds that I've seen elsewhere on the web such as nesting two surface shaders, then using a color blend etc... The solution is actually frustratingly simple: On the
Re: Skin
by walter biscardi on Aug 17, 2009 at 10:57:24 am
in the Apple Color Forum
[Rafael Metz] " When sitting in telecine or tape2tape I saw often the colorist using a denoiser in the da Vinci system or on the optical way putting some SoftFX or Blackpromist in the optical line of the film scanner" You can download the Nattress
WM9 and color space
by Johannes Nyholm on Aug 17, 2009 at 9:58:33 am
in the Adobe After Effects Forum
Hi, I´m using After Effects CS3 and try to render a Windows Media 9 file. But I don´t get the colors right. The blacks are too light and the whites too dark (I´ve checked the file in both VLC and Media Player). I guess it could be a color space issu
Re: After Effects SWF export color change
by Chris Brearley on Aug 17, 2009 at 8:40:55 am
in the Adobe After Effects Forum
Hmmm, that sounds a little strange. Off to the top of my head I couldn't tell you what the problem might be. If you'd like to send me a copy of your project I'd be more than happy to take a look for you. chrisbrearley@ntlworld.com
Re: "save to snapshot" result sin different color
by Bob Pit on Aug 17, 2009 at 7:44:40 am
in the Sony Vegas Forum
To the upper left corner of the Preview Window, I press the small button that says [Save Snapshot to file...]. A dialog box opens up, and there there is an option to save it as jpg or png.
Re: Skin
by Rafael Metz on Aug 17, 2009 at 7:27:52 am
in the Apple Color Forum
Nate, thank you for sharing! Is there a possibility to soften the picture without losing detail in Color? When sitting in telecine or tape2tape I saw often the colorist using a denoiser in the da Vinci system or on the optical way putting some Sof
After Effects dropping frames while rendering.
by Anant Raina on Aug 17, 2009 at 4:15:14 am
in the Adobe After Effects Forum
I'm editing a DV pal timeline in FCP. I exported some footage as an Mov without any compression. I imported this Mov into After effects. I used MB Looks on the footage for color grading. I then re-exported this as an Mov using DV Pal compression. W
Re: Render Cancelled RED footage
by Joe Murray on Aug 17, 2009 at 3:36:10 am
in the Apple Color Forum
David- What's your solution? Do you go back to Color 1.4? Joe Joe Murray Edit at Joe's Charlotte, NC
Re: Indie DI with Color, questions..
by Shawn Larkin on Aug 17, 2009 at 3:16:40 am
in the Apple Color Forum
I don't think Rick Turner is following this thread anymore. However, out of experience I can say that if you are not using your lab's LUT, I would expect shifts that you won't see in Color. I think Color is a great DI tool. But unless you actu
CS4 - Possible Color Correction Bug to MPG2
by Andy Urtusuastegui on Aug 17, 2009 at 2:38:30 am
in the Adobe Premiere Pro Forum
I just want to verify this is a bug others are seeing before I submit the bug report. 1. Create a new timeline of your choice, (size etc does not matter) Make sure "maximum bit depth" is selected. 2. Next, place a clip of your choice (HDV, A
ProRes HQ to mpeg
by robert craghead on Aug 17, 2009 at 2:25:55 am
in the Compression techniques Forum
I have a project that was cut in DVCProHD 720p, sent to Apple Color, and returned to FCP in a ProRes HQ sequence. In the ProRes sequence, all looks great on the preview on CPU as well as monitor. The problem is when I try to make into a D1 mpeg fo
Re: Skin
by Nate Weaver on Aug 17, 2009 at 1:44:14 am
in the Apple Color Forum
There's is some "retouching" style beauty work done in that shot, but there's also another thing going on there that bears discussion. Notice how there is no variance in the chroma for the skin...i.e., it is all one vector for the most part. No ru
Re: "save to snapshot" result sin different color
by Norman Willis on Aug 17, 2009 at 12:48:23 am
in the Sony Vegas Forum
How do you specify the snapshot either to be .jpg or .png? Norman Willis www.nazareneisrael.org servant@nazareneisrael.org
"save to snapshot" result sin different color
by Bob Pit on Aug 16, 2009 at 11:51:53 pm
in the Sony Vegas Forum
I do "save to snapshot" (either .jpg or .png). The picture is added to the media pool, and from there I add it to the timeline. BUT, the colors of the picture are different (actually better) than the video. I had done color correction to the vid
Re: Thumbnails and still store (cross post with RED forum)
by David Battistella on Aug 16, 2009 at 11:45:37 pm
in the Apple Color Forum
I can confirm that the issue only occurs with RED footage. Perhaps it is the way Color reads the reference movie to create the thumbnail. WIll issue a RED support ticket. David Peace Check out my new web series. http://www.ripperhockey
Skin
by Rafael Metz on Aug 16, 2009 at 10:14:19 pm
in the Apple Color Forum
Hello, I think skin is one of the key issues in color grading. Having seen loads of great graded commercials I´d like to know if some of you guys want share your knowledge in grading skins. One thing e.g. is softening skin within color. I guess t
Re: Difference in Levels in Two Camera Shoot
by Pat Ford on Aug 16, 2009 at 10:07:21 pm
in the Sony DV Forum
Brian...here's some of what I wrote from the lighting pro forum. The thread has been more active there. A saying I have is that with any major shoot you learn something new. This time it's to be sure the cameras match. I have done this shoot t
Re: DVD delivery to client-What do you use?
by Vince Becquiot on Aug 16, 2009 at 8:24:48 pm
in the Event Videographers Forum
Epson makes a couple of different versions. We have an Artisan 800 and it has an automatic tray, the old ones were an absolute pain to load, would be faster to hand paint the damn DVD. All in all, if budget is an issue, I would look at eBay for a
4x3 SD to HD thru MXO2 - Best workflow?
by Kurt Waddington on Aug 16, 2009 at 7:53:46 pm
in the Apple Final Cut Pro Forum
Hi all, I am looking for expert advice on the best workflow to Uprez SD 4x3 Betacam footage to 1080i 59.94. I am editing with FCP7 with input through an MXO2 with MAX. Betacam footage is fed in via component. The MXO2 will only upres to a Pillar b
Re: Problem with transparent images
by Filip Vandueren on Aug 16, 2009 at 7:12:34 pm
in the Adobe After Effects Forum
Just open the Gif in Photoshop, convert to RGB 8bpc and save as a different fileformat that supports alpha channels like PSD or tiff. GIF is an 8bit format, so it has no real alpha channel, just one color reserved as transparant. After Effects do
Re: Color grading Red Camera footage VS Raw data from still camera?
by Nate Weaver on Aug 16, 2009 at 6:57:09 pm
in the RED Camera Forum
[Nic Cross] "Surely they'd be some around for 'testing' purposes..." Not really. When a camera is that expensive, you don't just find footage "laying around" for people to do what they please with. Chances are, somebody paid a lot of money for eit
Re: Panasonic AJHD1200A sound capture
by walter biscardi on Aug 16, 2009 at 6:52:56 pm
in the Apple Final Cut Pro Forum
[Carly DeLora] "I herd through the grape vine that there is a way to use the devise to add the sound without having to re-capture. Is this true? If so, How?" I have never heard of this. I owned that deck for 2 years and then traded it in for the
Re: FCP EDL Software
by Ray Chung on Aug 16, 2009 at 6:45:17 pm
in the Apple Final Cut Pro Forum
Does Scratch have issues with a regular EDL output from FCP? I've been fine opening up an EDL with renamed clips and referencing the original RED files in Color 1.5, but we might be going with Scratch, so anything you find out from this would be ver
Re: Indie DI with Color, questions..
by Andrew Huebscher on Aug 16, 2009 at 4:30:04 pm
in the Apple Color Forum
Rising Sun Research/CineTal have a nice 3D LUT creation program that is compatible with Apple Color, amongst others. They will also send you test patches to run through your workflow, deliver to a lab, send back to them, and then they will create a
Re: FF yes - IE no
by Fernando Mol on Aug 16, 2009 at 4:18:47 pm
in the Adobe Dreamweaver Forum
The color mode on your image is CMYK, you probably will have to change it to RGB for IE to recognize it. *Remember to share a link to your site and to rate the posts. This is a free service for you and for us.
Re: Resolution for HD in PAL format
by walter biscardi on Aug 16, 2009 at 12:21:21 pm
in the Apple Final Cut Pro Forum
Those specs depend wholly on what your deliverable will be. Generally PAL is 50i or 25p for HD. Either 720 or 1080. What does the network / client request? SD Widescreen is generally not acceptable as HD because it's not HD. Walter Biscard
Re: Color grading Red Camera footage VS Raw data from still camera?
by Noah Kadner on Aug 16, 2009 at 11:09:16 am
in the RED Camera Forum
Free footage for practicing is one thing. But to put on your showreel- that would be a violation of the general laws of post ethics, don't you think? So anyways- either way, you should be googling for that. -Noah Check out my book: RED: The Ultim
Re: FCP Run Slow using External Drive
by Margus Voll on Aug 16, 2009 at 7:42:50 am
in the Apple Final Cut Pro Forum
HI. Try and go with ProRez. If it works use that. DV has less color information and may give you head ace :) Option would be replacing external drive to FW 800 or something better. -- Margus http://iconstudios.eu
Re: Lighting Difference in Two Cameras?
by Pat Ford on Aug 16, 2009 at 7:38:30 am
in the Lighting Design Pros Forum
Craig, Thanks so much for taking the time answer my post; you all have been generous with your time. A saying I have is that with any major shoot you learn something new. This time it's to be sure the cameras match. I have done this shoot
Network News Broadcasts From The 60s, 70s & 80s
by Dave Brett on Aug 16, 2009 at 5:03:04 am
in the Indie Film & Documentary Forum
I collect videos of old network news broadcasts. Does anyone have any videos from documentary projects to exchange? Here is my collection. My contact info is at the end of the list... CBS: Nov 8, 1960 -- Election Night (six hours; black & whi
Re: Color 1.5 not outputing to external monitor
by Ronen Pestes on Aug 16, 2009 at 4:58:03 am
in the Apple Color Forum
Which graphics card are you using? seems that some versions of Nvidia are more sensitive than ATI Ronen Pestes Film Editor www.ronenpestes.com
Re: Thumbnails and still store (cross post with RED forum)
by Thadeous Watson on Aug 16, 2009 at 2:59:15 am
in the Apple Color Forum
That looks like a possible graphics card issue. I know the 2600 card has 256MB of memory and maybe something in Color 1.5 has changed? Try a different card with more memory. I say that because I have a ATI 1900 card and I do not see this issue.
Re: Dreamcolor in FCP
by Geoff Schaaf on Aug 16, 2009 at 2:51:40 am
in the Apple Color Forum
Hi Trevor, Thanks for the response. I switched the audio/video settings to Blackmagic HDTV 1080P 23.976 RGB (1920x1080). I still find that the color gamut remapping is disabled on the monitor. Is there another control or setting I'm missing?
Re: Color grading Red Camera footage VS Raw data from still camera?
by Nic Cross on Aug 16, 2009 at 2:00:15 am
in the RED Camera Forum
"Wha-wha-wha?" What is red camera footage hard to get or something? Surely they'd be some around for 'testing' purposes...
Apple Final Cut Pro
Final Cut Studio 3 is here, and all is good!Final Cut Studio 3 is here, and all is good!

Our man in Nepal, Jiggy Gaton, likes to live for danger. He installed a major software upgrade mid-project, with virtually no preparation, just to see what would break. Lo and behold, it all worked! And the more Jiggy works with it, the better he's liking it. Join him in this Creative COW, Real-world, Real-time Report on Final Cut Studio 3.
Review
Author: Jiggy Gaton
Apple Final Cut Pro
Keyframing Color CorrectionKeyframing Color Correction

In this episode of Final Cut Help, Richard Harrington takes a look at keyframing the three way color corrector in FCP. As details change in a movie clip you can have the filter adjust its values over time. This example uses a video of a bird starting in a bright sky and ending in water which is darker, the contrast transition is controlled by keyframing the saturation and color correction.
Tutorial, Video Tutorial
Author: Richard Harrington
Red Giant plug-ins
Creating a Summer Blockbuster Film LookCreating a Summer Blockbuster Film Look

In this action packed episode of Red Giant TV, Sin City's Visual Effects Supervisor - and the new Creative Director of Red Giant Software - Stu Maschwitz, shows you how to get the Summer Blockbuster look seen in Transformers 2, Terminator: Salvation, and The Taking of Pelham 123. Stu shares valuable techniques for enhancing your footage with Magic Bullet Looks and Colorista - the technologies he invented for his own use on feature films.
Tutorial, Video Tutorial
Author: Stu Maschwitz
Apple Color
Saturation Curves in ColorSaturation Curves in Color

In this Apple Color tutorial, Richard Harrington along with color expert Robbie Carman create the Pleasantville effect in Apple Color. Using the secondary curves, specifically the saturation curve, to isolate just the yellow in a taxi cab everything else in the video clip can then be desaturated to create this popular effect.
Tutorial, Video Tutorial
Author: Richard Harrington
Apple Color
Custom Shapes in Color - Final Cut HelpCustom Shapes in Color - Final Cut Help

In this Apple Color tutorial Richard Harrington and guest Robbie Carman will use user defined shapes to form vinettes to perform a secondary color correction. Learn about where primary and secondary color correction really occurs in Apple Color and other tips and tricks.
Tutorial, Video Tutorial
Author: Richard Harrington
Apple Color
Introducing: Stop Staring and Start Grading with Apple ColorIntroducing: Stop Staring and Start Grading with Apple Color

Allow us to introduce one of the most eagerly anticipated DVDs in Creative Cow Master Series history, Walter Biscardi's overview of Apple Color. Building on nearly 20 years of professional editing experience, as well as years of experience with Apple Color (and FInal Touch HD before it), he's got the perfect perspective to make working in Color easier than you imagined. It's the disk he wished he had when he started using Color.
Feature
Author: Walter Biscardi
Adobe Photoshop
Color Range CommandColor Range Command

Some free tricks on how to use the color range command in Photoshop. Many people use the old method of utilizing the magic wand tool for selecting areas of color, the color range selection tool has more flexibility and control. Richard walks you through using this tool and shows some new features added in Photoshop CS4.
Tutorial, Video Tutorial
Author: Richard Harrington
Apple Color
Apple Color: First Time You LaunchApple Color: First Time You Launch

In this Apple Color video tutorial, Walter Biscardi demonstrates everything you need to know the first time you launch Apple Color. This is a basic level tutorial.
Tutorial, Video Tutorial
Author: Walter Biscardi
Apple Color
Should you use Final Cut Pro or Color?Should you use Final Cut Pro or Color?

Should you use Final Cut Pro or Color? In this short video tutorial, Walter Biscardi demonstrates some of the differences and why you might use one program over the other. This is a basic level tutorial.
Tutorial, Video Tutorial
Author: Walter Biscardi
Apple Color
Apple Color: Auto Balance FeatureApple Color: Auto Balance Feature

In this short Apple Color video tutorial, Walter Biscardi demonstrates the auto balance feature in color. This is a basic level tutorial.
Tutorial, Video Tutorial
Author: Walter Biscardi
Apple Color
Apple Color: Building Vignettes in the ColorFX RoomApple Color: Building Vignettes in the ColorFX Room

Apple Color offers a variety of tools for custom effects, each with different features. Answering a commonly asked question, broadcast editor and Creative Cow leader Walter Biscardi shows you how to take advantage Colors node-based compositing to create a vignette in the ColorFX room.
Tutorial, Video Tutorial
Author: Walter Biscardi
Apple Final Cut Pro
Preparing Your Sequences to Go From FCP to ColorPreparing Your Sequences to Go From FCP to Color

Yes, Apple Color is connected to Final Cut Pro...but not exactly integrated. Creative Cow leader Walter Biscardi, one of the worlds most respected experts on the connection between the two, will help guide your sequences safely from FCP to Color -- and show you why its worth the effort.
Tutorial, Video Tutorial
Author: Walter Biscardi
Apple Final Cut Pro
3-Way Color Corrector - Final Cut Help3-Way Color Corrector - Final Cut Help

In this Final Cut Pro video tutorial you will learn about using the 3-way color corrector with skin tones and how the color corrector behaves when adjusting the color of two subjects in identical scenes.
Tutorial, Video Tutorial
Author: Richard Harrington
Sony Vegas
Sony Vegas Pro 9Sony Vegas Pro 9

In this article, CreativeCOW's Jim Harvey takes a look the new release of Vegas Pro 9 and determines ...This is one of the most comprehensive editing suites out there and certainly the most comprehensive version of VEGAS to be released.
Review
Author: Jim Harvey
Cinematography
Pushing the Limits on Pushing DaisiesPushing the Limits on Pushing Daisies

Visual Effects Supervisor William Powloski helped create one of the most eye-popping worlds ever seen on TV, as part of a feature film aesthetic on a TV budget and schedule. Although it was canceled after only two seasons, it remains one of the most beautiful and innovative programs to ever air on US television. In an extended version of the original article in The Visual Effects Issue of Creative COW Magazine, here is an exclusive look at how he and his team helped pull it off.
Feature, People / Interview
Author: William Powloski
Adobe Photoshop
Secondary Color Correction with CurvesSecondary Color Correction with Curves

A tip on how to use Photoshop CS3 Extended to color correct video clips. Using Adobe Bridge to open the video file with Photoshop, he then uses LAB color mode and adjustment layers to turn a red truck into a green truck. A curves adjustment layer alters the a channel of the video, altering the color and a photo filter adjustment layer finishes it of by creating a cooling effect to the clip. Finally, the video is rendered with Photoshop back out to the hard drive.
Tutorial, Video Tutorial
Author: Richard Harrington
Adobe After Effects
Color Grading in After Effects: Basic Color ControlColor Grading in After Effects: Basic Color Control

This series is discussing a couple of approaches towards color grading using After Effects 5.5. Barend Onneweer starts out with a rather mathematical approach to match the overal color balance between shots. This procedure can also be put to good use to correct badly white-balanced video.
Tutorial
Author: Barend Onneweer
Adobe Premiere Pro
High-bit Color Support in Adobe Premiere Pro 2.0High-bit Color Support in Adobe Premiere Pro 2.0

What does the new color depth capability in Premiere Pro 2.0 actually do? How does it differ from its sibling applications? And most importantly, what can it do for you? In this article from Timothy Kurkoski, we're going to explore the enhanced color features in Premiere Pro 2.0 and find out.
Tutorial
Author: Timothy Kurkoski
Adobe Premiere Pro
Using the Color Pass FilterUsing the Color Pass Filter

IIn this video tutorial, Creative Cow Leader Aanarav Sareen demonstrates how to use the Color Pass filter to achieve that black and white plus one color look thats so popular right now.
Tutorial, Video Tutorial
Author: Aanarav Sareen
Autodesk Combustion
Using the Diamond Keyer of Combustion 4 to change a selected colorUsing the Diamond Keyer of Combustion 4 to change a selected color

In this tutorial, Ayman Abdel-Basset demonstrates how to use the new Diamond Keyer of Autodesk Combustion 4 along with the Color Correction operator to change the selected color of the footage.
Tutorial
Author: Ayman Abdel-Basset
Autodesk Combustion
Combustion: Replacing A Color using the Color Suppression OperatorCombustion: Replacing A Color using the Color Suppression Operator

Beginners in Combustion often ask the question: My actor's shirt is green. How do I change it to blue? In this tutorial, Ayman Abdel-Basset demonstrates how to change one color in an image to another color. And he does it in Combustion without extra plug-ins.
Tutorial
Author: Ayman Abdel-Basset

Podcasts

creative cow extras podcast
Colorgrading Monitors: What Works, What Doesn't
In this Creative COW extras podcast, Walter Biscardi and Ron Anderson discuss one of the most discussed topics in the Apple Color forum, color grading and monitors. Ron Anderson is a colorist with CineFilm Atlanta.
final cut help tutorials podcast
Saturation Curves in Color
In this tutorial, Richard Harrington along with Robbie Carman use Apple Color to create the stylized Pleasantville effect where one thing in the image is in color and everything else is desaturated.
photoshop for video tutorials podcast
Color Range Command
In this Adobe Photoshop video tutorial podcast, Richard Harrington looks at the color range command used to select a user defined color range of an image in a Photoshop project.
adobe premiere pro tutorials podcast
Basics of Color Correction
In this video tutorial, Aanarav Sareen takes a look at how to utilize the basic functionality of the Fast Color Corrector effect that ships with Adobe Premiere Pro 2.0.
adobe after effects tutorials podcast
Broadcast-Safe Colors in After Effects
In this video tutorial, Creative Cow Leader Aharon Rabinowitz shows you a simple method of ensuring Broadcast-Safe Colors in your final output.
Forums

Apple Color Forum


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