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CLIPSTER

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COW Tags : CLIPSTER
Re: problems rec709 to dci_xyz in resolve
by Pepijn Klijs on Jun 5, 2013 at 2:26:47 pm
in the DaVinci Resolve Forum
I think you are apllying the conversion twice. Once with the LUT and the second time by rendering to TIFF XYZ. So try with just the TIFF render options and see what they say. But isn't Clipster itself a better option to do the colortransform? I
problems rec709 to dci_xyz in resolve
by prathvish hegde on Jun 5, 2013 at 2:12:52 pm
in the DaVinci Resolve Forum
hi guys , we have graded a short film shot on 5d and we graded the film in rec709,D65(x=312,y=329,dolby prm) and now the client wants a dcp output. i tried to export the short film by applying the rec709_2_dci_xyz LUT provided in resolve and with
Re: Mark out adds one frame to playhead location.
by Tero Ahlfors on May 17, 2013 at 4:12:18 am
in the Adobe Premiere Pro Forum
[Kevin Monahan] "Hi Tero, I'm curious. Which NLE doesn't mark out like that? Only Avid has an option to my knowledge." Smoke and Flame can be set to inclusive or exclusive out points. Quantel iQ can also be set to use either/or but if you're usin
IO/D-Cinema Operator
by tom wong on May 10, 2013 at 6:35:15 pm
in the JOBS Offered - Higher Pay Forum
Responsible for operation of Arri and Imagica scanners, Arri and Celco film recorders. Handling original camera negative, 16/35/65 mm film, quality control, checking scanned images, programming through GUI’s, and transferring materials to and from r
Cannot export to XDCAM HD 50 progressive.
by Alfred Cruz on May 7, 2013 at 7:38:16 am
in the DVS Clipster Forum
Hello, I'm trying to export a DPX clip with a framerate of 23.976p to a XDCAM HD 50 (1920x1080) framerate 23.976p The problem is that clipster allows me to export but the exported file becomes 23.976i other formats like DNxHD and ProRes 422
Arri Raw Workflow - Avid to Hiero
by Paul Andexel on Apr 27, 2013 at 8:05:34 pm
in the Digital Delivery Forum
Hi there, I am currently working on a students project in Germany and have some troubles onlining Arri Raw footage in The Foundrys Hiero or any other onlining tool like Clipster or Resolve. But back to Hiero: In Arri Raw Converter, I can s
News: Rohde & Schwarz Teams with Hollywood HEART to Teach Filmmaking Skills to At-Risk Youth
by Cow News Droid on Apr 25, 2013 at 11:45:49 pm
in the NEWS: Product News Releases Forum
May “Shooting Stars” workshop will provide teens an opportunity to learn from industry pros; teen-produced films to be given a red carpet screening in June. (Burbank, California--April 25, 2013) At-risk teens from across Los Angeles will learn f
Service: BCPost
by Barry Cohen on Apr 10, 2013 at 4:27:15 am
in the COW - Services Forum
Experience Online Finishing Editor at Freelance Avid Online Editor January 2013 - Present (3 months) Avid Online Editor Tape and File Based delivery Video Finishing and Mastering Color Correction Audio Layback Titling, VFX Inserts, Blurs, QC fi
BCPost
by Barry Cohen on Apr 9, 2013 at 9:27:15 pm
in the Forum
Experience Online Finishing Editor at Freelance Avid Online Editor January 2013 - Present (3 months) Avid Online Editor Tape and File Based delivery Video Finishing and Mastering Color Correction Audio Layback Titling, VFX Inserts, Blurs, QC fixes Ad
Service: Justin DeLong
by Justin DeLong on Mar 22, 2013 at 8:30:15 pm
in the COW - Services Forum
10/12-03/13 Colorist Digital Post Services, Baton Rouge, LA 01/08-09/12 Editor, Visual Effects Artist, & DI Colorist Digital FX, Baton Rouge, LA 2007 Editing & Visual Effects
Justin DeLong
by Justin DeLong on Mar 22, 2013 at 1:30:15 pm
in the Forum
10/12-03/13 Colorist Digital Post Services, Baton Rouge, LA 01/08-09/12 Editor, Visual Effects Artist, & DI Colorist Digital FX, Baton Rouge, LA 2007 Editing & Visual Effects Freelance Industrial & Commercial Video 02/03-12/06 Graphic Artist, VFX Com
FS: Tangent Devices CP 200 Black Colorgrading Panel Set (Speedgrade, Color, Scratch)
by Manuel Bauer on Feb 22, 2013 at 11:37:56 am
in the Assimilate Scratch Forum
I'm selling a Tangent Devices CP 200 set on ebay. The panels are in a great condition, come with original packaging. The set includes Tangent CP 200 BK Tangent CP 200 TS Tangent CP 200 K The CP 200 are supported in following application
Re: AMA AVID file 4k in Resolve?
by Juan Salvo on Feb 11, 2013 at 7:51:10 pm
in the DaVinci Resolve Forum
I think you can change to timeline setting after the AAF import in resolve. However, you will not be able to roundtrip back to avid. So you need to think of this as a traditional DI, where you leave editorial and then finish in a system which support
Re: Clipster not compatible with easyDCP player + ??
by Anhtu Vu on Jan 16, 2013 at 1:45:42 pm
in the DVS Clipster Forum
Solved...the excellent support staff at Fraunhofer found the problem. It was an i/o issue and not an incompatibily as previously stated.
Clipster not compatible with easyDCP player + ??
by Anhtu Vu on Jan 9, 2013 at 2:16:55 am
in the DVS Clipster Forum
We are an archive facility and have purchased EasyDCP player +. DCP done in Clipster are not readable with EasyDCP +. Any idea why ?? Are there any other DCP player you can suggest ??? thx
News: Codex Fuels 3D Workflow for “Life of Pi”
by Cow News Droid on Dec 18, 2012 at 1:50:40 am
in the NEWS: Product News Releases Forum
Codex recorders capture stereo streams from paired Arri Alexa cameras used to shoot the 3D movie. (London, UK--December 18, 2012) Codex technology occupied a key position in a groundbreaking 3D workflow used in the production of Life of Pi, the n
Re: Where to find Clipster operators?
by Jay Mahavier on Nov 27, 2012 at 6:15:19 pm
in the DVS Clipster Forum
I appreciate the offer. After a bit of pushing we were able to get a reference out of the rental house. They were hesitant because they didn't want to be blamed if the reference didn't work out. Sort of like a friend that won't set you up on a dat
Re: Where to find Clipster operators?
by Mario Paglia on Nov 27, 2012 at 9:54:44 am
in the DVS Clipster Forum
Hi Jay, you could send an email to DVS. Usually they offer training for their products, so maybe they could help you finding someone near you. In which area are you? I could help but I am in europe.. mario
Where to find Clipster operators?
by Jay Mahavier on Nov 6, 2012 at 4:22:11 pm
in the DVS Clipster Forum
We have a project coming up that is probably going to record to ArriRaw onto Codex. The company renting out the camera package also has a setup for downloading and backing up from the Codex packs (Codex Lab), and also a Clipster workstation for proc
Re: Why don't use directly display-port 1.2 for DCI monitoring ?
by Bram Desmet on Oct 25, 2012 at 11:58:49 pm
in the DaVinci Basics & Configuration Forum
[John Fletcher] "So... in any grading software, if all output must be on RGB," No, that is not correct. You can and equipment does output in XYZ. Moreover, plenty of displays can and do accept XYZ signals. Again, I think you may be a bit confused as
Question about working with 25 fps video and "24 fps" sound in Final Cut Pro 7
by Victor Dragomir on Jul 5, 2012 at 9:29:42 am
in the Apple Final Cut Pro Forum
Hi everyone. I recently wrapped shooting my masters short on Kodak color 35mm film and I'm encountering some problems in the beginning phase of postproduction. CreativeCOW forums have always been helpful to me, so I decided to post the issue here, in
Why?
by Terje Kjetil Gillebo on Jun 18, 2012 at 1:22:20 pm
in the DVS Clipster Forum
Why is this string called DVS Clipster? There is nothing about Clipster in here... Med vennlig hilsen/best regards Terje Kjetil Gillebo DCP Technician (Clipster operator) / Conformist / Colorist Nordisk Film Shortcut Nedregate 7, - 0551
News: Titanic 3D: CLIPSTER®, FUZE provide James Cameron with a seamless means to monitor stereo con
by Cow News Droid on May 7, 2012 at 11:08:19 pm
in the NEWS: Product News Releases Forum
Lightstorm Entertainment uses multiple CLIPSTER/FUZE digital cinema mastering systems in Los Angeles, Malibu and Sydney to playback and review uncompressed stereo media with unprecedented speed and flexibility. (Burbank, California--May 7, 2012)
Convert from DCP to ProRes
by Ian Smith on May 4, 2012 at 12:48:00 pm
in the Digital Delivery Forum
I work for a distributor that is getting some content in DCP format. The content owner does not have the masters anymore, only the DCPs. I know it is possible to convert from DCP to an editable format with machines like Clipster but that is out of ou
Service: Grade A Co
by Gino Panaro on Apr 30, 2012 at 6:01:28 am
in the COW - Services Forum
Gino Panaro Colorist 1601 N. Sepulveda Blvd #647 Manhattan Beach, CA 90266 Phone (424) 254‐6595 Email: Gino@GradeACo.com EXPERIENCE Grade A Co Freelance Colorist January 2012 EDUCATION Rochester Institute of Technology, New Yor
Grade A Co
by Gino Panaro on Apr 29, 2012 at 11:01:28 pm
in the Forum
I enjoy all aspects of color grading, especially creating and collaborating with clients. One of my favorite projects was working on Cold Case for Warner Bros. It was fun to work with director Mark Pellington on the pilot and then taking the looks in
Re: Can I output an after effects file to polarized 3D?
by Ramil Pasibe on Jan 31, 2012 at 5:29:11 pm
in the Adobe After Effects Forum
For a Cinema Projector - you would need to output it to a DCP (Digital Cinema Package) File, DVS Clipster allows this option - http://www.dvs.de/products/video-systems/clipster.html For a polarized 3D TV, well as a final output - I've only tested
Video Editor
by Neda Panah on Jan 5, 2012 at 6:41:05 pm
in the JOBS Offered - Higher Pay Forum
Individuals with CLIPSTER EXPERIENCE are considered right away, please on the subject line say Video Editor-Clipster A high-energy, fast-paced company is looking for a full time Video Editor in our Post/Compression Department. We are looking for a
Re: Encoding To ProRes
by Ken Mitchell on Dec 8, 2011 at 4:25:59 am
in the Sony Vegas Forum
Clipster will do it. But it is very expensive.. it would be cheaper to buy a mac.
Encoding To ProRes
by Sam Caino on Dec 7, 2011 at 11:30:40 pm
in the Sony Vegas Forum
Can anyone offer up the best solution for Encoding to HD ProRes HQ with a PC. I would be willing to explore both free and pay options. I have heard of FFmpeg and Clipster. I am wondering what the opinion is of these and others from you fellow Vega
Re: Anyone else a little frustrated?
by Gunter Puszkar on Nov 29, 2011 at 7:13:17 pm
in the Blackmagic Design Forum
Hi Joshua, many thanks for your indepth explaints. As you can see, we still buy your products and we like your rapid developments in so many areas. I'm still confused about the small pass of defining "bug" and "feature". 1. Still use on th
Service: Stephen Kuns
by Stephen Kuns on Nov 9, 2011 at 1:31:25 am
in the COW - Services Forum
2o years in post production specializing in color correction. Complete Post LA 525 Post Hollywood SSI Post, Los Angeles Davinci Resolve Resolve Da Vinci 2K Spirit Clipster Burbank CA United States , Color Correction, , Color Correction and
Stephen Kuns
by Stephen Kuns on Nov 8, 2011 at 5:31:25 pm
in the Forum
2o years in post production specializing in color correction.
Re: Compressor: Why is there a Progressive setting if DVD is interlaced?
by Glenn Camhi on Nov 4, 2011 at 10:19:38 pm
in the Compression techniques Forum
No luck so far. They're using Digital Rapids for the encoding because they said their Sonic hardware can't do 23.976. They tried chroma settings at "default" and "unspecified," but the mpeg is identical, too bright and a bit washed out. Now th
Re: Workflow - Phantom Cam & 35mm
by Julian Lalinde on Nov 2, 2011 at 4:33:56 pm
in the AJA Kona - Mac Forum
Hello, Been investigating and running some tests and got this information. I guess there is no easy way of managing the Phantom's files. "u will not be able to match timecode to flex on the raw data via your aja ki pro. Phantom really has no
Re: Prores created on Windows?
by Andrew Rendell on Oct 16, 2011 at 9:59:08 am
in the Apple Final Cut Pro Forum
AFAIK Apple still don't provide a prores encoding codec for windows, only a playback one. I understand that there are a couple of systems that can do it, e.g., Telestream or DVS Clipster, but I don't have any experience of them.
Re: Clipster
by Craig Seeman on Sep 19, 2011 at 10:10:03 pm
in the Compression techniques Forum
http://www.dvs.de/products/video-systems/clipster.html It does look like it can handle ProRes . http://www.dvs.de/products/video-systems/clipster/clipstersupregsup/key-features.html I don't see a detailed list of supported codecs so you may need
Clipster
by Sam Caino on Sep 19, 2011 at 10:03:17 pm
in the Compression techniques Forum
Has anyone here had experience with Clipster? A client uses it to edit and I have to deliver some video files to them. My question is: are .mpg 2 clips compatible with clipster? More specifically - this is an .mpg2 transport stream at 1920x1080
Service: Alfredo Serra
by Alfredo Serra on Sep 11, 2011 at 9:06:31 pm
in the COW - Services Forum
AT&T 7/20011 TO PRESENT POSITION AS TECH FOR AT&T. PACIFIC TECHNICAL SERVICES 9/1/2010 TO 7/2011 WORKING PART TIME FOR PACIFIC TECHNICAL SERVICES AS FIELD SERVICE ENGINEER INSTALLING NETWORK EQUIPMENT AS WELL AS TROUBLE SHOOTING NETWORK PROB
Alfredo Serra
by Alfredo Serra on Sep 11, 2011 at 2:06:31 pm
in the Forum
AT&T 7/20011 TO PRESENT POSITION AS TECH FOR AT&T. PACIFIC TECHNICAL SERVICES 9/1/2010 TO 7/2011 WORKING PART TIME FOR PACIFIC TECHNICAL SERVICES AS FIELD SERVICE ENGINEER INSTALLING NETWORK EQUIPMENT AS WELL AS TROUBLE SHOOTING NETWORK PROBLEMS. Kee
Re: technicolor and cinevator
by filip orlandic on Aug 11, 2011 at 11:09:26 pm
in the DaVinci Resolve Forum
[Joakim Ziegler] "I have printed to a couple of Cinevators, including the one at Technicolor, are you doing direct to print, or printing to negative? We mostly did direct to print, from log files, and we found the LUT was similar to the one we used f
Re: Modifying Clip Timecode With XML
by illya laney on Jul 17, 2011 at 3:56:42 am
in the Apple Final Cut Pro Forum
The footage was being recorded onto a Clipster then captured into FCP. The Aux TC(which contained the source TC) didn't carry over into the XML which was generated from an ALE in the Clipster. It wouldn't be a as much of a problem if editorial reco
Re: Conforming RED Footage for Color
by Erik Freid on Jul 14, 2011 at 2:47:36 pm
in the Digital Delivery Forum
Hi Georgia, So the easiest way to get this done is to edit to tape and just output your project to an HD tape like HDCam/HDCam SR/D5 (preferably SR). If you are running a Kona 3 card this is no problem if you need to rent a deck just do it. The
Re: DVS Clipster
by Craig Seeman on Jul 6, 2011 at 10:56:22 pm
in the Compression techniques Forum
I thought I heard $80K but I could be wrong.
DVS Clipster
by Jeff Franklin on Jul 6, 2011 at 10:30:49 pm
in the Compression techniques Forum
I have been reading and hearing about the DVS Clipster for some time and it sounds like a pretty amazing device. It is referred to as "a facility in a box" in that it can ingest anything at any resolution in real time and then convert it to any othe
Re: How to reconform to original R3D's after working with ProRes422 proxies
by Ben Rojas on Jul 3, 2011 at 2:37:02 am
in the Apple Final Cut Pro Forum
Basically, folks still have Davinci 2K's around and want to make use of them. These were million dollar investments that in many cases became outdated before they could make an ROI on them. Now, the Clipster/Davinci combo is very powerful, but the
Re: How to reconform to original R3D's after working with ProRes422 proxies
by Michael Reese on Jul 3, 2011 at 1:39:38 am
in the Apple Final Cut Pro Forum
Hey so I got a message back from the colorist who said "We grade with a Davinci 2K. Depending on what room we use, we either use a Clipster or work directly off of a Resolve." If I get him everything in dpx will it be comparable to giving him the r3d
Re: How to reconform to original R3D's after working with ProRes422 proxies
by Ben Rojas on Jul 2, 2011 at 8:46:05 pm
in the Apple Final Cut Pro Forum
Interesting... they're not using the R3D's, which means they'll be using camera look or your grade -if you graded them... So they're using a "baked" DPX, which makes no sense if they're using a non-linear color corrector (ie. Resolve, Lustre, Scrat
Re: thanks apple and goodbye color...hello my new best friend
by Darin Wooldridge on Jun 28, 2011 at 4:57:15 pm
in the DaVinci Resolve Forum
Maybe negative was the wrong choice of words.. How is reluctant to change, and clearly afraid to spend the needed cash on a good product.. " Ipad for a control surface.." come on..Kim. lol Remember when a color bay cost about 1.5 million to build
Clipster Experience
by Neda Panah on Jun 9, 2011 at 12:06:29 am
in the JOBS Offered - Higher Pay Forum
Please email y our resume to neda.panah@zoodigital.com if you are a video editor w/ DVS Clipster experience.
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