| | | | Service: Starlake Studios LLC
by Ds Gant on Apr 3, 2012 at 11:19:09 pm
in the COW - Services Forum
I skipped school and decided to learn hands on.
Five years of sleep deprivation later, I now have begun my own official production work, as well as work for a very reputable company, educating both Midwest freelances and production/rental houses on | | | | |
| | | | Starlake Studios LLC
by Ds Gant on Apr 3, 2012 at 4:19:09 pm
in the Forum
I skipped school and decided to learn hands on. Five years of sleep deprivation later, I now have begun my own official production work, as well as work for a very reputable company, educating both Midwest freelances and production/rental houses on t | | | | |
| | | | Blog: Surgical Video: The Sequel
by Mike Cohen on Feb 15, 2012 at 4:27:03 am
in the COW - Blogs Forum
A few years ago I was honored to write the following article for Creative COW Magazine.
http://magazine.creativecow.net/article/surgical-video-the-cutting-edge
Ever since, after countless nice comments on the article, and as the world of op | | | | |
| | | | Flash media capture / editing in Premiere
by Mike Cohen on Jan 14, 2012 at 1:10:02 am
in the Adobe Premiere Pro Forum
Does anyone have experience using files from the media recorders (Ninja, ki pro, sound devices pix-240, or cinedeck extreme) on CS5 on Windows?
We tried a few sample prores 422 files from the ki pro and they look great in Premiere.
Looking at o | | | | |
| | | | DVI Extender and 4:4:4 RGB?
by Kyle Granger on Dec 8, 2011 at 9:42:32 pm
in the Blackmagic Design Forum
Hi,
I'm trying to get a 444-RGB source (1080/5994i) into my Decklink 3D Pro Extreme. I have lots of YUV 4:2:2 sources, an HDLink Pro 3D, and a DVI Extender. I'm trying to 'create' a 444-RGB source signal.
According to the spec, the DVI Extende | | | | |
| | | | Re: Resolve and Audio
by Michael Phillips on Dec 6, 2011 at 3:46:02 pm
in the DaVinci Resolve Forum
Passing audio through, and using Resolve for dailies with double system audio are two different proposals, with one requiring more dedicated audio development work over the other.
I use Resolve for dailies when production is using double system, t | | | | |
| | | | Re: Opinions needed Quality from PIX 240
by Michael Phillips on Dec 6, 2011 at 1:56:48 pm
in the AVID Forum
I think the Pix is a great little product - certainly the codecs being used for recording are designed for post production. And the codecs are better than what you will find with a Canon 5D for example. Like "most" other codecs, DNxHD 145 and 175 for | | | | |
| | | | Re: Legal values
by Robbie Carman on Oct 5, 2011 at 11:24:25 pm
in the DaVinci Resolve Forum
I've been through this issue a 100 million times and tested everything. My issue is never with legal luma or chroma values its with RGB Gamut. As far as I can tell (looking at external parade, and diamond displays) Resolve does not do any sort of | | | | |
| | | | Article: Cinedeck EXTREME Enhances Sony F3 Workflow
by Debra Kaufman on Sep 6, 2011 at 2:42:10 am
in the COW - Tutorials Forum
Sony F900 & PDW Series Cinedeck EXTREME Enhances Sony F3 Workflow The Cinedeck Extreme is an upgradeable, rugged, portable, direct-to-disk video recorder "designed and built by cinematographers for cinematographers." In recent tests, the | | | | |
| | | | Question for the BM guys about Hyperdeck shuttle
by mark elston on Aug 16, 2011 at 9:41:24 pm
in the Blackmagic Design Forum
Hi,
Couple questions:
1. I know currently you support up to 30 fps at 1080p but was wondering if there are plans to support 1080p/60 at some point in the future either as an upgrade or new model? From what I can tell only the Cinedeck out ther | | | | |
| | | | RGB vs YUV
by Hallie Mullins on Aug 16, 2011 at 6:42:44 pm
in the Adobe After Effects Forum
We are shooting a promo reel using a green cyc and a white cyc. The environment for our reel is white and we have 3D elements. We are shooting on a Vericam 3700 to a cinedeck via dual link SDI. We will be recording to 10 bit uncompressed or Pro Re | | | | |
| | | | ProRes on Win7 nightmare
by Simon Lamarre-Ledoux on Aug 15, 2011 at 9:45:26 pm
in the AVID Forum
Hi,
I just finished shooting a feature film on the F3 with the Cinedeck Extreme. We were recording S-Log to ProRes 4444 .mov files on the Cinedeck.
I'd like to be able to color grade a simple edit of the footage to show the director and produc | | | | |
| | | | Re: Using MC5 to capture live video as DNxHD36?
by Michael Phillips on Aug 6, 2011 at 1:07:53 am
in the AVID Forum
You certainly can capture DNxHD36 from a live HD-SDI stream with Avid hardware or AJA i/o Express. Or you could capture via a Cinedeck or Sound Devices type device directly to DNxHD 36.
Are you planning on inserting the LUT into the HD-SDI stream | | | | |
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