| | | | key light grainy key..?
by Dave LaRonde on Mar 26, 2008 at 10:43:36 pm
in the Adobe After Effects Forum
about as bad as it gets. Oh, it's good enough to fool the human eye, but computers are a LOT more discriminating, and DV's stinky color resolution poses real challenges for chroma keying. If you've never tried keying DV video ... | | | | |
| | | | NEED VFX Artists for Feature Film
by Karl Ricker on Oct 10, 2008 at 8:02:51 pm
in the JOBS Offered - Low/No Pay Forum
I am interested in the composting/rotoscoping aspect of your film. I have extensive experience in chroma keying / rotoscoping and composting. Link to resume: Link to reel: Link to an older reel with some rotoscoping chroma work: You can reach ... | | | | |
| | | | Compositer wanted
by Karl Ricker on Oct 10, 2008 at 8:08:54 pm
in the JOBS Offered - Low/No Pay Forum
I have extensive experience in chroma keying. If you still need help email me at kjricker at gmail.com. Resume: Current Reel: Demo reel with some chroma keying and roto work: -Karl Ricker | | | | |
| | | | chroma
by tamer001 on Jun 3, 2007 at 11:44:43 am
in the Adobe After Effects basics Forum
I need to know How can I use chroma keying in After Effects. And after using it there is still green area at the edges of the subjects, how can I remove it???? :) | | | | |
| | | | Pushing an object through a tv set?
by malcolm DeSoto on Oct 9, 2008 at 11:26:34 pm
in the Adobe After Effects Forum
Hi folks? So, I need to push a credit card through a tv set and then have an actor grab the card. I'm thinking about chroma keying the guy on the tv holding a huge credit card. Then I'd map ... | | | | |
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Apple Final Cut Pro
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Capture Cards and Codecs
Thinking of going uncompressed? Well this article focuses on the different uncompressed hardware solutions available for Final Cut Pro. Marco Solorio attempts to answers questions such as: ''What Capture card should I buy and do I even NEED an uncompressed system?'' Also included is a side by side evaluation of the quality and functionality of each uncompressed hardware solution on the market today.
Review, Tutorial, Feature
Author: Marco Solorio |
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| | | | News: FOR-A to Intro HD/SD Chroma Keyer
by Cow News Droid on Aug 8, 2008 at 6:57:50 pm
in the News & Press Releases Forum
Further minimizing the need for manual fine tuning, the MBP-100CK expertly handles skin tones, wardrobe and hair color variations, which can present challenges for fine chroma keying in either green or blue backgrounds, even in auto mode. Edge colors can ... | | | | |
| | | | HDV/DV/AE Animation in FCP workflow advice
by Jaap Verdenius on Oct 3, 2008 at 7:20:14 am
in the Apple Final Cut Pro Forum
User Preferences, tab Editing, in the lower right corner you can select "Always scale clips to sequence size" and FCP will do this automatically). If you are not doing any chroma keying with the DV stuff then this is probably ... | | | | |
| | | | Upgrade to Liquid Chrome Xe
by Frank Tucker on Sep 27, 2008 at 6:06:35 am
in the Avid Liquid Forum
and believe that they will be supported in the near future with accessories and features (in newer models with both flash memory recorders and HDMI). I am begining to use chroma keying more and more in my projects at work ... | | | | |
| | | | Why do we need progressive scan?
by Ken Hodson on Jun 8, 2006 at 3:45:06 pm
in the HDV Format Forum
I would also like to add that the amount of post processing one plans on doing would affect the choice. If one plans an advanced compositing workflow some plug-ins will demand progressive footage or that it be deinterlaced first, if ... | | | | |
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AJA Kona
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AJA Kona SD v2.1
CreativeCOW leader, Marco Solorio reviews the new AJA Kona SD v. 2.1. For those seeking the latest uncompressed capture card for your Final Cut Pro system, this may be the answer you're looking for. With version 2.1 in public release, this system has unique features that other capture cards can only dream of.
Review
Author: Marco Solorio |
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| | | | Datavideo DVK-100 or Ultimatte DV
by Ivan Navarro Campos on Aug 27, 2008 at 3:44:24 am
in the Broadcast Video Forum
sorry I am very new to all this I did a lot of reading I want some professional opinion on my decision I decided to go with the Datavideo DVK-100 for chroma keying because of tight budgets... but if someone ... | | | | |
| | | | Keying White
by Kevin Dearing on Aug 29, 2008 at 3:24:12 am
in the Adobe After Effects Forum
Hi Steve, I'd give a lot more weight to what Darby says as I'm an AE newbie and am not even doing this stuff for a living anymore (I did 12 + years ago but not now.) Anyway, for chroma ... | | | | |
| | | | Break up of solid colours in rendered movie
by Dave LaRonde on Aug 14, 2008 at 4:35:39 pm
in the Adobe After Effects Forum
There's a VERY good explanation of the color resolution in DV in this video podcast: The podcast itself deals a lot with chroma keying, but remember that chroma keying depends on the details in the colors. If you watch it, ... | | | | |
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Adobe Premiere basics
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A Primer on NLE Video Quality
In this article, Ron Shook attempts in a relatively non-techy way to put some perspective on a range of quality issues inherent in today's Non-Linear Editing technology. Perhaps as you shop for your next NLE or the services of an NLE/editor, you will have a better background for asking significant questions and separating the important stuff from the selling hype.
Editorial, Tutorial
Author: Ron Shook |
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| | | | News: Beehive to Introduce Wasp'3D
by Cow News Droid on Mar 27, 2006 at 9:45:17 pm
in the News & Press Releases Forum
Systems will introduce its real-time 3D graphics solution, Wasp'3D (www.wasp3d.com ), at the NAB 2006 Convention in Las Vegas. Beehive will demonstrate live 3D graphics and chroma keying at Booth SL5355 in South Hall I. Wasp'3D, the real-time 3D graphics ... | | | | |
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Adobe After Effects
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NAB Post Plus NY Review
In this combination podcast and video report, Aharon Rabinowitz takes Creativecow members on a tour of last week's NAB Post + Show in New York City, where he presents both an inside look at the latest industry technologies and in-depth interviews with 2 of the experts featured at the show. Download the podcast and listen to his report, then watch the movies and take note of the show notes if you want to follow up on anything he said.
Author: Aharon Rabinowitz |
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Canopus
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Canopus StormRack: Canopus Goes Turn-key
Tim Kolb explores the new Canopus StormRack, the new dual Athlon-based turn-key DV editing system from Canopus Corporation. With the reputation of AMD's powerful Athlons married to the performance of Canopus's legendary DV keying and realtime powers -- it looks as if the new Rack series from Canopus is off to a good start. Based on his company's real world tests in an actual working situation, Emmy winner, Tim Kolb concludes it's a solid system and has scheduled it for nine more broadcast spots he's working on.
Review
Author: Tim Kolb |
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