| | | | HELP! Convert 8mm to digital by Dan Edwardson on Nov 2, 2009 at 11:45:02 pm in the Adobe Premiere Pro Forum Hi Guys!
I have just come back from a trip from India,
However i could only source a very old samsung camera to film with, the cameras output is Phono Video and Mono Audio (Yellow and white)
I need a cheap and easy system to convert it on to my | | | | |
| | | | Re: OT: End of Prosumer Camcorders??? by Dave LaRonde on Nov 2, 2009 at 9:30:39 pm in the Apple Final Cut Pro Forum [Mitch Ives] "I guess I'll have to ask why you feel this way? "
I've since been informed -- several times, I might add -- that the 7D solves the frame rate problems of the 5D. But there are still things about the camera that make it less than ide | | | | |
| | | | Re: OT: End of Prosumer Camcorders??? by Mitch Ives on Nov 2, 2009 at 9:12:20 pm in the Apple Final Cut Pro Forum [Zane Barker] "Canons SLR department and Video camera departments are DIFFERENT DEPARTMENTS. Im personally betting with time that they till do some merging and we will some cameras aimed toward video people what will use the SLR lenses. "
I think | | | | |
| | | | Re: OT: End of Prosumer Camcorders??? by Mitch Ives on Nov 2, 2009 at 8:59:13 pm in the Apple Final Cut Pro Forum [Dave LaRonde] "And finally, the geniuses at Canon set up those cameras to shoot at 30fps. Not Film's 24, not NTSC's 23.976, not PAL's 25, not NTSC's 29.97, but 30. It isn't a natural frame rate for ANYTHING.
So: it makes drop-dead gorgeous pictur | | | | |
| | | | Re: AVCHD Archiving by Glenn Sakatch on Nov 2, 2009 at 6:26:15 pm in the Apple Final Cut Pro Forum Thanks for the idea. My camera records to hard drive, but I figured out the opposite works. I recorded to hard drive, through the camera I copied to an 8 gig SD card. Copied the SD “private” folder to my Mac in a folder labeled according to the ev | | | | |
| | | | Re: can telestream help realize a dream?? by Craig Seeman on Nov 2, 2009 at 6:11:09 pm in the Telestream Wirecast Forum [Matt Rice] "can I select one audio [out of three camera feeds] to rule them all, so to speak?]). "
Absolutely!
[Matt Rice] "With that budget, I should be looking toward upgrading my current duo core mac to something a little more beastly?"
With t | | | | |
| | | | Re: can telestream help realize a dream?? by Matt Rice on Nov 2, 2009 at 5:49:28 pm in the Telestream Wirecast Forum Craig, thank you.
So say I have a budget of 6,000...I have my three xha1's locked as well as my mic (which I assume I'll hook up through my xh and have that translate to telestream? can I select one audio [out of three camera feeds] to rule them | | | | |
| | | | Re: Apple Color does not accept 24p vids? by Joseph Owens on Nov 2, 2009 at 5:05:15 pm in the Apple Color Forum Codec problem.
COLOR adheres to the frame rate embedded in the XML created on the "Send To..." instruction.
COLOR certainly supports 24 fps, but usually in dpx/cin workflow. A lot of consumer codecs try to simplify the language for the laity so | | | | |
| | | | Re: Vs CineAlta VariCam by Luiz Felipe Marcondes on Nov 2, 2009 at 4:08:25 pm in the Panasonic VariCam Forum I think the system VariCam HD avc-intra 100 is second only to the CineAlta HDCAM SR 4:4:4 in f-23 f-35 and the new frw-900 (I think this is the model)
The signal from the AVC-intra 100 4:2:2 features a 10 bit image simply remembering that wonde | | | | |
| | | | RE: Canon XL1 Cameras by Jay Valentine on Nov 2, 2009 at 2:40:53 pm in the Classifieds, For Sale Forum Canon XL1 Camera's for sale. Two (2) Originally equipped cameras that included: larger capacity battery, all weather skin, hard case, filter set (neutrals, polarizer, etc,) Great condition, studio use, low hours. Any questions please call. I am in t | | | | |
| | | | Re: More stuttering zoom stories.... by Michael Pruitt-Bruun on Nov 2, 2009 at 2:17:18 pm in the Sony EX Series XDCAM Forum that sounds very much like our experience, Bob. i hadn't posted a follow up just because by the time we finished dealing with this i was pretty fed up. it was very disappointing to buy a malfunctioning camera and be told "tough sh!t."
i forget jus | | | | |
| | | | Descriptions by Chris Bové on Nov 2, 2009 at 12:48:29 pm in the COWmunications feedback Forum Hi all! Just a quick message. I've been Moo-ing for years. Promoting this site to everyone I find. Bumped into a producer on an old project yesterday. Asked him if he uses the COW at all. He said barely. Said "It's a place for NAB-based tekkies and n | | | | |
| | | | Changing Aspect Ratio on only one track (4:3 to 16:9) by Ben Edwards on Nov 2, 2009 at 9:23:22 am in the Sony Vegas Forum We did a two camera shoot, one of the cameras was 16:9 and one 4:3. We are planing on using a mixture of zoom and cropping to make the aspect ratios similar.
I am sure I can work out how to do this on a single event but once I have worked of th | | | | |
| | | | Harinezumi AVI to MOV for FCP 6 by Dimitrios Papagiannis on Nov 2, 2009 at 6:13:49 am in the Apple Final Cut Pro Forum I have one of those Harinezumi (toy) cameras that records in avi. I am wondering if anyone has converted that type of an AVI file to an MOV so it can be used in fcp 6 and what did you find the best settings to be.
Thanks
Dimitrios | | | | |
| | | | Re: Please help me understand this :( by Brian Lynn on Nov 2, 2009 at 5:48:44 am in the Adobe After Effects Forum I have 2 internal 3 Tera Byte RAID5 arrays built from (3)7500rpm SATA HDDs and two Adaptec RAID cards, 3405 I think is the card number. I also have 2 10,000 rpm system drives (mirrored). One raid for content, one raid to render to, and the system dri | | | | |
| | | | Re: RED Announcement by Noah Kadner on Nov 2, 2009 at 2:40:25 am in the RED Camera Forum I think part of what has changed the Scarlet approach has been the explosion of cameras like the Canon 5D Mark II and 7D which have quickly become the low end of the market. They may feel that in order to present a more successful camera they need to | | | | |
| | | | Sony DSR-1800A Record Inhibit when any tape is inserted by Russell Gough on Nov 2, 2009 at 1:49:17 am in the Sony DV Forum Hi All,
newbie here...found a couple of similar posts but no definitive answers. I buy and sell used SD gear and I just received an 1800A deck with the following issues - whenever any tape is inserted the REC INHIBIT light is on regardless of tape s | | | | |
| | | | Re: Sony DSR 1500A problem by Russell Gough on Nov 2, 2009 at 1:35:36 am in the Sony DV Forum Hi Elizabeth,
did you get a solution to this problem? I just received an 1800A deck withe exactly the same issue - whenever any tape is inserted the REC INHIBIT light is on regardless of tape selector.
I also have a video capture issue as well but | | | | |
| | | | Re: Windows 7 & Intensity Pro by andrew zarian on Nov 1, 2009 at 9:12:18 pm in the Blackmagic Design Forum I am also having a issue with this card. I use the Intensity pro with 2 other cameras , and stream my show with vidblaster. normally im at around 75% system resources but in 7 im maxed at 100 %. I have changed the 3rd camera to something else other t | | | | |
| | | | Jobs For V/J Cameraman by Mahmood ahmed on Nov 1, 2009 at 4:59:07 pm in the JOBS Wanted Forum Curriculum Vitae
Mahmood Ahmed
Pakistan, 46000
Mobile: +92-3005136354/0345-9058187
Email: - mahmood4i@hotmail.com
Father’s Name | | | | |
| | | | Re: OT: End of Prosumer Camcorders??? by Rafael Amador on Nov 1, 2009 at 4:41:15 pm in the Apple Final Cut Pro Forum [Neil Sadwelkar] " Hence, by and large, videos from these vDSLRs seem to be pretty decent looking compared to the shaky, zoomy, swimmy videos most amateurs dish out of handycam type video cameras. "
I agree with you Neil, but so far we have been wat | | | | |
| | | | CS4 Premiere Pro, Video/Audio don't line up by Tim Thompson on Nov 1, 2009 at 2:12:54 pm in the Adobe Premiere Pro Forum I have a recording studio. I do simple videos. Was using Premiere Elements 7. BUT, I think there is an issue using my flip HD files. SO, I bought Premiere Pro CS4 thinking that would solve my problems. Things got more complicate
My system:
AMD | | | | |
| | | | Re: OT: End of Prosumer Camcorders??? by Neil Sadwelkar on Nov 1, 2009 at 1:16:46 pm in the Apple Final Cut Pro Forum Dave,
The original intent of the Canon 5d MkII was not to be a video camera, nor challenge any existing video cameras. It was made to fulfil a specific need of reporters from Reuters who could shoot pro quality stills with the occasional video.
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| | | | Re: syncronize by Darius Cornean on Nov 1, 2009 at 6:54:21 am in the Apple Final Cut Pro Forum The format are the same for both cameras and i syncronize with a clap
(and then with points for multiclip). | | | | |
| | | | Re: OT: End of Prosumer Camcorders??? by Rafael Amador on Nov 1, 2009 at 2:16:29 am in the Apple Final Cut Pro Forum I agree with Peter: This camera is a game changer.
The fps that the camera records or the codec or data-rate is not important. That can be easily changed.
The important thing is the potential.
This have been just an experiment.
Canon didn't try t | | | | |
| | | | Re: OT: End of Prosumer Camcorders??? by Andrew Kimery on Oct 31, 2009 at 11:08:04 pm in the Apple Final Cut Pro Forum [Stu Siegal] "Actually, they addressed the need for high quality stills & web video from one unit a while ago.
http://www.usa.canon.com/app/html/HDV/XHA1/case_study_03.shtml
Granted, still photogs didn't throw away their DSLR's for A1's, and | | | | |
| | | | Re: OT: End of Prosumer Camcorders??? by Scott Sheriff on Oct 31, 2009 at 8:10:53 pm in the Apple Final Cut Pro Forum The topic of this thread was if the Cannon was somehow going to be the end of the current crop of 'Prosumer' cameras, and not if the Cannon was a good camera or not.
Despite some well deserved praise for the Cannon, plenty of folks posted reasons th | | | | |
| | | | Re: OT: End of Prosumer Camcorders??? by Andrew Kimery on Oct 31, 2009 at 7:05:24 pm in the Apple Final Cut Pro Forum [Stu Siegal] "In this case, it feels to me like Canon designed these two not to draw customers off their XL camcorder line (thus many of Dave's legitimate gripes regarding form, control, audio), but to come out with a product that tempts people waiti | | | | |
| | | | Re: Major Issues while exporting In FCP 7 by David Roth Weiss on Oct 31, 2009 at 6:18:40 pm in the Apple Final Cut Pro Forum Ali,
First, welcome to the Cow.
Now, in the future, please help us to help you to get the precise answers to your questions that I'm sure you would really like. Your post above is one of those classics we get here all the time these days that: | | | | |
| | | | syncronize by Darius Cornean on Oct 31, 2009 at 4:24:41 pm in the Apple Final Cut Pro Forum I have a problem with the synchronize between video and sound. I record with 4 camera, 3 Sony PMW-EX3 and 1 Sony HVR-Z7E. The sound its record detached and add it after with multicam.
when I import the files for multiclip the video files from | | | | |
| | | | syncronize by Darius Cornean on Oct 31, 2009 at 4:22:25 pm in the Sony EX Series XDCAM Forum I have a problem with the synchronize between video and sound. I record with 4 camera, 3 Sony PMW-EX3 and 1 Sony HVR-Z7E. The sound its record detached and add it after with multicam.
when I import the files for multiclip the video files from | | | | |
| | | | Re: iframe...how much ya wanna bet??? by David Courtney on Oct 31, 2009 at 1:47:38 pm in the Apple Final Cut Pro Forum First of all let me say that I'm using Final Cut Express, but I have no reason to believe that my experiences would be any different with FCP.
I just recently purchased the Sanyo Xacti VPC-FH1A and have been using Iframes with Final Cut with no pr | | | | |
| | | | Re: OT: End of Prosumer Camcorders??? by Zane Barker on Oct 31, 2009 at 5:42:14 am in the Apple Final Cut Pro Forum [Dave LaRonde] "but doesn't anybody GET IT? Canon knows how to make video cameras!"
[Dave LaRonde] "Have you forgotten that Canon knows how to make video cameras, yet they chose to put all this miraculous stuff in a still camera? "
Not sure YO | | | | |
| | | | Re: capture w/ HDPVR, vegas 9 cant edit or play it back? by John Frey on Oct 31, 2009 at 1:21:31 am in the Sony Vegas Forum What file format is the PVR recording to? There so many different file formats out there now, it is no wonder Vegas has issues with some of these. One of my HD cameras records mp4 in a Quicktime wrapper as .MOV files. They are 1920 x 1080. Even with | | | | |
| | | | Encore CS4 Blu-Ray and Real 1080p 30ish frame rates by John Zentmeyer on Oct 31, 2009 at 12:00:04 am in the Adobe Encore DVD Forum Is this really true that Encore CS4 and prior only supports 1080p in 24ish frame rates? Is 1080p 30ish not an official Blu-Ray frame rate? I have not seen any significant threads that really question why it is not there. With most good prosumer and p | | | | |
| | | | Re: RED's October 30th Announcements by Noah Kadner on Oct 30, 2009 at 11:02:47 pm in the RED Camera Forum The bottom line-
No cameras released to the public this year. Beta EPICs to RED ONE owners in order of serial numbers starting this year- with luck. EPICs released to public after closed beta sometime in early 2010. Scarlet to come sometime after | | | | |
| | | | Re: OT: End of Prosumer Camcorders??? by Scott Sheriff on Oct 30, 2009 at 10:47:40 pm in the Apple Final Cut Pro Forum "Sorry but you are so wrong. I don't care if it was a matchbox with a pinhole producing pictures, I'm going on what they look like."-Peter
Yes as an editor pretty pictures are always preferable. But if you want to use that logic we should all shoo | | | | |
| | | | Re: OT: End of Prosumer Camcorders??? by Christopher Wright on Oct 30, 2009 at 10:22:44 pm in the Apple Final Cut Pro Forum Dave,
I really think the point here is that this DSLR camera is just one tool in the arsenal. And especially with the 7D now, a VERY inexpensive one at that. I paid for mine twice over on the first shoot. Not to mention it is a great still camera. | | | | |
| | | | Re: Portable Audio Recorder for Interviews? by Lovette Hamilton on Oct 30, 2009 at 10:15:45 pm in the Audio Professionals Forum All of the scenarios we ideally want to be able to use this portable recorder for will be the following:
1) We're just using it by itself. Just the interviewer/guest talking into the mic hooked up to the recorder. We'll then prep the audio to be l | | | | |
| | | | Re: Portable Audio Recorder for Interviews? by Lovette Hamilton on Oct 30, 2009 at 9:36:15 pm in the Audio Professionals Forum Hey, thanks for the response!
Yes, we want a hand-held mic for the interviewed to hold and just tip back and forth between her and the guest. It's for interviews usually on location at events. For example, the last one we did, we were interviewin | | | | |
| | | | Re: OT: End of Prosumer Camcorders??? by John Davidson on Oct 30, 2009 at 9:36:05 pm in the Apple Final Cut Pro Forum I don't think you're gonna "get it" no matter what anybody says. This is a prosumer camera capable of making beautiful cinematic shots similar to ones found on much more expensive professional cameras.
This isn't an ENG camera - and nobody is t | | | | |
| | | | Media 100 | Media 100 HD | MultiClip Editing in Media 100 Suite
In this new video tutorial, Floh Peters of Magic Eye takes a look at Media 100 Suite's new MultiClip Editing feature. Ideal for music videos, studio and on-location television, concerts, and live events, MultiClip Editing facilitates real-time editing of multiple video and audio sources in a familiar, easy-to-use interface. A camera can be added to an existing MultiClip as its source media becomes available, allowing you to begin cutting a multicam shoot faster than ever before. Cameras can be synced via timecode, sync marks, or in-points. When syncing via timecode, additional footage can even be assigned to an existing camera - extremely helpful in situations where a camera has been stopped to change tapes or batteries. Tutorial, Video Tutorial Author: Floh Peters |
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| | | | HD High-End | Driving Toward Success
No matter how unexpected and varied the routes, the roads to success are often marked by customer service, attention to detail, and the imagination to see that success is even possible. Feature, People / Interview Author: Philip Garvin |
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| | | | DaVinci - NEW ! | DaVinci - Rebuilding the Brand for the 21st Century
How's this for chutzpah? The DaVinci customers at Blackmagic Design buy the company, to set it back on the right path - making big investments, expanding service while slashing fees, accelerating development, and rebuilding Da Vinci from their own experience as its customers. Feature, People / Interview Author: Grant Petty |
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| | | | Art of the Edit | Making Big Plans
Today, South Africa. Tomorrow, the world. Eugen and his colleagues at 3DTree carefully plan every job, plan how to extend their creativity - and yes, their expansion into Hollywood. Feature, People / Interview Author: Eugen Olsen |
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| | | | DaVinci - NEW ! | Blackmagic & DaVinci, and What It Means
Blackmagic founder Grant Petty says that the company's purchase of DaVinci systems actually fits exactly what they have done all along: build the kinds of products they have needed for their own postproduction business, and being the kind of company they'd want to do business with. While important details are still being worked out, Grant has some very clear visions about how these practices can help rebuild one of the industry's most respected brands. People / Interview Author: Grant Petty |
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| | | | Cinematography | The Redrock Micro DSLR Cinema Bundle for the Canon 5D MKII
If you are using the Canon 5D MKII or Nikon D90 for their gorgeous HD video, or even thinking about it, you need to read this. Creative COW Contributing Editor Jim Harvey shows how the Redrock Micro DSLR Bundle makes these cameras even more useful for video shooters, then shows how he and other pros are using it, in the field and in the studio. Jim is enthusiastic about the possiblities it opens up, and thinks you will be too. Review Author: Jim Harvey |
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| | | | HD High-End | HD Unleashed
In this review from The Creative COW Magazine, Charles Papert, SOC, sets his Steadicam free with wireless, uncompressed HD using the IDX CAM~WAVE. Review Author: Charles Papert |
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| | | | Business & Marketing | Heavy Iron
How can a creative business survive, much less prosper, these days? DigitalFilm Tree's Zed Saeed offers a possible solution that combines embracing new, disruptive, low-cost technologies, and investing wisely to add value. Editorial, Business Author: Zed Saeed |
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| | | | Apple Final Cut Pro | Final Cut Studio 3 is here, and all is good!
Our man in Nepal, Jiggy Gaton, likes to live for danger. He installed a major software upgrade mid-project, with virtually no preparation, just to see what would break. Lo and behold, it all worked! And the more Jiggy works with it, the better he's liking it. Join him in this Creative COW, Real-world, Real-time Report on Final Cut Studio 3. Review Author: Jiggy Gaton |
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| | | | Sony Vegas | Sony Vegas Pro 9
In this article, CreativeCOW's Jim Harvey takes a look the new release of Vegas Pro 9 and determines ...This is one of the most comprehensive editing suites out there and certainly the most comprehensive version of VEGAS to be released. Review Author: Jim Harvey |
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| | | | Cinematography | Focus on Controlling Depth of Field with Depth of Field Converters
Cinematographer and Creative Cow leader Todd Terry has shot countless television commercials and industrials using both 35mm film and depth-of-field converted video. In this Creative Cow Magazine Extra, from The Visual Effects Issue, learn how depth of field converters allow you to attach 35mm lenses even to video cameras with fixed lenses, how they work, and which one might be right for you. Feature Author: Todd Terry |
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Podcasts | | | | creative cow podcast Episode #063 - February 17, 2009 AVCCAM with Panasonic's Robert Harris, JVC GY-HM700 ProHD camcorder, Blackmagic Decklink HD Extreme, CS4 web seminar, Panasonic color viewfinder and P2 AG-HPX300, Skype on smartphones and more creative news and interviews - creativecow.net | | | | |
| | | | creative cow podcast Episode #032 - April 27, 2006 Episode 032 - NAB Wrap-up, Better Design with Philip Konya, Panasonic and JVC HD cameras, Red One, AJA, Telestream Flip4Mac, 17-inch MacBook Pro, New Tek SpeedEDIT, Media 100, Apple Aperture 1.1 and more creative tech news, interviews and reports - www.creativecow.net | | | | |
| | | | creative cow podcast Episode #018 - January 19, 2006 Episode 018 - Adobe After Effects 7 Review with John Dickinson, Creative News with Ron Lindeboom, Adobe's New Creative Suite Production Studio, New Sony HD cameras and more creative tech news, interviews and reports - www.creativecow.net | | | | |
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