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Cameras

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HELP! Convert 8mm to digital
by Dan Edwardson on Nov 2, 2009 at 11:45:02 pm
in the Adobe Premiere Pro Forum
Hi Guys! I have just come back from a trip from India, However i could only source a very old samsung camera to film with, the cameras output is Phono Video and Mono Audio (Yellow and white) I need a cheap and easy system to convert it on to my
Re: Ultra Different Cameras angles of a single virtual set,
by Jason Welton on Nov 2, 2009 at 11:34:20 pm
in the Adobe ULTRA Forum
It sounds like Visual Communicator (another product from the Serious Magic family that adobe purchased) might be better suited to what you are describing. Cheers, -Jason
Re: OT: End of Prosumer Camcorders???
by Dave LaRonde on Nov 2, 2009 at 9:30:39 pm
in the Apple Final Cut Pro Forum
[Mitch Ives] "I guess I'll have to ask why you feel this way? " I've since been informed -- several times, I might add -- that the 7D solves the frame rate problems of the 5D. But there are still things about the camera that make it less than ide
Re: OT: End of Prosumer Camcorders???
by Mitch Ives on Nov 2, 2009 at 9:12:20 pm
in the Apple Final Cut Pro Forum
[Zane Barker] "Canons SLR department and Video camera departments are DIFFERENT DEPARTMENTS. Im personally betting with time that they till do some merging and we will some cameras aimed toward video people what will use the SLR lenses. " I think
Re: OT: End of Prosumer Camcorders???
by Mitch Ives on Nov 2, 2009 at 8:59:13 pm
in the Apple Final Cut Pro Forum
[Dave LaRonde] "And finally, the geniuses at Canon set up those cameras to shoot at 30fps. Not Film's 24, not NTSC's 23.976, not PAL's 25, not NTSC's 29.97, but 30. It isn't a natural frame rate for ANYTHING. So: it makes drop-dead gorgeous pictur
Re: AVCHD Archiving
by Glenn Sakatch on Nov 2, 2009 at 6:26:15 pm
in the Apple Final Cut Pro Forum
Thanks for the idea. My camera records to hard drive, but I figured out the opposite works. I recorded to hard drive, through the camera I copied to an 8 gig SD card. Copied the SD “private” folder to my Mac in a folder labeled according to the ev
Re: can telestream help realize a dream??
by Craig Seeman on Nov 2, 2009 at 6:11:09 pm
in the Telestream Wirecast Forum
[Matt Rice] "can I select one audio [out of three camera feeds] to rule them all, so to speak?]). " Absolutely! [Matt Rice] "With that budget, I should be looking toward upgrading my current duo core mac to something a little more beastly?" With t
Re: can telestream help realize a dream??
by Matt Rice on Nov 2, 2009 at 5:49:28 pm
in the Telestream Wirecast Forum
Craig, thank you. So say I have a budget of 6,000...I have my three xha1's locked as well as my mic (which I assume I'll hook up through my xh and have that translate to telestream? can I select one audio [out of three camera feeds] to rule them
Text alignment issues affecting entire css instead of selected text
by Kelly Watt on Nov 2, 2009 at 5:48:37 pm
in the Adobe Dreamweaver Forum
Hi, when making a change to a particular text or table, like changing the alignment from center to align left, it is affecting the css style sheet instead of just the selected material in the table or text. So everything on the entire site is coming
Re: AG HPX5000 Field Offload Directly To Drive
by Jeremy Garchow on Nov 2, 2009 at 5:27:38 pm
in the Panasonic HVX - HPX (P2) Forum
[peter tours] "Just to check, does anyone think I would benefit from using Shotput and a puter or the Panny Management software and a puter rather than the cameras built in host copy and verify modes? " I think this has been convered, but it depen
Re: AG HPX5000 Field Offload Directly To Drive
by peter tours on Nov 2, 2009 at 5:25:58 pm
in the Panasonic HVX - HPX (P2) Forum
Well I looked at both devices and had I known about them when we financed the package I would have probably considered them. Since I was able to offload directly now, I think that wraps it for me. The copy function on the camera even has a verif
Re: Apple Color does not accept 24p vids?
by Joseph Owens on Nov 2, 2009 at 5:05:15 pm
in the Apple Color Forum
Codec problem. COLOR adheres to the frame rate embedded in the XML created on the "Send To..." instruction. COLOR certainly supports 24 fps, but usually in dpx/cin workflow. A lot of consumer codecs try to simplify the language for the laity so
Re: Vs CineAlta VariCam
by Luiz Felipe Marcondes on Nov 2, 2009 at 4:08:25 pm
in the Panasonic VariCam Forum
I think the system VariCam HD avc-intra 100 is second only to the CineAlta HDCAM SR 4:4:4 in f-23 f-35 and the new frw-900 (I think this is the model) The signal from the AVC-intra 100 4:2:2 features a 10 bit image simply remembering that wonde
RE: Canon XL1 Cameras
by Jay Valentine on Nov 2, 2009 at 2:40:53 pm
in the Classifieds, For Sale Forum
Canon XL1 Camera's for sale. Two (2) Originally equipped cameras that included: larger capacity battery, all weather skin, hard case, filter set (neutrals, polarizer, etc,) Great condition, studio use, low hours. Any questions please call. I am in t
Re: More stuttering zoom stories....
by Michael Pruitt-Bruun on Nov 2, 2009 at 2:17:18 pm
in the Sony EX Series XDCAM Forum
that sounds very much like our experience, Bob. i hadn't posted a follow up just because by the time we finished dealing with this i was pretty fed up. it was very disappointing to buy a malfunctioning camera and be told "tough sh!t." i forget jus
Descriptions
by Chris Bové on Nov 2, 2009 at 12:48:29 pm
in the COWmunications feedback Forum
Hi all! Just a quick message. I've been Moo-ing for years. Promoting this site to everyone I find. Bumped into a producer on an old project yesterday. Asked him if he uses the COW at all. He said barely. Said "It's a place for NAB-based tekkies and n
Changing Aspect Ratio on only one track (4:3 to 16:9)
by Ben Edwards on Nov 2, 2009 at 9:23:22 am
in the Sony Vegas Forum
We did a two camera shoot, one of the cameras was 16:9 and one 4:3. We are planing on using a mixture of zoom and cropping to make the aspect ratios similar. I am sure I can work out how to do this on a single event but once I have worked of th
Harinezumi AVI to MOV for FCP 6
by Dimitrios Papagiannis on Nov 2, 2009 at 6:13:49 am
in the Apple Final Cut Pro Forum
I have one of those Harinezumi (toy) cameras that records in avi. I am wondering if anyone has converted that type of an AVI file to an MOV so it can be used in fcp 6 and what did you find the best settings to be. Thanks Dimitrios
Re: Please help me understand this :(
by Brian Lynn on Nov 2, 2009 at 5:48:44 am
in the Adobe After Effects Forum
I have 2 internal 3 Tera Byte RAID5 arrays built from (3)7500rpm SATA HDDs and two Adaptec RAID cards, 3405 I think is the card number. I also have 2 10,000 rpm system drives (mirrored). One raid for content, one raid to render to, and the system dri
How to tell if something was shot 24p from HVX capturing with DSR-20
by Bryan Roberts on Nov 2, 2009 at 2:55:16 am
in the Apple Final Cut Pro Forum
Hello all, been a while since I had to capture tapes or dealt with tape based media so I could really use some help / a refresher with this issue: My assistant editor is capturing tapes (miniDV) for a multicam show shot on the HVX (same cameras fo
Re: RED Announcement
by Noah Kadner on Nov 2, 2009 at 2:40:25 am
in the RED Camera Forum
I think part of what has changed the Scarlet approach has been the explosion of cameras like the Canon 5D Mark II and 7D which have quickly become the low end of the market. They may feel that in order to present a more successful camera they need to
Sony DSR-1800A Record Inhibit when any tape is inserted
by Russell Gough on Nov 2, 2009 at 1:49:17 am
in the Sony DV Forum
Hi All, newbie here...found a couple of similar posts but no definitive answers. I buy and sell used SD gear and I just received an 1800A deck with the following issues - whenever any tape is inserted the REC INHIBIT light is on regardless of tape s
Sony DSR-1800A Record Inhibit when any tape is inserted
by Russell Gough on Nov 2, 2009 at 1:48:31 am
in the Broadcast Video Forum
Hi All, newbie here...found a couple of similar posts but no definitive answers. I buy and sell used SD gear and I just received an 1800A deck with the following issues - whenever any tape is inserted the REC INHIBIT light is on regardless of tape s
Re: Sony DSR 1500A problem
by Russell Gough on Nov 2, 2009 at 1:35:36 am
in the Sony DV Forum
Hi Elizabeth, did you get a solution to this problem? I just received an 1800A deck withe exactly the same issue - whenever any tape is inserted the REC INHIBIT light is on regardless of tape selector. I also have a video capture issue as well but
Re: Windows 7 & Intensity Pro
by andrew zarian on Nov 1, 2009 at 9:12:18 pm
in the Blackmagic Design Forum
I am also having a issue with this card. I use the Intensity pro with 2 other cameras , and stream my show with vidblaster. normally im at around 75% system resources but in 7 im maxed at 100 %. I have changed the 3rd camera to something else other t
Jobs For V/J Cameraman
by Mahmood ahmed on Nov 1, 2009 at 4:59:07 pm
in the JOBS Wanted Forum
Curriculum Vitae Mahmood Ahmed Pakistan, 46000 Mobile: +92-3005136354/0345-9058187 Email: - mahmood4i@hotmail.com Father’s Name
Re: OT: End of Prosumer Camcorders???
by Rafael Amador on Nov 1, 2009 at 4:41:15 pm
in the Apple Final Cut Pro Forum
[Neil Sadwelkar] " Hence, by and large, videos from these vDSLRs seem to be pretty decent looking compared to the shaky, zoomy, swimmy videos most amateurs dish out of handycam type video cameras. " I agree with you Neil, but so far we have been wat
Re: Which camera best for film out (theater release)
by Harry Pallenberg on Nov 1, 2009 at 4:03:06 pm
in the Indie Film & Documentary Forum
Seriously, Noah is being kind... listen to him. Make the best film you can (with the help of people who have done it - ie DP and a post prod super - you can talk to them at many of the larger post houses)... then if it is good, and a festifal succ
Re: Which camera best for film out (theater release)
by Noah Kadner on Nov 1, 2009 at 3:42:04 pm
in the Indie Film & Documentary Forum
Please hire a post-production supervisor before you shoot yourself in the foot, not to mention a DP who knows what they're doing and can recommend you a decent camera because you don't 'reverse telecine' to go out to film. Quite the opposite actually
CS4 Premiere Pro, Video/Audio don't line up
by Tim Thompson on Nov 1, 2009 at 2:12:54 pm
in the Adobe Premiere Pro Forum
I have a recording studio. I do simple videos. Was using Premiere Elements 7. BUT, I think there is an issue using my flip HD files. SO, I bought Premiere Pro CS4 thinking that would solve my problems. Things got more complicate My system: AMD
Re: OT: End of Prosumer Camcorders???
by Neil Sadwelkar on Nov 1, 2009 at 1:16:46 pm
in the Apple Final Cut Pro Forum
Dave, The original intent of the Canon 5d MkII was not to be a video camera, nor challenge any existing video cameras. It was made to fulfil a specific need of reporters from Reuters who could shoot pro quality stills with the occasional video.
Re: syncronize
by Darius Cornean on Nov 1, 2009 at 6:54:21 am
in the Apple Final Cut Pro Forum
The format are the same for both cameras and i syncronize with a clap (and then with points for multiclip).
Re: OT: End of Prosumer Camcorders???
by Rafael Amador on Nov 1, 2009 at 2:16:29 am
in the Apple Final Cut Pro Forum
I agree with Peter: This camera is a game changer. The fps that the camera records or the codec or data-rate is not important. That can be easily changed. The important thing is the potential. This have been just an experiment. Canon didn't try t
Re: OT: End of Prosumer Camcorders???
by Andrew Kimery on Oct 31, 2009 at 11:08:04 pm
in the Apple Final Cut Pro Forum
[Stu Siegal] "Actually, they addressed the need for high quality stills & web video from one unit a while ago. http://www.usa.canon.com/app/html/HDV/XHA1/case_study_03.shtml Granted, still photogs didn't throw away their DSLR's for A1's, and
Re: OT: End of Prosumer Camcorders???
by Scott Sheriff on Oct 31, 2009 at 8:10:53 pm
in the Apple Final Cut Pro Forum
The topic of this thread was if the Cannon was somehow going to be the end of the current crop of 'Prosumer' cameras, and not if the Cannon was a good camera or not. Despite some well deserved praise for the Cannon, plenty of folks posted reasons th
Re: OT: End of Prosumer Camcorders???
by Andrew Kimery on Oct 31, 2009 at 7:05:24 pm
in the Apple Final Cut Pro Forum
[Stu Siegal] "In this case, it feels to me like Canon designed these two not to draw customers off their XL camcorder line (thus many of Dave's legitimate gripes regarding form, control, audio), but to come out with a product that tempts people waiti
Re: Major Issues while exporting In FCP 7
by David Roth Weiss on Oct 31, 2009 at 6:18:40 pm
in the Apple Final Cut Pro Forum
Ali, First, welcome to the Cow. Now, in the future, please help us to help you to get the precise answers to your questions that I'm sure you would really like. Your post above is one of those classics we get here all the time these days that:
syncronize
by Darius Cornean on Oct 31, 2009 at 4:24:41 pm
in the Apple Final Cut Pro Forum
I have a problem with the synchronize between video and sound. I record with 4 camera, 3 Sony PMW-EX3 and 1 Sony HVR-Z7E. The sound its record detached and add it after with multicam. when I import the files for multiclip the video files from
syncronize
by Darius Cornean on Oct 31, 2009 at 4:22:25 pm
in the Sony EX Series XDCAM Forum
I have a problem with the synchronize between video and sound. I record with 4 camera, 3 Sony PMW-EX3 and 1 Sony HVR-Z7E. The sound its record detached and add it after with multicam. when I import the files for multiclip the video files from
Re: iframe...how much ya wanna bet???
by David Courtney on Oct 31, 2009 at 1:47:38 pm
in the Apple Final Cut Pro Forum
First of all let me say that I'm using Final Cut Express, but I have no reason to believe that my experiences would be any different with FCP. I just recently purchased the Sanyo Xacti VPC-FH1A and have been using Iframes with Final Cut with no pr
Re: OT: End of Prosumer Camcorders???
by Zane Barker on Oct 31, 2009 at 5:42:14 am
in the Apple Final Cut Pro Forum
[Dave LaRonde] "but doesn't anybody GET IT? Canon knows how to make video cameras!" [Dave LaRonde] "Have you forgotten that Canon knows how to make video cameras, yet they chose to put all this miraculous stuff in a still camera? " Not sure YO
Re: capture w/ HDPVR, vegas 9 cant edit or play it back?
by John Frey on Oct 31, 2009 at 1:21:31 am
in the Sony Vegas Forum
What file format is the PVR recording to? There so many different file formats out there now, it is no wonder Vegas has issues with some of these. One of my HD cameras records mp4 in a Quicktime wrapper as .MOV files. They are 1920 x 1080. Even with
Encore CS4 Blu-Ray and Real 1080p 30ish frame rates
by John Zentmeyer on Oct 31, 2009 at 12:00:04 am
in the Adobe Encore DVD Forum
Is this really true that Encore CS4 and prior only supports 1080p in 24ish frame rates? Is 1080p 30ish not an official Blu-Ray frame rate? I have not seen any significant threads that really question why it is not there. With most good prosumer and p
Re: RED's October 30th Announcements
by Noah Kadner on Oct 30, 2009 at 11:02:47 pm
in the RED Camera Forum
The bottom line- No cameras released to the public this year. Beta EPICs to RED ONE owners in order of serial numbers starting this year- with luck. EPICs released to public after closed beta sometime in early 2010. Scarlet to come sometime after
Re: OT: End of Prosumer Camcorders???
by Scott Sheriff on Oct 30, 2009 at 10:47:40 pm
in the Apple Final Cut Pro Forum
"Sorry but you are so wrong. I don't care if it was a matchbox with a pinhole producing pictures, I'm going on what they look like."-Peter Yes as an editor pretty pictures are always preferable. But if you want to use that logic we should all shoo
Advice on specific digital camera to purchase: Video Time lapse, 12 days
by Steve Dorst on Oct 30, 2009 at 10:45:31 pm
in the Digital Photography Forum
Hello, I've just spent an hour on these boards, and very useful. I especially liked Marco's comprehensive description of how to do a time lapse video with a digital camera: http://magazine.creativecow.net/article/time-lapse-video-secrets-hd-and-be
Re: OT: End of Prosumer Camcorders???
by Christopher Wright on Oct 30, 2009 at 10:22:44 pm
in the Apple Final Cut Pro Forum
Dave, I really think the point here is that this DSLR camera is just one tool in the arsenal. And especially with the 7D now, a VERY inexpensive one at that. I paid for mine twice over on the first shoot. Not to mention it is a great still camera.
Re: Portable Audio Recorder for Interviews?
by Lovette Hamilton on Oct 30, 2009 at 10:15:45 pm
in the Audio Professionals Forum
All of the scenarios we ideally want to be able to use this portable recorder for will be the following: 1) We're just using it by itself. Just the interviewer/guest talking into the mic hooked up to the recorder. We'll then prep the audio to be l
Re: Portable Audio Recorder for Interviews?
by Lovette Hamilton on Oct 30, 2009 at 9:36:15 pm
in the Audio Professionals Forum
Hey, thanks for the response! Yes, we want a hand-held mic for the interviewed to hold and just tip back and forth between her and the guest. It's for interviews usually on location at events. For example, the last one we did, we were interviewin
Re: OT: End of Prosumer Camcorders???
by John Davidson on Oct 30, 2009 at 9:36:05 pm
in the Apple Final Cut Pro Forum
I don't think you're gonna "get it" no matter what anybody says. This is a prosumer camera capable of making beautiful cinematic shots similar to ones found on much more expensive professional cameras. This isn't an ENG camera - and nobody is t
Windows Hardware & Software
HP SkyRoom: Sharing is NiceHP SkyRoom: Sharing is Nice

You might look at HP SkyRoom and see a videoconferencing system, which indeed it is. But it is also a powerful tool for desktop sharing and collaboration, taking advantage of advanced technologies for maximum performance.
Feature
Author: Tim Wilson
Media 100 | Media 100 HD
MultiClip Editing in Media 100 Suite MultiClip Editing in Media 100 Suite

In this new video tutorial, Floh Peters of Magic Eye takes a look at Media 100 Suite's new MultiClip Editing feature. Ideal for music videos, studio and on-location television, concerts, and live events, MultiClip Editing facilitates real-time editing of multiple video and audio sources in a familiar, easy-to-use interface. A camera can be added to an existing MultiClip as its source media becomes available, allowing you to begin cutting a multicam shoot faster than ever before. Cameras can be synced via timecode, sync marks, or in-points. When syncing via timecode, additional footage can even be assigned to an existing camera - extremely helpful in situations where a camera has been stopped to change tapes or batteries.
Tutorial, Video Tutorial
Author: Floh Peters
HD High-End
Driving Toward SuccessDriving Toward Success

No matter how unexpected and varied the routes, the roads to success are often marked by customer service, attention to detail, and the imagination to see that success is even possible.
Feature, People / Interview
Author: Philip Garvin
DaVinci - NEW !
DaVinci - Rebuilding the Brand for the 21st CenturyDaVinci - Rebuilding the Brand for the 21st Century

How's this for chutzpah? The DaVinci customers at Blackmagic Design buy the company, to set it back on the right path - making big investments, expanding service while slashing fees, accelerating development, and rebuilding Da Vinci from their own experience as its customers.
Feature, People / Interview
Author: Grant Petty
Art of the Edit
Making Big PlansMaking Big Plans

Today, South Africa. Tomorrow, the world. Eugen and his colleagues at 3DTree carefully plan every job, plan how to extend their creativity - and yes, their expansion into Hollywood.
Feature, People / Interview
Author: Eugen Olsen
DaVinci - NEW !
Blackmagic & DaVinci, and What It MeansBlackmagic & DaVinci, and What It Means

Blackmagic founder Grant Petty says that the company's purchase of DaVinci systems actually fits exactly what they have done all along: build the kinds of products they have needed for their own postproduction business, and being the kind of company they'd want to do business with. While important details are still being worked out, Grant has some very clear visions about how these practices can help rebuild one of the industry's most respected brands.
People / Interview
Author: Grant Petty
Cinematography
The Redrock Micro DSLR Cinema Bundle for the Canon 5D MKIIThe Redrock Micro DSLR Cinema Bundle for the Canon 5D MKII

If you are using the Canon 5D MKII or Nikon D90 for their gorgeous HD video, or even thinking about it, you need to read this. Creative COW Contributing Editor Jim Harvey shows how the Redrock Micro DSLR Bundle makes these cameras even more useful for video shooters, then shows how he and other pros are using it, in the field and in the studio. Jim is enthusiastic about the possiblities it opens up, and thinks you will be too.
Review
Author: Jim Harvey
HD High-End
HD UnleashedHD Unleashed

In this review from The Creative COW Magazine, Charles Papert, SOC, sets his Steadicam free with wireless, uncompressed HD using the IDX CAM~WAVE.
Review
Author: Charles Papert
Creative COW Magazine feedback
The more things change... the more they change!The more things change... the more they change!

One project took four years, and included unprecedented interactivity, Java-enabled delivery of new material to network-connected Blu-ray players, and auto updating interfaces. This is not a problem solved by a $1000 software suite.
Editorial
Author: Tim Wilson
Business & Marketing
Heavy IronHeavy Iron

How can a creative business survive, much less prosper, these days? DigitalFilm Tree's Zed Saeed offers a possible solution that combines embracing new, disruptive, low-cost technologies, and investing wisely to add value.
Editorial, Business
Author: Zed Saeed
Apple Final Cut Pro
Final Cut Studio 3 is here, and all is good!Final Cut Studio 3 is here, and all is good!

Our man in Nepal, Jiggy Gaton, likes to live for danger. He installed a major software upgrade mid-project, with virtually no preparation, just to see what would break. Lo and behold, it all worked! And the more Jiggy works with it, the better he's liking it. Join him in this Creative COW, Real-world, Real-time Report on Final Cut Studio 3.
Review
Author: Jiggy Gaton
Indie Film & Documentary
Film? Really? Yes, Really.Film? Really? Yes, Really.

Even all-digital, file-based films are still shown mostly on film. That's why Mike Lehman is helping indie filmmakers get their work onto the worldwide standard for theatrical exhibition.
Editorial
Author: Mike Lehman
Live & Stage Events
Flypacking for the Dalai LamaFlypacking for the Dalai Lama

Need a single, portable production package for image magnification, broadcast and webcast - all at the same time? Don't panic. Let Todd Gillespie's experience help lead you to inner peace.
Editorial
Author: Todd Gillespie
Broadcast Video
Bessie's New Tool Round-upBessie's New Tool Round-up

There are a lot of new products designed with your heavy lifting needs in mind. Here are a few that have recently managed to catch our eyes.
Review
Author: Cowdog
Sony Vegas
Sony Vegas Pro 9Sony Vegas Pro 9

In this article, CreativeCOW's Jim Harvey takes a look the new release of Vegas Pro 9 and determines ...This is one of the most comprehensive editing suites out there and certainly the most comprehensive version of VEGAS to be released.
Review
Author: Jim Harvey
Cinematography
Focus on Controlling Depth of Field with Depth of Field ConvertersFocus on Controlling Depth of Field with Depth of Field Converters

Cinematographer and Creative Cow leader Todd Terry has shot countless television commercials and industrials using both 35mm film and depth-of-field converted video. In this Creative Cow Magazine Extra, from The Visual Effects Issue, learn how depth of field converters allow you to attach 35mm lenses even to video cameras with fixed lenses, how they work, and which one might be right for you.
Feature
Author: Todd Terry
Art of the Edit
Metadata & The Future of FilmmakingMetadata & The Future of Filmmaking

In this expanded version of an interview first published in Creative Cow Magazine, Dave describes a possible future for filmmaking -- faster, less expensive, and more creative -- as cameras and metadata come together.
Feature
Author: Dave Stump
Audio Professionals
Audio Mixing for DV and HDV: PSC DV Promix 3Audio Mixing for DV and HDV: PSC DV Promix 3

Brandt Sleeper shows how PSCs DV ProMix 3 will help your DV and HDV recordings sound better than ever -- bars and tone, calibration, for one or several cameras. Could this be the field mixer youve been waiting for?
Review
Author: Brandt Sleeper
Stereoscopic 3D - NEW !
The 3DVXThe 3DVX

Stereoscopic, uncompressed 10-bit HD RAW - from a pair of modded DVX100s!
Feature, People / Interview
Author: Jason Goodman
Stereoscopic 3D - NEW !
Tiny Stereoscopic Rigs - Big PicturesTiny Stereoscopic Rigs - Big Pictures

In this article from the Stereoscopic 3D issue of The Creative COW Magazine, Bernie Laramie, co-founder of Stereoscope, discusses rigs and stereoscopic hardware used in creating high-end 3D movies.
Tutorial, Feature, People / Interview
Author: Bernie Laramie
Motion Graphics - How Do I?
Zoe LANC Zoom ControllerZoe LANC Zoom Controller

Creative COW leader and Emmy winning Cameraman, Wayne Orr takes a look at the ZOE-DV Lanc zoom controller. Find out why this is exciting news for owners of the popular prosumer cameras.
Review
Author: Wayne Orr

Podcasts

creative cow podcast
Episode #063 - February 17, 2009
AVCCAM with Panasonic's Robert Harris, JVC GY-HM700 ProHD camcorder, Blackmagic Decklink HD Extreme, CS4 web seminar, Panasonic color viewfinder and P2 AG-HPX300, Skype on smartphones and more creative news and interviews - creativecow.net
creative cow podcast
Episode #032 - April 27, 2006
Episode 032 - NAB Wrap-up, Better Design with Philip Konya, Panasonic and JVC HD cameras, Red One, AJA, Telestream Flip4Mac, 17-inch MacBook Pro, New Tek SpeedEDIT, Media 100, Apple Aperture 1.1 and more creative tech news, interviews and reports - www.creativecow.net
creative cow podcast
Episode #018 - January 19, 2006
Episode 018 - Adobe After Effects 7 Review with John Dickinson, Creative News with Ron Lindeboom, Adobe's New Creative Suite Production Studio, New Sony HD cameras and more creative tech news, interviews and reports - www.creativecow.net
Forums

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JVC cameras/decks Forum


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