| | | | News: Red Giant Software
by Cow News Droid on Mar 29, 2006 at 5:01:32 pm
in the News & Press Releases Forum
post production studio, The Orphanage, users can de-interlace and de-artifact footage, apply film treatments, crop footage to any standard format, and ensure compliance with broadcast TV standards. Magic Bullet Suite 2.1 is a free upgrade for Magic Bullet Suite 2.0 ... | | | | |
| | | | ank these wireless systems
by Brian Reynolds on Sep 29, 2008 at 11:29:55 pm
in the Audio Professionals Forum
These would be my personal picks and could be debated by others. I have used many systems mainly in Outside Broadcast TV production and some location work. All the systems had good locations and high gain antenna or /and boosters. ... | | | | |
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Apple Final Cut Pro
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Peter Wiggins reviews Multicam Lite
What is one of the most frequently asked questions on the Final Cut Pro forum here on Creative Cow? "What's the best way to cut multi camera material on FCP?" Well up until now there have only been workarounds, like shrinking pictures so all are visible or even just guessing at edits using the razor blade tool to slice through multiple video tracks! In this article, Peter Wiggins reviews Multicam Lite, a custom designed realtime multicamera editing tool for use in conjunction with Final Cut Pro. This exclusive first review should give you an insight into the powerful and time saving features of Multicam Lite, along with the amazing creative freedom and effortless handling of multicamera material. We will also have a quick look at Livecut.
Review
Author: Peter Wiggins |
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| | | | hi-res web images for broadcast
by Tony Getts on Sep 27, 2008 at 2:38:25 pm
in the Adobe Photoshop, Illustrator Forum
We are looking for direction on getting hi-res web images for broadcast tv (digital standard-def). Years ago, as an Avid DS editor, I got good results by linking to (not capturing) a screen-grab of a web page displayed on a ... | | | | |
| | | | Mastering Audio for broadcast
by Evan Schafer on Sep 17, 2008 at 3:27:35 pm
in the Audio Professionals Forum
and peaks up near the 0db level. Is this an acceptable range and level for final broadcast? Some folks I've talked to say to have the RMS around -20 and peaks @ -14. For broadcast TV spots, what is your ... | | | | |
| | | | Looking for...
by Tony Getts on Sep 26, 2008 at 2:10:08 pm
in the COWmunications feedback Forum
I'm looking for guidance on a pretty basic subject/question: how to get great-looking web page images for your broadcast tv spot. This must already exist on your site, but I can't find it. Can you tell me where to look? ... | | | | |
| | | | Can OnLocation record from multiple cameras?
by Larry S. Evans II on Sep 5, 2008 at 5:36:20 pm
in the Adobe OnLocation Forum
give you the option of having two streams to cut later- you have to do the cutting live while shooting. Tricaster is also rather pricey, but comparitively cheaper than broadcast TV equipment which has similar functionality. Larry S. Evans II ... | | | | |
| | | | Exporting TIFF sequence settings for FCP
by Chris Wright on Sep 10, 2008 at 9:53:05 pm
in the Adobe After Effects Forum
but wait! there's more! 1. interpret your digibeta footage in AE as upper field first. 2. don't forget to render out with fields on. PAL broadcast SD is upper field first, HDTV broadcast TV is upper field first, SD NTSC ... | | | | |
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