| | | | Re: FCPX Broadcast Monitoring in action
by Chris Kenny on Apr 19, 2012 at 8:58:59 pm
in the Apple FCPX or Not: The Debate Forum
[Jamie Franklin] "They EOL'd software without warning...putting back OLD software because people were rightly upset doesn't excuse Apples moves here and regain "trust"."
Wait, so your objection is that they didn't continue developing the classic F | | | | |
| | | | Re: FCPX Broadcast Monitoring in action
by Chris Kenny on Apr 19, 2012 at 6:39:52 pm
in the Apple FCPX or Not: The Debate Forum
[Jamie Franklin] "In delicate terms, that is the opposite of being true. They don't trust Apple for a variety of reasons, the least of which is their completely disingenuous performance at NAB, rolling out a product they NEVER said was meant for imov | | | | |
| | | | Re: Forums changed
by andrew sableton on Apr 18, 2012 at 11:11:49 pm
in the DaVinci Resolve Forum
Furthermore if there must be two forums the only split that really makes sense to me is a separate "Configuration" forum. Unless you need a few specific things that the full version offers - say 3D or working in 2K, the Lite version will offer everyt | | | | |
| | | | Re: Apple are hilarious
by Aindreas Gallagher on Apr 18, 2012 at 9:08:37 pm
in the Apple FCPX or Not: The Debate Forum
for sure. Chris Kenny put it pretty well up there:
When you say nobody is using FCP X, I think you're operating under the unspoken assumption that feature film and broadcast TV editing dominate the pro video editing market. They don't in any numer | | | | |
| | | | Re: Apple are hilarious
by Chris Kenny on Apr 18, 2012 at 4:51:26 pm
in the Apple FCPX or Not: The Debate Forum
[Aindreas Gallagher] "Even for Apple that is a ludicrous pronouncement. How do they keep a straight face? They've just gotten hosed for a year, the release was a shambles, and barely anyone is using the thing. "
I seriously doubt the SCRI report A | | | | |
| | | | Service: Image Video Services & Productions
by Daniel Thomson on Apr 18, 2012 at 10:45:55 am
in the COW - Services Forum
In 1969, Dan’s first endeavor into filmmaking was banned because he filmed the school principal yelling at him as he was interviewed. This early experience established his credentials as a documentary filmmaker who evokes passionate responses from hi | | | | |
| | | | Image Video Services & Productions
by Daniel Thomson on Apr 18, 2012 at 3:45:55 am
in the Forum
In 1969, Dan’s first endeavor into filmmaking was banned because he filmed the school principal yelling at him as he was interviewed. This early experience established his credentials as a documentary filmmaker who evokes passionate responses from hi | | | | |
| | | | playing interlaced footage like in tv
by Grzegorz Kwiatkowski on Apr 5, 2012 at 2:13:04 pm
in the Sony Vegas Forum
When playing interlaced footage using standard players such as VLC or Winows Media Player we get always 25 frames per second. The only freedom is we can choose a deinterlace method (which basically blends two frames into one) or play 25 (PAL) frames | | | | |
| | | | playing interlaced footage like in tv
by Grzegorz Kwiatkowski on Apr 5, 2012 at 2:12:36 pm
in the Videoguys.com Tech Talk Forum
When playing interlaced footage using standard players such as VLC or Winows Media Player we get always 25 frames per second. The only freedom is we can choose a deinterlace method (which basically blends two frames into one) or play 25 (PAL) frames | | | | |
| | | | Gérard Angé / GAP INTERNATIONAL
by Gérard Angé on Mar 30, 2012 at 2:20:33 pm
in the Forum
Gerard was the founder of G.A.P. INTERNATIONAL Inc., a North American based satellite broadcasting business. After creating G.A.P., Gerard expanded that business into a global satellite television network covering North and South America, Europe and | | | | |
| | | | Compression for Broadcast
by Gale McCraw on Mar 24, 2012 at 4:09:50 pm
in the Compression techniques Forum
I currently send TV shows to a network as a MPEG-2 Program Stream (mpg) file. They want want me to change the video Codec to mpeg-2 Long GOP 4.2.2P@ML.
After using compressor my file shows GOP 4.2.0. Is there anyway to change this setting? I am usi | | | | |
| | | | Re: Timeline questions for music videos
by Shane Ross on Mar 23, 2012 at 12:17:05 am
in the Apple Final Cut Pro Forum
[Daniel Patrinellis] "I just made the move from iMovie 11' to FCP 7."
You might consider using FCP-X...it's closer to what you are used to using. And does a lot of technical things so you don't have to worry about them.
[Daniel Patrinellis] "Th | | | | |
| | | | Re: Obtain exact frame rate from rounded frame rate
by Felipe Garcia on Mar 21, 2012 at 2:39:05 pm
in the FFmpeg Forum
Thanks for your detailed reply, Stephen!
I see these values relate to a very specific case related to solving interference issues of the analog broadcast TV signal.
Is there then a general way to obtain the exact frame rate from the rounded fra | | | | |
| | | | Service: Quadruplex Videotape Transfer Services
by Larry Odham on Mar 7, 2012 at 3:54:32 pm
in the COW - Services Forum
27 years broadcast TV operations and engineering maintenance.
Life Member - SBE certified CBT,retired
FCC licensed 1976-
20 year member American Society of Certified Engineering Technicians 1983 - 2003 Tri Cities State Technical Instute - 1981
A | | | | |
| | | | Quadruplex Videotape Transfer Services
by Larry Odham on Mar 7, 2012 at 7:54:32 am
in the Forum
Quadruplex Videotape Transfer Services was started in 2004 to provide an economical 2 inch quad tape restoration and format migration source to colleges, regional archives, libraries, and individuals with limited funds that cannot afford to go to the | | | | |
| | | | Re: Quoi faire?
by Chris Harlan on Mar 6, 2012 at 8:28:21 pm
in the Apple FCPX or Not: The Debate Forum
[Shane Ross] "I certainly bashed Avid 8 years ago when I made the switch to FCP. BOY did I bash it. MANY people basehd it. That's how FCP got a foothold in broadcast TV, because Avid sucked on nearly every level. It was BAD!"
Yup.
[Shane Ross] | | | | |
| | | | Re: Quoi faire?
by Shane Ross on Mar 6, 2012 at 7:34:22 pm
in the Apple FCPX or Not: The Debate Forum
[Michael Brassert] "No one is bashing Avid or Premiere Pro."
I certainly bashed Avid 8 years ago when I made the switch to FCP. BOY did I bash it. MANY people basehd it. That's how FCP got a foothold in broadcast TV, because Avid sucked on nearly | | | | |
| | | | Re: Quoi faire?
by Shane Ross on Mar 5, 2012 at 9:17:55 pm
in the Apple FCPX or Not: The Debate Forum
[Bill Davis] "You'll notice that even lots of those who trash it consistently are STILL coming back here to obsess over it and debate it. So their continuing engagement is a clear sign that virtually none of them actually believe that FCP-X is irrele | | | | |
| | | | Re: What to do with the MXF files in old MC projects?
by Shane Ross on Mar 1, 2012 at 11:36:50 pm
in the AVID Forum
PPro still has a few bugs to work out. Media Management is worse than FCP, and that is saying A LOT. Relinking footage is a nightmare. It's getting there...but not quite up to what we need in the broadcast TV/film world. | | | | |
| | | | Service: Jennifer Prokop
by Jennifer Prokop on Feb 29, 2012 at 7:00:28 pm
in the COW - Services Forum
EDITOR
✂ “MY LUPINE LIFE BY LOUIS PINE” · Live-Action Drama · Web-series · 13 episodes
Lupine Productions Inc.
✂ Official selection Hollyweb Web Series Festival 2012
✂ “WAPOS BAY” · Stop-Motion Animated TV Series · Seasons 01 - 05 · 34 x | | | | |
| | | | Jennifer Prokop
by Jennifer Prokop on Feb 29, 2012 at 11:00:28 am
in the Forum
EDITOR ✂ “MY LUPINE LIFE BY LOUIS PINE” · Live-Action Drama · Web-series · 13 episodes Lupine Productions Inc. ✂ Official selection Hollyweb Web Series Festival 2012 ✂ “WAPOS BAY” · Stop-Motion Animated TV Series · Seasons 01 - 05 · 34 x 24 min + 72 | | | | |
| | | | Matrox mxo2 mini with macbook pro
by matthew stewart on Feb 28, 2012 at 3:39:15 am
in the Matrox Video Systems Forum
I just purchased the new matrox mini to connect a broadcast tv to my macbook pro, but I'm having trouble figuring out how to set the settings. I have the tv connected with component cables and an hdmi cable to the mxo2 and the matrox connected to my | | | | |
| | | | Service: Cameravision Ltd.
by Cameravision Ltd. on Feb 26, 2012 at 4:56:04 am
in the COW - Services Forum
Broadcast TV Production services in Dublin, Ireland
Experienced producers of entertainment, documentary, news and corporate programming.
Crews • Equipment Rental • TV Production • Editing BBC TV UK cameraman trained Sony HDCAM, XDCAM, Digital Beta | | | | |
| | | | Cameravision Ltd.
by Cameravision Ltd. on Feb 25, 2012 at 8:56:04 pm
in the Forum
Broadcast TV Production services in Dublin, Ireland Experienced producers of entertainment, documentary, news and corporate programming. Crews • Equipment Rental • TV Production • Editing | | | | |
| | | | Re: Best way to convert 1080i ?
by Oliver Peters on Feb 19, 2012 at 10:15:27 pm
in the Apple FCPX Techniques Forum
Why are you doing 1080i for the web? This is a broadcast TV format. Interlaced and the web should never be put together if you can avoid it. The most optimized setting at a high, reasonable quality level these days for YouTube and Vimeo is 720p/30 or | | | | |
| | | | Service: Asiahire Bangkok Ltd.
by Ivor Fitzpatrick on Feb 19, 2012 at 3:06:00 pm
in the COW - Services Forum
Broadcast TV Production Services in Bangkok, Thailand.
Experienced producers of entertainment, documentary, news and corporate programming
Crews • Equipment Rental • TV Production • Editing
Sony HDCAM, XDCAM HD / EX3, Digital Betacam - PAL & | | | | |
| | | | Asiahire Bangkok Ltd.
by Ivor Fitzpatrick on Feb 19, 2012 at 7:06:00 am
in the Forum
Broadcast TV Production Services in Bangkok, Thailand. Experienced producers of entertainment, documentary, news and corporate programming Crews • Equipment Rental • TV Production • Editing Sony HDCAM, XDCAM HD / EX3, Digital Betacam - PAL & NTSC cam | | | | |
| | | | Service: Asiahire Tokyo Ltd.
by John O'Brien on Feb 16, 2012 at 8:56:56 am
in the COW - Services Forum
Broadcast TV Production Services in Japan.
Experienced producers of entertainment, documentary, news and corporate programming.
Crews • Equipment Rental • TV Production • Editing
Sony HDCAM, XDCAM, Digital Betacam, DVCAM, HDV, DV - PAL & NTSC cam | | | | |
| | | | Asiahire Tokyo Ltd.
by Ivor Fitzpatrick on Feb 16, 2012 at 12:56:56 am
in the Forum
Broadcast TV Production Services in Japan. Experienced producers of entertainment, documentary, news and corporate programming. Crews • Equipment Rental • TV Production • Editing Sony HDCAM, XDCAM, Digital Betacam, DVCAM, HDV, DV - PAL & NTSC cameras | | | | |
| | | | Re: Suggestion for a complete DSLR camera package?
by Peter J. DeCrescenzo on Feb 10, 2012 at 10:24:21 pm
in the DSLR Video Forum
The audio recording capability of most DSLRs, including the GH2, is at best only OK. Technically it's not even as good as most older prosumer HDV or DV camcorders. And nowhere near as good as modern prosumer & pro camcorders.
Most DSLRs typically | | | | |
| | | | Re: FCPx in local TV
by Dave LaRonde on Jan 18, 2012 at 8:32:03 pm
in the Apple FCPX or Not: The Debate Forum
[Thomas Frank] "Are your saying you can't make spots, programs and promos with FCPX?"
Oh, for cryin' out loud, NO! Get a grip, willya?
Let me make this perfectly clear: With all the activities that a broadcast TV station is expected to do, the | | | | |
| | | | Service: SPAIN TV CREW
by Guillermo Cabrera on Jan 17, 2012 at 12:49:21 pm
in the COW - Services Forum
Spain TV Crew is a dynamic filming and production facility based in Madrid. We supply experienced, creative camera crews and the best in audiovisual equipment. We have crews, cameras, lighting, sound, and grip, all under one roof.
We provide ENG C | | | | |
| | | | SPAIN TV CREW
by Guillermo Cabrera on Jan 17, 2012 at 4:49:21 am
in the Forum
Spain TV Crew is a dynamic filming and production facility based in Madrid. We supply experienced, creative camera crews and the best in audiovisual equipment. We have crews, cameras, lighting, sound, and grip, all under one roof. We provide ENG CREW | | | | |
| | | | Re: Quicktime Closed Caption Track Questions
by Jason Livingston on Jan 16, 2012 at 5:47:17 pm
in the Closed Captioning Forum
Hi Everyone,
There are really three different formats of tracks that QuickTime identifies as a "Closed Captions" track. The differences are only apparent when the file is used for broadcast TV.
For web & computer playback, it doesn't matter if yo | | | | |
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