| | | | Audio Levels - dialogue & music
by Michael Gissing on May 29, 2008 at 7:58:08 am
in the Apple Final Cut Pro Forum
As a broadcast audio pro, I have posted many time here at the cow about broadcast levels. A search of this forum alone will bring up many rants, but to save you the trouble, here are a few pointers. http://forums.creativecow.net/readpost/8/982782 ... | | | | |
| | | | Tone in FCP
by rafalaos on Jan 15, 2007 at 6:01:26 am
in the Apple Final Cut Pro Forum
the audio very low, but that the difference between the average level and the peaks is very hight To reproduce all this range you need a good sound system. When you broadcast audio with 20dbs dinamic range, this must to ... | | | | |
| | | | best workflow to limit audio?
by rcPics on Mar 27, 2007 at 4:29:23 am
in the Apple Final Cut Pro Forum
work with the ratio/attack/release/threshhold settings. Yes, it's still time-consuming, but that's what the work requires, and it's essential to understand these things for broadcast audio when you're tryting to prepare audio that'll play on a variety of systems....from full-on entertainment ... | | | | |
| | | | Black and coding Beta SP
by Rick Macadamia on Nov 12, 2006 at 5:56:34 am
in the Apple Final Cut Pro Forum
audio back to my master Beta SP. No problems, life is good. Recently, however, I did some audio work at a local audio production facility, a top-notch studio with decades of broadcast audio production experience. The audio facility was unable ... | | | | |
| | | | Mastering Audio back to Betcam SP
by Michael G on Jun 18, 2006 at 12:57:01 am
in the Apple Final Cut Pro Forum
Broadcast levels in the digital domain are simple. Ref tone for PAL UK is -18db on the FCP digital scale. Peak levels can go to -10db (ie +8db above reference.) Broadcast audio studios use compressors and limiters to acheive this. ... | | | | |
| | | | Freelance rates
by fwedit on Sep 14, 2005 at 2:07:51 am
in the Audio Professionals Forum
times, but what is a decent frelance rate for an audio tech? I am a video professional with a full time job where I am a jack of all trades including, at times, primary broadcast audio and house audio. I ... | | | | |
| | | | No audio from AJA io
by John Funchess on Aug 21, 2006 at 10:57:11 pm
in the UG: Denver FCP Forum
to output video to a broadcast monitor (via SDI) and the audio would follow to computer speakers (same ones I listen through when the external video was off - getting better broadcast audio monitors soon). One other thing is happening ... | | | | |
| | | | move short silence gaps
by Emmett on May 11, 2007 at 6:14:24 pm
in the Adobe Audition Forum
have to. I already told you that a limiter is simply a compressor with an infinate:1 ratio...The Audition hard-limiter adds a lookahead feature, like you would find on most broadcast audio processors. But it is still nothing more than a ... | | | | |
| | | | Do I need a blackburst generator
by Bob Zelin on Jul 26, 2007 at 2:24:39 am
in the AJA Kona Forum
your audio - is this the correct thing to do as a professional, or is this a smart ass answer ? Perhaps you believe in using the internal speaker of your MAC to hear your broadcast audio. The Federal Avation ... | | | | |
| | | | audio mixer for FCP editing
by seamus on Jun 27, 2007 at 12:25:16 pm
in the Apple Final Cut Pro Forum
blackmagic card to my speakers. I'll also need a way to patch XLR ins into my speakers from any deck I may get in. Then there is the DVD player... I wouldn't need this for broadcast audio. That either goes ... | | | | |
| | | | Audio Hell - AAAAH !!!!!
by Bob Zelin on Sep 25, 2006 at 10:15:09 pm
in the AJA Kona Forum
into the speakers... however the mac mall guys say mackie is super 'noisy' and not the best way to go. REPLY - the Mac Mall guys are COMPLETE IDIOTS and have no idea about broadcast audio, or the professional audio ... | | | | |
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