| | | | Service: Sublime Lighting LLC
by Brian Berg on May 25, 2012 at 6:22:14 pm
in the COW - Services Forum
Working knowledge of GrandMA2, Avolite, Whole Hog II, Lighting consoles MA Lighting VPU Media Servers and Barco/High End Axon media servers. I use WYSIWYG design and Sony Vegas Pro video editing software.
I know, understand, and have working experie | | | | |
| | | | Sublime Lighting LLC
by Brian Berg on May 25, 2012 at 11:22:14 am
in the Forum
Working knowledge of GrandMA2, Avolite, Whole Hog II, Lighting consoles MA Lighting VPU Media Servers and Barco/High End Axon media servers. I use WYSIWYG design and Sony Vegas Pro video editing software. I know, understand, and have working experien | | | | |
| | | | Re: uprez sd to hd with barco folsom image pro HD
by Jerry Hofmann on May 25, 2012 at 12:30:07 am
in the Apple Final Cut Pro Forum
Both the Beta and the D2 have 8 bit color depths. However if you worked in ProRes, you'd not lose anything (nor improve it per se) however anything added to a sequence such as graphics, stills could retain all 10 bits and those elements might exhibit | | | | |
| | | | Re: uprez sd to hd with barco folsom image pro HD
by Jerry Hofmann on May 24, 2012 at 4:06:26 pm
in the Apple Final Cut Pro Forum
True, 10 bit video is going to exhibit less banding. But I doubt that any 8 bit recording will improve because you have captured it at 10 bits (had to have SHOT it at 10 bits)... so don't think it will do anything but make bigger files of the capture | | | | |
| | | | uprez sd to hd with barco folsom image pro HD
by Rick Friedberg on May 24, 2012 at 3:28:29 pm
in the Apple Final Cut Pro Forum
I've been told that renting a Barco Folsom Image Pro HD deck, through a AJA card to mac pro is one of the best ways to get quality HD from SD. I'm going to use the dvi input to take it from my mac to another. My question: what is the best codec t | | | | |
| | | | Re: 4K Grading & Monitoring
by Dimitrios Papagiannis on May 14, 2012 at 2:57:27 am
in the DaVinci Resolve Forum
Hi Juan,
We are using a 2K Barco and or a Dolby so we can set it to 4K, but we only see 2K worth of the image if that makes any sense. We are using a cubix and a cyclone as well. | | | | |
| | | | Re: 4K Grading & Monitoring
by Sascha Haber on May 13, 2012 at 6:35:16 am
in the DaVinci Resolve Forum
A decent SAN or NAS will deliver 1500 mb/s and will empower us with 4K playback speed.
I also trust in RED to deliver a proper projector that is much more hassle free than the Barco / Christie stuff.
And I have high hopes for Aja and other players | | | | |
| | | | Re: 4K Grading & Monitoring
by Kevin Cannon on May 12, 2012 at 7:34:39 pm
in the DaVinci Resolve Forum
Agreed, but:
- The Decklink 4K still needs to actually ship... Since it's been pushed back quarter after quarter I wonder if there is some kind of problem?
- For 4K projection, the options are more like Barco, Christie (NEC?). There wasn't a si | | | | |
| | | | Red Bull Mind Meld at the ULTRA Music Festival
by Debra Kaufman on Apr 23, 2012 at 11:44:54 am
in the Adobe Photoshop Forum
Integrated Visions Productions and SenovvA teamed to produce a spectacular "Red Bull Mind Meld" visual experience at the Miami Ultra Music Festival by creating an immense video projection mapping. The team turned the 29-story InterContinent | | | | |
| | | | Re: DCP/DCI/Barco 12C problem..
by Mike Most on Apr 15, 2012 at 5:45:53 pm
in the DaVinci Resolve Forum
As Kevin pointed out, HD video over SDI is defined as being SMPTE scaled for legal limits, but the DCP format is a full range format. You'll need to go through your setups for both grading and DCP creation, discover where the discrepancy is, and reso | | | | |
| | | | Re: DCP/DCI/Barco 12C problem..
by Kevin Cannon on Apr 15, 2012 at 5:23:41 pm
in the DaVinci Resolve Forum
Hi Peter,
As far as the Ultrascope, I hope that the answer will change by tomorrow... The ultrascope hasn't been updated in a while and cannot receive a 2K signal or even 444 HD signal (although it is 3G, the 3G is only taken advantage of for hig | | | | |
| | | | DCP/DCI/Barco 12C problem..
by Pete Posgaard on Apr 15, 2012 at 7:51:20 am
in the DaVinci Resolve Forum
Hi...
I'm have some questions..
I've just bought a Resolve to use with my Barco 12c 2K DCi projector. I wasnt able to buy the Decklink 4K card with XYZ output, so i bought the Decklink HD extreme 3D and feeds the Barco with a duallink SDI signal. | | | | |
| | | | Is a Ki-Pro the right choice for my project?
by Luke Benson on Mar 1, 2012 at 11:15:12 pm
in the AJA Ki Pro Forum
Hey all. Want to start this out by saying I am NOT a video guy. My background is IT, corporate Audio/Visual and audio editing (logic).
I own and operate a corporate a/v rental and staging company. One of my clients came to me and has a conference | | | | |
| | | | Qube Cinema Delivers 4K 3D From a Single Server
by Debra Kaufman on Feb 1, 2012 at 11:40:18 am
in the Cinematography Forum
Qube Cinema made history by delivering 4K 3D from a single server at the Moody Gardens Digital Cinema Symposium in Galveston, Texas. "Space Junk 3D" was projected onto an 80 by 60-foot giant screen at high bit-rate 4K stereoscopic DCP throu | | | | |
| | | | Re: Monitor Comparison
by Kevin Cannon on Jan 31, 2012 at 10:39:01 pm
in the DaVinci Resolve Forum
Hi Ryan,
My experience with the Dreamcolor has been that, calibrated frequently and going through the effort to give it a signal that it can process (progressive, not PsF) you can get a very accurate result over HDMI. A few months ago I compared | | | | |
| | | | Service: AVI Systems
by Matt Johnson on Dec 20, 2011 at 10:00:27 pm
in the COW - Services Forum
AVI Systems, a leader in audio visual systems integration and service, introduces the newly expanded Broadcast Repair Center (BRC). The BRC focuses on the service and repair needs of the Broadcast Industry.
AVI Systems is uniquely positioned to p | | | | |
| | | | AVI Systems
by Matt Johnson on Dec 20, 2011 at 2:00:27 pm
in the Forum
AVI Systems, a leader in audio visual systems integration and service, introduces the newly expanded Broadcast Repair Center (BRC). The BRC focuses on the service and repair needs of the Broadcast Industry. AVI Systems is uniquely positioned to provi | | | | |
| | | | Re: DVI Extender and 4:4:4 RGB?
by Jason Slenker on Dec 11, 2011 at 2:22:08 pm
in the Blackmagic Design Forum
As far as I know the extender does not do RGB. We have tried this several times with our Barco Screenpro and get nothing. We ended up getting the BM HDMI to sdi converter and used a dvi to HDMI cable. I don't know if it will handle 4:4:4 but it de | | | | |
| | | | Re: 2461W Sanity Check
by Bram Desmet on Nov 1, 2011 at 2:57:05 am
in the Flanders Scientific Forum
Hi Justin,
I know you are asking for other user feedback, but as we speak to thousands of customers every year I think I can give you a reasonable summary of the type of feedback we generally get from customers and this may also be helpful to othe | | | | |
| | | | Re: Video Installation: Technical advice needed
by Walter Soyka on Oct 26, 2011 at 8:56:21 pm
in the Live & Stage Events Forum
The VGA or DVI over Cat5 extender systems generally do not use TCP/IP, and thus they shouldn't be patched into your network. Fiber extenders may be a better bet.
I'd consider trying to rent some fiber extenders and a switcher like a Barco ScreenPr | | | | |
| | | | Kona output to Grade 1 monitor
by Paul Trainor on Sep 30, 2011 at 2:27:16 pm
in the AJA Kona - Mac Forum
Hi all,
We have in the past used a Barco CRT monitor to view SD output for broadcast to see the true interlaced image. Nowadays for HD we go through an AJA SDI to HD converter and straight to a domestic HD 1080p monitor. This gives us some guidanc | | | | |
| | | | Decklink 4K + Resolve
by Paul Korver on Sep 26, 2011 at 6:35:04 pm
in the DaVinci Resolve Forum
To continue Joe Owen's original post on the issue Decklink 4K issue last May... I'm wondering if there has been any further development towards using the Decklink 4K card for 4K monitoring with Resolve over quad 3G-SDI. Both NEC, Barco and Christie | | | | |
| | | | Re: Conference staging with large screen
by gary Jarvis on Sep 12, 2011 at 1:32:17 pm
in the Live & Stage Events Forum
I kinda disagree with Mathew as, multiple screens are not like LED walls where you can edge them together and have a seamless display, I tend to agree with Walter and use pro gear i.e. 4 Barco's or Christies in pairs with wide angle lens and blend th | | | | |
| | | | Re: Conference staging with large screen
by Mathew Slack on Sep 8, 2011 at 9:36:21 pm
in the Live & Stage Events Forum
George,
Instead of doing one large blended screen, you may want to consider going with smaller cheaper screens, 2,3,4 however many 9x12 or desired size strung along the rear of the stage with (preferably) rear projection or at least flown front pr | | | | |
| | | | Re: Watchout 5
by Walter Soyka on Aug 24, 2011 at 3:42:24 pm
in the Live & Stage Events Forum
Another benefit to using a Barco or Vista system for PIPs is that you can get proper PGM/PVW busses, and move your IMAG or PPT on/off cues out of WATCHOUT's timeline, aux timeline, or standby layers.
I find that while the timeline works well for c | | | | |
| | | | Re: Watchout 5
by Morten Ranmar on Aug 23, 2011 at 9:25:10 pm
in the Live & Stage Events Forum
We use Barco Screenpros or Presentation Pros attached to the Watchout outputs to handle PIP, this only gives us 1 frame of delay. | | | | |
| | | | Visionaries
by Jim Grady on Aug 3, 2011 at 8:14:58 am
in the Forum
Corporate events Before the event: theme and content development, video production, screen presentations At the event: We work with you to rehearse your presentations. We manage the projection, lighting, sound, documentation. After the event: Post th | | | | |
| | | | PDC Productions
by Tony Pasquale on Aug 3, 2011 at 7:07:04 am
in the Forum
It's the way we think...about stage design, lighting, sound systems, projection, video, lasers, pyro, stage management, scripting, music, and graphics...that enables us to produce, personalize, and execute flawless live events across North America, E | | | | |
| | | | Re: Multiview / Splitscreen of 8 live cameras
by Erik iversen on Jul 21, 2011 at 6:55:26 pm
in the Live & Stage Events Forum
As it looks like you are talking live cameras in the mix, I would recommend the Barco Encore system. It has very low delay for processing so your audio and video will stay in sync. There are many AV rental companies that can help you spec out the | | | | |
| | | | Re: On being rude to Randy Ubillos
by Mario Paglia on Jun 30, 2011 at 12:16:24 am
in the Apple FCPX or Not: The Debate Forum
Here's my point:
once (10 years ago) Apple needed to offer great softwares to make people (especially pros) buy macs. They make money from hardware not from software. So they bought great pieces of software and made it mac only: Macromedia Final Cut | | | | |
| | | | Re: Barco Screen Pro 2 info
by Bruce Wheaton on Jun 28, 2011 at 6:15:03 pm
in the Live & Stage Events Forum
The ScreenPro should probably be downstream of the router, so it can get any source and convert it to the resolution of the projector - that's the point. It sounds like you should have had a controller, so you could control the router and ScreenPro, | | | | |
| | | | Re: grading projector
by Kevin Cannon on Jun 27, 2011 at 11:37:20 pm
in the DaVinci Resolve Forum
Well your needs seem very similar to what we were trying to outfit (we'll have a 130" diagonal, decided that 2K was a minimum, and that DCI colors will increasingly come in handy). Here's what we found:
The JVC-DLA RS60U is the best "home theater" | | | | |
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