| | | | Re: ingesting with prelude
by Angelo Lorenzo on Sep 15, 2012 at 6:01:42 pm
in the Adobe Premiere Pro Forum
http://avid.force.com/pkb/articles/en_US/Download/en392959 Avid DNxHD
When installed, it shows as a Quicktime codec.
When you say "I'd rather not edit AVCHD" then I assume you want something that processes much smoother.
I would go for one o | | | | |
| | | | Re: Please assist with exporting options
by Angelo Lorenzo on Sep 13, 2012 at 4:17:18 pm
in the Adobe Premiere Pro Forum
1) Download http://avid.force.com/pkb/articles/en_US/Download/en392959 and install.
2) In Premiere, go to File>Export>Media...
3) Select Quicktime as format, ignore preset.
4) In the video tab, select Avid DNxHD as your codec
5) Hit the C | | | | |
| | | | Please assist with exporting options
by Steven Prebble on Sep 13, 2012 at 4:06:11 pm
in the Adobe Premiere Pro Forum
I posted recently about one of my music videos is to be aired on UK tv music channels. I was originally told Apple pro res and I asked about this option on here as I'm not a MAC user so this option wasn't easy for me to do. During my post on here I w | | | | |
| | | | IBC 2012: Blackmagic Design Releases
by Debra Kaufman on Sep 10, 2012 at 8:01:45 pm
in the Blackmagic Design Forum
Blackmagic Design used IBC to debut seven products, including a second version of its camera, the Blackmagic Cinema Camera MFT. The UltraStudio 4K, UltraStudio Mini Monitor and Mini Recorder, and DeckLink 4K Extreme, as well as Mini Converter 4K and | | | | |
| | | | IBC 2012: AVID's Worldwide Collaboration & Delivery
by Debra Kaufman on Sep 9, 2012 at 7:47:49 pm
in the AVID Forum
At IBC 2012, the Avid stand sports a globe, an icon of what the company is showing: more emphasis on worldwide collaboration and delivery to multiple screens. In addition to enhancements to the entire Media Composer 6.5 family, Avid unveiled Interpla | | | | |
| | | | Re: Avid EDL
by Jon Dobson on Sep 8, 2012 at 11:04:48 am
in the AVID Forum
Yer I am aware of the Avid Edit Protocol, but unfortunately due to the sheer volume of media we wouldn't have been able to take that through to the online (plus the constant problems we've been having with Avid AMA...)
Therefore we had to try and | | | | |
| | | | IBC 2012: AJA
by Debra Kaufman on Sep 7, 2012 at 4:00:14 am
in the AJA Ki Pro Forum
AJA is unveiling several new products at IBC 2012, chief among them the Corvid Ultra, which supports 2K and 4K high-frame rate DI workflows. Corvid Ultra also features the new TruScale arbitrary scaling engine, which allows up and down scaling from w | | | | |
| | | | Re: Patent Thing meets FCP-X.
by Tim Wilson on Aug 29, 2012 at 5:00:27 pm
in the Apple FCPX or Not: The Debate Forum
I can't imagine that licensing had anything to do with pulling FCP 7. Apple either had the rights to that stuff or they didn't. Anyone seeking damages for infringing uses would have done so based on ALL the money that Apple had ever made with that te | | | | |
| | | | News: Atomos at IBC 2012
by Cow News Droid on Aug 21, 2012 at 12:36:10 am
in the NEWS: Product News Releases Forum
Smart Production Tools for Any Workflow and Any Budget
(Melbourne, Australia--August 21, 2012) Atomos, the creator of award-winning field recorders Ninja-2 and Samurai, as well as the small, but perfectly formed, Connect converters, will be showin | | | | |
| | | | music video delivery requirements
by devin joplin on Aug 21, 2012 at 12:03:13 am
in the Adobe Premiere Pro Forum
hi! i am new to making videos, and have received what i believe to be export guidelines that i cannot completely decipher :(
can anyone help putting this into layman's terms? any help would be greatly appreciated.
"ForMat options"
"• AP | | | | |
| | | | MXF Audio Problem
by David Roberts on Aug 20, 2012 at 5:36:07 pm
in the Adobe Premiere Pro Forum
Hi,
Newbie to these great forums here.
I have shot some footage on a Panasonic P2 using as FS-100 hdd and
usually I shoot Quicktime and have no problems.
I accidentally left it on DVCPROHD and was left with some MXF files.
I haven't used them | | | | |
| | | | Re: FCP > SVP project file
by Mike Kujbida on Aug 17, 2012 at 5:31:56 pm
in the Sony Vegas Forum
You both need to install the Avid DNxHD codec (it's free) and get him to render in that format.
http://avid.force.com/pkb/articles/en_US/Download/en423319
As I recall, there are several render options so do some experimenting to see which option be | | | | |
| | | | Re: Smallest File Size yet keeping Alpha Channel
by John Cuevas on Aug 10, 2012 at 12:28:30 am
in the Adobe After Effects Forum
I like Avid DNxHD it's not the smallest codec, but really high quality and there are a bunch of different bit rates to try if you want to change the final size. One thing, you have to go into the codec settings and choose "compressed/uncompressed" a | | | | |
| | | | unexpected zip compression of DNxHD file
by Graham Macfarlane on Aug 9, 2012 at 4:03:59 pm
in the Adobe After Effects Forum
AE CS5 on Win 7 x64
I have been provided two QT files, A1 and B1 each 1080p ProRes (not sure if they are 422 or 4444).
Each is about 1.5 minutes long and around 2GB size.
AE CS 5 recognises both A1 and B1 as: apch, trillions of colours.
If I zi | | | | |
| | | | Re: More Napkin Numbers? (FCPX Units)
by Tim Wilson on Aug 2, 2012 at 6:34:38 am
in the Apple FCPX or Not: The Debate Forum
[Richard Herd] "That means, we're just waiting for the movie -- the one edited in X -- that generates the halo effect. "
I think the halo is already there, provided by Apple itself. If you don't see what you need, no number of features being made | | | | |
| | | | Re: Converting Arri Alexa Log c footage to Avid DNXHD
by andrew thompson on Jul 29, 2012 at 1:51:25 pm
in the AVID Forum
Thanks guys! I'll give this a shot tomorrow with our test footage.
If you have a second, please give this some thought: I recently worked on a small Avid 6.5 project where we were working with R3D files shot on the RED MX. I do not believe it w | | | | |
| | | | Re: DSLRs from list
by Rob Manning on Jul 28, 2012 at 8:17:21 pm
in the DSLR Video Forum
Any work you will be doing in post? IE. Green screen or other manipulated animations (After Effects in Adobe, or other?) then the codec capture, becomes a consideration.
ProRes or AVID DNxHD on a Ninja, or the BMD Hyperdeck 2 is fairly economical | | | | |
| | | | Avid/Davinci Gamma Shifts in Export - Once again
by Derek Branscombe on Jul 26, 2012 at 10:01:54 pm
in the DaVinci Resolve Forum
I'm sure you guys have seen the threads, I found a few of them while searching for a solution. Most of them outline how exporting Avid DNxHD can muck up your color because of the QT wrapper... however I'm trying to go directly from Resolve to Avid an | | | | |
| | | | Avid/Davinci Gamma Shifts in Export - Once again
by Derek Branscombe on Jul 26, 2012 at 9:58:14 pm
in the DaVinci Resolve Forum
I'm sure you guys have seen the threads, I found a few of them while searching for a solution. Most of them outline how exporting Avid DNxHD can muck up your color because of the QT wrapper... however I'm trying to go directly from Resolve to Avid an | | | | |
| | | | Re: Working with DSLR and AVCHD files, transcode?
by Angelo Lorenzo on Jul 26, 2012 at 5:16:52 am
in the Adobe Premiere Pro Forum
It happens to everyone. h.264 and AVCHD (which is another MPEG variation) are both interframe codecs; codecs that store some full frames with partial frames in between. The lag is because it's trying to calculate partial frames.
You can transcode | | | | |
| | | | Re: Editing AVCHD files?
by Steve Brame on Jul 25, 2012 at 9:12:05 pm
in the Adobe Premiere Pro Forum
Yes, editing AVCHD files, especially on a less able computer, can be trying, so transcoding is still the way to go for many. On the PC, the two most recommended are Cineform and Avid DNxHD. Avid's solution is simply a free codec download while Cinefo | | | | |
| | | | Re: Alternative to Apple ProRes?
by Eric Strand on Jul 17, 2012 at 1:58:34 pm
in the Compression techniques Forum
You're correct that the reason you don't have ProRes is because you don't have Final Cut Studio.
It is a good format for archiving files, but you can archive your native raw footage. This would be ideal anyway since it's the purest form of your f | | | | |
| | | | News: Avid Announces Avid DS 11
by Cow News Droid on Jul 16, 2012 at 6:11:37 pm
in the NEWS: Product News Releases Forum
Latest version accelerates high-end content creation workflows with hands-on color correction, expanded hardware and file format support, a resolution independent canvas and full Media Composer 6 conform
(Burlington, MA--July 16, 2012) Avid® toda | | | | |
| | | | Re: Sony FS 100?
by brown lisa on Jul 13, 2012 at 3:08:44 am
in the AVID Forum
Import Sony NEX-FS100 AVCHD to Avid MC: http://www.editavchdmac.com/import-edit-sony-nex-fs100-avchd-in-avid-media-composer/
The post from a blog, it has teh detailed steps on converting Sony AVCHD .mts to Avid DNXHD .mov for Media Composer. | | | | |
| | | | Re: Bitrate for DVD question.
by John Rofrano on Jul 12, 2012 at 6:21:19 pm
in the Sony Vegas Forum
[Jeff Schroeder] "My question is... What is the point where my DVD won't play on some DVD players because the bitrate is too high?"The spec allows for up to 9.8Mbps. Most people recommend that you don't exceed 8Mbps to 8.5Mbps just to be safe.
[Jeff | | | | |
| | | | Re: Premiere Pro yello line on import
by Angelo Lorenzo on Jul 10, 2012 at 6:29:21 am
in the Adobe Premiere Pro Forum
First and foremost, yellow simply means "you may need to render this for real time playback if you get some stuttering".
With that said, the goal isn't always to get a green line, it's overkill in some cases.
As a troubleshooting step I would t | | | | |
| | | | Re: Can Premiere handle this?
by Angelo Lorenzo on Jul 9, 2012 at 8:23:31 pm
in the Adobe Premiere Pro Forum
A few things.
First, with the amount of RAM you have, I would worry about performance a little bit in After Effects, unless at that point you've just locked the edit and are rendering out a crop.
Secondly, I'm a little confused as to why you ar | | | | |
| | | | Timeline Resolution vs Render Output Size
by John Pilgrim on Jul 7, 2012 at 8:16:12 am
in the DaVinci Resolve Forum
Hi,
I'm having weird results, not consistent with the behavior described in the Resolve manual.
I'm grading 3840x2160 ProRes4444 source ftg, and wish to maintain the same specs for output.
If I set my Timeline Resolution to 1920x1080 in order to | | | | |
| | | | Re: Chroma Keyer question
by John Rofrano on Jul 4, 2012 at 6:12:27 pm
in the Sony Vegas Forum
[Joao Souza] "The only Quicktime I see is = Quicktime7(*.move). There's nothing about Quicktime PNG."You'll have to create your own template. I have a tutorial on my web site on how to create an Avid DNxHD template for QuickTime. Just select PNG as t | | | | |
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